- published: 26 Mar 2015
- views: 446
Phyllis Haver (January 6, 1899 – November 19, 1960) was an American actress of the silent film era.
She was born Phyllis Haver in Douglass, Kansas. When she was young, her family moved to Los Angeles, California, then a city of less than half a million people. Haver attended Los Angeles Polytechnic High. After graduating, she played piano to accompany the new silent films in local theaters.
Haver auditioned for comedy producer Mack Sennett on a whim. Sennett hired her as one of his original Sennett Bathing Beauties. Within a few years, she appeared as a leading lady in two-reelers for Sennett Studios.
Later, while signed with DeMille-Pathé, Haver played the part of Roxie Hart in the first film adaptation of Chicago in 1927, opposite Hungarian film actor Victor Varconi. One reviewer called her performance "astoundingly fine," and added that Haver "makes this combination of tragedy and comedy a most entertaining piece of work."
She performed in the comedy film The Battle of the Sexes (1928), directed by D. W. Griffith, and appeared with Lon Chaney in his last silent film, Thunder (1929).
The Balloonatic is a 1923 American short comedy film co-directed by and starring Buster Keaton. It was one of Keaton's final short films.
A young man (Keaton) has a series of encounters in an amusement area, much like Coney Island, until happening upon a group of men preparing a hot air balloon for launch. The young man assists the group by climbing atop the balloon to afix a pennant, when the balloon mistakenly takes flight with no one aboard but the young man. The young man finally downs the balloon in a wilderness area, where he encounters a young outdoorswoman and proceeds to have a series of misadventures.
Phyllis (Greek: Φυλλίς) is a character in Greek mythology, daughter of a Thracian king (according to some, of Sithon; most other accounts do not give her father's name at all, but one informs that he was named either Philander, Ciasus, or Thelus). She married Demophon, King of Athens and son of Theseus, while he stopped in Thrace on his journey home from the Trojan War.
Demophon, duty bound to Greece, returns home to help his father, leaving Phyllis behind. She sends him away with a coffin with the sacrament of Rhea, asking him to open it only when he has given up hope of returning to her. From here, the story diverges. In one version, Phyllis realizes that he will not return and commits suicide by hanging herself from a tree. Where she is buried, an almond tree grows, which blossoms when Demophon returns to her. In a second version of the story, Demophon opens the caskets and, horrified by what he saw in there, rides off like wild, but his horse stumbles and he accidentally falls on his own sword.
Fig Leaves is a 1926 American silent comedy film directed by Howard Hawks, released by Fox Film Corporation, and starring George O'Brien and Olive Borden. The film had a sequence, a fashion show, filmed in Technicolor. A print of the film survives in the film archive of the Museum of Modern Art.
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, mime and title cards. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, synchronized dialogue was only made practical in the late 1920s with the perfection of the Audion amplifier tube and the introduction of the Vitaphone system.
The term silent film is therefore a retronym, that is, a term created to distinguish something retroactively – the descriptor silent used before the late 1920s would have been a redundancy and possibly in modern times a misnomer. After the release of The Jazz Singer in 1927, the "talkies", also known as sound film or talking pictures became more and more commonplace. Within a decade, popular widespread production of silent films had ceased, hence production moved into the sound era.
Presenting Miss Phyllis Haver
~The Lovely Phyllis Haver~Silent Film Star~
Tribute to Phyllis Haver
Cinematic Women - Phyllis Haver (1899 - 1960)
Olive Borden and Phyllis Haver from 1926 - "Just Say No!"
Phyllis Haver Seduces George O'Brien In Fig Leaves
[Live Silent Film Score] - The Balloonatic - Buster Keaton - Phyllis Haver - 1923
Movie Legends - Phyliss Haver
Norma Talmadge-Smiling Through (1922)- "Joy And Dissention"
Famous Flappers (3/3)
Music: "Flapperette" composed by Jesse Greer, performed by Nat Shilkret and the Victor Orchestra (1927).
