- published: 27 Jul 2017
- views: 358
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A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
- published: 29 Jul 2017
- views: 595
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone.
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- published: 20 Feb 2015
- views: 2714
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE
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- published: 30 Jan 2015
- views: 1473
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005. Jérôme Bel explains the working out context of this performance and what was at stake. From 2004, he decided to show the conference instead of the performance itself, putting the emphasis on the transmission and the self-critical analysis of this piece. He started then a reflexive process which will be fulfilled and broaden to his whole output through the Catalogue raisonné.
« Invited at the same time by the Hebbel Theater in Berlin, the Tanz-quartier in Vienna and the Centre National de Dance in Paris to perform 'The last performance' (1998) I decided, instead of presenting the piece, to make a lecture about its issues. I have the feeling that this difficult piece hasn't been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, that is why I would like to change my medium and use the tool of the lecture to try to articulate better the stakes of 'The last performance'. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time. » Jérôme Bel, Paris, February 2004
« Performance's only life is the present. Performance cannot be saved, recorded, documented or otherwise participate in the circulation of representations of representations : once it does so, it becomes something other than performance. To the degree that performance attempts to enter the economy of reproduction, it betrays and lessens the promise of its own ontology. Performance's being, like the ontology of subjectivity proposed here, becomes itself through disappearance. »
Peggy Phelan in Unmarked the politics of performance
« (...) to say that Bel leaves nothing to the imagination would be to underestimate the primary scene of this hour-long evening : the opening of Susanne Linke's Wadlung choreography. Its title (change or transformation) does in essence what Bel is practicing here. In the changes of a body, sprawled on its back, slithering as though peeling from its own skin, one quickly forgets Linke. The piece begins developing in a poetry of its own. Although we know that everything which occurs on stage is a quote, nevertheless, the copy reveals a fascinating life of its own, and this makes our knowledge of the original seem significant. (...) The last performance, a piece meant to end all « performances of an identity », while putting its trust in the imagination of the audience like no other, is an 'Endgame' of dance. Also, it could seem as the next to last line in the last volume of subjectivity, the adjuster between images and representation, and while losing the fight against vanishing altogether, it proves itself highly resistant, where potentially endless repetitions of the already danced, lived and said are concerned. Jérôme Bel suffers like Samuel Beckett : there's no way of killing consciousness. Bel also suffers like an Andy Warhol. His way of dealing with quotes and serial formations proves that he's creative and sensual to an extend unlike any other choreographer. »
Gérald Siegmund in Ballet international-Tanz aktuell, December 1998
- published: 15 Dec 2016
- views: 1713
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No Way
No Way may refer to:
Music
Songs
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/No_Way
Bob Girls
Bob Girls (Korean: 단발머리) were a South Korean girl group under the management of Chrome Entertainment. The group consisted of four members, Dahye, Yujeong, Jina and Danbi. They debuted on June 10, 2014 with the single "No Way" from The 1st Single Album.
In February 2015, it was reported that Jina was diagnosed with encephalitis and the group was disbanded.
History
Chrome Entertainment released a picture of Bob Girls on May 21. All four members had bobbed hair, and the agency stated, "Usually when girls cut their long hair, it means they are going through some mental changes. Likewise, Bob Girls aims to represent a shift of womanhood of our times."
Bob Girls' debut showcase was held on June 10 in Gangnam, Seoul. That same day, their first album was released along with a music video for "No Way", the lead single. The album also included a second song, "Oh My Boy" (왜이래; Wae Irae, lit. "Why This Way"). The group made its debut on the music show M! Countdown on June 12. On July 30, promotions began for "Oh My Boy" with a performance on Show Champion. The next day, Bob Girls' album was re-released as Summer Repackage, with summer remixes of both songs.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Bob_Girls
No Way (Run On album)
No Way is the second album by Run On, released on February 25, 1997 through Matador Records.
Track listing
All songs written and composed by Run On, except "Road" by Nick Drake and "Sinner Man" which is traditional.
