Louis Proyect: The Unrepentant Marxist

December 27, 2015

Venezuela, Greece and the prospects for a new left

Filed under: North Star — louisproyect @ 10:15 pm

Maduro-jur-como-presidente2

After the Venezuelan elections, what is to be done?

After an extended period of relative quiescence in which the North Star editorial board has been continuing to assess the progress (or lack thereof) toward the creation of radical, nonsectarian formations on the left, we hope to begin publishing relevant content again. To some extent, this is an unavoidable task since the defeats in Greece and Venezuela of such parties has led to widespread discussion of whether they were oversold to begin with.

While the emphasis for people who believe in the North Star type approach has always been on organizational questions (what Lenin really meant, etc.), there is no avoiding the programmatic aspects of both Syriza and the Bolivarian revolution. In the first case you are dealing with a party that ostensibly refused to live up to its promises. With Venezuela, the issue might be one of whether the ruling party could have done anything to stay in power given the dire economic situation triggered by falling oil prices.

full: http://www.thenorthstar.info/?p=12407

December 25, 2015

A Pentagon-Kremlin conspiracy to back Assad? Who is Seymour Hersh kidding?

Filed under: Syria — louisproyect @ 8:28 pm

Martin Dempsey, America’s top general, funneled intelligence to Assad according to Seymour Hersh

Seymour Hersh, the doddering old fool who should have retired from journalism at least as long ago as Woody Allen should have stopped making movies, has written a preposterous article in the London Review of Books that relies pretty much on the word of an ex-official in the Joint Chiefs of Staff. The unnamed source (what else would you expect) claims that the Pentagon has been effectively operating as an arm of the Kremlin to back Bashar al-Assad in his war on the Syrian rebels. If the Justice Department were to take these allegations seriously, they’d arrest the former Pentagon head for treason and not just put him in jail but underneath the jail.

Except for the supposed Dempsey-Putin conspiracy that would likely be rejected by Tom Clancy’s publisher as being implausible, most of the article is a tired retread of all the Baathist amen corner talking points.

Showing that he is as tough-minded as John Wight—the British Assadist who justified barrel-bombing as having something in common with the carpet bombing of Dresden (that’s some fucking justification), Hersh told Amy Goodman that you have to break an egg to make an omelet:

The Russians’ concern is not about establishing a new world order; their concern is terrorism, primarily. They have a big terrorism problem. There’s no question the leadership—many of the leadership modes or groups inside the ISIL, or the Islamic State, originated from the Chechnyan war. They had two wars with Chechnya—one of them went 10 years—brutal wars, in which Russia did horrible things, the same sort of stuff that Bashar al-Assad did, and one could argue that—same things we did to Japan at the end of World War II, when you see your country is at stake. People do very rough things in all-out war.

Well, he got this right—sort of. The USA dropped atomic bombs on Japan twice but was it because it saw that our country’s survival was “at stake”? That, of course, is the excuse that scumbags like Winston Churchill (a fave on John Wight’s website) made but one rejected by New Left historians like Gar Alperovitz who likely Hersh (and Wight) have never read. In fact the argument that your country’s survival is at stake is the same that was made in 1914 and then again in 1941. If you have zero understanding of the Marxist class analysis, or having once understood it like Christopher Hitchens and John Wight but went on to reject it in favor of Enlightenment Values against the dreaded jihadi scum, you are likely to line up with Hersh rather than Alperovitz. Barrel bombs, A-Bombs, carpet bombing…that’s what you need to ensure the rule of Reason, Religious Tolerance and Democracy. Just ask Bill Maher.

As might be expected, the LRB article begins with a reference to a top secret document that us poor unwashed mortals have to have transmitted to us through Hersh’s access to his informant. Don’t you feel blessed?

The military’s resistance dates back to the summer of 2013, when a highly classified assessment, put together by the Defense Intelligence Agency (DIA) and the Joint Chiefs of Staff, then led by General Martin Dempsey, forecast that the fall of the Assad regime would lead to chaos and, potentially, to Syria’s takeover by jihadi extremists, much as was then happening in Libya.

According to Hersh’s pal, it was the findings in this report that so frightened the top generals that ran lickety-split to their rolodex and phoned their counterparts in the Russian army. They had to put their heads together to stop the threat posed to world survival by ISIS and al-Qaeda. If you’ve seen “Dr. Strangelove”, you’ll remember how the Yanks and the Commies could put their differences aside when their common survival was at stake. I should add that if Stanley Kubrick were still alive, he’d be writing a screenplay based on Hersh’s fanciful reporting right now.

(Coincidently, Hersh admitted to a Pacifica radio interviewer (2:30 into this clip) that he never even saw the report, he only “knew about it”. So there’s a level of reportorial integrity here that is less than meets the eye.)

With the USA and Russia secretly aligned on behalf of Assad, you would think that the war in Syria would have ended long ago. So what kept it dragging on? Of course, it couldn’t be the rebels who Hersh dismisses as extremists with a zero social base in the population. Instead it has been Turkey, a country that developed “an across-the-board technical, arms and logistical programme for all of the opposition, including Jabhat al-Nusra and Islamic State”, that has tried to keep the pot boiling. But General Dempsey and his cohorts foiled the evil Turks’ dastardly plans:

“We worked with Turks we trusted who were not loyal to Erdoğan,” the adviser said, “and got them to ship the jihadists in Syria all the obsolete weapons in the arsenal, including M1 carbines that hadn’t been seen since the Korean War and lots of Soviet arms. It was a message Assad could understand: ‘We have the power to diminish a presidential policy in its tracks.’”

M1 Carbines? Really? Funny that this weapon is not mentioned in the Wikipedia entry on arms used by the Syrian rebels. Who knows, maybe the rebels opened a box of M1’s and threw them away. But more to the point, despite all the fear-mongering over Turkey’s supposed backing for ISIS et al, there is evidence that it was crucial in blocking shipments of the very weapon that could have made the most difference, even without the connivance of those “trusted” Turks who were as ready as Martin Dempsey to prop up Assad.

On October 17, 2012, the Wall Street Journal reported (emphasis added):

U.S. officials say they are most worried about Russian-designed Manpads provided to Libya making their way to Syria. The U.S. intensified efforts to track and collect man-portable missiles after the 2011 fall of the country’s longtime strongman leader, Moammar Gadhafi.

To keep control of the flow of weapons to the Syrian rebels, Turkey, Saudi Arabia and Qatar formed a joint operations room early this year in a covert project U.S. officials watched from afar.

The U.S. has limited its support of the rebels to communications equipment, logistics and intelligence. But U.S. officials have coordinated with the trio of countries sending arms and munitions to the rebels. The Pentagon and CIA ramped up their presence on Turkey’s southern border as the weapons began to flow to the rebels in two to three shipments every week.

In July, the U.S. effectively halted the delivery of at least 18 Manpads sourced from Libya, even as the rebels pleaded for more effective antiaircraft missiles to counter regime airstrikes in Aleppo, people familiar with that delivery said.

Martin Dempsey resigned in May of this year, thus allowing Obama to preside over a foreign policy that could rely on a “more compliant” Pentagon. Hersh is disappointed in this, since it means “There will be no more indirect challenges from the military leadership to his policy of disdain for Assad and support for Erdoğan.” If that is the case, why the continuing refusal to supply the weapons that could turn Syria into a graveyard for Russian jets?

On October 26th, the Voice of America reported on the frustration of Syrian rebel commanders over the continuing ban on MANPAD’s:

Abdul Rahman, a commander with the Ahfad Omer battalion, part of the larger First Brigade, a U.S. backed secular militia, said they had made several attempts to buy MANPADS and recently had been negotiating with a mafia group in Turkey, but they realized they were being set up for fraud. “We understood that they didn’t have access to the weapons they claimed,” he explained.

He said he has hopes that Saudi Arabia and Qatar may tire with the U.S. ban on supplying MANPADS and break coalition ranks, but that the Gulf countries are not ready to flaunt the Americans. “No one will give us any, we are really suffering because of this.” He added: “We are trying all kinds of ways to get them, including from the mafia, on the black market, anything we can think of to get some. Whatever money they want, we can give them.”

Is there any explanation for Saudi Arabia and Qatar not supplying MANPAD’s, especially in light of their supposed involvement with jihadist terror all around the world? With all of the zillions of articles about the Saudi’s commitment to Salafist terror groups like ISIS, why in the world would they respect a U.S. ban? None of this adds up, of course, if you accept the notion that Saudi Arabia, Qatar, and Turkey would stop at nothing to create an Islamic State in Syria and Iraq. However, this is a false premise. These three nations have been supporting a wide range of groups in Syria but all of them have been at odds with ISIS. In fact, ISIS came into existence as a break with al-Qaeda in whose name the al-Nusra Front operates. That being said, Turkey has promoted other groups especially the FSA that has borne the brunt of Russian and Syrian bombing.

