- published: 23 Apr 2015
- views: 518241
Dario Fo
Dario Fo (Italian pronunciation: [ˈdaːrjo ˈfɔ]; born 24 March 1926) is an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter and political campaigner, and recipient of the 1997 Nobel Prize in Literature. "Arguably the most widely performed contemporary playwright in world theatre", much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, England, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka, Sweden, and Yugoslavia. His work of the 1960s, 1970s and 1980s is peppered with criticisms of assassinations, corruption, organised crime, racism, Roman Catholic theology and war. Throughout the 1990s and 2000s, he took to lampooning Forza Italia and its leader Silvio Berlusconi, while his targets of the 2010s have included the banks amid the European sovereign-debt crisis. Also in the 2010s, he became the main ideologue of the Five Star Movement, the anti-establishment party led by Beppe Grillo, often referred by its members as "the Master".
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Dario_Fo
Podcasts:
Dario Fo
ALBUMS
- Ci ragiono e canto released:
Ci ragiono e canto
- Le dodici parole della verità
- Sunt content de vess al mund
- Da cannu semmu nati
- Nana bobò
- Canto dei battipali
- Ninna nanna a sette e venti
- A lavorar gh'andem prima matina
- Curaggiu bibinnaduri
- La tera cultivada
- So' stato a lavora' a Montesicuro
- Cassisia agghia vintu
- Io partu e su custrittu di partiri
- Lu suldate che va a la guerra
- Fuoco e mitragliatrici
- Avvidecci la me fata
- Lizza delle Apuane
- Regazzine vi prego ascoltare
- Ascoltate oh popolo ignorante
- La tradotta che parte da Novara
- Abballati abballati
- Ballo tondo
- La Pinota
- Accattari vurria 'Na virrinedda
- Donna lombarda
- E cinquecento catenelle d'oro
- Cecilia
- Ma che m'importa a me
- Cade l'uliva
- Belle fijola viéstete li panna
- La disispirata
- Entruma in sa bell'era
- Abballati abballati
- Italia bella mostrati gentile
- Arriva il giorno del giudizio
- Al jorn del judici
- Vi ricordate quel diciotto aprile
- Sent un Po' Gioan te se regor
- Stornelli d'esilio
-
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo. Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
published: 23 Apr 2015 -
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
published: 27 Apr 2013 -
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
published: 12 May 2016 -
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate. “I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard fr...
published: 19 Nov 2015 -
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli i...
published: 25 May 2011 -
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021 -
Dario Fo - Satira Su Berlusconi
dario fo è eccezionale!!
published: 02 Apr 2011 -
Dario Fo _ Caino e Abele (mistero buffo) 1977
Teatro e scrittura di scena
published: 31 Dec 2019 -
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo tratto da I trucchi del mestiere Teatro Argentina di Roma - 1984
published: 09 Dec 2019 -
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014 -
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
published: 15 May 2020 -
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
published: 24 Aug 2015 -
Ubù, la vera storia di Berlusconi di DARIO FO
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
published: 17 Oct 2011 -
Barilla Spot - Dario Fo: Il Ballista (1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
published: 26 Jul 2013
developed with YouTube
2:17:33
Mistero Buffo - Dario Fo
- Order: Reorder
- Duration: 2:17:33
- Uploaded Date: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad i...
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
https://wn.com/Mistero_Buffo_Dario_Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
- Order: Reorder
- Duration: 1:12:58
- Uploaded Date: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavi...
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
https://wn.com/Dario_Fo_Accidental_Death_Of_An_Anarchist_(Full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
- published: 27 Apr 2013
- views: 116242
50:25
The Theatre of Dario Fo
- Order: Reorder
- Duration: 50:25
- Uploaded Date: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of...
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
https://wn.com/The_Theatre_Of_Dario_Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
- published: 12 May 2016
- views: 29773
23:15
Dario Fo: I am a Born Storyteller
- Order: Reorder
- Duration: 23:15
- Uploaded Date: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the four...
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
https://wn.com/Dario_Fo_I_Am_A_Born_Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
- published: 19 Nov 2015
- views: 13965
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
- Order: Reorder
- Duration: 13:23
- Uploaded Date: 25 May 2011
- views: 257772
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva ...
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
https://wn.com/Dario_Fo_E_Il_Grammelot_Con_Accento_Inglese_L'Uomo_E_La_Tecnologia_(Rai2_1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
- published: 25 May 2011
- views: 257772
5:24
Il monologo di Dario Fo sulla pornografia
- Order: Reorder
- Duration: 5:24
- Uploaded Date: 23 Feb 2021
- views: 7707
- published: 23 Feb 2021
- views: 7707
13:25
Dario Fo - Satira Su Berlusconi
- Order: Reorder
- Duration: 13:25
- Uploaded Date: 02 Apr 2011
- views: 41425
dario fo è eccezionale!!
dario fo è eccezionale!!
https://wn.com/Dario_Fo_Satira_Su_Berlusconi
dario fo è eccezionale!!
