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Michele Lee (born June 24, 1942) is an American singer, dancer, actress, producer, director and frequent game show panelist of the 1970s. She is best known for her role as Karen Cooper Fairgate MacKenzie on the 1980s prime-time soap opera, Knots Landing. She also co-starred with Dean Jones in the 1968 Disney film, The Love Bug.

Early life[link]

Lee was born Michele Lee Dusick in Los Angeles, California, the daughter of Sylvia Helen (née Silverstein) and Jack Dusick, a make-up artist.^[1] She is of Russian, Hungarian and Polish descent.^[2] She began her career on television in an episode of the late 1950s sitcom The Many Loves of Dobie Gillis.

She attended Alexander Hamilton High School where she became popular with her class. When she was 18, after graduation from high school, she auditioned for the Broadway play, Vintage '60. She soon began appearing in musicals, becoming a star on Broadway at the age of 19 in How to Succeed in Business Without Really Trying opposite Robert Morse and Rudy Vallee, a role she reprised in the film version. She also appeared in dramas such as the Los Angeles production of Jerry Herman's Parade and the Broadway productions of Bravo Giovanni and The Tale of the Allergist's Wife.

Film and TV work[link]

After she sang and starred in the film version of How to Succeed in Business Without Really Trying, she became known for her roles in the films The Comic and The Love Bug, the latter becoming the biggest blockbuster movie of 1969. That same year, she starred in a special television production of the Jerome Kern–Otto Harbach musical, Roberta, in which she sang "Smoke Gets In Your Eyes". After the birth of her son, she worked infrequently until accepting a role on Broadway in Seesaw, which netted her a Tony Award nomination in 1974. After her mother's death, she stopped working to spend time with her son.

In 1974, Lee starred in the pilot episode for proposed CBS sitcom The Michele Lee Show. She played Michele Burton, a clerk in a hotel newsstand, with support from Stephen Collins. However, only the pilot episode was aired and the series did not proceed. Lee became a busy guest actor in the 1970s, appearing in Marcus Welby, M.D., Alias Smith and Jones, Night Gallery, Love, American Style, Fantasy Island and The Love Boat.

[edit] Knots Landing

In 1979, Lee accepted the role of Karen Fairgate on Knots Landing, a spin-off of the immensely popular Dallas. Though slow to start, the series eventually became a ratings hit and became one of the longest running American primetime dramas ever, lasting for a total of 14 seasons from 1979 - 1993. Lee was the only performer to appear in all of the show's 344 episodes, which was a record for an actress playing the same character on US primetime television — only recently surpassed by S. Epatha Merkerson on NBC's Law & Order as of 2008.

Although Lee was enjoying a successful career on television, her marriage to actor James Farentino was failing. She and Farentino separated around the same time Lee's onscreen husband, Don Murray, left the show. Lee thus played a single mother on Knots Landing at the same time she was becoming one in real life. Lee revealed that when her character took off her wedding ring in a 1982 episode, she was taking off her real wedding band.

During the fall of 1982, her character met M. Patrick "Mack" MacKenzie (Kevin Dobson), who became her screen husband the following year. They would continue working together until the end of the series. Lee won the Soap Opera Digest Award for Best Lead Actress (Primetime) five times, and was also nominated for an Emmy Award in 1982 for "Outstanding Lead Actress in a Drama Series". In 1983, the writers/producers of Knots Landing urged her to do a storyline based on prescription drug dependency which became one of her most prominent storylines. Six years later, Lee directed her first of several episodes of the series. In 1991, Knots Landing reached a milestone with its 300th episode. During the same season, Lee filmed her favorite scene from the series, known as the "Pollyanna Speech" among fans. In this scene, for which Lee had much input, Karen explains how she would like to be a Pollyanna and see the world through rose-colored glasses, but cannot be due to the real world around her.

As Knots Landing moved into the 1990s, its popularity began to wane. The big budget that the series once had was trimmed to the extent that, in the final season, the higher paid cast members were asked to appear in only 15 of the season's 19 episodes as the production company couldn't afford to pay them. However, Lee insisted on appearing in all 19 episodes that season, doing her extra four episodes for "union scale" pay.

Other appearances[link]

After Knots Landing ended in 1993, Lee has appeared in many made-for-TV movies, including a biopic of late country star Dottie West (Big Dreams and Broken Hearts: The Dottie West Story) and she became the first woman to star in, direct, and produce a TV movie for Lifetime, Color Me Perfect in 1996. She also starred in the reunion mini-series Knots Landing: Back to the Cul-de-Sac in 1997, and portrayed Hollywood novelist Jacqueline Susann in the television biopic Scandalous Me: The Jacqueline Susann Story in 1998. In 2004, she returned to feature films in the role of Ben Stiller's mother in Along Came Polly. She guest-starred alongside Chita Rivera in a February 2005 episode of Will & Grace. Also in 2005, she reunited with her Knots Landing co-stars for the non-fiction special Knots Landing Reunion: Together Again, in which the stars reminisced about their time on the hit series. Also in 2005, she appeared alongside Tyne Daly, Leslie Uggams, Christine Baranski and Karen Ziemba for the Kennedy Center Honor of Julie Harris. In 2010, Lee did voice work for an episode of the animated comedy series Family Guy.

Personal life[link]

In 1963, Lee met actor James Farentino on the set of the play, How to Succeed in Business Without Really Trying, and in 1966 they were married. Their son, David Farentino, was born July 6, 1969. Lee and Farentino divorced in 1983. She later married Fred Rappaport in 1987.

Awards[link]

Emmy Awards:

(Nominated) (1982) Outstanding Lead Actress in a Drama Series for Knots Landing

Tony Awards:

(Nominated) (1974) Best Actress: Musical for Seesaw

(Nominated) (2001) Best Actress (Featured Role: Play) for The Tale of the Allergists Wife

Soap Opera Digest Awards:

(Won) (1986) Outstanding Actress on a Primetime Serial for Knots Landing^[3]

(Won) (1986) Favorite Supercouple on a Primetime Serial: Shared with Kevin Dobson for Knots Landing^[4]

(Won) (1988) Outstanding Actress in a Leading Role: Primetime for Knots Landing^[5]

(Won) (1988) Favorite Supercouple: Primetime Shared with Kevin Dobson for Knots Landing^[6]

(Won) (1991) Outstanding Lead Actress: Primetime for Knots Landing^[7]

(Won) (1992) Outstanding Actress: Primetime for Knots Landing^[8]

She received a star on the Hollywood Walk of Fame on November 19, 1998 located at 6363 Hollywood Blvd.

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (March 2009)

External links[link]

• Michele Lee at the Internet Movie Database
• Michele Lee at the Internet Broadway Database
• Michele Lee at the Internet Off-Broadway Database
• Michele Lee Online

Joan Rivers
Rivers in 2010
Birth name	Joan Alexandra Molinsky
Born	(1933-06-08) June 8, 1933 (age 79) Brooklyn, New York City New York, U.S.
Medium	Stand-up, television, film
Nationality	American
Years active	1950–present
Spouse	James Sanger (1955) Edgar Rosenberg (1965–1987; his death)
Website	"joan.co". http://www.joan.co/.

Joan Alexandra Molinsky (born June 8, 1933), better known by her stage name Joan Rivers, is an American television personality, comedian, and actress. She is known for her brash manner; her loud, raspy voice with a heavy New York accent; and her numerous cosmetic surgeries. Rivers' comic style relies heavily on her ability to poke fun at herself and other Hollywood celebrities.