How does Hersh explain the various reports in the media about Russia targeting these enemies of ISIS? That’s no problem for our intrepid journalist. He relies on the Russian media for an explanation:

The Kremlin adviser on the Middle East, like the Joint Chiefs and the DIA, dismisses the ‘moderates’ who have Obama’s support, seeing them as extremist Islamist groups that fight alongside Jabhat al-Nusra and IS (‘There’s no need to play with words and split terrorists into moderate and not moderate,’ Putin said in a speech on 22 October).

Well, I guess that settles it. If Putin says it, it must be true.

To buttress his case against those of us who view Assad as a stinking, scabrous Middle East version of Pinochet or Suharto, Hersh invokes the expert testimony of a German journalist and one-time politician:

Jürgen Todenhöfer, a German journalist who was allowed to spend ten days touring IS-held territory in Iraq and Syria, told CNN that the IS leadership “are all laughing about the Free Syrian Army. They don’t take them for serious. They say: ‘The best arms sellers we have are the FSA. If they get a good weapon, they sell it to us.’ They didn’t take them for serious. They take for serious Assad. They take for serious, of course, the bombs. But they fear nothing, and FSA doesn’t play a role.’”

Quoting this 75-year old globetrotting fool (if I embarrass myself as badly as Hersh or Todenhöfer 5 years from now, please inform my wife) is about the same thing as quoting Pepe Escobar or Mike Whitney. On his website,Todenhöfer invokes the Pentagon document found on Judicial Watch that has been cited 10,000 times by people like Seumas Milne to “prove” that the USA was trying to create an Islamic State (of course, everybody knows that Obama is a secret Muslim—just ask Donald Trump):

The contents of the said secret document is prone to leave readers speechless. It reveals a Nobel Peace Prize Laureate to actually be an instigator of terror and shows how the West sides with international terrorists. Both of them have been deliberately promoting international terrorism – particularly ISIS! That’s the bitter reality.

The document is a sensation and a political scandal – let’s call it a “terrorist Watergate”. Obama and the West knew early on who was really fighting in Syria and how much of a terrorist threat their politics created for the world. While they were telling the world the usual lies of them fending for freedom, democracy and human rights, they were actually actively (and purposefully) supporting terrorist organizations.

Don’t these idiots read the document to its conclusion? It clearly states that the development of what would become ISIS is a threat to US interests:

. THE DETERIORATION OF THE SITUATION HAS DIRE CONSEQUENCES ON THE IRAQI SITUATION AND ARE AS FOLLOWS;

-1. THIS CREATES THE IDEAL ATMOSPHERE FOR AQI [Al Qaeda in Iraq—don’t ask me why this stupid memo is in all-caps] TO RETURN TO ITS OLD POCKETS TN MOSUL AND RAMADI, AND WILL PROVIDE A RENEWED MOMENTUM UNDER THE PRESUMPTION OF UNIFYING THE JIHAD AMONG SUNNI IRAQ AND SYRIA, AND THE REST OF THE SUNNIS IN THE ARAB WORLD AGAINST WHAT IT CONSIDERS ONE ENEMY, THE DISSENTERS. ISI COULD ALSO DECLARE AN ISLAMIC STATE THROUGH ITS UNION WITH OTHER TERRORIST ORGANIZATIONS IN IRAQ AND SYRIA, WHICH WILL CREATE GRAVE DANGER IN REGARDS TO UNIFYING IRAQ AND THE PROTECTION OF ITS TERRITORY.

Dire consequences? Grave dangers? How in fuck’s name do you interpret such words to mean that Obama was in favor of jihadists especially when he has been using drones to kill them all around the planet on a nonstop basis for fifteen years now? Some analysts say that the use of drones will convince people to join ISIS. Is that what Todenhöfer had in mind? Your guess is as good as mine.

Hersh also has good things to say about Tulsi Gabbard, a Democratic Congresswoman from Hawaii who served two military tours in the Middle East. Hersh concurs with her statement to CNN that Russia was doing the USA a favor by bombing the rebels in Syria (with an occasional token gesture aimed at ISIS.)

I am a bit surprised to see Hersh neglect other major political figures who have pretty much the same outlook, including Donald Trump who said that even if Assad is pretty bad, the rebels are worse. Without going too far, it might be said that this is the dominant position across the political spectrum from Marine Le Pen on the right to Mike Whitney on the left. If you are comfortable with such bedfellows, be my guest. Just watch out for the crabs and the scabies.

And finally, if you are trying to establish whether or not Obama was a bitter enemy of Assad anxious to “bring ’em on” as George W. Bush once infamously referred to war with Iraq, there’s no need to go scuttling about trying to find some spook or retired Pentagon official to quote anonymously in the feckless LRB. You can simply check out what Robert Ford has to say–no not the guy who shot Jesse James but the former Ambassador to Syria who has been telling everybody who will listen that Obama had the same relationship to Assad as Neville Chamberlain had to Hitler. In countless interviews and articles, he has been hammering the administration for abandoning the rebels:

First, the Free Syrian Army needs far greater material support and training so that it can mount an effective guerrilla war. Rather than try to hold positions in towns where the regime’s air force and artillery can flatten it, the armed opposition needs help figuring out tactics to choke off government convoy traffic and overrun fixed-point defenses.

Indeed, this was administration policy all along. Perhaps General Dempsey was tilting even more for directly backing Assad but that would be trying to break down an open door as far as the White House was concerned.

In fact there was zero interest in a large-scale intervention in Syria in either civilian or military quarters. All this is documented in a NY Times article from October 22nd 2013, written when the alarums over a looming war with Syria were at their loudest, that stated “from the beginning, Mr. Obama made it clear to his aides that he did not envision an American military intervention, even as public calls mounted that year for a no-fly zone to protect Syrian civilians from bombings.” The article stressed the role of White House Chief of Staff Dennis McDonough, who had frequently clashed with the hawkish Samantha Power. In contrast to Power and others with a more overtly “humanitarian intervention” perspective, McDonough “who had perhaps the closest ties to Mr. Obama, remained skeptical. He questioned how much it was in America’s interest to tamp down the violence in Syria.” In other words, the White House policy was and is allowing the Baathists and the rebels to exhaust each other in an endless war, just as was White House policy during the Iran-Iraq conflict.

(In a future post, I will deal with Hersh’s claim that Turkey had a “rat line” of Uyghur jihadists that Russia needed to exterminate for its own survival.)

December 23, 2015

Far From the Madding Crowd

Filed under: Film,literature — louisproyect @ 5:07 pm

If I were to second-guess myself, I’d say that my high regard for this year’s “Far From the Madding Crowd” was inextricably linked to my love of Thomas Hardy’s “Tess of the D’Ubervilles”. While there certainly was “value added” by director Thomas Vinterberg’s 2015 adaptation (the screenplay was written by David Nicholls, who adapted “Tess of the D’Ubervilles” for BBC), it was the underlying written work that would have perhaps salvaged an attempt by Michael Bay to make a film based on Hardy’s breakthrough novel. Of course, the source is often no guarantee of success, as the dreary version of “Macbeth” starring Michael Fassbender would indicate.

In 1979 I began a systematic study of the world’s greatest fiction in order to prepare me to write the Great American Novel. Nothing much came out of that project except some enormous reading pleasure particularly from the 19th century British novel that I had neglected during a misspent youth trying to overthrow American capitalism with the bluntest of all instruments, the SWP.

If Vinterberg’s “Far From the Madding Crowd” does nothing except to whet the appetite of the audience for a relatively neglected author, he deserves an award far greater than any Oscar. While Hardy’s novels have elements that lend themselves to cinema, as I shall point out momentarily it is his language that soars above plot and character development. Considered by some to be a better poet than novelist, there are passages in “Far From the Madding Crowd” that can rival the greatest poetry. If you go to Project Gutenberg, you can turn to practically any page and read something like this, a description of the farmhouse of Bathsheba Everdene, the novel’s lead female character: “Fluted pilasters, worked from the solid stone, decorated its front, and above the roof the chimneys were panelled or columnar, some coped gables with finials and like features still retaining traces of their Gothic extraction. Soft brown mosses, like faded velveteen, formed cushions upon the stone tiling, and tufts of the houseleek or sengreen sprouted from the eaves of the low surrounding buildings.”

Some critics find Hardy’s language overstuffed and archaic, not to speak of the archness of the names such as Bathsheba Everdene that obviously reflect Dickens’s influence, but in my view it is one of the main drawing points just as it is in Dickens. Speaking of which, Everdene is beloved by Gabriel Oak whose name suggests exactly who he is as a character—a stalwart country yeoman who is as dependable as he is prosaic.

