Prelude (The Moody Blues album)

Prelude is a 1987 compilation album by The Moody Blues consisting of non-album singles and rarities.

Tracks 1-5 were previously released on singles in 1967 prior to the release of Days of Future Passed. They are the first Moody Blues releases to feature Justin Hayward and John Lodge.
Track 6, "A Simple Game", was later recorded by the Four Tops and (as "Simple Game"), went to #3 in the UK charts in 1972.
Tracks 7-11 formed the "+5" portion of the 1977 Caught Live + 5 album.
Track 12, "Late Lament," which rounds out the album, is the Graeme Edge poem that appears at the end of Days of Future Passed.
Though many of these tracks have also appeared on other releases, such as the Time Traveller box set and the 2006 SACD album remasters, Prelude is the only release that contains all eleven rarities.

Track listing

Cities Built on Sand

Cities Built on Sand is the first released EP by American post-hardcore group, VersaEmerge. It was independently released in 2007. This EP featured their previous vocalist Spencer Pearson.

Track list

Prelude (music)

A prelude (Germ. Präludium or Vorspiel; Lat. praeludium; Fr. prélude; It. preludio"; Pt. "prelúdio) is a short piece of music, the form of which may vary from piece to piece. The prelude may be thought of as a preface. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a standalone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The prelude also may refer to an overture, particularly to those seen in an opera or an oratorio.

History

The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief praeambula in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, which were originally used for warming up the fingers and checking the instrument's tuning and sound quality, as in a group of pieces by Joan Ambrosio Dalza published in 1508 under the heading tastar de corde (in Italian, literally, "testing of the strings").