Phyllis Haver was one of the magic names of the silent movies. She was one of the original Mack Sennett bathing beauties. She was the darling of the nation during the teens and twenties of this century. Haver appeared on the covers of Photoplay, Screenland. Motion Picture. Pathe Sun. Picture Play. and The Police Gazette. She graced the cover of the sheet music, Singapore Lil, theme song for the Pathe motion picture production. Sal of Singapore, in which she starred. She, also, adorned calendars, matchbook covers, and postcards. She was also a Maybelline Model! Phyllis was the ultimate Flapper!. The Balloonatic (1923) Haver starred with Buster Keaton in The Balloonatic She began work in 1917 and was soon a top-line comic. Among her best roles were 'Roxy Hart' in the first fil...
Phyllis Haver (January 6, 1899 -- November 19, 1960) was an American actress of the silent film era. She was born Phyllis Haver in Douglass, Kansas. When she was young, her family moved to Los Angeles, California, then a city of less than half a million people. Haver attended Los Angeles Polytechnic High. After graduating, she played piano to accompany the new silent films in local theaters. Haver auditioned for comedy producer Mack Sennett on a whim. Sennett hired her as one of his original Sennett Bathing Beauties. Within a few years, she appeared as a leading lady in two-reelers for Sennett Studios. At the Sennett Studios, Haver played the part of Roxie Hart in the first film adaptation of Chicago in 1927, opposite Hungarian film actor Victor Varconi. One reviewer called her performa...
a 2nd clip from Howard Hawks grand old Domestic Silent Comedy Classic FIG LEAVES.
Phyllis Haver, George O'Brien, and Olive Borden in the 1926 silent comedy Fig Leaves ~ Please visit http://www.classichollywoodbeauties.com
This video is a project from the paws of Jordan Tompkins and Joshua Hill. In Spring 2015, they collaborated with Orange Theatre to compose live music for their performances of Herakles. The project is set to resume in Fall 2015 and the fellas wanted to keep their digits and neural pathways fresh by improvising film scores. The sound was recorded live in two run throughs. All of the sounds come from a Fender Rhodes, an Epiphone ET 275, a drum set, their bodies, a plethora of pedals, and some silly percussion instruments. Most of the sound was taken from the second take but there is some sampling from the first to help fill space or to help questionable improvising choices. The sound was then mixed and the video of them performing was cut with the original film. It was a really fun projec...
Star of the silent era, beginning as an original Mack Sennett Bathing Beauty.
10 years before Norma Shearer Starred in the well known sound remake, the original Silent version of SMILING THROUGH was a blockbuster hit for Norma Talmadge. In-fact, it was one of her highest grossing and best loved films. This when she was riding high as Hollywood's top female Star. Her popularity even exceeding that of America's Sweetheart Mary Pickford. Leading man is Harrison Ford. (the 1st), a major Silent Star in his own right who worked with a veritable who's who of leading ladies of the Teen's and 20's. Including Marion Davies, Phyllis Haver, and Clara Bow.
Famous Flappers- part 3 of 3- Many famous singers, actresses and dancers during the 1920s were flappers. They donned the eton crop or bob, piled on the makeup and danced till they dropped. This video takes a look at the ever glamorous 'famous flappers' of the roaring 20's. -This video features- -Evelyn Brent -Phyllis Haver -Mary Pickford -Nancy Caroll -Lila Lee - Songs- The Charleston (silent movie organ style) Burnin' the iceberg-Jelly roll Morton Any questions, please feel free to ask, I'll do my best to answer. Comments are welcome, add me if you like =) PP x
This video is a project from the paws of Jordan Tompkins and Joshua Hill. In Spring 2015, they collaborated with Orange Theatre to compose live music for their performances of Herakles. The project is set to resume in Fall 2015 and the fellas wanted to keep their digits and neural pathways fresh by improvising film scores. The sound was recorded live in two run throughs. All of the sounds come from a Fender Rhodes, an Epiphone ET 275, a drum set, their bodies, a plethora of pedals, and some silly percussion instruments. Most of the sound was taken from the second take but there is some sampling from the first to help fill space or to help questionable improvising choices. The sound was then mixed and the video of them performing was cut with the original film. It was a really fun projec...