Personnel
References
External links
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/No_Way_(Run_On_album)
Jerome
Saint Jerome (/dʒəˈroʊm/; Latin: Eusebius Sophronius Hieronymus; Greek: Εὐσέβιος Σωφρόνιος Ἱερώνυμος; c. 347 – 30 September 420) was a priest, confessor, theologian and historian, who also became a Doctor of the Church. He was the son of Eusebius, born at Stridon, a village near Emona on the border of Dalmatia and Pannonia, then part of northeastern Italy. He is best known for his translation of most of the Bible into Latin (the translation that became known as the Vulgate), and his commentaries on the Gospels. His list of writings is extensive. The protégé of Pope Damasus I, who died in December of 384, Jerome was known for his teachings on Christian moral life, especially to those living in cosmopolitan centers such as Rome. In many cases, he focused his attention to the lives of women and identified how a woman devoted to Jesus Christ should live her life. This focus stemmed from his close patron relationships with several prominent female ascetics who were members of affluent senatorial families.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Jerome
Jerome (given name)
Jerome is a masculine name of Greek origin, derived from the Greek given name Ἱερώνυμος, Hierōnymos, "sacred name"; from ἱερός, hierós, "sacred", and ὂνυμα, ónyma, an alternative form of ὄνομα, ónoma, "name".
It is the name of a prominent Christian saint, Saint Jerome, the translator of the Vulgate.
Jerome ranked among the top 200 names given to boys born in the United States between 1903 and 1985. It has since declined in popularity and was ranked as the 616th most popular name for American boys born in 2008.
Variants
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Jerome_(given_name)
List of Family Guy characters
Family Guy is an American animated adult comedy created by Seth MacFarlane for the Fox Broadcasting Company. Characters are listed only once, normally under the first applicable subsection in the list; very minor characters are listed with a more regular character with whom they are associated.
Griffin family
Peter Griffin
Peter Griffin (voiced by Seth MacFarlane) is the patriarch of the Griffin household, an Irish-American blue-collar worker. He is a lazy, immature, obese, laid-back, dim-witted, outspoken, eccentric alcoholic. Peter's jobs have included working at the Happy Go Lucky Toy Factory, working as a fisherman, and currently working at Pawtucket Brewery.
Lois Griffin
Lois Patrice Griffin (née Pewterschmidt) (voiced by Alex Borstein) is Peter's wife and the mother of Meg, Chris, and Stewie. She is a Scots/Anglo American housewife who cares for her kids and her husband, while also teaching children to play the piano. She is also very flirtatious and has slept with numerous people on the show; her past promiscuous tendencies and her hard-core recreational drug-use are often stunning but overlooked.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/List_of_Family_Guy_characters
Jerome
ALBUMS
Jerome
ALBUMS
- Kontor: Top of the Clubs, Volume 62 released: 2014
- Kontor: Top of the Clubs: The Biggest Hits of the Year MMXII released: 2012
- Kontor: Top of the Clubs, Volume 56 released: 2012
- Heat the Dancefloor: June 2012 released: 2012
- Kontor: House of House, Volume 15 released: 2012
- Summer Madness released: 2011
- Clubland X-Treme Hardcore 7 released: 2010
- Luxury Lounge Ibiza, Volume 2 released: 2008
- 100% Pure released: 2006
- Steve Rachmad: In the Mix released: 2001
- Polyphonic Highway released: 2000
- I Love Techno 10 released: 2000
- Priority Music released: 1999
- I ♥ Techno 7 released: 1999
- Rebound released: 1998
- Steve Rachmad: Emerging released: 1998
- Bad Boy Greatest Hits, Volume 1 released: 1998
- Belly released: 1998
- Trillipone / Second Trillip released: 1996
- Bangin' the Box, Volume 1 released: 1995