She is also beloved by William Boldwood, an older and prosperous farmer who despite having everything going for him cannot inspire Everdene’s affection. Spurning Oak and Boldwood—a tandem united by their lumbering names and personalities—she falls for a dashing scoundrel named Sergeant Frank Troy who she first spots leading a cavalry regiment bedecked in red near her farm. It was the classic case of falling in love with the uniform rather than the man. Hardy has lots to say about the character but probably nothing more telling than this:

He had been known to observe casually that in dealing with womankind the only alternative to flattery was cursing and swearing. There was no third method. “Treat them fairly, and you are a lost man.” he would say.

In essence “Far From the Madding Crowd” is a love story in the same vein as the Bronte sisters with the heroine finally connecting with the right man all along after a many obstacles put in her way, especially her own bad decision.

It is also a study of class relations in the British countryside in the 1860s when the enclosure acts had finally succeeded in wiping out the small farmer and rendering class relations into a close approximation of what existed in the factory system. After Bathsheba Everdene inherits her uncle’s estate, she joins the rural bourgeoisie. The class differences between her and Gabriel Oak are one of the stumbling blocks in consummating a relationship that would have been the best possible outcome. Through thick and thin, Oak sticks with her as bailiff (a kind of foreman) on her farm even though he bitterly resents Frank Troy’s presence in her bedroom.

In his chapter on Thomas Hardy in “The English Novel”, Terry Eagleton reflects on the anxiety of the middle-class in this period as it is being squeezed into the rural proletariat:

England had long been a capitalist, market-oriented enterprise based largely upon landowners, tenant farmers and landless labourers. There was thus no sharp social divide between country and city, since the social relations which ‘prevailed in the latter were equally dominant in the former. There was also a rural lower middle class of dealers, craftsmen, shopkeepers, traders, artisans, schoolteachers, cottagers, small employers and the like, with whom Hardy, as an offspring of that class himself, especially identified. It was this class, not the ‘peasantry’, which he saw as preserving the cultural continuities of the countryside; and its steep social decline in his own day meant the catastrophic loss of that precious heritage. As with most of the classic English nineteenth-century novelists, then, Hardy’s allegiances lay neither with the governing classes nor with the plebeian masses. Instead, he draws many of his major protagonists from the mobile, unstable lower middle class — one trapped between aspiration and anxiety, and therefore typical of some of the central contradictions of the age. In this sense, Hardy could attend to the plight of this obscure social grouping without losing a grip on broader issues. Gabriel Oak of Far From The Madding Crowd starts off as a hired labourer before graduating to become an independent farmer and then a bailiff.

Turning now to Vinterberg’s film treatment, we should first note that he hardly seemed like the sort of director who would be drawn to such material since he was a founding member of Dogme 95, the film group that can best be described as minimalist. Given the lush cinematography of his latest film, it would seem that he has gone mainstream. If so, that is a recommendation for not allowing dogma (dogme?) to trump sound cinematic judgment.

There are some scenes in his film that are totally riveting, among them one that pitted Oak’s reliability against Troy’s wastrel ways. On the night of a celebration of the autumn harvest, Troy leads the farm hands in a drunken debauchery that leaves them all barely capable of protecting the harvest in the face of a violent storm let alone standing on their feet. Oak, who has remained sober, climbs to the top of the haystacks to lay a canvas atop them despite the howling winds. It is filmmaking of the highest order.

In an interview with Comingsoon.net, Vinterberg shows that he came to this project with exactly the right frame of mind. Asked why he chose to make a film about Victorian England when most of his films deal with contemporary ills (such as the superlative “The Hunt” that dealt with false accusations of sexual abuse of a child), he described himself as a fan—just like me:

ComingSoon.net: This is a really interesting movie for you after “The Hunt.” I feel that in general you’ve been doing very modern films about modern society so to go back in time to direct a Thomas Hardy adaptation seems like quite a leap. Can you talk about that decision to go in this direction?

Thomas Vinterberg: Well, first of all, I like to change. I hate repeating myself, and here was a considerable change, both in genre but also in gender in the sense that my latest movies had been very full of testosterone and this was an exploration of being a woman that I found incredibly modern actually, and visionary. The first thing that has to happen to me when I do a film is unexplainable thing where you sort of fall in love with something. I read this and these characters moved me, the way that Thomas Hardy plays with fate moved me. I was to some degree overwhelmed by it and humbled by it, and it couldn’t go away. And that’s where I decide to make a movie. It’s not, “Now I think this will be right for my career.” And then I felt a certain relief and lightness of doing something I hadn’t been writing. Normally, I invent the movie from the get-go, from the white paper, to the end, like the auteur genre of Europe. This was something different. It’s a collective effort. I’m not the writer. It’s as much a Thomas Hardy movie as a Thomas Vinterberg movie and I felt relief and a sense of playfulness about that.

Although it is not available in streaming, I recommend the John Schlesinger’s 1967 adaptation that starred Julie Christie as Bathsheba Everdeen, Alan Bates as Gabriel Oak and Terrence Stamp as Frank Troy. I bought the DVD from Amazon for $13.49 and it was worth every penny.

Schlesinger’s film was 171 minutes compared to Vinterberg’s 119 and as such could furnish plot continuity that made the film a lot more congruent with the novel. I found, for example, the rivalry between Boldwood and Troy far more developed in Schlesinger.

The studio intended that the film be marketed like other lengthy and ambitious “classy” films of the period such as “Doctor Zhivago” and “Lawrence of Arabia”. It comes with an overture and an intermission.

Like Vinterberg, Schlesinger would not appear at first blush to be a director eager to adapt Hardy since he emerged as a maker of “angry young man” films such as “Billy Liar” that were in their way defied conventional filmmaking esthetics like Dogme 95 did.

However, for Paul J. Niemeyer, the author of “Seeing Hardy: Film and Television Adaptations of the Fiction of Thomas Hardy”, there is an affinity:

That Schlesinger should favor a realist approach is only appropriate, since he is largely a product of the social realist movement in British cinema; and in 1967, he was still very much under its sway. Social realism, of course, gave us the “Angry Young Man” whom the Welfare state had educated out of the working class, but who had not succeeded in breaking down the class and economic barriers to greater prosperity. Such films as Room at the Top (Jack Clayton, 1958), Look Back in Anger (Tony Richardson, 1959), and Saturday Night and Sunday Morning (Karel Reisz, 1960) were marked by familiar elements like a working-class antihero who usually expressed his disaffection through sneering wit, aggressive sexuality, and chauvinism often bordering on misogyny; harsh, unsentimental depictions of bleak northern cities and landscapes, usually with a focus on the effects of industrialism on the land; and—most importantly—authentic regional dialects.

Suffice it to say that “the sneering wit, aggressive sexuality, and chauvinism often bordering on misogyny” are all embodied in Frank Troy while they were not found in Gabriel Oak, the character who had most in common with the angry young men of the early 60s. If you are at all susceptible to novels and films with likable major characters, you will probably be as seduced by “Far From the Madding Crowd” as I was.

 

December 22, 2015

The Boston branch of the Socialist Workers Party shuts down

Filed under: Trotskyism — louisproyect @ 9:09 pm

On May 15, 2015 I reported on my time in the Houston branch of the SWP that had just been closed down by the leadership in NY. If you could map the decline of the SWP in an Excel spreadsheet bar chart since the time I left 36 years ago, it would look like a Michael Roberts falling rate of profit graphic. If some vulgar Marxists predicate the growth of the radical movement as an inverse function of the FROP, this is about as good an argument against vulgarity I can think of.

A comrade who tracks the implosion of the SWP a lot closer than me reported the latest branch going under on the Yahoo group I set up just to allow former members to wisecrack and gossip about the cult. This time it was Boston. He gleaned its departure from its absence in the Militant newspaper’s directory of local distributors, which is a guide to where party branches exist. It is too soon to say whether there will be a report on its closing in the Militant as there was for the Houston branch but you can be sure that for old-timers in the party, a qualitatively bigger hole has been left in political terms. The Houston branch existed for 45 years while the Boston branch dates back to the 1920s before there was an SWP. That’s nearly a century.

Its most famous member in Boston in the early period was Doctor Antoinette Konikow, a pioneer birth control advocate at the time. She was typical of the pioneering members of James P. Cannon’s faction of the CP that agreed with Trotsky’s analysis of Stalinism. Her background, like Arnie Swabeck’s, reads like a CV for the American left.

As it turns out, I was a member of both of these defunct branches. I moved from NY to Boston in early 1970 and then down to Houston in 1973. Boston was both a more interesting place than Houston politically and even more so culturally. I imagine that if I had been asked to transfer to Cleveland or Detroit in 1970 rather than Boston, I would have dropped out of the SWP a lot earlier. In fact by the end of 1969 I was ready to quit because I felt alienated from a group that seemed overloaded with student government types. They might have talked about the class struggle but their behavior reminded me more of the people who ran for class president in high school, especially Jack Barnes’s classmates from Carleton College that was about as distant from Bard College culturally as Norman Rockwell was from Jackson Pollack.