A hapless amusement park attendant finds his run away balloon ride has left him in a strange predicament. Cast Buster Keaton ... The Young Man Phyllis Haver ... The Young Woman Babe London ... Fat Girl at The House of Trouble Directed by Buster Keaton, Edward F. Cline Written by Buster Keaton, Edward F. Cline Produced by Joseph M. Schenck Cinematography by Elgin Leslie Assistant Director Robert Ives Details Country USA Release Date: January 22, 1923 Production Co: Buster Keaton Productions --------------------------------------------------------------------------------
Buster Keaton accidentally flies away in a hot air balloon in this funny 1923 silent film short. Also included in the cast are Phyllis Haver, an original Sennet Bathing Beauty as the outdoors woman, and Ruth Glover a.k.a. Babe London, painter and actress who later had appearances in The Perfect Flapper and The Boob, seen here as the fat girl at The House of Trouble. Music courtesy of : Fig Leaf Rag - distressed - Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Title screens courtesy of: Farrin N. Abbott of CopyCatFilms
Cast: Buster Keaton, Phyllis Haver, Babe London, Eddie Cline. Written & Directed by Buster Keaton & Eddie Cline Produced by Joseph Schenck Photographed by Elgin Lessley Art direction by Fred Gabourie Edition by Buster Keaton A First National Picture Surviving print of the film as a sound film (synchronic music) with the title "MALEC AERONAUTE" ("Malec" was the french nickname for Buster Keaton) Recording made by Armand Bernard in Tobis-Klangfilm sound system (1930?). From an export version of the 1923 silent film.
Girl chasing at the amusement park leads Buster to a runaway balloon ride, fishing mishaps, wilderness adventure, and backwoods romance with Phyllis Haver. This is one of Keaton’s last short films before he moves on to feature films. The filmmaker was certainly familiar with the wilderness due to his family’s summers at Lakeside in Muskegon! These Works are in Public Domain and not Derivative as specified by U.S. copyright law (title 17 of the U.S. Code).
The rare 1927 silent film The Monkey Talks with Olive Borden and Jacques Lerner (this movie is public domain) The quality isn't great but this is the only copy I have been able to find - Learn more about Olive at http://www.oliveborden.org
MYSTERY GUEST: Margaret Sullavan (film actress) PANEL: Dorothy Kilgallen, Fred Allen, Arlene Francis, Bennett Cerf
MYSTERY GUEST: Archie Moore; Suzy Parker PANEL: Arlene Francis, Robert Q. Lewis, Dorothy Kilgallen, Bennett Cerf
A film based on the play by John Galsworthy written in 1926 and not to be mistaken for the same-titled best-seller by Ethel Vance published in 1939. This is not Prof Higgins or Dr Doolittle but Rex Harrison in his acting days. The movie is very dark - literally - and the music track, once again supplied by William Alwyn, is somewhat over loaded causing a certain amount of distortion, but hopefully won't detract too much from the movie itself. The story concerns an aviator, Harrison, who, in trying to defend a woman being charged with prostitution, accidentally kills the arresting officer and is sent to jail for murder, knowing he was not guilty. When the opportunity arises, he makes his escape, and with the help of an aristocratic young woman, Peggy Cummins, avoids re-capture by the police...
A box-office success of 1944 for Gainsborough Films, featuring Stewart Granger who felt his theatrical training was being wasted by being asked (forced?) to play in "...this kind of junk..."! James Mason thought the Gainsborough films were "...bloody codswallop...". Patricia Roc felt this was the most bizarre of all Gainsborough's films in which "...Italian characters talk and behave as though they had just stepped out of a Noel Coward play set in the Home Counties..." ("Patricia Roc - The Goddess of the Odeons" by Michael Hodgson). The New Statesman's review thought it was a notably bad film and that everything in the film was "...treacly - characters, dialogue and situations..". Leslie Halliwell considered it "...novelettish balderdash killed stone dead by stilted presentation...". Never...
