- published: 28 Jul 2011
- views: 578385
Marta may refer to:
Martha Argerich (born June 5, 1941) is an Argentine pianist, widely regarded as one of the greatest pianists of the second half of the 20th century.
Argerich was born in Buenos Aires, Argentina. Her paternal ancestors were Catalonians based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in the Entre Ríos province—one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. The provenance of the name Argerich is Catalonia, Spain. She started playing the piano at age three. At the age of five, she moved to teacher Vincenzo Scaramuzza, who stressed to her the importance of lyricism and feeling. Argerich gave her debut concert in 1949 at the age of eight.
The family moved to Europe in 1955, where Argerich studied with Friedrich Gulda in Austria. Juan Perón, then the president of Argentina, made their decision possible by appointing her parents to diplomatic posts in the Argentine Embassy in Vienna. She later studied with Stefan Askenase and Maria Curcio. Argerich also seized opportunities for brief periods of coaching with Madeleine Lipatti (widow of Dinu Lipatti), Abbey Simon, and Nikita Magaloff. In 1957, at sixteen, she won both the Geneva International Music Competition and the Ferruccio Busoni International Competition, within three weeks of each other. It was at the latter that she met Arturo Benedetti Michelangeli, whom she would later seek out for lessons during a personal artistic crisis at the age of twenty, though she only had four lessons with him in a year and a half. Her greatest influence was Gulda, with whom she studied for 18 months.
Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.
Domenico Scarlatti was born in Naples, Kingdom of Naples, in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. Domenico's older brother Pietro Filippo was also a musician.
Alessandro Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Scarlatti was born in Palermo, then part of the Kingdom of Sicily. He is generally said to have been a pupil of Giacomo Carissimi in Rome, and some theorize that he had some connection with northern Italy because his early works seem to show the influence of Stradella and Legrenzi. The production at Rome of his opera Gli Equivoci nell sembiante (1679) gained him the support of Queen Christina of Sweden (who at the time was living in Rome), and he became her Maestro di Cappella. In February 1684 he became Maestro di Cappella to the viceroy of Naples, perhaps through the influence of his sister, an opera singer, who might have been the mistress of an influential Neapolitan noble. Here he produced a long series of operas, remarkable chiefly for their fluency and expressiveness, as well as other music for state occasions.
Scarlatti is an Italian surname. Notable people with the surname include:
Scarlatti Sonata in D minor K141 by Martha Argerich (2008)
Scarlatti, Sonate K.141 - Martha Argerich
Sonata k.107 Scarlatti - Marta Cubas Hondal
Martha Argerich plays Scarlatti (2015)
Marta Santibañes Interpreta Chi Vuole Innamorarsi de Alessandro Scarlatti
Scarlatti. Toccata in D minor S.141 - Martha Argerich (Live Zurich 2001)
Domenico Scarlatti - Stabat Mater a 10
martha argerich - scarlatti, sonata k. 141
Domenico Scarlatti - Stabat Mater a 10 voci - Concerto Italiano - Rinaldo Alessandrini
MARTA CUBAS SONATA KV 107 SCARLATTI
Sonata k.107 Scarlatti - Marta Cubas Hondal
Casella Triplo Concerto op.56 - Prencipe/La Volpe/De Conciliis/Pradella/ Orchestra Scarlatti (1966)
MARTA CUBAS SONATA KV 107 SCARLATTI
Marta Santibañes Interpreta Chi Vuole Innamorarsi de Alessandro Scarlatti
Domenico Scarlatti: Sonata in D minor K141 Playlist: http://www.youtube.com/watch?v=wQaO7v1d1ng&list;=PL874580E43FD87F03 Martha Argerich, Piano 27th March 2008 Live at Auditorium Rai Arturo Toscanini, Turin
Domenico Scarlatti, Cembalosonate d-moll K.141 Martha Argerich - Verbier 2009