The minute I hit Boston, I fell in love with the city. It had a huge energy from the student movement and was very groovy as well. I lived in Cambridge and spent my Saturday afternoons in Harvard Square shopping for books or records. But the best thing of all was having Peter Camejo as a branch organizer, the guy who influenced me politically more than any person I ever knew. So you can blame him for my errant ways.

The excerpt about Boston from my graphic memoir that is printed below falls under the rights afforded me under established Fair Use provisions.

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December 20, 2015

Polling problematics

Filed under: Syria — louisproyect @ 12:46 am

From Assad diehard Stephen Gowans:

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From ORB International website:

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From Jill Lepore article in the New Yorker titled “Politics and the New Machine: What the turn from polls to data science means for democracy“:

Gallup had always wanted to be a newspaper editor, but after graduating from the University of Iowa, in 1923, he entered a Ph.D. program in applied psychology. In 1928, in a dissertation called “An Objective Method for Determining Reader Interest in the Content of a Newspaper,” Gallup argued that “at one time the press was depended upon as the chief agency for instructing and informing the mass of people” but that newspapers no longer filled that role and instead ought to meet “a greater need for entertainment.” He therefore devised a method: he’d watch readers go through a newspaper column by column and mark up the parts they liked, so that he could advise an editor which parts of the paper to keep printing and which parts to scrap.

In 1932, when Gallup was a professor of journalism at Northwestern, his mother-in-law, Ola Babcock Miller, ran for secretary of state in Iowa. Her late husband had run for governor; her nomination was largely honorary and she was not expected to win. Gallup had read the work of Walter Lippmann. Lippmann believed that “public opinion” is a fiction created by political élites to suit and advance their interests. Gallup disagreed, and suspected that public opinion, like reader interest, could be quantified. To get a sense of his mother-in-law’s chances, Gallup began applying psychology to politics. The year of the race (she won), Gallup moved to New York, and began working for an advertising agency while also teaching at Columbia and running an outfit he called the Editors’ Research Bureau, selling his services to newspapers. Gallup thought of this work as “a new form of journalism.” But he decided that it ought to sound academic, too. In 1935, in Princeton, he founded the American Institute of Public Opinion, with funding provided by more than a hundred newspapers.

In 1936, in his syndicated column Gallup predicted that the Literary Digest would calculate that Alf Landon would defeat F.D.R. in a landslide and that the Digest would be wrong. He was right on both counts. This was only the beginning. “I had the idea of polling on every major issue,” Gallup explained. He began insisting that this work was essential to democracy. Elections come only every two years, but “we need to know the will of the people at all times.” Gallup claimed that his polls had rescued American politics from the political machine and restored it to the American pastoral, the New England town meeting. Elmo Roper, another early pollster, called the public-opinion survey “the greatest contribution to democracy since the introduction of the secret ballot.”

Gallup’s early method is known as “quota sampling.” He determined what proportion of the people are men, women, black, white, young, and old. The interviewers who conducted his surveys had to fill a quota so that the population sampled would constitute an exactly proportionate mini-electorate. But what Gallup presented as “public opinion” was the opinion of Americans who were disproportionately educated, white, and male. Nationwide, in the nineteen-thirties and forties, blacks constituted about ten per cent of the population but made up less than two per cent of Gallup’s survey respondents. Because blacks in the South were generally prevented from voting, Gallup assigned no “Negro quota” in those states. As the historian Sarah Igo has pointed out, “Instead of functioning as a tool for democracy, opinion polls were deliberately modeled upon, and compounded, democracy’s flaws.”

December 18, 2015

Youth; 45 Years

Filed under: aging,Film — louisproyect @ 10:42 pm

If you follow my writings on film, you are probably aware that I tend to review documentaries and foreign-language films with a focus on politics. As a member of New York Film Critics Online (NYFCO), I try to catch up with commercial films starting in late November through the DVD’s and press screenings the studio’s publicity machine churns out. Most years I go to NYFCO meetings and abstain on many categories for the simple reason that something like “Zero Dark Thirty” was beyond the pale for me.

This year I was pleasantly surprised by the number of quality films that came my way, including an animated feature titled “Inside Out” that was in some ways the best film of 2015. Over the next few weeks I am going to be posting reviews of some of the best starting today with a couple that are by no means political but speak to me on both on an artistic and existential basis since they deal with the question of aging, a preoccupation of many baby boomers. Just about all of the films that I will be writing about are still playing in local theaters, including the two considered below.

Although it is an English-language film featuring American and British actors, the ironically titled “Youth” is really an Italian film. Directed by Paolo Sorrentino, it is basically a two-character drama featuring Michael Caine as a composer named Fred Ballinger and Harvey Keitel as film director Mick Boyle. They sit around the hotel restaurant or swimming pool in a combination luxury hotel and health spa in the Swiss Alps discussing their various health problems, including enlarged prostate glands. They have been friends for decades and are acutely aware of having entered what Tom Brokaw called the “mortality zone”.

Ballinger has pretty much given up on new projects and spends much of the film fending off a representative of Queen Elizabeth who wants him to conduct one of his most famous compositions, “Simple Songs”. Boyle hasn’t given up yet and is working with a crew that has gathered at the hotel on a film intended to be his swan song. As grim as this sounds, it is mostly played as wistful comedy with Michael Caine at the top of his game.

Much of the film was shot on the premises of the Hotel Schatzalp, the same place that is featured as a TB sanatorium in Thomas Mann’s novel “The Magic Mountain”. Like Alexander Solzhenitsyn’s “The Cancer Ward”, such frameworks lend themselves to philosophical/political dialogues between the main characters. “Youth” has this aspect but it is blended with Felliniesque touches that are far sunnier than the gloom of Mann and Solzhenitsyn. For example, a monstrously obese actor plays Argentine soccer player Maradona whose daily waddle into the hotel swimming pool prompts catty commentary by the two old friends.

Ultimately “Youth” is as much about the cinematography and film score as it is about plot or dialogue. If you want to spend a couple of hours immersed in a stream of jaw-dropping tableaus assembled by a director/screenwriter with a mastery of his art form second to none, I recommend “Youth” highly.

Like the two main characters in “Youth”, the British film “45 Years” features a couple of old friends who have known each other for about the same amount of time. It also so happens that they are married. As I know from first-hand experience, a solid marriage is based on friendship more than anything else.

Tom Courtenay plays the husband Geoff Mercer and Charlotte Rampling is his wife Kate. Another main character is their German Shepherd Max that Kate walks each morning. Well into their seventies, their day is spent listening to music, eating meals with each other and puttering about their small but attractive house on the outskirts of a bright and prosperous looking town in the British countryside. As a retiree, I am familiar with the drill.

Their placidly quotidian existence is interrupted by a letter that Geoff receives one morning a week before their 45th anniversary informing him that the body of his companion prior to meeting Kate has been discovered at the bottom of a precipice in the Swiss alps. The two had been hiking when in their early 20s and she stepped into the precipice accidentally. As next of kin (he and his lover identified themselves as husband and wife in more straight-laced times), he received the news with a sense of finality.

Haunted now by her memory, he acts to put the anniversary on the back burner. He loses interest in his current affairs to the point of backing out of a big celebration his friends have organized. Not only is Kate disturbed by his decision, she is even more upset to discover that Geoff might be making plans to travel to Switzerland to see her body. When Geoff begins spending time in the attic pouring through the boxes that contain photos of he and the woman, she confronts him: if she had lived, would they eventually wed. His answer: yes.

Andrew Haigh, a gay man who produced and wrote for “Looking”, the HBO series about gay men, wrote and directed “45 Years”. It is as sign of his brilliance that despite his sexual orientation he was able to make a film about heterosexual marriage that is about as realistic as any I have seen in my life. He has the daily rhythms of married life nailed down perfectly, from the minor quarrels to the major dramas that naturally occur over the course of a life together.

The screenplay was adapted from a short story by David Constantine titled “In Another Country”. Constantine lectured on German literature at Oxford University for twenty years and was the editor of the journal Modern Poetry in Translation so we are dealing with source material that is obviously a cut above the junk that most commercial films are based on. It would be well worth your time to read the story at https://books.google.com/books?id=5WRwCgAAQBAJ. It would be an even better use of your time to see this amazing film that probes the depths and heights of human experience.

Is there a place for films starring septuagenarian characters? I would hope so since everybody will find himself or herself there at one point or another—if you are lucky. With so much crap coming out about geezers, from the stereotypical crotchety “get off my lawn” performance of Clint Eastwood in “Gran Torino” to Alan Arkin’s performance of an out-of-control grandfather in “Little Miss Sunshine”, there is a need for films that depict people in their seventies and eighties as essentially the same people they were in their youth. As I told a good friend yesterday who I have known since 1961, there’s not much difference between the man I am today and back then—of course excluding the enlarged prostate.