Phyllis Haver, George O'Brien, and Olive Borden in the 1926 silent comedy Fig Leaves ~ Please visit http://www.classichollywoodbeauties.com
Sat Mar 23 & Sun 24 at 11:45 am You know the Chicago story best in musical form but this is the original narrative film about murderous vixon Roxie Hart...with a live musical score by GUIZOT! For a long time, audiences were unable to see this 1927 classic comedy-drama silent film by Frank Urson (produced by legendary director Cecil B. DeMille) but thanks to the UCLA Film and Television Archive, whose recent print we'll be screening, that has all changed. Chicago is drawn from material in a play by Maurine Dallas Watkis' based on the true life story of Beulah Annan, fictionalized as Roxie Hart, and the high-profile murder of her boyfriend. With Hollywood in mind, the ending in Chicago is more cruel (criminals must pay!) but the journey there is full of misplaced celebrity, feminine wiles,...
Originally shown as a three-part presentation, this is a charming film dramatised by Peter Buckman from the novel by Vita Sackville-West, and contains sensitive performances by the films three main actors, Wendy Hiller, Maurice Denham and Harry Andrews - all now sadly passed on. Having reached the age of 85 and having devoted her whole life to the ‘pomp and circumstance' of her deceased husband's career as Viceroy of India, her family, and her descendants, Lady Slane decides to live her remaining years exactly as she herself wishes, without interference from anyone else, including her, now elderly, children and their off-spring and so she sets about purchasing a house in Hampstead in which she intends to live alone, which infuriates her family members who are busily trying to organise her ...
MYSTERY GUEST: Archie Moore; Suzy Parker PANEL: Arlene Francis, Robert Q. Lewis, Dorothy Kilgallen, Bennett Cerf
Note: This is the first episode to use the animated opening title sequence and the new, jaunty What's My Line theme song, "Sounds", written by Granville Burland. MYSTERY GUEST: Anthony Franciosa & Shelley Winters PANEL: Arlene Francis, Martin Gabel, Dorothy Kilgallen, Bennett Cerf Many thanks to epaddon for providing his copy of this episode! ----------------------- New Facebook group for WML! https://www.facebook.com/groups/728471287199862/
MYSTERY GUEST: Althea Gibson [tennis player and professional golfer, and the first black athlete of either gender to win a Grand Slam title, in 1956] PANEL: Dorothy Kilgallen, George Sanders, Arlene Francis, Bennett Cerf
Les fiches du cinéma présentent l'émission "Cinerestor" consacrée aux grands films du cinéma muet. Aujourd'hui, nous revenons sur Les nuits de Chicago, le premier film de gangsters.
Exquisitely photographed, lushly romantic excerpt from Howard Hawks haunting production of FAZIL (1928), The aloof Arabian prince is indifferent to women, and sees no reason to remain in Italy. That is until he catches a glimpse of the mysterious, beautiful Fabienne (Greta Nissen), and is instantaneously enchanted by and Obsessed with her.
A film based on the play by John Galsworthy written in 1926 and not to be mistaken for the same-titled best-seller by Ethel Vance published in 1939. This is not Prof Higgins or Dr Doolittle but Rex Harrison in his acting days. The movie is very dark - literally - and the music track, once again supplied by William Alwyn, is somewhat over loaded causing a certain amount of distortion, but hopefully won't detract too much from the movie itself. The story concerns an aviator, Harrison, who, in trying to defend a woman being charged with prostitution, accidentally kills the arresting officer and is sent to jail for murder, knowing he was not guilty. When the opportunity arises, he makes his escape, and with the help of an aristocratic young woman, Peggy Cummins, avoids re-capture by the police...
Music: "Flapperette" composed by Jesse Greer, performed by Nat Shilkret and the Victor Orchestra (1927).
Phyllis Haver was one of the magic names of the silent movies. She was one of the original Mack Sennett bathing beauties. She was the darling of the nation during the teens and twenties of this century. Haver appeared on the covers of Photoplay, Screenland. Motion Picture. Pathe Sun. Picture Play. and The Police Gazette. She graced the cover of the sheet music, Singapore Lil, theme song for the Pathe motion picture production. Sal of Singapore, in which she starred. She, also, adorned calendars, matchbook covers, and postcards. She was also a Maybelline Model! Phyllis was the ultimate Flapper!. The Balloonatic (1923) Haver starred with Buster Keaton in The Balloonatic She began work in 1917 and was soon a top-line comic. Among her best roles were 'Roxy Hart' in the first fil...