- Season 2 the Complete Collection released:
- Rare Funky Groove 1 released:
Kontor: Top of the Clubs, Volume 62
Released 2014- Dare You (Tiësto vs. Twoloud remix)
- Save My Night (Blasterjaxx remix)
- Colorblind (Holi Gaudy Anthem) (original mix)
- Typhoon (original mix)
- Hey Ho (J Trick remix)
- Louder
- Put Your Hands Up
- Higher
- Crackin (Martin Garrix edit)
- Aftershock (club mix)
- We're Not Alone (Hi Scandinavia!) (Kill the Buzz remix)
- Face to Face (Junkx remix)
- Sending You Out of Space (extended mix)
- Rockin (original mix)
- Utopia (original mix)
- Don't Hold Us (original mix)
- I Am Changing (original mix)
- Up 'n Away (extended mix)
- Thunderbolt (E Partment extended mix)
- Slapper
Kontor: Top of the Clubs: The Biggest Hits of the Year MMXII
Released 2012- I Follow Rivers (The Magician remix)
- DJ Antoine Megamix
- Titanium
- Good Feeling
- Dont Wake Me Up
- Scream
- Summer Jam
- 2012 (If the World Would End)
- Endless Summer
- U Know It Ain’t Love
- Infinity 2012 (DJ Antoine vs. Mad Mark mix)
- Dancing in London (David May mix)
- I’m Day Dreaming
- Not All About the Money (DJ Antoine vs. Mad Mark 2k12 mix)
- Touch
- Rock This Party (David May mix)
- Tell Me Why
- Deep in Love
- I Don’t Wanna Dance
- Feeling So Blue
Kontor: Top of the Clubs, Volume 56
Released 2012- Silhouettes (original mix)
- Greyhound
- Silenced by the Night (Alesso remix)
- Yuccasin (original mix)
- The Veldt (Tommy Trash remix)
- I Need More (club mix)
- Just One More Time Baby (original mix)
- Fly Away (original mix)
- Hell Yeah (original mix)
- Nothing Inside (extended mix)
- Pressure (original club mix)
- You Are My High (David Jones remix)
- Vamos (extended mix)
- Love Will (album version)
- In and Out of Love
- Where's the Church (Christopher S remix)
- In the Morning (Juicy New York mix)
- Surrender (Maison & Dragen remix)
- Cracks
- Make Me Feel (club mix)
Kontor: House of House, Volume 15
Released 2012- Single Ladies
- Party Shaker
- Baby It's the Last Time (David May mix)
- Back in Miami (Mike Candys original mix)
- Troublemaker
- 2012 (If the World Would End)
- International Love
- Breathing
- Looking for Some Girls
- Best Party in Town (David May original mix)
- My Party
- Last Night a DJ Saved My Life
- Shake 3x
- Bedroom (David May mix)
- Show Me Love 2K12 (Crazibiza remix)
- Surrender
- Can't Get Enough (Deepdisco remix)
- She Plays Me Like a Melody (Global Deejays mix)
- Cancion Del Mariachi
- Rock This Club (R.I.O. mix)
- Stars
Summer Madness
Released 2011- Monster
- Trust in Me
- You & I
- Orbit
- Back Home
- Jump
- Show Me the Way
- Future Fuzz
- No Way Back
- There for You
- Bigger and Bolder
- Your One
- All the Tears I've Cried (JB-C remix)
- Catch the Light
- Close (Dougal & Gammer remix)
- Blam
- Breakneck Bastard
- Do What You Wanna Do
- Cameras Ready
- Lifting Me Higher (Back to 97 mix)
Clubland X-Treme Hardcore 7
Released 2010- Hardcore Syco (Exclusive X-Treme mix)
- Don't Feel Like Love
- Hard as F**k
- Shine On (Hixxy remix)
- Catch You (Re-Con remix)
- This Is How We Roll
- Break of Day
- Don't Need
- My Way (Re-Con remix)
- Love Song
- Feel It in the Air (Gammer remix)
- Werewolf
- Get the Funk (KF edit)
- I Wanna Play Your Game
- Home Alone
- I Hate You 2010
- Konfusion
- You're Gonna Love Me
- Crazy Underground
- Mad House
I Love Techno 10
Released 2000- Answering Machine (2000 remix)
- Compass
- Break It Down (remix)
- Mojito (original mix)
- How's Your Evening So Far
- Love Story
- G-Wise
- Bursting Out
- Hypocrisy
- Strahleman und Sohne
- Golden Dawn
- Rise
- Electric Deluxe
- Elm
- Undisputed Life (Technasia remix 2)
- Wavez Cycle
- Club MCM (Steve Rachmad remix)
- Energetix
- 1001
- Greed (Dave Clarke mix)
Bangin' the Box, Volume 1
Released 1995- Intro
- Ghetto Muzik
- Hornier
- D-Motion
- The Groove Has Got Me
- The Jacker
- Structure
- Dooky Booty
- Video Clash 2
- A Mover La Colita
- Horny (remix)
- Donkey
- Echale Samilla