December 17, 2015

Slavoj Zizek’s shameful bid to tarnish Turkey’s image

Filed under: Syria,Turkey,Zizek — louisproyect @ 9:03 pm

Screen Shot 2015-12-17 at 4.01.40 PM

Slavoj Zizek’s Dec. 9 article in the UK’s New Statesman amounts to little more than anti-Turkey propaganda

ISTANBUL – Slavoj Zizek’s most recent article, published on Dec. 9 in the U.K.’s New Statesman magazine, has been described by some as little more than propaganda unbecoming of an intellectual or an academic.

Ihsan Gursoy, editor of the In-Depth News Analysis Department at Anadolu Agency, responded to Zizek’s article by making the following observations:

Many Turkish readers were surprised by Slavoj Zizek’s Dec. 9 article in the New Statesman.

Unable to forget Zizek’s interesting analysis of German, French and American society based on their respective toilets, many Turkish readers were excited when Zizek said, “We need to talk about Turkey” – expecting to hear a similar psychoanalysis of Turkish society within the context of “Alla Turca” toilets.

Instead, however, Turkey was directly accused by Zizek of collaborating with a terrorist group.

Since the article in question amounted to little more than propaganda – containing a level of impoliteness unbecoming of an intellectual or an academic – we won’t engage in content-based criticism.

Rather, we will discuss the issue only in terms of ethics: editorial ethics and the ethics of accurate citation.

Zizek stated his conclusion at the outset of his article – a conclusion based entirely, with one exception, on quotes that he claimed to have obtained from an Anadolu Agency interview with Hakan Fidan, the head of Turkey’s National Intelligence Organization (MIT).

However, Anadolu Agency never conducted or published such an interview, nor had Fidan uttered the words – anywhere – attributed to him by Zizek.

The fabricated quotes attributed to Zizek – and officially refuted by Anadolu Agency on Oct. 20 – were, however, published on Oct. 18 on AWDnews.com, a “news” website of unknown origin.

Writing an article based on arguments from a fabricated news piece – not covered in any reliable news outlet with the exception of a website with no credibility (and which was probably set up with the purpose of producing disinformation) – would be shameful if done by an unscrupulous university student, let alone a highly-respected professor.

No less unethical is the claim – one that could have serious consequences – that a legitimate country is in cahoots with terrorist organizations.

If our imagined student was to submit such an article as a research paper, he would come in for harsh criticism – first for his misuse of sources, then for his credulousness; for considering all information online as true without cross-checking it with other sources.

He may even be accused of plagiarism – since he failed to use quotation marks for sentences taken directly from his “source” – and could ultimately be expelled.

So what, we wonder, would drive a prominent academic like Zizek – who could not but be aware of these basic principles – to write such an article?

Once the arguments obtained from the fabricated quotes found on AWDnews.com are dispensed with, only one of Zizek’s sources remains: David Graeber’s article in the U.K.’s The Guardian newspaper, entitled: “Turkey could cut off Islamic State’s supply lines. So why doesn’t it?”

But Zizek wasn’t satisfied with merely sourcing an article rife with baseless claims. By pretending to quote Graeber indirectly (he does not use quotation marks), Zizek manages to insert his own claims – claims not made by Graeber – into his own article while making them sound as if they came from Graeber.

Graeber, for example, mentions neither Turkey’s alleged facilitating role in Daesh’s oil exports, nor the wounded Daesh terrorists allegedly being treated in Turkey – claims that are made in Zizek’s article.

Zizek could have written a separate paragraph making these claims on his own authority, but why did he feel the need to quote The Guardian’s Graeber?

Setting aside the issue of intellectual honesty for a moment, why didn’t he, as an academic, comply with the basic rules of citation?

As soon as it became clear – on the very same day that the article was published – that the source of the arguments on which the article was based was a fabricated interview, the New Statesman removed these parts of the article and added a note, stating: “This article originally included a statement that was falsely attributed to the head of Turkey’s National Intelligence Organization. This has now been removed.”

Now the question begs itself: does the removal of the inaccurate parts of the article – and the subsequent addition of the explanatory note by the New Statesman – comply with basic editorial ethics?

The answer is no. On the contrary, the mere removal of blatant inaccuracies in such a controversial article serves to hamper healthy discussion of the issues involved.

Simple editorial ethics demand that the writer’s dishonesty be pointed out to the reader, by, for example, adding a note stating something to the effect of “These assertions have been proven false”.

Rather, the magazine merely attempted to cover up the article’s deceptions once they had been exposed, making the New Statesman itself complicit in the editorial dishonesty.

The New Statesman should have kept the article on its site while pointing out its flaws – in the manner we have described above – due to the extreme sensitivity of the assertions made by the author.

What’s more, the magazine should have published an apology to its readers for running the article in the first place.

So we ask the New Statesman directly:

How could you publish an article – on such a sensitive subject – without first subjecting it to a modicum of editorial scrutiny? Without verifying, by merely clicking on a couple of links, whether the sources therein were even remotely credible?

How can such a well-established publication – and such a prominent intellectual, such as Zizek – so easily risk its dignity and reputation?

The hazards of success, especially for Marxists

Filed under: celebrity — louisproyect @ 6:56 pm

For Boris Kargalitsky, socialist writer and activist who founded the Popular Front for Perestroika in Moscow
and
Boris Yeltsin a leading member of the Communist Party of the Soviet Union, whose political courage has made him a leading symbol throughout the country.

The dedication found in this book:

In bourgeois society, the artist is often undermined by his or her own success. You become too big for your britches. After Woody Allen became the NY Times’s darling, they refrained from telling him that his movies were becoming crap. The same thing with Saul Bellow. After the success of “Herzog”, his editors would not dare tell him that a novel like “Mr. Sammler’s Planet” was racist tripe.

It would seem that Marxist celebrities have the same problem. Slavoj Zizek, the Elvis superstar of Marxism, writes an article for the New Statesman that is based almost exclusively on a website that has about much credibility as Infowars or Global Research. The magazine issues a retraction stating that the paragraphs drawn from the website were being deleted because they made false claims.

Tariq Ali gives a speech to an antiwar rally in London that proves England had plans to invade Syria with a “rebel army”. How does he know? Because a doddering old fool named Roland Dumas who had zero connection to the French state said so in a TV interview.

Don’t celebrities like Tariq Ali and Slavoj Zizek understand that they look like idiots when they make such outrageous claims? Don’t they care? I guess once you have reached such a hallowed status on the left, you can get away with anything—except on this blog.

Below are the concluding paragraphs of chapter two of Tariq Ali’s “Revolution from Above” that obviously reflect the dedication cited above. Trying to map the trajectory of Ali and Kagarlitsky into apologists for Putin’s wars in Syria and Ukraine respectively is much easier when you consider how they found it so easy to hoist Yeltsin on their shoulders in 1988. Perhaps if they had been more self-critical or better yet more in touch with the grass roots, Ali might have not written a book that had reached such ludicrous conclusions. The chapter ends with Ali gazing fondly on a member of Kagarlistky’s (aptly named?) Popular Front who was wearing badges of Che Guevara and “All Power to the Soviets”,  enough to close the deal for the street-fighting man.

In the year that this book came out, I was developing a different perspective on what was happening in the USSR, mostly as a result of what I was seeing in Nicaragua: a clear abandonment of the Sandinista revolution as the Kremlin pursued a new foreign policy in line with perestroika, one that saw Nicaragua as a bargaining chip. When Tecnica executive director Michael Urmann returned from a trip to the USSR to feel out the Russians over support for our initiatives in Africa, he was stunned by the response. All the economists he met with were only interested in discussing Adam Smith and Milton Friedman. Counter-revolution was in the air. In 1993, five short years after the publication of “Revolution from Above”, the call for “All Power to the Soviets” would ring hollow as Yeltsin’s tanks shelled the Russian parliament.

In 2000 Ali must have written off all that Che Guevara stuff as a youthful indiscretion since he clearly had no objection to fellow NLR editor Perry Anderson writing that “Socialism has ceased to be a widespread ideal” and that “Marxism is no longer a dominant in the culture of the Left. “ He was dismayed that the left had failed to come up with a “fluent vision of where the world is going” that could compare to the scribblings of Francis Fukuyama, Zbigniew Brzezinski, Samuel Huntington, Daniel Yergin, Edward Luttwak, and Friedman (we can’t be sure whether he was tipping his hat to Thomas or Milton since the article omitted the first names.)

Fast-forward another 12 years. It is 2012 and Marxism and socialism are on the agenda again, while Fukuyama has become so repentant about his “end of history” thesis that he writes an article in FT stating that American democracy has nothing to teach China.

If the pendulum has swung away from the 2000 defeatist mood that infected the NLR, it has not swung far enough apparently for our NLR gurus to realign with the revolutionary socialism of their youth. The enthusiasm is less over the hammer-and-sickle (or whatever icon is more appropriate for the 21st century) and much more for the Cross of St. George that Russian paramilitaries and Spetznaz wear in Ukraine and Syria.