Early life[link]

Joan Rivers was born Joan Alexandra Molinsky in Brooklyn, a borough of New York City, the daughter of Russian Jewish immigrants Beatrice (née Grushman; January 6, 1906 – October 1975) and Meyer C. Molinsky (December 7, 1900 – January 1985).^[1][2] She was raised in Brooklyn, New York, and her family later moved to Larchmont, in Westchester County, New York. She attended Connecticut College between 1950 and 1952 and graduated from Barnard College in 1954 with a bachelor-of-arts degree in English literature^[3] and anthropology. Before entering show business, Rivers worked at various jobs such as a tour guide at Rockefeller Center,^[4] a writer/proofreader at an advertising agency^[4] and as a fashion consultant at Bond Clothing Stores.^[5] During this period, the agent Tony Rivers advised her to change her name, so she chose Joan Rivers as her stage name.^[6]

Career[link]

Early career[link]

During the late 1950s, Rivers appeared in a short-run play, Driftwood, playing a lesbian with a crush on a character played by a then-unknown Barbra Streisand. The play ran for six weeks.^[7] In 1961, Rivers briefly performed on stage in Chicago at The Second City comedy club. Rivers performed in numerous comedy clubs in the Greenwich Village area of New York City in the early 1960s, including The Bitter End and The Gaslight Cafe,^[8] before making her first appearances as a guest on the TV program The Tonight Show originating from New York, hosted at the time by Jack Paar.^[9]

By 1965, Rivers had a stint on Candid Camera as a gag writer and participant; she was "the bait" to lure people into ridiculous situations for the show. She also made her first appearance on The Tonight Show with new host Johnny Carson, on February 17, 1965.^[10] During the same decade, Rivers made other appearances on The Tonight Show as well as The Ed Sullivan Show, while hosting the first of several talk shows. She had a brief role in The Swimmer (1968), starring Burt Lancaster. A year later, she had a short-lived syndicated daytime talk show; Johnny Carson was her first guest.^[11] In the middle of the 1960s, she released at least two comedy albums, The Next to Last Joan Rivers Album^[12] and Joan Rivers Presents Mr. Phyllis & Other Funny Stories.^[13]

By the 1970s, Rivers was appearing on various television comedy and variety shows, including The Carol Burnett Show and a semi-regular stint on Hollywood Squares. From 1972 to 1976, she narrated The Adventures of Letterman, an animated segment for The Electric Company. In 1973, Rivers wrote the TV movie The Girl Most Likely to..., a black comedy starring Stockard Channing. In 1978, Rivers wrote and directed the film Rabbit Test, starring her friend Billy Crystal. During the same decade, she was the opening act for singer Helen Reddy on the Las Vegas Strip. In July 1970, Joan performed as the opening act for Sergio Franchi during an acclaimed appearance at the Mill Run Theater in Chicago.^[14] Joan also was the opening act for Sergio Franchi (three year contract) at the MGM Grand Hotel from 1974-1976.^[15][16] Joan became a Las Vegas Strip headliner herself in the 1980s.

1980s–1990s[link]

Rivers has spoken of her primary Tonight Show life as having been Johnny Carson's daughter, a reference to his longtime mentoring of her and, during the 1980s, establishing her as his regular guest host by August 1983. It was not her only work, however. On April 9, 1983, she hosted Saturday Night Live.^[17] In the same period, she released a best-selling comedy album on Geffen Records, What Becomes a Semi-Legend Most? The album reached No. 22 on the U.S. Billboard 200 and was nominated for a Grammy Award for Best Comedy Album.^[18]

Autograph with famous catchphrase, about 1983

Also in 1984, Rivers published a best-selling humor book, The Life and Hard Times of Heidi Abramowitz, a mock memoir of her brassy, loose comedy character. A television special based on the character, a mock tribute called Joan Rivers and Friends Salute Heidi Abramowitz, was not successful with the public.

The decade was controversial for Rivers. She sued female impersonator Frank Marino for $5,000,000 in 1986, after discovering he was using her real stand-up material in the impersonation of her that he included in his popular Las Vegas act. The two comics reconciled, even appearing together on television in later years.^[19]

Also in 1986 came the move that cost Rivers her longtime friendship with Carson, who had first hired her as a Tonight Show writer. The soon-to-launch Fox Television Network announced that it was giving her a late night talk show, The Late Show Starring Joan Rivers.^[20] The new network planned to broadcast the show 11:00 p.m. to 12:00 a.m. Eastern Time, making her a Carson competitor. Carson claimed he learned of the show from Fox and not from Rivers herself. In 2008, during an interview with Dr. Pamela Connolly on television's Shrink Rap, Rivers claimed she did call Carson, but he hung up on her at once and repeated the gesture when she called again.

The Late Show Starring Joan Rivers turned out to be flecked by tragedy. When Rivers challenged Fox executives, who wanted to fire her husband Edgar Rosenberg as the show's producer, the network fired them both. On May 15, 1987, three months later, Rosenberg committed suicide in Philadelphia; Rivers blamed the tragedy on his "humiliation" by Fox.^[21] Fox attempted to continue the show with a new name (The Late Show) and rotating guest hosts.

A year after the Late Show debacle, Rivers was a guest on TV's Pee-Wee's Playhouse Christmas Special. By 1989, she tried another daytime TV talk show, The Joan Rivers Show,^[22] which ran for five years and won her an Emmy in 1990 for outstanding talk show host.^[23]

In 1994, Rivers and daughter Melissa first hosted the E! Entertainment Television pre-awards show for the Golden Globe Awards.^[24] Beginning in 1995, they hosted the annual E! Entertainment Television pre-awards show for the Academy Awards.^[24] Beginning in 1997, Rivers hosted her own radio show on WOR in New York City.

Rivers also appeared as one of the center square occupants on the 1986-89 version of The Hollywood Squares, hosted by John Davidson.

2000–present[link]

By 2003, Rivers had left her E! red-carpet show for a three-year contract (valued between $6–8 million) to cover award-show red-carpet shows for the TV Guide Channel.^[25]

Joan Rivers poses for a photograph at the Pierre Hotel, May 24, 2001

Rivers appeared in three episodes of the TV show Nip/Tuck during its second, third and seventh season playing herself.^[26][27][28] Rivers appears regularly on television's The Shopping Channel (in Canada) and QVC (in both the United States and the UK), promoting her own line of jewelry under brand name "The Joan Rivers Collection". She was also a guest speaker at the opening of the American Operating Room Nurses' 2000 San Francisco Conference. Both Joan and Melissa Rivers are frequent guests on Howard Stern's radio show, and Joan Rivers often appears as a guest on UK panel show 8 out of 10 Cats.

Rivers was one of only four Americans invited to the royal wedding of Prince Charles and Camilla Parker Bowles on April 9, 2005.^[29]

In 2006, Rivers was featured on the adult animated show, Drawn Together as Princess Clara's vagina that had received too much plastic surgery. Clara's 'vajoana' often repeated the phrase "who are you wearing, who are you wearing?".

On August 16, 2007, Rivers began a two-week workshop of her new play, with the working title "The Joan Rivers Theatre Project," at The Magic Theatre in San Francisco.^[30] On December 3, 2007, Rivers performed in the Royal Variety Show 2007 at the Liverpool Empire Theatre, England, with Queen Elizabeth II and Prince Philip present.