Phyllis Haver (January 6, 1899 -- November 19, 1960) was an American actress of the silent film era. She was born Phyllis Haver in Douglass, Kansas. When she was young, her family moved to Los Angeles, California, then a city of less than half a million people. Haver attended Los Angeles Polytechnic High. After graduating, she played piano to accompany the new silent films in local theaters. Haver auditioned for comedy producer Mack Sennett on a whim. Sennett hired her as one of his original Sennett Bathing Beauties. Within a few years, she appeared as a leading lady in two-reelers for Sennett Studios. At the Sennett Studios, Haver played the part of Roxie Hart in the first film adaptation of Chicago in 1927, opposite Hungarian film actor Victor Varconi. One reviewer called her performa...
a 2nd clip from Howard Hawks grand old Domestic Silent Comedy Classic FIG LEAVES.
Phyllis Haver, George O'Brien, and Olive Borden in the 1926 silent comedy Fig Leaves ~ Please visit http://www.classichollywoodbeauties.com
This video is a project from the paws of Jordan Tompkins and Joshua Hill. In Spring 2015, they collaborated with Orange Theatre to compose live music for their performances of Herakles. The project is set to resume in Fall 2015 and the fellas wanted to keep their digits and neural pathways fresh by improvising film scores. The sound was recorded live in two run throughs. All of the sounds come from a Fender Rhodes, an Epiphone ET 275, a drum set, their bodies, a plethora of pedals, and some silly percussion instruments. Most of the sound was taken from the second take but there is some sampling from the first to help fill space or to help questionable improvising choices. The sound was then mixed and the video of them performing was cut with the original film. It was a really fun projec...
Star of the silent era, beginning as an original Mack Sennett Bathing Beauty.
10 years before Norma Shearer Starred in the well known sound remake, the original Silent version of SMILING THROUGH was a blockbuster hit for Norma Talmadge. In-fact, it was one of her highest grossing and best loved films. This when she was riding high as Hollywood's top female Star. Her popularity even exceeding that of America's Sweetheart Mary Pickford. Leading man is Harrison Ford. (the 1st), a major Silent Star in his own right who worked with a veritable who's who of leading ladies of the Teen's and 20's. Including Marion Davies, Phyllis Haver, and Clara Bow.
Famous Flappers- part 3 of 3- Many famous singers, actresses and dancers during the 1920s were flappers. They donned the eton crop or bob, piled on the makeup and danced till they dropped. This video takes a look at the ever glamorous 'famous flappers' of the roaring 20's. -This video features- -Evelyn Brent -Phyllis Haver -Mary Pickford -Nancy Caroll -Lila Lee - Songs- The Charleston (silent movie organ style) Burnin' the iceberg-Jelly roll Morton Any questions, please feel free to ask, I'll do my best to answer. Comments are welcome, add me if you like =) PP x
This video is a project from the paws of Jordan Tompkins and Joshua Hill. In Spring 2015, they collaborated with Orange Theatre to compose live music for their performances of Herakles. The project is set to resume in Fall 2015 and the fellas wanted to keep their digits and neural pathways fresh by improvising film scores. The sound was recorded live in two run throughs. All of the sounds come from a Fender Rhodes, an Epiphone ET 275, a drum set, their bodies, a plethora of pedals, and some silly percussion instruments. Most of the sound was taken from the second take but there is some sampling from the first to help fill space or to help questionable improvising choices. The sound was then mixed and the video of them performing was cut with the original film. It was a really fun projec...