From chapter two of “Revolution from Above”:

Yuri Karyakin, a well-known Soviet writer, who together with Yegor Yakovlev and Lev Karpinsky served on the Central Committee apparatus during the Khrushchev era and was sent into exile, expressed his anger at the apparatus. He had started off by denouncing the way in which Stalinism and the Western Left had transformed the thought of Marx and Lenin into a religion. I expressed agreement, although it soon became clear that the dogmas of the Brezhnev period had made Karyakin deeply cynical about socialism. He spoke angrily about the corrupt apparatchiks, but nonetheless like many others his hopes were rekindled by Gorbachev. His judgement on the Conference was clearcut: ‘It was Yeltsin who fought Ligachev all the way. He’s totally honest and he has polarised politics. For me he’s worth more than almost all of them put together.’

The resolutions passed at the Conference represented an important advance, but unless there are some concrete results the rise in political consciousness could begin to falter. The spectre which haunts the party masses who back the reforms is of their leader as a prisoner of the apparatus. A number of people referred to this possibility, of political consciousness starting to fall back, although it is far more likely that if the obstruction continues Gorbachev will indeed either appeal over the heads of the bureaucracy and win, or lose and resign. The verdict on the Nineteenth Party conference, perhaps, could be expressed in a simple formula: one step forward, two steps sideways.

This was the view of many participants, as well as the mood of many workers listening to report-backs from the Conference. At the Slava Factory in Moscow, which has a workforce of over 12,000, the factory delegate was cheered as he reported Yeltsin’s speech. The delegate from Sverdlovsk, Volkov, had been reprimanded by the Party Secretary for his speech defending Yeltsin. When Volkov returned to Sverdlovsk he was treated as a local hero, and given a prime time half-hour slot on the local television station where he further elaborated on his speech. When he reported back to his factory he was greeted by a standing ovation. The workers were extremely angry at the action of the local party secretary who reprimanded him, and that same night dozens of them went to the offices of the Party secretary: in thick black paint on the road outside they left behind an extremely rude message. The next morning the slogan was the talk of the town. Since the workers had used a very special paint it was not possible to remove it by normal methods. At mid-day the patch of road outside the Secretary’s office was given a fresh coating of tar and re-surfaced to the great amusement of the passers by. The secretary in question was subsequently transferred to the Diplomatic Service!

The unofficial groups immediately began a signature campaign on the streets in support of Yeltsin and demanding his return to the Politburo. In Sverdlovsk, Sakhalin, Omsk, thousands of signatures were collected. In Moscow, Andrei Babushkin, a young student from Moscow University and an activist of the Popular. Front went out into the streets. He was beginning to collect hundreds of signatures when the militia arrested him. He was kept in prison for five days. When I met him at a Popular front press conference in July 1988 he was totally unrepentant. He had not been mistreated at all. The food in prison was just like that in the Young Pioneer camps and `in the prison van I talked to the militia members about Yeltsin. They saw the petition and most of them said they agreed with me. They, too, were on the side of Boris Nicolaevich.’ Babushkin and his young Komsomol friends were planning on returning to the streets again. His shirt was adorned with two badges: one was an image of Che Guevara, the other was a badge in Russian which bore the inscription: ‘ALL POWER TO THE SOVIETS!’

 

December 16, 2015

The Emperor’s New Clothes

Filed under: Film — louisproyect @ 9:46 pm

If imitation is the sincerest form of flattery, one must conclude that Russell Brand is one of Michael Moore’s biggest fans. Opening today at the IFC Center in New York, “The Emperor’s New Clothes” is one of the many documentaries that have be made in the aftermath of the 2008 financial crisis. Like a British remake of Moore’s “Capitalism: a love story”, Brand is featured in just about every minute of the film calling attention to bankster criminality and the suffering of the poor, especially the council housing denizens who are to him as the people of Flint were to Moore.

Director Michael Winterbottom also made “The Shock Doctrine”, a 2009 documentary based on Naomi Klein’s book. As was the case with the Klein collaboration, Winterbottom’s goal was clearly to allow his subject to set the dramatic and political agenda. In essence, it was Brand’s movie as much as his.

For those who have been on another planet over the past five years or so, comedian Russell Brand became famous for taking on the rich and the powerful in a series of articles, interviews and Youtube videos in a style reminiscent of Jon Stewart. The emphasis was less on analysis and more on jeremiad. Since Brand can be even funnier than Stewart, the jeremiads had high entertainment value.

“The Emperor’s New Clothes” covers well-trodden themes as Brand points out in the opening moments, admitting that you will not be hearing anything new about economic inequality. The difference is that this time you will be learning about how to change things.

This boils down to following the example of council housing activists who were fighting eviction orders by Westbrook Partners, an American company determined to build luxury condos. Eventually Westbrook mass action forced them to abandon their plans despite the British government’s support for its privatization agenda. Throughout the film, David Cameron is seen as the archfiend directing Britain’s implementation of Milton Friedman type economics. For Brand, the enemy is not so much capitalism as what he calls free market fundamentalism. Toward the end of the film, he acknowledges that his goals are relatively modest: making the billionaires pay their taxes, enforcing a living wage, and imposing a Tobin tax to fund new investments in housing, health and job creation. In light of the powerful economic forces driving the attack on working people, it is open to question that much can be done without a frontal attack on capitalism itself.

As a sign of his goodhearted but perhaps naïve understanding of class politics, Brand comes to New York to drop in on Mayor Bill de Blasio to get his advice on fending off Westbrook. While it was commendable that Brand was able to convince De Blasio to offer his support to those facing eviction in Britain, maybe he could have reminded the mayor that housing activists in New York have been bitterly disappointed in his affordable housing program that fails to address the seriousness of a housing crisis that makes many working people barely able to make ends meet. Jonathan Westin of the group Real Affordability for All has complained that the mayor has not made much of a commitment despite his lofty rhetoric. Maybe the fact that de Blasio’s point man on real estate matters is none other than James Patchett, a Goldman-Sachs alum, would explain this.

In one of the more amusing moments of the film, Brand rides around in a truck draped with signs calling for the arrest of top British bankers who were involved in what Woody Guthrie described as robbing with a fountain pen. As he makes the rounds of The City–the London version of Wall Street–in the truck, he uses a bullhorn to urge passers by to track down the guilty bankers and make a citizen’s arrest of just the sort of people who worked for Goldman-Sachs. Indeed, he makes a stop at Goldman offices in London to demand to speak to the head of the firm about why he is paid as much in a single year as one of his window washers would make in three hundred, a move patented by Michael Moore.The fact that Russell Brand seems innocent of Bill de Blasio’s shortcomings does not detract from the delight of this confrontation and many others in a well-constructed documentary that is best suited for people who have not read David Harvey or Doug Henwood.

While we are on the topic of austerity and bourgeois criminality, I would recommend a look at the Intercept website for a series of four videos on the election of Syriza and its failure to make any headway in the ongoing rape of a proud nation. It is a joint production of Laurie Poitras and Paul Mason and rather good as reporting. Unfortunately, as is the case with the Brand documentary, it does not penetrate beneath the surface. To this day much of the left looks at Alex Tsipras as the culprit but it is doubtful that anybody in the left faction of his party could have made much of a difference if they had been in power. With Venezuela’s new neoliberal government about to assail most of the social gains of the Chavistas, it might begin to make sense to stop looking for traitors and more at blind economic forces that keep working people in chains. Greece’s economic problems go back for decades and have much to do with its weak industrial base just as Venezuela’s woes grow out of the falling price of oil on world markets. Karl Marx and Frederick Engels always thought in terms of world revolution. Maybe it is time to return to their original vision.

Finally, I want to recommend a documentary titled “The Winding Stream: The Carters, The Cashes & The Course Of Country Music” that also opens at the IFC Center today. I reviewed it in August 2014 and found it one of the finest documentaries about musicians I have ever seen. (http://louisproyect.org/2014/08/04/three-documentaries-of-note-4/)

December 14, 2015

Radical takes on World War Two

Filed under: Fascism,imperialism/globalization,Syria,war — louisproyect @ 9:12 pm

For baby boomers the decision to join a Trotskyist group in the 1960s entailed coming to terms with WWII especially if you were a Jew. Unlike the Maoists (the CP was generally not an option in those wild times), the Trotskyists viewed the war as a continuation of the inter-imperialist disaster of 1914. As someone who became persuaded by Trotsky’s ideas, putting the war into historical context was made easier by the analysis of Ernest Mandel, a Jew and a member of the Belgian resistance during WWII so committed to class politics that he distributed anti-fascist leaflets to German troops whom he regarded as “workers in uniform”.