In January 2008, Rivers became one of 20 hijackers to take control of the Big Brother house in the UK for one day in spin-off TV show Big Brother: Celebrity Hijack. On June 24, 2008, Rivers appeared on NBC-TV’s show Celebrity Family Feud and competed with her daughter, Melissa against Ice-T and Coco.

Joan Rivers performing in her show at the 2008 Edinburgh Festival Fringe

Rivers and daughter Melissa were contestants in 2009 on the second Celebrity Apprentice. Throughout the season, each celebrity raised money for a charity of his or her choice; Rivers selected God's Love We Deliver.^[31] After a falling out with poker player Annie Duke, following Melissa's on-air firing (elimination) by Donald Trump, Rivers left the green room telling Clint Black and Jesse G. James that she would not be in the next morning. Rivers later returned to the show and on May 3, 2009, she became a finalist in the series. The other finalist was Duke.^[32][33] On the season finale, which aired live on May 10, Joan was announced the winner and hired to be the 2009 Celebrity Apprentice.

Rivers was featured on the show Z Rock as herself and was also a special so-called pink-carpet presenter for the 2009 broadcast of the Sydney Gay and Lesbian Mardi Gras parade. She was also roasted in a Comedy Central special, taped on July 26, 2009, and aired on August 9, 2009. From August 2009, Joan began starring in the new reality TV series How'd You Get So Rich? on TV Land.

Joan performing at a London Udderbelly event in 2009

A documentary film about Rivers, Joan Rivers: A Piece of Work, premiered at the San Francisco International Film Festival at the Castro Theatre on May 6, 2010.

In 2011, Rivers appeared in a commercial for Go Daddy, which debuted during the broadcast of Super Bowl XLV.^[34]

Joan and her daughter Melissa Rivers premiered the new show Joan & Melissa: Joan Knows Best on WE tv. The series follows Joan moving to California to be closer to her family. She moves in with daughter Melissa while searching for a home of her own. It was recently revealed that WE TV has ordered a new season consisting of 10 episodes premiering in January 2012.

In 2011, Rivers was featured as herself in Season 2 of Louis C.K.'s self-entitled show Louie, where she performed on-stage.

Personal life[link]

Rivers' first marriage was in 1955 to James Sanger,^[35] the son of a Bond Clothing Stores merchandise manager. The marriage lasted six months^[36] and was annulled on the basis that Sanger did not want children and had not informed Rivers before the wedding.^[37] Her second marriage was on July 15, 1965^[38] to Edgar Rosenberg, who committed suicide in 1987. Their only child, Melissa Warburg Rosenberg (now known as Melissa Rivers), was born on January 20, 1968. She has one grandson, Melissa's son Cooper (born Edgar Cooper Endicott on December 1, 2000)^[39] who is featured with his mother and grandmother in the WE tv series Joan & Melissa: Joan Knows Best?^[40]

In her book, Bouncing Back (1997), she described how she developed bulimia and contemplated suicide. Eventually, she recovered with counseling and the support of her family.

In 2002, Rivers told the Montreal Mirror that she was a Republican.^[41]

Rivers is open about her multiple cosmetic surgeries and has been a patient of plastic surgeon Steven Hoefflin since 1983. Her first procedure, an eye lift, was performed in 1965 as an attempt to further her career.^[42]

Awards[link]

• In 1990, Rivers won the Daytime Emmy Award (a TV citation) for Outstanding Talk Show Host. The same year, a star in her name was placed on the Hollywood Walk of Fame.^[43]

Books[link]

• Having a Baby Can Be a Scream (1974, Self-Help/Humour)
• The Life and Hard Times of Heidi Abromowitz (1984, Humour)
• Enter Talking (1986, Autobiography)
• Still Talking (1991, Autobiography)
• Jewelry by Joan Rivers (1995, Non-Fiction)
• Bouncing Back: I've Survived Everything ... and I Mean Everything ... and You Can Too! (1997, Autobiography/Self-Help)
• From Mother to Daughter: Thoughts and Advice on Life, Love and Marriage (1998, Self-Help)
• Don’t Count the Candles: Just keep the Fire Lit! (1999, Self-Help)
• Men Are Stupid...And They Like Big Boobs: A Woman's Guide to Beauty Through Plastic Surgery (2008, Non-Fiction)
• Murder at the Academy Awards (R): A Red Carpet Murder Mystery (2009, Fiction)
• I Hate Everyone...Starting With Me (2012, Humour)

Filmography[link]

• Once Upon a Coffee House (1965)
• The Swimmer (1968)
• Rabbit Test (1978) (also director and writer)
• Uncle Scam (1981)
• The Muppets Take Manhattan (1984)
• Les Patterson Saves the World (1987)
• Spaceballs (1987) (voice)
• Pee-Wee's Playhouse Christmas Special (1988)
• Look Who's Talking (1989) (voice)
• Public Enemy # 2 (1993)
• Serial Mom (1994)
• Napoleon (1995) (voice)
• Goosed (1999)
• The Intern (2000)
• Whispers: An Elephant's Tale (2000) (voice)
• The Making and Meaning of 'We Are Family' (2002) (documentary)
• Hip! Edgy! Quirky! (2002)
• Shrek 2 (2004) (voice)
• First Daughter (2004)
• The Last Guy on Earth (2007)
• Joan Rivers: A Piece of Work (2010) (documentary)
• Wall Street: Money Never Sleeps (2010) (uncredited)
• The Smurfs (2011) (uncredited)
• Tower Heist (2011) (uncredited)

Television work[link]

• That Show starring Joan Rivers (1968–69) (syndicated daytime talk show)^[11]
• The Electric Company (cast member from 1972–1977) (voice)
• Here's Lucy (1973)
• An Audience with Joan Rivers (1984)
• Joan Rivers: Can We Talk? (1986)
• The Late Show Starring Joan Rivers (host from 1986–1987)
• The New Hollywood Squares hosted by John Davidson (center square from 1988–1989)
• The Joan Rivers Show (1989–1993)
• How to Murder a Millionaire (1990)
• Lady Boss (1992)
• Tears and Laughter: The Joan and Melissa Rivers Story (1994)^[44]
• Can We Shop? (1995–present)
• Another World (cast member in 1997)
• E! True Hollywood Story: Joan Rivers (parody episode of show aired April 1, 2001)^[45]
• Jack Dee Live at the Apollo (cast member in 2004, guest host in 2007)
• Nip/Tuck (2004–2005–2010)^[46]
• The Joan Rivers Position (2004–2006)
• An Audience with Joan Rivers (2006)
• 8 out of 10 Cats (2006–2007)
• Joan Rivers: Before Melissa Pulls the Plug (2006)
• Dawn French's Girls Who Do Comedy (in-depth interview BBC 2006)
• The Graham Norton Show (2007)
• Straight Talk (2007)
• Shrink Rap (2008) – With Dr. Pamela Connolly – More4
• Celebrity Family Feud (2008)
• Big Brother: Celebrity Hijack (Celebrity Hijacker) (2008)
• Loose Women (2008)
• The Graham Norton Show (2008)
• Z Rock (2008) – Aunt Joan
• Spaceballs: The Animated Series (2008) (voice)
• Arthur (2008, 2010) (voice) – Bubby (Francine's Grandmother)
• Celebrity Apprentice (2009) – Herself
• How'd You Get So Rich? (2009) – Herself
• The Comedy Central Roast of Joan Rivers (2009) – Herself
• Celebrity Ghost Stories (2009) – Herself
• The Graham Norton Show (December 31, 2009)
• Celebrity Apprentice 3 (March 14, 2010)
• Fashion Police (September 10, 2010 – present)
• The Graham Norton Show (November 5, 2010)
• Joan and Melissa: Joan Knows Best (January 25, 2011 – present)
• Louie S02E04 – Joan (July 14, 2011) – Herself
• The Simpsons S23E08 – "The Ten-Per-Cent Solution" (December 4, 2011) (voice) – Annie Dubinsky

Theater work[link]

The following is a selected list of theater work performed by Rivers.