A hapless amusement park attendant finds his run away balloon ride has left him in a strange predicament. Cast Buster Keaton ... The Young Man Phyllis Haver ... The Young Woman Babe London ... Fat Girl at The House of Trouble Directed by Buster Keaton, Edward F. Cline Written by Buster Keaton, Edward F. Cline Produced by Joseph M. Schenck Cinematography by Elgin Leslie Assistant Director Robert Ives Details Country USA Release Date: January 22, 1923 Production Co: Buster Keaton Productions --------------------------------------------------------------------------------
Buster Keaton accidentally flies away in a hot air balloon in this funny 1923 silent film short. Also included in the cast are Phyllis Haver, an original Sennet Bathing Beauty as the outdoors woman, and Ruth Glover a.k.a. Babe London, painter and actress who later had appearances in The Perfect Flapper and The Boob, seen here as the fat girl at The House of Trouble. Music courtesy of : Fig Leaf Rag - distressed - Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Title screens courtesy of: Farrin N. Abbott of CopyCatFilms
Cast: Buster Keaton, Phyllis Haver, Babe London, Eddie Cline. Written & Directed by Buster Keaton & Eddie Cline Produced by Joseph Schenck Photographed by Elgin Lessley Art direction by Fred Gabourie Edition by Buster Keaton A First National Picture Surviving print of the film as a sound film (synchronic music) with the title "MALEC AERONAUTE" ("Malec" was the french nickname for Buster Keaton) Recording made by Armand Bernard in Tobis-Klangfilm sound system (1930?). From an export version of the 1923 silent film.
Girl chasing at the amusement park leads Buster to a runaway balloon ride, fishing mishaps, wilderness adventure, and backwoods romance with Phyllis Haver. This is one of Keaton’s last short films before he moves on to feature films. The filmmaker was certainly familiar with the wilderness due to his family’s summers at Lakeside in Muskegon! These Works are in Public Domain and not Derivative as specified by U.S. copyright law (title 17 of the U.S. Code).
The rare 1927 silent film The Monkey Talks with Olive Borden and Jacques Lerner (this movie is public domain) The quality isn't great but this is the only copy I have been able to find - Learn more about Olive at http://www.oliveborden.org
MYSTERY GUEST: Margaret Sullavan (film actress) PANEL: Dorothy Kilgallen, Fred Allen, Arlene Francis, Bennett Cerf
MYSTERY GUEST: Archie Moore; Suzy Parker PANEL: Arlene Francis, Robert Q. Lewis, Dorothy Kilgallen, Bennett Cerf
A box-office success of 1944 for Gainsborough Films, featuring Stewart Granger who felt his theatrical training was being wasted by being asked (forced?) to play in "...this kind of junk..."! James Mason thought the Gainsborough films were "...bloody codswallop...". Patricia Roc felt this was the most bizarre of all Gainsborough's films in which "...Italian characters talk and behave as though they had just stepped out of a Noel Coward play set in the Home Counties..." ("Patricia Roc - The Goddess of the Odeons" by Michael Hodgson). The New Statesman's review thought it was a notably bad film and that everything in the film was "...treacly - characters, dialogue and situations..". Leslie Halliwell considered it "...novelettish balderdash killed stone dead by stilted presentation...". Never...
A film based on the play by John Galsworthy written in 1926 and not to be mistaken for the same-titled best-seller by Ethel Vance published in 1939. This is not Prof Higgins or Dr Doolittle but Rex Harrison in his acting days. The movie is very dark - literally - and the music track, once again supplied by William Alwyn, is somewhat over loaded causing a certain amount of distortion, but hopefully won't detract too much from the movie itself. The story concerns an aviator, Harrison, who, in trying to defend a woman being charged with prostitution, accidentally kills the arresting officer and is sent to jail for murder, knowing he was not guilty. When the opportunity arises, he makes his escape, and with the help of an aristocratic young woman, Peggy Cummins, avoids re-capture by the police...
You must believe
And wait patiently
These are the words
That you say to me
Well, you say
We are growing close
You say close, but I say...
Ooohhh, Ooohhh baby, feels far
Ooohhh, Ooohhh baby, feels far
Tell me your dreams
And I'll tell you mine
Tell me someday
Our dreams will collide
Oh, you say
That our time is near
You say near, but I say...
Ooohhh, Ooohhh baby, feels far
Ooohhh, Ooohhh baby, feels far
BRIDGE
I see you gazing at the stars
I wish you would take me where you are
Ooohhh, Ooohhh baby, feels far
Ooohhh, Ooohhh baby, feels far
Ooohhh, Ooohhh baby, feels far