- Latino's Del Mundo
- Stupid Dog
- Wax Scratch Track
- L & B Project
- Wicki-Stik
- Jack's Back
- With Prayer
- The Rebel
- Toma
- Crazy Cool
- Disco Dancin'
- Echa Pa Lante
- Everybody Reach
- Bomba
- Dance With Me
- Walk for Me
- Matrix
- What Cha Like
- The Bomb
- High Jackin'
- Everybody Be Somebody
- Panic
- Round We Go
- Horn Fantasy
- Everybody Must Party
- Energy
- Pump It
- A Mover la Colita
- Set You Free
Jérome
ALBUMS
- Nassau Beach Club Ibiza 2013 released: 2013
- Kontor: House of House, Volume 18 released: 2013
- Beck's Gold Tour released: 2008
Nassau Beach Club Ibiza 2013
Released 2013- Love Is All I Got (Larse remix)
- I See Lights (Karmon remix)
- Look Around You
- Regrets We Have No Use For
- Hearbreaker
- Tell Me (David August remix)
- You Make Me Float
- Dancing in the Sun
- Feeling You (Henrik Schwarz remix)
- Super Flu < 3 Isaac
- It's Not Hard to See
- Walking in the Sunshine
- Slow Moves
- Sometimes
Kontor: House of House, Volume 18
Released 2013- So Good to Me
- My Head Is a Jungle (Gui Boratto mix)
- Killing Me
- Let's Get Down
- X You
- Ode to Oi
- Look Around You (Chopstick & Johnjon mix)
- Keep Control (H.O.S.H. mix)
- Count to Ten
- Wanna Be
- Partied All Night
- Just About Us
- High on Your Love
- So Young So High
- Let Your Mind Go
- Redux
- Back 2 Life
- Need of You
- U Sure Do (Dave Rose & Groove Phenomenon mix)
- Maria Maria (Jerome mix)
- Endlich Wochenende (Eric Chase mix)
Jerome
ALBUMS
Jerome
ALBUMS
- Monster released: 2013
Monster
Released 2013- Be Yourself
- Nie oddam za nic
- Heavy on the Beat
- I Am
- Mr Pink
- My Album
- My Music
- Jeszcze Firma nie zginęła
- Pain Be My Guest
- We Party Hard We Never Rest (Matheo version)
- We Party Hard We Never Rest (Steel Banglez version)
- Police Chase
- Ja robię muzę, ty płaczesz
- Robbery
- Znawcy rapu
- Kto nie ryzykuje, szampana nie pije
- Sławy szczyt
Jerome
ALBUMS
Jerome
ALBUMS
- 25 Gatswaai Treffers released: 2004
25 Gatswaai Treffers
Released 2004- Mandy (2004 mix)
- Love Springs Eternal
- Teenage Queenie
- Smile
- Mississippi
- Teenage Queenie
- Forever and for Always
- Suzette
- Annemarie
- Rebecca
- Ek Onthou
- Maybe My Baby
- Somer In die Stad
- Dans Met My Baby
- Say It Isn't So (dance mix)
- White Flag
- Everlasting Love
- Jou Hart Is Weer Myne
- Vasvat
- Warm Pampoen
- Boesmanland
- Vlakdrif
- Jodel Liedjie
- Ek Wil 'n Meisie Hê
- Addicted (2004 mix)
Jerome
ALBUMS
- Kontor: Top of the Clubs, Volume 59 released: 2013
Kontor: Top of the Clubs, Volume 59
Released 2013- As Your Friend
- Rockin'n'Rollin' (original mix)
- Let There Be Love
- Into the Light (original mix)
- Chasing Summers (R3hab & Quintino remix)
- The Night Out (TNO Ryeland remix)
- Get Loose (Tiésto remix)
- Don't Walk Away (Eric Chase remix)
- Here & Now (original mix)
- Vago (original mix)
- Tilt (club mix)
- Can't Love Without You (extended mix)
- Glowing (Fedde Le Grand radio edit)
- Mammoth (original mix)
- Freed From Desire (club mix)
- Let's Get Down (Jerome remix)
- Superman (extended mix)
- Viper (original mix)
- Who Do You Love (original mix)
- Zombies in Love (original mix)
-
Jerome - No Way Out (Teaser)
A music video by an amateur music producer
published: 27 Jul 2017 -
Jerome - No Way Out
A music video by an amateur music producer Song&Lyrics;: Jerome Video: Tolga A. Tuneli
published: 29 Jul 2017 -
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Remix)
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone. Subscribe today for more great music! Skid Flip: https://soundcloud.com/skidflipmusic Vicetone: https://soundcloud.com/vicetone Never miss a video by keeping up to date with: Twitter - https://twitter.com/vividdmusic Facebook - https://www.facebook.com/VividEveryday Visit our website - http://vividmusic.ca/ Stay updated with Soundcloud - https://soundcloud.com/vividdmusic If you are the artist of the song and you want your track taken down, please e-mail us.
