End

End or Ending may refer to:

End

END

Ending

See also

Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

End (graph theory)

In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.

Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.

Definition and characterization

Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v₀, v₁, v₂, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r₀ and r₁ are equivalent if there is another ray r₂ (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r₀ and r₁. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.

Interlude (visual novel)

Interlude (インタールード, Intārūdo) is an anime and visual novel by Longshot told in parallel novel style that follows the events around three women. Interlude was originally released for the Sega Dreamcast on March 13, 2003, a rare occurrence for visual novels, as most are released for the PC first. PlayStation 2 and PC ports were later also released. The PS2 version received a 'The Best' budget price re-release on March 1, 2007.

Characters

The player assumes the role of an unnamed protagonist in the series. In the OVA, that character is voiced by Masakazu Morita in the Japanese dub, and by Marlowe Gardiner-Heslin in the English dub. The three main women are:

The Party Scene

The Party Scene is the debut full-length studio album by American pop punk band All Time Low, released on July 19, 2005 via regional imprint Emerald Moon Records. Music videos were released for "Circles" and "The Girl's a Straight-Up Hustler". Tracks 2, 3, 8, 9 and 12 were re-recorded for the band's next EP, Put Up or Shut Up.

Track listing

All music and arrangements by All Time Low; except where noted. All lyrics by Alex Gaskarth. Additional arrangements by Paul Leavitt.

Personnel

Personnel per booklet.

References

Interlude (Saint Etienne album)

Interlude is an album by Saint Etienne. Released by Sub Pop in the US and Mantra (under licence from Sub Pop) in Canada, this 2001 collection featured UK b-sides and extra songs left over from the recording sessions for their 2000 album, Sound of Water.

The CD release featured two "bonus beats". The first is the single mix of "Boy Is Crying" done by Welsh dance act Hybrid; the second is the Trouser Enthusiast remix of "Lose That Girl", which was prepared for the track's (eventually shelved) single release.

Track listing

All songs written and composed by Cracknell, Stanley and Wiggs; except where indicated. 

The U.S. release of the CD also includes the short and long edits of the "How We Used to Live" music video; the Canadian release does not.

References