• Broadway Bound by Neil Simon (replacement for Kate, 1988, Broadhurst Theatre)^[47]
• Sally Marr and Her Escorts, a play suggested by the life of Lenny Bruce's mother (co-written with Erin Ladd Sanders and Lonny Price), May 1994, Helen Hayes Theatre, Broadway.
• Joan Rivers: A Work In Progress By A Life In Progress (February 2008, Geffen Playhouse)
• Joan Rivers: A Work In Progress By A Life In Progress (August 2008, Edinburgh Festival Fringe)
• Joan Rivers: A Work In Progress By A Life In Progress (September 2008, Leicester Square Theatre, London)

References[link]

External links[link]

Wikimedia Commons has media related to: Joan Rivers

Wikiquote has a collection of quotations related to: Joan Rivers

• Official website
• Joan Rivers at the Internet Movie Database
• Joan Rivers at the Internet Broadway Database
• Joan Rivers at the Internet Off-Broadway Database
• E! Entertainment Bio
• BroadwayWorld.com interview with Joan Rivers, February 19, 2009

Lucille Ball
Pin-up photo from Yank, the Army Weekly
Born	Lucille Désirée Ball (1911-08-06)August 6, 1911 Jamestown, New York
Died	April 26, 1989(1989-04-26) (aged 77)[1] Los Angeles, California
Cause of death	dissecting aortic aneurysm
Other names	Lucille Ball Morton[2]
Occupation	Actress, comedian, model, film executive
Years active	1932-1986
Spouse	Desi Arnaz (m.1940-1960; divorced) Gary Morton (m.1961-1989; her death)

Lucille Désirée Ball (August 6, 1911 - April 26, 1989) was an American comedienne, film, television, stage and radio actress, model, film and television executive, and star of the sitcoms I Love Lucy, The Lucy–Desi Comedy Hour, The Lucy Show, Here's Lucy and Life With Lucy. One of the most popular and influential stars in the United States during her lifetime, with one of Hollywood's longest careers,^[3] especially on television, Ball began acting in the 1930s, becoming both a radio actress and B-movie star in the 1940s, and then a television star during the 1950s. She was still making films in the 1960s and 1970s. In 1962, Ball became the first woman to run a major television studio, Desilu, which produced many successful and popular television series.^[4]

Ball was nominated for an Emmy Award thirteen times, and won four times.^[5] In 1977 Ball was among the first recipients of the Women in Film Crystal Award.^[6] She was the recipient of the Golden Globe Cecil B. DeMille Award in 1979,^[7] the Lifetime Achievement Award from the Kennedy Center Honors in 1986^[8] and the Governors Award from the Academy of Television Arts & Sciences in 1989.^[9]

In 1929, Ball landed work as a model and later began her performing career on Broadway using the stage name Diane Belmont. She appeared in many small movie roles in the 1930s as a contract player for RKO Radio Pictures. Ball was labeled as the "Queen of the Bs" (referring to her many roles in B-films). In 1951, Ball was pivotal in the creation of the television series I Love Lucy. The show co-starred her then-husband, Desi Arnaz as Ricky Ricardo, Vivian Vance as Ethel Mertz and William Frawley as Fred Mertz. The Mertzes were the Ricardos' landlords and friends. The show ended in 1957 after 180 episodes. Then, some minor adjustments were made to the program's format – the time of the show was lengthened from 30 minutes to 60 minutes (the first show lasted 75 mins), some new characters were added, the storyline was altered, and the show was renamed The Lucy-Desi Comedy Hour, which ran for three seasons (1957–1960) and 13 episodes. Ball went on to star in two more successful television series: The Lucy Show, which ran on CBS from 1962 to 1968 (156 Episodes), and Here's Lucy from 1968 to 1974 (144 episodes). Her last attempt at a television series was a 1986 show called Life with Lucy – which failed after 8 episodes aired, although 13 were produced.

Ball met and eloped with Cuban bandleader Desi Arnaz in 1940. On July 17, 1951, at almost 40 years old, Ball gave birth to their first child, Lucie Désirée Arnaz.^[10] A year and a half later, Ball gave birth to their second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr.^[11] Ball and Arnaz divorced on May 4, 1960.

On April 26, 1989, Ball died of a dissecting aortic aneurysm at age 77.^[12] At the time of her death, she had been married to her second husband and business partner, standup comedian Gary Morton, for more than twenty-seven years.^[13]

Early life[link]

Ball was born to Henry Durrell Ball (September 16, 1886 – February 19, 1915) and Desiree "DeDe" Evelyn Hunt (September 21, 1892 – July 20, 1977) in Jamestown, New York. Although Lucy was born in Jamestown, New York, she sometimes claimed that she was born in Butte, Montana.^[14] At age 3, her family moved to Anaconda, Montana and then to Wyandotte, Michigan.^{[citation needed]} Her family was Baptist; her father was of Scottish descent, and his mother was Mary Ball.^[15] Her mother was of French, Irish and English descent.^[16] Her genealogy can be traced back to the earliest settlers in the colonies, including Edmund Rice, an early immigrant to Massachusetts Bay Colony.^[17][18]

Her father, a telephone lineman for Bell Telephone Company was frequently transferred because of his occupation, and within three years of her birth, Lucille had moved many times, from Jamestown to Anaconda, and then to Trenton.^[19] While DeDe Ball was pregnant with her second child, Frederick, Henry Ball contracted typhoid fever and died in February 1915.^[20] Ball recalled little from the day her father died, only fleeting memories of a picture falling and a bird getting trapped in the house. From that day forward, she suffered from Ornithophobia.^{[21][page needed]}

After her father died, Ball and her brother Fred Henry Ball (July 17, 1915 – February 5, 2007) were raised by her mother and grandparents in Celoron, New York a summer resort village on Lake Chautauqua just west of Jamestown.^[22] Her grandfather, Fred Hunt, was an eccentric who also enjoyed the theater. He frequently took the family to vaudeville shows and encouraged young Lucy to take part in both her own and school plays.^{[citation needed]} Four years after the death of her father, Ball’s mother DeDe remarried. While her step-father, Edward Peterson, and mother went to look for work in another city, Ball was left in the care of her step-father’s parents. Ball’s new guardians were a puritanical Swedish couple who were so opposed to frivolity that they banished all mirrors from the house except for one over the bathroom sink. When the young Ball was caught admiring herself in it she was severely chastised for being vain.^[23] This period of time affected Ball so deeply that in later life she claimed that it lasted seven or eight years, but in reality, it was probably less than one.^[24] One good thing did come out of DeDe's new marriage. Edward was a Shriner. When his organization needed female entertainers for the chorus line of their next show, he encouraged his twelve-year-old stepdaughter to audition.^[25] While Ball was onstage she began to realize that if one was seeking praise and recognition this was a brilliant way to receive it. Her appetite for recognition had thus been awakened at an early age.^[26] In 1927 her family suffered misfortune when their house and furnishings were taken away in a legal judgement after a neighborhood boy was accidentally shot and paralyzed by someone target-shooting in their yard, under Ball's grandfather's supervision. The family then moved into a small apartment in Jamestown.^[27]