published: 20 Feb 2015 -
Jerome - Tutun Kanıma
published: 24 Aug 2017 -
Way Out West - Only Love (Jerome Isma-Ae Remix)
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE Sign up to the Hope Recordings Newsletter below: http://www.hoperecordings.com/signup/ Subscribe to Hope Recordings YouTube Channel: https://www.youtube.com/user/HopeRecordings?sub_confirmation=1 https://www.facebook.com/HopeRecordings https://twitter.com/HopeRecordings http://www.hoperecordings.com/
published: 30 Jan 2015 -
Martin -Jerome
Martin Lawrence- Jerome
published: 03 Jan 2009 -
Jérôme Bel - interview - the last performance (1998) - first part
By Jérôme Bel, 40'21 This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005. Jérôme Bel explains the working out context of this performance and what was at stake. From 2004, he decided to show the conference instead of the performance itself, putting the emphasis on the transmission and the self-critical analysis of this piece. He started then a reflexive process which will be fulfilled and broaden to his whole output through the Catalogue raisonné. « Invited at the same time by the Hebbel Theater in Berlin, the Tanz-quartier in Vienna and the Centre National de Dance in Paris to perform 'The last performance' (1998) I decided, instead of presenting the piece, to make a lecture about its issues. I have t...
published: 15 Dec 2016 -
Jerome / KxKxK
published: 24 Mar 2018 -
Jerome - Pleasure / Disgust
published: 22 Mar 2018
developed with YouTube
0:48
Jerome - No Way Out (Teaser)
- Order: Reorder
- Duration: 0:48
- Uploaded Date: 27 Jul 2017
- views: 358
A music video by an amateur music producer
A music video by an amateur music producer
https://wn.com/Jerome_No_Way_Out_(Teaser)
A music video by an amateur music producer
- published: 27 Jul 2017
- views: 358
3:11
Jerome - No Way Out
- Order: Reorder
- Duration: 3:11
- Uploaded Date: 29 Jul 2017
- views: 595
A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
https://wn.com/Jerome_No_Way_Out
A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
- published: 29 Jul 2017
- views: 595
4:30
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Remix)
- Order: Reorder
- Duration: 4:30
- Uploaded Date: 20 Feb 2015
- views: 2714
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone.
...
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone.
Subscribe today for more great music!
Skid Flip: https://soundcloud.com/skidflipmusic
Vicetone: https://soundcloud.com/vicetone
Never miss a video by keeping up to date with:
Twitter - https://twitter.com/vividdmusic
Facebook - https://www.facebook.com/VividEveryday
Visit our website - http://vividmusic.ca/
Stay updated with Soundcloud - https://soundcloud.com/vividdmusic
If you are the artist of the song and you want your track taken down, please e-mail us.
https://wn.com/Vicetone_Ft._Kat_Nestel_No_Way_Out_(Skid_Flip_Remix)
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone.
Subscribe today for more great music!
Skid Flip: https://soundcloud.com/skidflipmusic
Vicetone: https://soundcloud.com/vicetone
Never miss a video by keeping up to date with:
Twitter - https://twitter.com/vividdmusic
Facebook - https://www.facebook.com/VividEveryday
Visit our website - http://vividmusic.ca/
Stay updated with Soundcloud - https://soundcloud.com/vividdmusic
If you are the artist of the song and you want your track taken down, please e-mail us.
