Barbara Lynn - You'll Lose A Good Thing
Singer/guitarist
Barbara Lynn was a rare commodity during her heyday. Not only was she a female instrumentalist (one of the very first to hit the charts), but she also played left-handed -- quite well at that -- and even wrote some of her own material.
Lynn's music often straddled the line between blues and
Southern R&B;, and since much of her early work -- including the number one R&B; hit "You'll
Lose a
Good Thing" -- was recorded in
New Orleans, it bore the sonic imprint of the
Crescent City. Lynn was born
Barbara Lynn Ozen in
Beaumont, TX, on
January 16,
1942; she played the piano as a child before switching to guitar, inspired by
Elvis Presley. In junior high, Lynn formed her own band, Bobbie Lynn and the
Idols; at this
point, her musical role models veered between bluesmen (
Guitar Slim,
Jimmy Reed) and female pop singers (
Brenda Lee,
Connie Francis). After winning a few talent shows and playing some teen dances, the still-underage Lynn started working the local clubs and juke joints, risking getting kicked out of school if she had been discovered. Singer
Joe Barry caught her live act and recommended her to his friend, producer/impresario
Huey P. Meaux, aka the
Crazy Cajun.
With her parents' consent,
Meaux brought Lynn to New Orleans to record at the legendary Cosimo's studio. Lynn cut a few
singles for the
Jamie label with the understanding that if none hit, she was to attend college instead of pursuing music right off the bat. In 1962, her self-penned ballad "You'll Lose a Good Thing" became a national hit, reaching the pop Top Ten and climbing all the way to number one on the
R&B; charts. Her first
album (of the same name) was also released that year, featuring ten of her originals among its 12 tracks. Lynn continued to record for Jamie up through
1965, producing follow-up R&B; hits like "
You're Gonna Need Me" and "
Oh Baby (We
Got a Good Thing Goin')," the latter of which was recorded by the
Rolling Stones in 1965. In 1966, Lynn switched over to Meaux's
Tribe label and cut "
You Left the Water Running," which became something of an R&B; standard and was covered by the likes of
Otis Redding. In
1967, she signed with
Atlantic and had another R&B; hit with "
This Is the
Thanks I Get" early the following year; she also issued another album,
Here Is Barbara Lynn, in
1968. Lynn scored one last hit for Atlantic in
1972's "(
Until Then)
I'll Suffer," but by this point, she had several children to worry about raising; dissatisfied with her promotion anyway, she wound up effectively retiring from the music business for most of the '
70s and '80s, though she did play the occasional low-key tour.
Lynn returned to music in the mid-'80s, touring
Japan for the first time in
1984; she later cut a live album there, called You
Don't Have to Go, which was eventually issued in the
States by
Ichiban. Lynn had managed to retain a cult following among connoisseurs of
American soul and blues in several different pockets of the world, and toured internationally during the early '90s. In
1994,
Bullseye Blues issued her first full-fledged studio album in over two decades,
So Good; Until Then I'll Suffer followed in
1996. Lynn later caught on with the respected blues label
Antone's, and in
2000 she cut
Hot Night Tonight, which featured a couple of raps by her son
Bachelor Wise. ~
Steve Huey,
All Music Guide
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