Teenage years and early career[link]

In 1925 Ball, then only 14, started dating Johnny DeVita, a local hood who was 21. DeDe was unhappy with the relationship, but was unable to influence her daughter to end the relationship. She expected the romance to burn out in a few weeks but that didn't happen. After about a year, DeDe tried to separate them by using Lucille's desire to be in show business. Despite the family's meager finances, she arranged for Lucille to go to the John Murray Anderson School for the Dramatic Arts in New York City^[28][29] where Bette Davis was a fellow student. Ball later said about that time in her life "All I learned in drama school was how to be frightened."^[30]

Ball was determined to prove her teachers wrong, and returned to New York City in 1928, among her other jobs she landed work as a fashion model for Hattie Carnegie.^[31] Her career was thriving when she became ill, either with rheumatic fever, rheumatoid arthritis or some other unknown illness and was unable to work for two years.^[32] She moved back to New York City in 1932 to resume her pursuit of a career as an actress, and supported herself by again working for Carnegie^[33] and as the Chesterfield cigarette girl. As Diane Belmont she started getting some chorus work on Broadway^[34] but the work wasn't lasting. Ball was hired – but then quickly fired – by theatre impresario Earl Carroll from his Vanities, by Florenz Ziegfeld from a touring company of Rio Rita,^[35] and was let go from the Shubert brothers production of Stepping Stones.^{[citation needed]}

Hollywood[link]

Publicity photo for the Lux Radio Theatre, 1951

After an uncredited stint as one of the Goldwyn Girls in Roman Scandals (1933) she permanently moved to Hollywood to appear in films. She appeared in many small movie roles in the 1930s as a contract player for RKO Radio Pictures, including a two-reel comedy short with the Three Stooges (Three Little Pigskins, 1934) and a movie with the Marx Brothers (Room Service, 1938). She can also be seen as one of the featured models in the Fred Astaire and Ginger Rogers film Roberta (1935) and briefly as the flower girl in Top Hat (1935), as well as a brief supporting role at the beginning of Follow the Fleet (1936),^[36] another Astaire-Rogers film. Ginger Rogers was a distant maternal cousin of Ball's. She and Rogers played aspiring actresses in the hit film Stage Door (1937) co-starring Katharine Hepburn. In 1936 she also landed the role she hoped would lead her to Broadway, in the Bartlett Cormack play Hey Diddle Diddle, a comedy set in a duplex apartment in Hollywood. The play premiered in Princeton, New Jersey on January 21, 1937 with Ball playing the part of Julie Tucker, "one of three roommates coping with neurotic directors, confused executives, and grasping stars who interfere with the girls' ability to get ahead." The play received good reviews, but there were problems, chiefly with its star, Conway Tearle, who was in poor health. Cormack wanted to replace him, but the producer, Anne Nichols, said the fault lay with the character and insisted that the part needed to be reshaped and rewritten. The two were unable to agree on a solution. The play was scheduled to open on Broadway at the Vanderbilt Theatre, but closed after one week in Washington, D.C. when Tearle suddenly became gravely ill.^[37] Ball was signed to Metro-Goldwyn-Mayer in the 1940s, but she never achieved major stardom from her appearance in those films.^[38]

She was known in many Hollywood circles as "Queen of the B's" – a title previously held by Fay Wray – starring in a number of B-movies, such as 1939's Five Came Back. Like many budding starlets Ball picked up radio work to earn side income as well as gain exposure. In 1937 she appeared as a regular on The Phil Baker Show. When that completed its run in 1938, Ball joined the cast of The Wonder Show, starring future Wizard of Oz tin man Jack Haley. It was here that she began her fifty year professional relationship with Gale Gordon, who served as the show's announcer. The Wonder Show only lasted one season, with the final episode airing on April 7, 1939.^[39]

A studio publicity portrait of Ball for Lover Come Back (1946)

In 1940, Ball met Cuban-born bandleader Desi Arnaz while filming the Rodgers and Hart stage hit Too Many Girls. When they met again on the second day, the two connected immediately and eloped the same year. Arnaz was drafted to the United States Army in 1942. He ended up being classified for limited service due to a knee injury. As a result, Arnaz stayed in Los Angeles, organizing and performing USO shows for wounded GIs being brought back from the Pacific. That same year, Ball appeared opposite Henry Fonda in The Big Street, in which she plays a paralyzed nightclub singer and Fonda portrays a busboy who idolizes her. The following year Ball appeared in DuBarry Was a Lady, a film for which the natural brunette first had her hair dyed the flaming red that would be her screen trademark.

Ball filed for a divorce in 1944. Shortly after Ball obtained an interlocutory decree of divorce, however, she reconciled with Arnaz.^[40] Ball and Arnaz were only six years apart in age but apparently believed that it was less socially acceptable for an older woman to marry a younger man, and hence split the difference in their ages, both claiming a 1914 birth date until this was disproved.^[41]

In 1946, Ball starred in Lover Come Back.^[42]

[edit] I Love Lucy and Desilu

A scene from "Lucy Goes to Scotland", 1956

In 1948, Ball was cast as Liz Cugat (later "Cooper"), a wacky wife, in My Favorite Husband, a radio program for CBS Radio. The program was successful, and CBS asked her to develop it for television. She agreed, but insisted on working with Arnaz. CBS executives were reluctant, thinking the public would not accept an All-American redhead and a Cuban as a couple. CBS was initially not impressed with the pilot episode produced by the couple's Desilu Productions company, so the couple toured the road in a vaudeville act with Lucy as the zany housewife wanting to get in Arnaz's show. The tour was a smash, and CBS put I Love Lucy on their lineup.^[43] The I Love Lucy show was not only a star vehicle for Lucille Ball, but a way for her to try to salvage her marriage to Desi Arnaz, which had become badly strained, in part by the fact that each had a hectic performing schedule which often kept them apart.

Along the way, she created a television dynasty and reached several "firsts." Ball was the first woman in television to be head of a production company: Desilu, the company that she and Arnaz formed. After their divorce, Ball bought out Arnaz's share of the studio, and she proceeded to function as a very active studio head.^[44] Desilu and I Love Lucy pioneered a number of methods still in use in television production today such as filming before a live studio audience with a number of cameras, and distinct sets adjacent to each other.^[45] During this time Ball taught a thirty-two week comedy workshop at the Brandeis-Bardin Institute. Ball was quoted as saying, "You cannot teach someone comedy; either they have it or they don't."^[46]

When the show premiered, most shows were aired live from New York City studios to Eastern and Central Time Zone audiences, and captured by kinescope for broadcast later to the West Coast. The kinescope picture was inferior to film, and as a result the West Coast broadcasts were inferior to those seen elsewhere in the country. Ball and Arnaz wanted to remain in their Los Angeles home, but the time zone logistics made that broadcast norm impossible. Prime time in L.A. was too late at night on the East Coast to air a major network series, meaning the majority of the TV audience would be seeing not only the inferior picture of kinescopes but seeing them at least a day later.^[47]