- published: 20 Feb 2015
- views: 2714
2:25
Jerome - Tutun Kanıma
- Order: Reorder
- Duration: 2:25
- Uploaded Date: 24 Aug 2017
- views: 305
- published: 24 Aug 2017
- views: 305
8:18
Way Out West - Only Love (Jerome Isma-Ae Remix)
- Order: Reorder
- Duration: 8:18
- Uploaded Date: 30 Jan 2015
- views: 1473
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE
Sign up to the Hope Recordings Newsletter below:
http://w...
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE
Sign up to the Hope Recordings Newsletter below:
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https://twitter.com/HopeRecordings
http://www.hoperecordings.com/
https://wn.com/Way_Out_West_Only_Love_(Jerome_Isma_Ae_Remix)
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE
Sign up to the Hope Recordings Newsletter below:
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Subscribe to Hope Recordings YouTube Channel:
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https://www.facebook.com/HopeRecordings
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http://www.hoperecordings.com/
- published: 30 Jan 2015
- views: 1473
3:55
Martin -Jerome
- Order: Reorder
- Duration: 3:55
- Uploaded Date: 03 Jan 2009
- views: 2728257
Martin Lawrence- Jerome
Martin Lawrence- Jerome
https://wn.com/Martin_Jerome
Martin Lawrence- Jerome
- published: 03 Jan 2009
- views: 2728257
40:23
Jérôme Bel - interview - the last performance (1998) - first part
- Order: Reorder
- Duration: 40:23
- Uploaded Date: 15 Dec 2016
- views: 1713
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005...
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005. Jérôme Bel explains the working out context of this performance and what was at stake. From 2004, he decided to show the conference instead of the performance itself, putting the emphasis on the transmission and the self-critical analysis of this piece. He started then a reflexive process which will be fulfilled and broaden to his whole output through the Catalogue raisonné.
« Invited at the same time by the Hebbel Theater in Berlin, the Tanz-quartier in Vienna and the Centre National de Dance in Paris to perform 'The last performance' (1998) I decided, instead of presenting the piece, to make a lecture about its issues. I have the feeling that this difficult piece hasn't been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, that is why I would like to change my medium and use the tool of the lecture to try to articulate better the stakes of 'The last performance'. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time. » Jérôme Bel, Paris, February 2004
« Performance's only life is the present. Performance cannot be saved, recorded, documented or otherwise participate in the circulation of representations of representations : once it does so, it becomes something other than performance. To the degree that performance attempts to enter the economy of reproduction, it betrays and lessens the promise of its own ontology. Performance's being, like the ontology of subjectivity proposed here, becomes itself through disappearance. »
Peggy Phelan in Unmarked the politics of performance
« (...) to say that Bel leaves nothing to the imagination would be to underestimate the primary scene of this hour-long evening : the opening of Susanne Linke's Wadlung choreography. Its title (change or transformation) does in essence what Bel is practicing here. In the changes of a body, sprawled on its back, slithering as though peeling from its own skin, one quickly forgets Linke. The piece begins developing in a poetry of its own. Although we know that everything which occurs on stage is a quote, nevertheless, the copy reveals a fascinating life of its own, and this makes our knowledge of the original seem significant. (...) The last performance, a piece meant to end all « performances of an identity », while putting its trust in the imagination of the audience like no other, is an 'Endgame' of dance. Also, it could seem as the next to last line in the last volume of subjectivity, the adjuster between images and representation, and while losing the fight against vanishing altogether, it proves itself highly resistant, where potentially endless repetitions of the already danced, lived and said are concerned. Jérôme Bel suffers like Samuel Beckett : there's no way of killing consciousness. Bel also suffers like an Andy Warhol. His way of dealing with quotes and serial formations proves that he's creative and sensual to an extend unlike any other choreographer. »
Gérald Siegmund in Ballet international-Tanz aktuell, December 1998
https://wn.com/Jérôme_Bel_Interview_The_Last_Performance_(1998)_First_Part
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005. Jérôme Bel explains the working out context of this performance and what was at stake. From 2004, he decided to show the conference instead of the performance itself, putting the emphasis on the transmission and the self-critical analysis of this piece. He started then a reflexive process which will be fulfilled and broaden to his whole output through the Catalogue raisonné.