Marta Cubas Hondal (11 años) interpretando la Sonata k107 Scarlatti. Concurso internacional de Acordeón Castelfidardo 2014. Categoría B
Domenico Scarlatti (1685-1757). Toccata in D minor S.141 Live Zurich, Switzerland, 2001. Encore Martha Argerich
Domenico Scarlatti (1685-1757) da "Lamentazione" 1. Stabat Mater a 10 (1715-1719) Virginie Thomas (soprano) Sean Clayton (tenor) Les Arts Florissants Paul Agnew (direction) Virgin Classics, 2011
argerich plays scarlatti
Domenico Scarlatti - Stabat Mater a 10 voci - Concerto Italiano - Rinaldo Alessandrini - Anna Simboli, Monica Piccinini, Lia Serafini, Alena Dantcheva, soprani - Elena Biscuola, Andrea Arrivabene, alti - Gianluca Ferrarini, Luca Dordolo, tenori - Matteo Bellotto, Yiannis Vassilakis, bassi - Ugo Di Giovanni, Craig Marchitelli, tiorbe - Francesco Moi, organo - Rinaldo Alessandrini, direttore - Utrecht Festival, 28 agosto 2011
Marta Cubas Hondal (11 años) interpretando la Sonata k107 Scarlatti. Concurso internacional de Acordeón Castelfidardo 2014. Categoría B
Giuseppe Prencipe violino - Willy La Volpe violoncello - Marta De Conciliis pianoforte - Orchestra Alessandro Scarlatti della Rai di Napoli - Massimo Pradella, direttore. (O7.04.1966)
Domenico Scarlatti: Sonata in D minor K141 Playlist: http://www.youtube.com/watch?v=wQaO7v1d1ng&list;=PL874580E43FD87F03 Martha Argerich, Piano 27th March 2008 Live at Auditorium Rai Arturo Toscanini, Turin
Domenico Scarlatti, Cembalosonate d-moll K.141 Martha Argerich - Verbier 2009
Marta Cubas Hondal (11 años) interpretando la Sonata k107 Scarlatti. Concurso internacional de Acordeón Castelfidardo 2014. Categoría B
Domenico Scarlatti (1685-1757). Toccata in D minor S.141 Live Zurich, Switzerland, 2001. Encore Martha Argerich
Domenico Scarlatti (1685-1757) da "Lamentazione" 1. Stabat Mater a 10 (1715-1719) Virginie Thomas (soprano) Sean Clayton (tenor) Les Arts Florissants Paul Agnew (direction) Virgin Classics, 2011
argerich plays scarlatti
Domenico Scarlatti - Stabat Mater a 10 voci - Concerto Italiano - Rinaldo Alessandrini - Anna Simboli, Monica Piccinini, Lia Serafini, Alena Dantcheva, soprani - Elena Biscuola, Andrea Arrivabene, alti - Gianluca Ferrarini, Luca Dordolo, tenori - Matteo Bellotto, Yiannis Vassilakis, bassi - Ugo Di Giovanni, Craig Marchitelli, tiorbe - Francesco Moi, organo - Rinaldo Alessandrini, direttore - Utrecht Festival, 28 agosto 2011
(Palermo, 2 maggio 1660 -- Napoli, 24 ottobre 1725) Performed by: Gemma Bertagnolli soprano, Sara Mingardo contralto, Concerto Italiano Rinaldo Alessandrini Picture by: Hans Memling - Mater Dolorosa (Galleria degli Uffizi, Firenze) 1_Stabat Mater 2_Cuius Anima 3_O Quam Tristis 4_Quae Morebat et dolebat 5_Qui est Homo 6_Quis non posset contristari 7_Pro peccatis suae gentis 8_Vidit Suum dulcem natum 9_Pia Mater 10_Sancta Mater 11_Fac Ut Ardeat cor meum 12_Tui nati vulnerati 13_Juxta crucem 14_Virgo virginum praeclara 15_Fac Ut Portem Christi mortem 16_Inflammatus et accensus 17_Fac me cruci custodiri 18_Quando Corpus morietur IMPORTANTE Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie. If you thin...
Live recording of Domenico Scarlattis Stabat Mater with Ars Nova Copenhagen and Paul Hillier. Allan Rasmussen, Organ. Recorded live at Garnisonskirken Copenhagen April 2014. Video by Julie Sunflower The mother stood sorrowing by the cross, weeping while her Son hung there; Whose soul, lamenting, sorrowing and grieving, has been pierced by the sword. O how sad and afflicted was that blessed Mother of her only-begotten Son. Who wept and grieved and trembled to behold the torment of her glorious child. What man would not weep if he saw the Mother of Christ in such torment? Who could not be sorrowful to behold the pious mother grieving with her Son? For the sins of His people she saw Jesus in torment and subjected to the whip. She saw her sweet Son dying, forsaken, as He gave up the s...
