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Recent Comments
- Joe Smith on Transcript of Greg Johnson’s Interview with Kevin MacDonald on Trump, 2015, & the Next Current Year
- Walter Oleg on Alexiey Shiropayev’s Prison of the Nation:
An Ethnonationalist History of Russia, Part 1 - Greg Johnson on Alexiey Shiropayev’s Prison of the Nation:
An Ethnonationalist History of Russia, Part 1 - n on The Autochthony Argument
- Leon on Alexiey Shiropayev’s Prison of the Nation:
An Ethnonationalist History of Russia, Part 1 - Greg Johnson on The Autochthony Argument
- N on The Autochthony Argument
- N on The Autochthony Argument
- QT on Inglourious Basterds
- Proofreader on From Léon Degrelle to Tintin:
European Identity & Anti-Semitism in the Work of Hergé
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Drive
Drive
, the 2011 award-winning art-house crime thriller, is a modern retelling of the story of the knight in shining armor who saves a damsel in distress from the clutches of evil. Being modern, however, this is not a fairy tale that ends with “. . . happily ever after,” for the modern world cannot offer happiness for the heroic.
The film opens with a handsome young Nordic man (Ryan Gosling) driving through the dark streets of Los Angeles, alone in his 1973 Chevy Malibu. Read more …