« Invited at the same time by the Hebbel Theater in Berlin, the Tanz-quartier in Vienna and the Centre National de Dance in Paris to perform 'The last performance' (1998) I decided, instead of presenting the piece, to make a lecture about its issues. I have the feeling that this difficult piece hasn't been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, that is why I would like to change my medium and use the tool of the lecture to try to articulate better the stakes of 'The last performance'. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time. » Jérôme Bel, Paris, February 2004
« Performance's only life is the present. Performance cannot be saved, recorded, documented or otherwise participate in the circulation of representations of representations : once it does so, it becomes something other than performance. To the degree that performance attempts to enter the economy of reproduction, it betrays and lessens the promise of its own ontology. Performance's being, like the ontology of subjectivity proposed here, becomes itself through disappearance. »
Peggy Phelan in Unmarked the politics of performance
« (...) to say that Bel leaves nothing to the imagination would be to underestimate the primary scene of this hour-long evening : the opening of Susanne Linke's Wadlung choreography. Its title (change or transformation) does in essence what Bel is practicing here. In the changes of a body, sprawled on its back, slithering as though peeling from its own skin, one quickly forgets Linke. The piece begins developing in a poetry of its own. Although we know that everything which occurs on stage is a quote, nevertheless, the copy reveals a fascinating life of its own, and this makes our knowledge of the original seem significant. (...) The last performance, a piece meant to end all « performances of an identity », while putting its trust in the imagination of the audience like no other, is an 'Endgame' of dance. Also, it could seem as the next to last line in the last volume of subjectivity, the adjuster between images and representation, and while losing the fight against vanishing altogether, it proves itself highly resistant, where potentially endless repetitions of the already danced, lived and said are concerned. Jérôme Bel suffers like Samuel Beckett : there's no way of killing consciousness. Bel also suffers like an Andy Warhol. His way of dealing with quotes and serial formations proves that he's creative and sensual to an extend unlike any other choreographer. »
Gérald Siegmund in Ballet international-Tanz aktuell, December 1998
- published: 15 Dec 2016
- views: 1713
2:26
Jerome / KxKxK
- Order: Reorder
- Duration: 2:26
- Uploaded Date: 24 Mar 2018
- views: 73
- published: 24 Mar 2018
- views: 73
1:33
Jerome - Pleasure / Disgust
- Order: Reorder
- Duration: 1:33
- Uploaded Date: 22 Mar 2018
- views: 92
- published: 22 Mar 2018
- views: 92
0:48
Jerome - No Way Out (Teaser)
A music video by an amateur music producer
published: 27 Jul 2017
Jerome - No Way Out (Teaser)
Jerome - No Way Out (Teaser)
- Report rights infringement
- published: 27 Jul 2017
- views: 358
A music video by an amateur music producer
3:11
Jerome - No Way Out
A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
published: 29 Jul 2017
Jerome - No Way Out
Jerome - No Way Out
- Report rights infringement
- published: 29 Jul 2017
- views: 595
A music video by an amateur music producer
Song&Lyrics;: Jerome
Video: Tolga A. Tuneli
4:30
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Remix)
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy ...
published: 20 Feb 2015
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Remix)
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Remix)
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- published: 20 Feb 2015
- views: 2714
Skid Flip magnificently infused the beautiful vocals of Kat Nestel in this deeper, groovy remix of "No Way Out", originally by the Dutch powerhouse, Vicetone.
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8:18
Way Out West - Only Love (Jerome Isma-Ae Remix)
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3v...
published: 30 Jan 2015
Way Out West - Only Love (Jerome Isma-Ae Remix)
Way Out West - Only Love (Jerome Isma-Ae Remix)
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- published: 30 Jan 2015
- views: 1473
Available on iTunes - https://itunes.apple.com/gb/album/only-love/id824868637?uo=4&at;=1l3voFY&ct;=HOPE
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3:55
Martin -Jerome
Martin Lawrence- Jerome
published: 03 Jan 2009
Martin -Jerome
Martin -Jerome
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- published: 03 Jan 2009
- views: 2728257
Martin Lawrence- Jerome
40:23
Jérôme Bel - interview - the last performance (1998) - first part
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is ...