Alessandro Scarlatti (Palermo, 2 maggio 1660 -- Napoli, 24 ottobre 1725) Performed by: Giuditta: Roberta Mameli -- soprano Oloferne: Marta Fumagalli -- alto Ozia: Francesca Lombardi -- soprano Capitano: Anicio Zorzi Giustiniani -- ténor Sacerdote: Salvo Vitale -- basse La Venexiana dir. Claudio Cavina Filharmonia K. Szymanowski, Krakow, 5.04.2012 Picture by: Artemisia Gentileschi - Giuditta decapita Oloferne (museo Capodimonte, Napoli, 1612 ca.) IMPORTANTE Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
Friedrich Adolf Ferdinand, Freiherr von Flotow (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera Martha, which was popular in the 19th century and the early part of the 20th. Martha, oder Der Markt zu Richmond Librettist : Friedrich Wilhelm Riese (ca.1805-1879) Lady Harriet Durham: Lucia Popp Nancy: Doris Soffel Lord Tristan Mickleford: Sigmund Nimsgern Lyonel: Siegfried Jerusalem Plumkett: Karl Ridderbusch The Judge in Richmond: Peter Lika Maid I: Irmgard Lampert Maid II: Isolde Mitternacht Maid III: Gudrun Greindl-Rosner Servant of Lady Harriet I: Georg Baumgartner Servant of Lady Harriet II: Theodor Nicolai Servant of Lady Harriet III: Wilfried Vorwold Tenant I: Karl Kreile Tenant II: Paul Hansen Description by John Palmer [-] The libret...
Domenico Scarlatti - Stabat Mater a 10 voci - Concerto Italiano - Rinaldo Alessandrini - Anna Simboli, Monica Piccinini, Lia Serafini, Alena Dantcheva, soprani - Elena Biscuola, Andrea Arrivabene, alti - Gianluca Ferrarini, Luca Dordolo, tenori - Matteo Bellotto, Yiannis Vassilakis, bassi - Ugo Di Giovanni, Craig Marchitelli, tiorbe - Francesco Moi, organo - Rinaldo Alessandrini, direttore - Utrecht Festival, 28 agosto 2011
Vox Luminis, Lionel Meunier [00:00] I. Stabat Mater dolorosa [03:06] II. Cujus Animam Gementem [07:31] III. Quis non posset [10:13] IV. Eja Mater, Fons Amoris [12:06] V. Sancta Mater, Istud Agas [15:12] VI. Fac me vere tecum flere [16:07] VII. Juxta Crucem [18:02] VIII. Inflammatus et accensus [21:10] IX. Fac Ut Animae donetur paradisi gloria - Amen Painting: Jesus falling, while carrying the cross, on his way to calvary by Anton Raphael Mengs. 1769
Domenico Scarlatti (1685-1757) da "Lamentazione" 1. Stabat Mater a 10 (1715-1719) Virginie Thomas (soprano) Sean Clayton (tenor) Les Arts Florissants Paul Agnew (direction) Virgin Classics, 2011
César Franck Sonate für Violine und Klavier A-Dur op. 120 (1886) César Franck (1822 – 1890) Sonate für Violine und Klavier A-Dur op. 120 (1886) 1. Allegretto ben moderato 2. Allegro- Quasi lento- Tempo 1 Allegro 3. Recitativo - Fantasia Ben moderato - Largamente - Molto vivace 4. Allegretto poco mosso Martha Argerich, Klavier & Maria Solozobova, Violine Classical Highlights Zürich -Weihnachtskonzert „Masterinterpreten Op II “ am 23.12.2014 in der Tonhalle Zürich, grosser Saal
Giovan Battista Pergolesi: Stabat Mater per soprano, contralto, orchestra d'archi e basso continuo Kim Hye Jin, soprano Susanna Anselmi, contralto Orchestra "Alessandro Scarlatti" di Napoli della RAI diretta da Filippo Zigante Registrazione effettuata presso la chiesa di San Giorgio a Salerno per il III Giugno Barocco il 14 giugno 1991
Dimitri Vassilakis , piano Sala Sudasiri Sobha , Bangkok 17/01/2016