Ronda (
Spanish pronunciation: [ˈronda]) is a city in the
Spanish province of
Málaga. It is located about
100 kilometres (62 mi) west of the city of Málaga, within the autonomous community of
Andalusia. Its population is approximately 35,
000 inhabitants.
Around the city are remains of prehistoric settlements dating to the
Neolithic Age, including the rock paintings of
Cueva de la Pileta. Ronda was however first settled by the early
Celts, who, in the
6th century BC called it
Arunda.
Later Phoenician settlers established themselves nearby to found
Acinipo, known locally as Ronda la Vieja, Arunda or Old Ronda. The current Ronda is however of
Roman origins,[1] having been founded as a fortified post in the
Second Punic War, by
Scipio Africanus. Ronda received the title of city at the time of
Julius Caesar.
In the 5th century AD Ronda was conquered by the
Suebi, led by Rechila, being reconquered in the following century by the
Eastern Roman Empire, under whose rule Acinipo was abandoned. Later the
Visigoth king
Leovigild captured the city. Ronda was part of the Visigoth realm until 713, when it fell to the
Arabs, who named it Hisn Ar-Rundah ("
Castle of Rundah") and made it the capital of the Takurunna province.
It was the hometown of the polymath
Abbas Ibn Firnas (810–887), an inventor, engineer, alleged aviator, physician, Muslim poet, and
Andalusian musician.
After the disintegration of the caliphate of
Córdoba, Ronda became the capital of a small kingdom ruled by the
Berber Banu Ifran, the taifa of Ronda. During this period Ronda received most of its Islamic architectural heritage. In 1065 Ronda was conquered by the taifa of
Seville led by
Abbad II al-Mu'tadid. Both the poet
Salih ben Sharif al-Rundi (1204–1285) and the
Sufi scholar
Ibn Abbad al-Rundi (1333–1390) were born in Ronda.
The Islamic domination of Ronda ended in 1485, when it was conquered by the
Marquis of
Cádiz after a brief siege. Subsequently, most of the city's old edifices were renewed or adapted to
Christian roles, while numerous others were built in newly created quarters such as Mercadillo and
San Francisco.
The Real Maestranza de Caballería de Ronda was founded in the town in 1572, with military finalities.
The Spanish Inquisitions affected the Muslims living in
Spain greatly. Shortly after
1492, when the last outpost of Muslim presence in the
Iberian Peninsula,
Granada, was conquered, the Spanish decreed that all Muslims must either vacate the peninsula without their belongings or convert. Many people overtly converted to keep their possessions, while secretly practising their religion. Muslims who converted only overtly were called Moriscos. Moriscos were required to wear upon their caps and turbans a blue crescent.
Traveling without a permit meant a death sentence. This systematic suppression forced the Muslims to seek refuge in mountainous regions of southern Andalusia; Ronda was one such refuge.
On May 25, 1566
Philip II decreed the use of the
Arabic language (written or spoken) illegal, doors to homes to remain open on
Fridays to verify that no Muslim
Friday prayers were conducted, and heavy taxation on Moriscos trades. This led to several rebellions, one of them in Ronda under the leadership of Al-Fihrey. Al-Fihrey's defeated the
Spanish army sent to suppress them under the leadership of
Alfonso de Aguilar. The massacre of the
Spaniards prompted
Phillip II to order the expulsion of all Moriscos in Ronda.
In the early
19th century, the
Napoleonic invasion and the subsequent
Peninsular War caused much suffering in Ronda, whose inhabitants were reduced from 15,600 to 5,000 in three years. Ronda's area became the base first of guerrilla warriors, then of numerous bandits, whose deeds inspired artists such as
Washington Irving,
Prosper Mérimée and
Gustave Doré. In the 19th century the economy of Ronda was mainly based on agricultural activities. In
1918 the city was the seat of the
Assembly of Ronda, in which the Andalusian flag, coat of arms and anthem were designed.
Ronda's
Romero family—from
Francisco, born in 1698, to his son
Juan, to his famous grandson
Pedro, who died in 1839—played a principal role in the development of modern
Spanish bullfighting. In a family responsible for such innovations as the use of the cape, or muleta, and a sword especially designed for the kill, Pedro in particular transformed bullfighting into "an art and a skill in its own right, and not simply
... a clownishly macho preamble to the bull's slaughter."[2]
Ronda was heavily affected by the
Spanish Civil War, after which much of the population emigrated elsewhere. The famous scene in Chapter 10 of
Hemingway's "
For Whom the Bell Tolls", describing the 1936 execution of
Fascist sympathisers in a (fictional) village who are thrown off a cliff, is considered to be modeled on actual events at the time in Ronda.[3]
- published: 25 Mar 2016
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