published: 15 Dec 2016
Jérôme Bel - interview - the last performance (1998) - first part
Jérôme Bel - interview - the last performance (1998) - first part
- Report rights infringement
- published: 15 Dec 2016
- views: 1713
By Jérôme Bel, 40'21
This lecture about « Le dernier spectacle » given by Jérôme Bel is the chapter number four of the Catalogue raisonné Jérôme Bel 1994-2005. Jérôme Bel explains the working out context of this performance and what was at stake. From 2004, he decided to show the conference instead of the performance itself, putting the emphasis on the transmission and the self-critical analysis of this piece. He started then a reflexive process which will be fulfilled and broaden to his whole output through the Catalogue raisonné.
« Invited at the same time by the Hebbel Theater in Berlin, the Tanz-quartier in Vienna and the Centre National de Dance in Paris to perform 'The last performance' (1998) I decided, instead of presenting the piece, to make a lecture about its issues. I have the feeling that this difficult piece hasn't been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, that is why I would like to change my medium and use the tool of the lecture to try to articulate better the stakes of 'The last performance'. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time. » Jérôme Bel, Paris, February 2004
« Performance's only life is the present. Performance cannot be saved, recorded, documented or otherwise participate in the circulation of representations of representations : once it does so, it becomes something other than performance. To the degree that performance attempts to enter the economy of reproduction, it betrays and lessens the promise of its own ontology. Performance's being, like the ontology of subjectivity proposed here, becomes itself through disappearance. »
Peggy Phelan in Unmarked the politics of performance
« (...) to say that Bel leaves nothing to the imagination would be to underestimate the primary scene of this hour-long evening : the opening of Susanne Linke's Wadlung choreography. Its title (change or transformation) does in essence what Bel is practicing here. In the changes of a body, sprawled on its back, slithering as though peeling from its own skin, one quickly forgets Linke. The piece begins developing in a poetry of its own. Although we know that everything which occurs on stage is a quote, nevertheless, the copy reveals a fascinating life of its own, and this makes our knowledge of the original seem significant. (...) The last performance, a piece meant to end all « performances of an identity », while putting its trust in the imagination of the audience like no other, is an 'Endgame' of dance. Also, it could seem as the next to last line in the last volume of subjectivity, the adjuster between images and representation, and while losing the fight against vanishing altogether, it proves itself highly resistant, where potentially endless repetitions of the already danced, lived and said are concerned. Jérôme Bel suffers like Samuel Beckett : there's no way of killing consciousness. Bel also suffers like an Andy Warhol. His way of dealing with quotes and serial formations proves that he's creative and sensual to an extend unlike any other choreographer. »
Gérald Siegmund in Ballet international-Tanz aktuell, December 1998
1:33
Jerome - Pleasure / Disgust
published: 22 Mar 2018
Jerome - Pleasure / Disgust
No Way
No Way may refer to:
Music
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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/No_Way
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Jerome - No Way Out (Teaser)...
Jerome - No Way Out...
Vicetone Ft. Kat Nestel - No Way Out (Skid Flip Re...
Jerome - Tutun Kanıma...
Way Out West - Only Love (Jerome Isma-Ae Remix)...
Martin -Jerome...
Jérôme Bel - interview - the last performance (19...
Jerome / KxKxK...
Jerome - Pleasure / Disgust...
No Way Out
We could take a journey down memory lane
Where would it really go?
I already know you
We could write it out awhile
Playin' it by ear
But how could you play at all?
You hardly ever listen
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out
Could of Would of Should have I left it up to you
Willing to take control So I could just follow
(so I could just follow)
But time reveals a lot about yourself
And I'm not getting younger, younger
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh
Whoa oh oh oh oh oh oh oh
Whoa oh oh oh oh oh
Whoa oh oh oh oh oh oh oh
Whoa oh oh oh
Whoa oh oh oh oh oh oh oh
Whoa oh oh oh oh oh
Whoa oh oh oh oh oh oh oh
Whoa oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh
And there's no way out, way out
Whoa oh oh oh oh oh oh oh
And there's no way out, way out