His 1976 essay “Trotskyists and the Resistance in World War Two” drew distinctions between the allies versus axis conflict and those that involved struggles for self-determination or the right of the USSR to defend itself from counter-revolution by any means necessary.

Ernest Mandel and the authors represented in Donny Gluckstein’s collection Fighting on All Fronts: Popular Resistance in the Second World War are part of a broader current that rose to prominence during the 1960s out of their “revisionist” take on the supposedly Good War. This includes Howard Zinn, whose chapter on WWII in a People’s History of the United States is titled “A People’s War?” and a number of New Leftist historians like Gabriel Kolko and Gar Alperovitz. To a large extent, Lyndon Johnson’s simultaneous embrace of New Deal domestic policies and the genocidal war in Vietnam forced leftist historians to come to terms with FDR’s historical legacy. The war that many of our fathers fought in, including my own who received a Bronze Star in the Battle of the Bulge, had to evaluated in the light of Marx’s “ruthless criticism of the existing order_, ruthless in that it will shrink neither from its own discoveries, nor from conflict with the powers that be.”

Donny Gluckstein is the son of Yigael Gluckstein, better known as Tony Cliff—the founder of the British SWP. He is a lecturer at Edinbergh College and a member of the SWP. He is also the author of A People’s History of the Second World War, a book that comes highly recommended based on the evidence of the new collection. I learned about Fighting on All Fronts from Tom O’Lincoln who contributed the article “Australia: A war of racism, imperialism and resistance”. I have known O’Lincoln for nearly twenty years as a cyber-comrade and have deep respect for his scholarship. He is a member of Socialist Alternative in Australia, a group that shares the SWP’s general theoretical approach but that is not part of its worldwide tendency. With Tom’s recommendation, I looked forward to reading Fighting on All Fronts since WWII “revisionism” is very close to my heart. Suffice it to say that I was not disappointed.

The book is divided into two parts: War in the West and War in the East. While every article is praiseworthy both in terms of the scholarship and the commitment to a class analysis so sorely missing nowadays, I would like to focus on one article from each part to serve as an introduction to a volume that excels from beginning to end.

Janey Stone’s “Jewish Resistance in Eastern Europe” is a stunning treatment of a topic that is of special interest to me as a Jew and a radical. Stone is a Jew whose mother lost most of her family in the Holocaust and who describes herself as an anti-Zionist. It delves into questions that go to the very heart of Jewish identity and survival. As she unravels the conflicting strands of Zionism, collaboration and working-class resistance, Stone tells a story that is simultaneously inspiring and dispiriting.

The brunt of her article is to challenge the idea that Jews went passively to their death in concentration camps, a view reinforced by both mainstream scholarship and popular culture, with “Schindler’s List” depicting Jews as lambs going to the slaughter and needing a Christian savior.

While nobody would apply the term savior to Jan Karski, a Pole and a Christian, his efforts on behalf of Jews would have made an interesting screenplay but arguably one that Hollywood would have dropped like a hot potato given its take on Roosevelt. Stone explains that after Karski prepared a report on the death camps in Eastern Europe that he discovered after penetrating the Warsaw Ghetto disguised as a Ukrainian soldier, he went to FDR to alert him to the impending human disaster. Karski was disappointed to discover that the president was more interested in the status of Polish horses than that of the nation’s Jews.

Ultimately it would be up to the Jews themselves to organize their defense with the Jewish Labor Bund providing most of the leadership. Stone describes the confrontation between Polish fascists who had been terrorizing Jewish shopkeepers and Jewish activists in 1938 that resulted in ambulances being summoned to carry off the battered thugs who had been lured into an ambush.

Stone tackles the stereotypical view of Poles as anti-Semites with copious evidence to the contrary, especially among the working class that was by and large committed to socialist politics. Furthermore, even in the peasantry, which was by no means as progressive as the workers, there was much more anti-Semitism among the wealthy farmers than those toward the bottom. When peasants organized a ten-day general strike in 1937, the Jews offered support. A Bundist youth leader reported: “During the strike you could see bearded Chassidim [religious Jews] on the picket lines along with peasants.”

Given the widespread attention to Hannah Arendt’s contention in Eichmann in Jerusalem that the Judenrat (Jewish council) was complicit in the extermination of millions of Jews, Stone’s nuanced treatment of this question is essential reading. Citing Lenni Brenner, whose research into this period is essential, Stone points out that Zionists were selected by the Nazis to staff the Judenrat more than all other political groups combined. The remainder came from the traditional Jewish religious establishment.

Some Judenrat figures were barely distinguishable from the Nazis, including Mordechai Rumkowski from the Lodz Ghetto who ran it as a slave labor camp. However, in most cases the collaborationists simply failed to support the Bundist underground and opposed all forms of struggle.

Despite such treachery, struggles did break out. Bundists were on the front lines but so were Labor Zionists. The Zionist officialdom might have made common cause with the Nazis but the more radical youth groups such as Hashomer Hatzair were willing to fight. However, not every Jew was strong enough to engage in combat. For many, the determination to survive was paramount. Setting up soup kitchens or creating art to raise peoples’ spirits was their way of joining the resistance. Even humor was used as a weapon. A joke made the rounds in this bleak world: A Jewish teacher asks his pupil, “Tell me, Moshe, what would you like to be if you were Hitler’s son?” An orphan was the reply.

Although Jews were most often left to their own devices to fight against the Nazi genocide, there were allies. As stated above, the Poles often acted in solidarity despite the fact that they risked certain death if discovered. Stone singles out Zegota, the Council to Aid Jews that was founded in 1944.

Zegota’s headquarters was the home of a Polish Socialist (Eugenia Wasowska) who had worked closely with the Bund. The organisation held “office hours” twice each week at which time couriers went in and out. Despite the enormous number of people who knew its location, the headquarters were never raided by the Germans. One “branch office” was a fruit and vegetable kiosk operated by Ewa Brzuska, an old woman known to everybody as “Babcia” (Granny). Babcia hid papers and money under the sauerkraut and pickle barrels and always had sacks of potatoes ready to hide Jewish children.

The best known Zegota activist is Irene Sendler, head of the children’s division. A social worker and a socialist, she grew up with close links to the Jewish community and could speak Yiddish. Sendler had protested against anti-Semitism in the 1930s: she deliberately sat with Jews in segregated university lecture halls and nearly got expelled. Irene Sendler saved 2,500 Jewish children by smuggling them out of the Warsaw Ghetto, providing them with false documents and sheltering them in individual and group children’s homes outside the ghetto.

Turning to William Crane’s article “Burma: Through two imperialisms to independence”, we are reminded that for many people living in the British Empire, Japan could appear as the lesser evil especially in a place like Burma where George Orwell worked as a cop. In his essay “Shooting an Elephant”, he reflected on the surly natives.

In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves. The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans.

As was the case with India’s Congress Party, resistance to colonialism in Burma was fairly tame with native elites seeking an end to the sort of discrimination that was revealed in Orwell’s complaints. Its vanguard was the Young Man’s Buddhist Association that was founded in 1906 by a British-educated Burmese lawyer.

Eventually the movement grew more militant even if its leadership remained in the hands of the elites who referred to themselves as Thakins, the word for masters. In a new movement that emerged in the 1930s called We Burmans Association, the Thakins drew upon working class support to extract concessions from the British. Like many colonial elites living under British rule, the Burmese nationalists were seduced to some extent by fascist ideology. If “democracy” meant living under the British boot, it was no surprise that rival imperialisms might have a certain appeal.

But another rival to British capitalist democracy had even greater appeal, namely the USSR. In 1939 the first Communist cell was created in Burma under the leadership of an Indian named Narendra Dutt. Despite being a member of this cell, a man named Aung San decided in mid-1940 that an alliance with Japanese imperialism would be more useful for the cause of Burmese independence. He worked closely with Keiji Suzuki, a colonel in the Imperial army who had come to Burma disguised as a businessman and charged with the responsibility of lining up support from nationalists like Aung San, who was the father of Burma’s new president—a reformer who has shown little interest in attacking the deep state that has been in existence for many decades.

Along with other Thakins, Aun San constituted themselves as the Thirty Comrades who became the core of Burma’s wartime armed forces. They received training by the Japanese military in occupied China and began recruiting the men who would join with the Japanese in 1942 in a general assault on British rule. If your yardstick for judging political movements is based on how they lined up in WWII, you will certainly have condemned Aung San on an a priori basis. But as Trotsky pointed out in a 1938 essay titled “Learn to Think”, there are times when workers will find it advantageous to make temporary deals with fascist imperialism rather than its democratic rivals. The only caveat, of course, is that such deals are strictly pragmatic and strictly temporary.

Unfortunately in the case of Burma, the deal was more like a double-deal when the Japanese began their occupation. Aung San and his comrades had exchanged one colonial oppressor for another.