Sponsor Philip Morris did not want to show day-old kinescopes to the major markets on the East Coast, yet neither did they want to pay for the extra cost that filming, processing and editing would require, pressuring Ball and Arnaz to relocate to New York City. Ball and Arnaz offered to take a pay cut to finance filming, on the condition that their company, Desilu, would retain the rights to that film once it was aired. CBS relinquished the show rights back to Desilu after initial broadcast, not realizing they were giving away a valuable and durable asset. Desilu made many millions of dollars on I Love Lucy rebroadcasts through syndication and became a textbook example of how a show can be profitable in second-run syndication. In television's infancy, the concept of the rerun hadn't yet formed, and many in the industry wondered who would want to see a program a second time.^[48] In fact, while other celebrated shows of the period exist only in incomplete sets of kinescopes mostly too degraded to show to subsequent generations of television viewers, I Love Lucy has virtually never gone out of syndication since it began, seen by hundreds of millions of people around the world over the past half century. The success of Ball and Arnaz's gamble was instrumental in drawing television production from New York to Hollywood for the next several decades.^[49]

Desilu hired legendary German cameraman Karl Freund as their director of photography. Freund had worked for F.W. Murnau and Fritz Lang, shot part of Metropolis (1927) as well as the original Dracula (1931) with Bela Lugosi, and had directed a number of Hollywood films himself, including The Mummy (1932) with Boris Karloff. Freund used a three-camera setup, which became the standard way of filming situation comedies.^[50] Shooting long shots, medium shots, and close-ups on a comedy in front of a live audience demanded discipline, technique, and close choreography. Among other non-standard techniques used in filming the show, cans of paint (in shades ranging from white to medium gray) were kept on set to "paint out" inappropriate shadows and disguise lighting flaws.^[45][51] Freund also pioneered "flat lighting," in which everything is brightly lit to eliminate shadows and the need for endless relighting.

I Love Lucy dominated the weekly TV ratings in the United States for most of its run. (There was an attempt to adapt the show for radio; the cast and writers adapted the memorable "Breaking the Lease" episode—in which the Ricardos and Mertzes fall out over an argument, the Ricardos threaten to move, but they're stuck in a firm lease—for a radio audition disc that never aired but has survived.)^[52] In the scene where Lucy and Ricky are practicing the tango in the episode "Lucy Does The Tango," the longest recorded studio audience laugh in the history of the show was produced. It was so long, in fact, that the sound editor had to cut that particular part of the soundtrack in half.^[53] The strenuous rehearsals and demands of Desilu studio kept the Arnazes too busy to comprehend the show's success. During the show's production breaks they starred together in feature films: Vincente Minnelli's The Long, Long Trailer (1954) and Alexander Hall's Forever, Darling (1956).

Desilu produced several other popular shows, most notably Our Miss Brooks (starring Ball's 1937 Stage Door co-star Eve Arden), The Untouchables, Star Trek, and Mission: Impossible. Many other shows, particularly My Three Sons in its first seven of twelve seasons, Sheldon Leonard-produced series like Make Room for Daddy, The Dick Van Dyke Show, The Andy Griffith Show, and I Spy, were filmed at Desilu Studios and bear its logo. Desilu was eventually sold and merged into Paramount Pictures in 1967.

Testimony before the House Committee on Un-American Activities[link]

When Ball registered to vote in 1936, she listed her party affiliation as Communist.^[54] (She was registered as a Communist in 1938 as well.)^[55] In order to sponsor the Communist Party's 1936 candidate for the California State Assembly's 57th District, Ball signed a certificate stating "I am registered as affiliated with the Communist Party."^[56] The same year, she was appointed to the State Central Committee of the Communist Party of California, according to records of the California Secretary of State. In 1937, Hollywood writer Rena Vale, a self-identified former Communist, attended a Communist Party new members' class at Ball's home, according to Vale's testimony before the United States House of Representatives' Special Committee on Un-American Activities, on July 22, 1940.^[57] Two years later, Vale reaffirmed this testimony in a sworn deposition:

...within a few days after my third application to join the Communist Party was made, I received a notice to attend a meeting on North Ogden Drive, Hollywood; although it was a typed, unsigned note, merely requesting my presence at the address at 8 o'clock in the evening on a given day, I knew it was the long-awaited notice to attend Communist Party new members classes... on arrival at this address I found several others present; an elderly man informed us that we were the guests of the screen actress, Lucille Ball, and showed us various pictures, books and other objects to establish that fact, and stated she was glad to loan her home for a Communist Party new members class...^[58]

In a 1944 British Pathe newsreel, titled Fund Raising For Roosevelt, Ball was featured prominently among several stage and film stars at a fund-raising event in support of Democratic President Franklin D. Roosevelt's campaign for re-election.^[59] She also stated that in the 1952 US Presidential Election, she voted for Republican Dwight Eisenhower.^[60]

On September 4, 1953, Ball met privately with HUAC investigator William A. Wheeler in Hollywood and gave him sealed testimony. She stated that she had registered to vote as a Communist "or intended to vote the Communist Party ticket" in 1936 at her socialist grandfather's insistence.^[61] She stated she "at no time intended to vote as a Communist."

Ball stated she has never been a member of the Communist Party "to her knowledge";... did not know whether or not any meetings were ever held at her home at 1344 North Ogden Drive; stated... [that if she had been appointed] as a delegate to the State Central Committee of the Communist Party of California in 1936 it was done without her knowledge or consent; [and stated that she] did not recall signing the document sponsoring EMIL FREED for the Communist Party nomination to the office of member of the assembly for the 57th District...
A review of the subject's file reflects no activity that would warrant her inclusion on the Security Index.^[62]

J. Edgar Hoover, then director of the FBI, named "Lucy and Dezi" [sic] among his "favorites of the entertainment world."^[63] Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy, Arnaz, instead of his usual audience warm-up, told the audience about Lucy and her grandfather. Arnaz quipped: "The only thing red about Lucy is her hair, and even that's not legitimate."^{[citation needed]} Then, he presented his wife and she received a standing ovation from the audience.^{[64][not in citation given]}

Children and divorce[link]

Lucille Ball, with her husband Desi Arnaz in 1953.

On July 17, 1951, one month before her fortieth birthday and after "several"^[10] miscarriages, Ball gave birth to her first child, Lucie Désirée Arnaz.^[10] A year and a half later, Ball gave birth to her second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr.^[11] When he was born, I Love Lucy was a solid ratings hit, and Ball and Arnaz wrote the pregnancy into the show. (Ball's necessary and planned cesarean section in real life was scheduled for the same date that her television character gave birth.)^[11] There were several challenges from CBS, insisting that a pregnant woman could not be shown on television, nor could the word "pregnant" be spoken on-air. After approval from several religious figures^[65] the network allowed the pregnancy storyline, but insisted that the word "expecting" be used instead of "pregnant." (Arnaz garnered laughs when he deliberately mispronounced it as "'spectin'").^[66] The episode's official title was "Lucy Is Enceinte," borrowing the French word for pregnant;^[19] however, episode titles never appeared on the show. The birth made the first cover of TV Guide in January 1953.^[67]

Ball was outspoken against the relationship that Desi Jr. had with Liza Minnelli. Talking about Liza Minnelli dating her son, she was quoted as saying, "I miss Liza, but you cannot domesticate Liza."^[68] Her close friends in the business included Ginger Rogers, Vivian Vance, Mary Wickes and Carole Cook.

In October 1956, Ball, Vivian Vance, Desi Arnaz, and William Frawley all appeared on a Bob Hope special on NBC, including a spoof of I Love Lucy, the only time all four stars were together on a color telecast.

By the end of the 1950s, Desilu had become a large company, causing a good deal of stress for both Ball and Arnaz; his increased drinking further compounded matters.^{[citation needed]} On May 4, 1960, just two months after filming the final episode of The Lucy-Desi Comedy Hour, the couple divorced. Until his death in 1986, however, Arnaz and Ball remained friends and often spoke very fondly of each other.^{[citation needed]} Her real-life divorce indirectly found its way into her later television series, as she was always cast as an unmarried woman.^[69][70]

The following year, Ball did a musical on Broadway, Wildcat, co-starring Paula Stewart. That marked the beginning of a thirty-year friendship between Lucy and Paula Stewart, who introduced her to second husband Gary Morton, a Borscht Belt stand-up comic who was thirteen years her junior.^[13] According to Ball, Morton claimed he had never seen an episode of I Love Lucy due to his hectic work schedule.^[71] Ball immediately installed Morton in her production company, teaching him the television business and eventually promoting him to producer. Morton also played occasional bit parts on Ball's various series.^[72]

Later career[link]

The 1960 Broadway musical Wildcat ended its run early when Ball became too ill to continue in the show.^[73] The show was the source of the song she made famous, "Hey, Look Me Over," which she performed with Paula Stewart on The Ed Sullivan Show. She made a few more movies including Yours, Mine, and Ours (1968), and the musical Mame (1974), and two more successful long-running sitcoms for CBS: The Lucy Show (1962–68), which costarred Vance and Gale Gordon, and Here's Lucy (1968–74), which also featured Gordon, as well Lucy's real life children, Lucie Arnaz and Desi Arnaz, Jr. Ball appeared on the Dick Cavett show in 1974 and spoke of her history and life with Arnaz. She revealed how she felt about other actors and actresses as well as her love for Arnaz. She continued by telling Cavett that the success to her life was, "getting rid of what was wrong and replacing it with what is right," talking about her divorce from Arnaz and marriage to Morton.

Ball also revealed in this interview that the strangest thing to ever happen to her was after she had some dental work completed and having lead fillings in her teeth, she started hearing radio stations in her head. She explained coming home one night from the studio and as she passed one area, she heard what she thought was morse code or a "tapping." She stated that "as I backed up it got stronger. The next morning, I reported it to the authorities and upon investigation, they found a Japanese radio transmitter that had been buried and was actively transmitting codes back to the Japanese."^[74][75] The extraordinary theory that dental fillings could pick up radio signals would ultimately be tested and debunked on the TV show Mythbusters nearly thirty years later.

Ball was originally considered by Frank Sinatra for the role of Mrs. Iselin in The Manchurian Candidate. Director/producer John Frankenheimer, however, had worked with Angela Lansbury in a mother role in All Fall Down and insisted on having her for the part.^[76]

Ball at her last public appearance at the 61st Academy Awards in 1989, four weeks before her death

During the mid-1980s, she attempted to resurrect her television career. In 1982, Ball hosted a two-part Three's Company retrospective, showing clips from the show's first five seasons, summarizing memorable plotlines, and commenting on her love of the show.^[77] A 1985 dramatic made-for-TV film about an elderly homeless woman, Stone Pillow, received mixed reviews. Her 1986 sitcom comeback Life With Lucy, costarring her longtime foil Gale Gordon and co-produced by Ball, Gary Morton, and prolific producer/former actor Aaron Spelling was canceled less than two months into its run by ABC.^[78] The failure of this series was said to have sent Ball into a serious depression, and other than a few miscellaneous awards show appearances, she was absent from the public eye for the last several years of her life. Her last public appearance, just one month before her death, was at the 1989 Academy Awards telecast in which she and fellow presenter, Bob Hope, were given a standing ovation.

Death[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2011)

On April 18, 1989, Ball was at her home in Beverly Hills when she complained of chest pains. An ambulance was called and she was rushed to the emergency room of Cedars-Sinai Medical Center. She was diagnosed with dissecting aortic aneurysm and underwent heart surgery for nearly eight hours, receiving an aorta from a 27 year old male donor. The surgery was successful, and Ball began recovering very quickly , even walking around her room with little assistance. On April 26, shortly after dawn, Ball awoke with severe back pains. Her aorta had ruptured in a second location and Ball quickly lost consciousness. All attempts to revive her proved unsuccessful, and she died at approximately 05:47 PST. She was 77 years old. Her ashes were initially interred in Forest Lawn – Hollywood Hills Cemetery in Los Angeles, but in 2002 her children moved her remains to the family plot at Lake View Cemetery in Jamestown, New York, where Ball's parents, brother, and grandparents are buried.^[79]

Legacy and posthumous recognition[link]

Ball's signature.

Ball received many prestigious awards throughout her career including some received posthumously such as the Presidential Medal of Freedom by President George H. W. Bush on July 6, 1989,^[80] and The Women's International Center's Living Legacy Award.^[81]

There is a Lucille Ball-Desi Arnaz Center museum in Lucy's hometown of Jamestown, New York. The Little Theatre was renamed the Lucille Ball Little Theatre in her honor.^[82] Ball was among Time magazine's 100 Most Important People of the Century.^[83]

On August 6, 2001, which would have been her ninetieth birthday, the United States Postal Service honored her with a commemorative postage stamp as part of its Legends of Hollywood series.^[84] Ball appeared on the cover of TV Guide more than any other person; she appeared on thirty-nine covers, including the very first cover in 1953, with her baby son Desi Arnaz, Jr.^[85] TV Guide voted Lucille Ball as the Greatest TV Star of All Time and later it commemorated the fiftieth anniversary of I Love Lucy with eight collector covers celebrating memorable scenes from the show and in another instance they named I Love Lucy the second best television program in American history, after Seinfeld.^[86] Because of her liberated mindset and approval of the women's movement, Ball was inducted into the National Women's Hall of Fame.^[87]

She was awarded the Legacy of Laughter award at the fifth Annual TV Land Awards in 2007,^[88] I Love Lucy was named the Greatest TV Series by Hall of Fame Magazine,^{[citation needed]} and TV Guide voted her greatest TV star of all time^[32] In November of that year, Lucille Ball was chosen as the second out of the 50 Greatest TV Icons, after Johnny Carson. In a poll done by the public, however, they chose her as the greatest icon.^[89]

On August 6, 2011, which would have been her hundredth birthday, Google honored Ball with an interactive doodle on their homepage. This doodle displayed six classic moments from the I Love Lucy sitcom.^[90] On the same day a total of 915 Ball look-alikes converged on Jamestown, New York to celebrate the birthday and set a new world record for such a gathering.^[91]

On February 8, 1960, she was awarded two stars on the Hollywood Walk of Fame: one at 6436 Hollywood Boulevard for contributions to motion pictures, and one at 6100 Hollywood Boulevard for television.^[92]

Filmography and television work[link]

References[link]

Citations – books

Web pages

Further reading[link]

• Lucille Ball FAQ: Everything Left to Know About America's Favorite Redhead by James Sheridan and Barry Monush (2011) ISBN 978-1-61774-082-4
• The Comic DNA of Lucille Ball: Interpreting the Icon by Michael Karol (2005) ISBN 0-595-37951-6
• Lucy A to Z: The Lucille Ball Encyclopedia by Michael Karol (2004) ISBN 0-595-29761-7
• Lucy in Print by Michael Karol (2003) ISBN 0-595-29321-2
• Laughing With Lucy: My Life With America's Leading Lady of Comedy by Madelyn Pugh Davis with Bob Carroll Jr. (2005) ISBN 978-1-57860-247-6
• I Love Lucy: The Complete Picture History of the Most Popular TV Show Ever by Michael McClay (1995) ISBN 0-446-51750-X (hardcover)
• Young, Jordan R. (1999) The Laugh Crafters: Comedy Writing in Radio & TV's Golden Age. Beverly Hills: Past Times Publishing ISBN 0-940410-37-0 (interview with Bob Schiller)