One of the most glaring examples of Japanese disregard for Burmese rights was the construction of a “Death Railway” that became the subject of Pierre Boulle’s novel “The Bridge Over the River Kwai” and the 1957 film directed by David Lean based on Boulle’s novel. You are probably aware that Alec Guinness played the British prisoner of war who in supervising the work crew made up of POW’s lost sight of its use to the Japanese war effort. He saw the bridge much more in terms of Britain’s “civilizing” role in places like India where railways and telegraphs supposedly outweighed colonial exploitation, even in the eyes of Karl Marx early in his career.

What the film leaves out was the costs of its construction on native lives. For that you need to read William Crane’s article:

The conditions for the native labourers in Burma were equivalent if not worse as they were unprotected by even the semblance of concern for the welfare of POWs. The railway upon its completion had consumed as many as 100,000 lives. But we need to draw no special conclusions about the Japanese psyche from the “Death Railway” or any of their other horrific crimes. For the Japanese were trying to catch up with the “civilised” empires of Britain and France, and in the course of this ended up competing with the death tolls they had accumulated over a much longer period of time during the few years of the war. The railway, like the Shoah in Eastern Europe, was the outcome of this process, the realisation of a dream that “projected Japanese dreams of industrial fortitude, economic robustness, and Asian domination”.

Like Donny Gluckstein’s collection, James Heartfield’s Unpatriotic History of World War Two belongs on the same bookshelf along with Zinn, Kolko and Alperovitz. Written in 2012, it is a close to a 500 page debunking of the Good War mythology that is filled with deep insights into how really bad it was. If the Gluckstein collection focuses more on the progressive movements that coincided with a savage bloodletting, Heartfield’s book concentrates much more on the latter. It would be difficult for anybody to read his book and be taken in by the Greatest Generation balderdash that continues to dominate the mainstream narratives of an inter-imperialist rivalry whose damage to humanity and nature alike remains unparalleled.

As many of you realize, I have been sharply critical of Spiked Online, a website that is the latest permutation of a one-time current on the British left known as the Revolutionary Communist Party that emerged as a split from the group that would become Tony Cliff’s Socialist Workers Party. While I generally found the contrarianism of the RCP problematic, particularly around environmental issues, I must admit that any influence it had on James Heartfield’s willingness to spend years of research to write this book that sticks its finger in the eye of the Good War nonsense is to be commended. With so much of the left ready to see the Russian adventure in Syria as a repeat of the war of liberation led by the Red Army against Nazi barbarism, it is of considerable importance to have a book like the Unpatriotic History in our arsenal.

One of the prime dispensers of WWII patriotic gore is the website Socialist Unity that counts John Wight as one of its primary contributors. At one time I considered it a useful resource for regroupment efforts such as the one that took place when RESPECT was a major player on the British left. But when it became obvious that its more fundamental purpose was to breathe life into the Great War mythology and Labour Party reformism, I realized that one’s attitude toward Winston Churchill remained a litmus test for the left. When Socialist Unity began posting “greatest generation” type nonsense about Churchill, I tried to remind Wight et al that the famine in Bengal was really not that great. Suffice it to say that the take on the famine at Socialist Unity amounted to a kind of genocide denial.

The chief value of Heartfield’s book is its copious documentation on how people such as Roosevelt, Churchill, and even Stalin were no better than the Japanese and Germans around a number of questions, particularly their treatment of working people who were cannon fodder and virtual slaves in wartime production when the elementary right to strike was viewed as treasonous.

Chapter Six of Unpatriotic History is titled “Imperialist War” and makes for essential reading. Like every other chapter, it is filled with revealing data and quotations from the warmakers that hoists them on their own petard. Heartfield cites Leo Amery, The Secretary of State for India:

After all, smashing Hitler is only a means to the essential end of preserving the British Empire and all it stands for in the world. It will be no consolation to suggest that Hitler should be replaced by Stalin, Chiang Kai-Shek or even an American President if we cease to exercise our power and influence in the world.

While promoted as a benign free trade policy, Roosevelt’s Open Door Policy was a bid to replace Britain as the world’s number one empire as Leo Amery clearly understood. After signing the Atlantic Charter, FDR articulated the kind of paternalism usually associated with his fifth cousin Theodore:

there seems no reason why the principle of trusteeship in private affairs should not be extended to the international field. Trusteeship is based on the principle of unselfish service. For a time at least there are many minor children among the peoples of the world who need trustees in their relations with other nations and peoples.

But the grand prize for overall depravity goes to Winston Churchill based on this account that clearly would have offended his fans at Socialist Unity:

At a Cabinet meeting on 10 November 1943, Prime Minister Churchill said Indians had brought famine on themselves because they were ‘breeding like rabbits’ and so would have to pay the price of their own improvidence. Churchill’s prejudices were backed up by his chief scientific advisor Frederick Lindemann, Lord Cherwell, in a letter the following day: ‘This shortage of food is likely to be endemic in a country where the population is always increased until only bare subsistence is possible.’ Cherwell carried on to turn the truth on its head, moaning as if it was Britain that was subsidising India, not the other way around:

After the war India can spend her huge hoards of sterling on buying food and thus increase the population still more, but so long as the war lasts her high birth rate may impose a heavy strain on this country [i.e. Britain] which does not view with Asiatic detachment the pressure of a growing population on limited supplies of food.

Let me conclude with some parting thoughts on the spate of World War Two nostalgia that has followed in the wake of Russian entry into the war on the Syrian people. On September 28th, Vladimir Putin made a speech at the UN proposing a coalition against ISIS similar to the one that united the USA, Britain and the USSR in World War Two.

What we actually propose is to be guided by common values and common interests rather than by ambitions. Relying on international law, we must join efforts to address the problems that all of us are facing, and create a genuinely broad international coalition against terrorism. Similar to the anti-Hitler coalition, it could unite a broad range of parties willing to stand firm against those who, just like the Nazis, sow evil and hatred of humankind.

John Wight was obviously one person carried away by this rhetoric to the point of swooning. Showing that he would not be taken in by any weak-kneed aversion to the necessary tasks of a war on fascism, he informed his readers at Huffington Post and CounterPunch that firebombing Dresden and barrel-bombing open-air markets in Syria were not game-changers:

Barrel bombs are an atrociously indiscriminate weapon, for sure, and their use rightly comes under the category of war crime. However just as the war crime of the allied firebombing of Dresden in 1945 did not invalidate the war against European fascism then, neither does the atrocity of Syrian barrel bombs invalidate the war against its Middle East equivalent today. When the survival of a country and its culture and history is at stake, war can never be anything else but ugly, which is why the sooner it is brought to a conclusion in Syria the better.

This specious blast of hot air is so filled with bad faith and faulty logic that it would take a year to elaborate on all of its sinister implications. So let me take a minute to nail them down.

To begin with, the war between Germany and the USA was a war between empires. As Leo Amery stated above, “smashing Hitler is only a means to the essential end of preserving the British Empire and all it stands for in the world.” The democracy enjoyed by Britain was made possible only by its super-exploitation of India, Kenya, Burmese, Egypt, China, et al. This was obvious to anyone who has read Lenin even if it was lost on an aspiring Colonel Blimp like John Wight.

But the most important insight that can be gleaned by Wight’s invocation of the Good War is its affinity with a figure whose ghost walks across the parapet of the Assadist left, namely Christopher Hitchens. His footprints can be seen in all of the Islamophobic articles that appear on a daily basis from people like Wight, Mike Whitney and Pepe Escobar who recently referred to the anti-Assad fighters as “mongrels”, the kind of epithet that usually rolls off the tongues of Israeli politicians.

In 2008 Hitchens wrote an article titled “WW2, a War Worth Fighting” that essentially sums up the outlook of laptop bombardiers like John Wight and everybody else extolling the air war on Syrian rebels from the safety of their offices in the USA or Great Britain–especially the last sentence that jibes with Wight’s ghoulish musings on Dresden.

Is there any one shared principle or assumption on which our political consensus rests, any value judgment on which we are all essentially agreed? Apart from abstractions such as a general belief in democracy, one would probably get the widest measure of agreement for the proposition that the second world war was a “good war” and one well worth fighting. And if we possess one indelible image of political immorality and cowardice, it is surely the dismal tap-tap-tap of Neville Chamberlain’s umbrella as he turned from signing the Czechs away to Adolf Hitler at Munich. He hoped by this humiliation to avert war, but he was fated to bring his countrymen war on top of humiliation. To the conventional wisdom add the titanic figure of Winston Churchill as the emblem of oratorical defiance and the Horatius who, until American power could be mobilized and deployed, alone barred the bridge to the forces of unalloyed evil. When those forces lay finally defeated, their ghastly handiwork was uncovered to a world that mistakenly thought it had already “supped full of horrors.” The stark evidence of the Final Solution has ever since been enough to dispel most doubts about, say, the wisdom or morality of carpet-bombing German cities.

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