External links[link]

	United States portal
	Biography portal
	Television portal

Wikimedia Commons has media related to: Lucille Ball

Wikiquote has a collection of quotations related to: Lucille Ball

• Official website
• Lucille Ball at the Internet Broadway Database
• Lucille Ball at the Internet Movie Database
• Lucille Ball at AllRovi

• Lucille Ball at TV Guide
• Lucille Ball at the Museum of Broadcast Communications
• Flint, Peter B. "Lucille Ball, Spirited Doyenne Of TV Comedies, Dies at 77." The New York Times. April 27, 1989.
• Lucille Ball & several other actors participate on Orson Welles Radio Almanac 1944; recordings
• Celebrating Lucille Ball at 100: Unpublished Photos – slideshow by LIFE.com
• Lucille Ball Google doodle

David J. Sloane (born April 6, 1985) is an American professional ice hockey defensemen and right winger who most recently played for the Binghamton Senators of the American Hockey League (AHL) during the 2010–11 season. He played in one National Hockey League (NHL) game with the Philadelphia Flyers during the 2008–09 season.

Career statistics[link]

See also[link]

• List of players who played only one game in the NHL

External links[link]

• David Sloane's career stats at The Internet Hockey Database
• David Sloane at Hockey-Reference.com
• David Sloane's NHL player profile

This United States biographical article relating to ice hockey is a stub. You can help Wikipedia by expanding it. v t e

Loni Anderson
Loni Anderson, 1992
Born	Loni Kaye Anderson (1945-08-05) August 5, 1945 (age 66) Saint Paul, Minnesota, U.S.
Occupation	Actress
Years active	1975–present
Spouse	Bruce Hasselberg (m. 1964–1966) «start: (1964)–end+1: (1967)»"Marriage: Bruce Hasselberg to Loni Anderson" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Loni_Anderson) Ross Bickell (m. 1973–1981) «start: (1973)–end+1: (1982)»"Marriage: Ross Bickell to Loni Anderson" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Loni_Anderson) Burt Reynolds (m. 1988–1993) «start: (1988)–end+1: (1994)»"Marriage: Burt Reynolds to Loni Anderson" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Loni_Anderson) Bob Flick (m. 2008) «start: (2008)»"Marriage: Bob Flick to Loni Anderson" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Loni_Anderson)

Loni Kaye Anderson (born August 5, 1945) is an American actress who is known for having played the role of Jennifer Marlowe on the television sitcom WKRP in Cincinnati and for playing Jayne Mansfield and Thelma Todd in television movies.

Early life[link]

Anderson was born in St. Paul, Minnesota, August 5, 1945, the daughter of Maxine Hazel (née Kallin), a model, and Klaydon Carl "Andy" Anderson, an environmental chemist and grew up in suburban Roseville. As a senior at Alexander Ramsey Senior High School in Roseville in 1963, she was voted Valentine Queen of Valentine's Day Winter Formal.^{[citation needed]} She attended the University of Minnesota.^[1] As she says in her autobiography, My Life in High Heels, her father was originally going to name her "Leiloni," but then realized to his horror that when she got to her teen years it was liable to be twisted into "Lay Loni." So it was changed to just plain "Loni."

Career[link]

Anderson's most famous acting role came as the resourceful receptionist Jennifer Marlowe on WKRP in Cincinnati (1978–1982). She was offered the role when producers saw the poster of her in a red bikini; a pose similar to Farrah Fawcett's. WKRP's creator, Hugh Wilson, admitted that Anderson got the part because "She had a body like Jayne Mansfield and the overall sex appeal of Marilyn Monroe." She remained on WRKP until its end in 1982, after four seasons. She and future husband Burt Reynolds made one film together, the 1983 stock-car racing comedy Stroker Ace, a huge box-office failure.

Shortly after her divorce from Reynolds, she appeared as a regular in the final season (1993–1994) on the NBC sitcom Nurses. Anderson portrayed 1950s actress/sex symbol Jayne Mansfield in a made-for-TV biopic, The Jayne Mansfield Story in 1980, with Arnold Schwarzenegger as Mansfield's husband, Mickey Hargitay. She teamed with Wonder Woman actress Lynda Carter in a 1984 television series, Partners in Crime.

Anderson made a series of cameo appearances on television shows in the late 1990s and early 2000s, such as the Spellmans' "witch-trash" cousin on Sabrina, the Teenage Witch and Vallery Irons' mother on V.I.P.. In 1991, she played the 1930s comedienne actress, Thelma Todd, in the TV movie White Hot: The Mysterious Murder of Thelma Todd.

Personal life[link]

Anderson has been married four times; her first three marriages were to: Bruce Hasselberg (1964–1966), Ross Bickell (1973–1981), and actor (and one-time co-star) Burt Reynolds (1988–1993). On May 17, 2008, Anderson married musician Bob Flick, one of the founding members of the folk band The Brothers Four.^[2][3] The couple had met at a movie premiere in Anderson's native Minneapolis a few years after Flick's group hit No. 2 on the pop charts with "Greenfields" in 1960. The ceremony was attended by friends and family, including son Quinton Reynolds.

She has two children: a daughter, Deidra Hoffman^[4] (from her first marriage),^[5] who is a school administrator in California;^[6] and a son, Quinton Anderson Reynolds (born August 31, 1988), whom she and Burt Reynolds adopted.^[7][8] Her autobiography, My Life in High Heels, was published in 1997.

Anderson has been a spokesperson for the National Lung Health Education Program’s campaign to increase awareness about chronic obstructive pulmonary disease.^[9]

Anderson is currently a practicing Lutheran.^[10]

Filmography[link]

• Vigilante Force (1976)
• Stroker Ace (1983)
• The Lonely Guy (1984)
• All Dogs Go to Heaven (1989) (voice of Flo)
• Coins in the Fountain (1990)
• Munchie (1992)
• 3 Ninjas: High Noon at Mega Mountain (1998)
• A Night at the Roxbury (1998)

Selected television work[link]

• S.W.A.T. (1 episode, 1975) – "The Steel Security Blanket" (playing "Miss Texas")
• WKRP in Cincinnati (1978–1982) (88 episodes)
• The Incredible Hulk (1 episode, 1978) – "Of Guilt, Models and Murder," (playing "Sheila Cantrell")
• Three's Company (1 episode, 1978) – "Coffee, Tea, or Jack," (playing "Susan Walters")
• The Jayne Mansfield Story (1980)
• "Country Gold" CBS TV movie (1982)
• Partners in Crime (1984)
• A Letter to Three Wives (1985)
• Amazing Stories (1 episode, 1985) – "The Guilt Trip"
• Easy Street (1986)
• Blondie and Dagwood (1987, voice)
• Too Good to Be True (1988)
• Sorry, Wrong Number (1989)
• White Hot: The Mysterious Murder of Thelma Todd (1991)
• The Price She Paid (1992) TV Movie, she played Lacey.
• Nurses (cast member from 1993 to 1994)
• Without Warning (1994)
• The Mullets (2003–2004)
• So NoTORIous (2006)

References[link]

External links[link]

Wikimedia Commons has media related to: Loni Anderson

• Loni Anderson at the Internet Movie Database
• Loni Anderson at AllRovi