- published: 02 Apr 2011
- views: 41425
14:09
Dario Fo _ Caino e Abele (mistero buffo) 1977
- Order: Reorder
- Duration: 14:09
- Uploaded Date: 31 Dec 2019
- views: 5952
Teatro e scrittura di scena
Teatro e scrittura di scena
https://wn.com/Dario_Fo_Caino_E_Abele_(Mistero_Buffo)_1977
Teatro e scrittura di scena
- published: 31 Dec 2019
- views: 5952
2:35:28
lezione di teatro Dario Fo
- Order: Reorder
- Duration: 2:35:28
- Uploaded Date: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
https://wn.com/Lezione_Di_Teatro_Dario_Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
- published: 09 Dec 2019
- views: 3515
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
- Order: Reorder
- Duration: 15:40
- Uploaded Date: 04 Jul 2014
- views: 182863
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
https://wn.com/Dario_Fo_La_Resurrezione_Di_Lazzaro_Mistero_Buffo_1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
- published: 04 Jul 2014
- views: 182863
9:10
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
- Order: Reorder
- Duration: 9:10
- Uploaded Date: 15 May 2020
- views: 2431
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
https://wn.com/Dario_Fo_||_Lecciones_De_Teatro_||_El_Gesto_1_||_Subtítulos_En_Español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
- published: 15 May 2020
- views: 2431
0:31
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
- Order: Reorder
- Duration: 0:31
- Uploaded Date: 24 Aug 2015
- views: 37783
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
https://wn.com/Dream_Theater_Dance_Of_Paradiribiriparadiri_(Feat._Dario_Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
- published: 24 Aug 2015
- views: 37783
40:24
Ubù, la vera storia di Berlusconi di DARIO FO
- Order: Reorder
- Duration: 40:24
- Uploaded Date: 17 Oct 2011
- views: 124838
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
https://wn.com/Ubù,_La_Vera_Storia_Di_Berlusconi_Di_Dario_Fo
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
- published: 17 Oct 2011
- views: 124838
2:45
Barilla Spot - Dario Fo: Il Ballista (1959)
- Order: Reorder
- Duration: 2:45
- Uploaded Date: 26 Jul 2013
- views: 12237
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla f...
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
https://wn.com/Barilla_Spot_Dario_Fo_Il_Ballista_(1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
- published: 26 Jul 2013
- views: 12237
2:17:33
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e sa...
published: 23 Apr 2015
Mistero Buffo - Dario Fo
Mistero Buffo - Dario Fo
- Report rights infringement
- published: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchis...
published: 27 Apr 2013
Dario Fo - Accidental Death of an Anarchist (full)
Dario Fo - Accidental Death of an Anarchist (full)
- Report rights infringement
- published: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
50:25
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and hi...
published: 12 May 2016
The Theatre of Dario Fo
The Theatre of Dario Fo
- Report rights infringement
- published: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
23:15
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a...
published: 19 Nov 2015
Dario Fo: I am a Born Storyteller
Dario Fo: I am a Born Storyteller
- Report rights infringement
- published: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguen...
published: 25 May 2011
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
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- published: 25 May 2011
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Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
5:24
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021
Il monologo di Dario Fo sulla pornografia
Il monologo di Dario Fo sulla pornografia
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- published: 23 Feb 2021
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13:25
Dario Fo - Satira Su Berlusconi
dario fo è eccezionale!!
published: 02 Apr 2011
Dario Fo - Satira Su Berlusconi
Dario Fo - Satira Su Berlusconi
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- published: 02 Apr 2011
- views: 41425
dario fo è eccezionale!!
14:09
Dario Fo _ Caino e Abele (mistero buffo) 1977
Teatro e scrittura di scena
published: 31 Dec 2019
Dario Fo _ Caino e Abele (mistero buffo) 1977
Dario Fo _ Caino e Abele (mistero buffo) 1977
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- published: 31 Dec 2019
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Teatro e scrittura di scena
2:35:28
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - ...
published: 09 Dec 2019
lezione di teatro Dario Fo
lezione di teatro Dario Fo
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- published: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
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- published: 04 Jul 2014
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Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
9:10
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
published: 15 May 2020
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
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- published: 15 May 2020
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Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
0:31
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
published: 24 Aug 2015
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
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- published: 24 Aug 2015
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"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
40:24
Ubù, la vera storia di Berlusconi di DARIO FO
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
published: 17 Oct 2011
Ubù, la vera storia di Berlusconi di DARIO FO
Ubù, la vera storia di Berlusconi di DARIO FO
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- published: 17 Oct 2011
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dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
2:45
Barilla Spot - Dario Fo: Il Ballista (1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici...
published: 26 Jul 2013
Barilla Spot - Dario Fo: Il Ballista (1959)
Barilla Spot - Dario Fo: Il Ballista (1959)
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- published: 26 Jul 2013
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Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
Dario Fo
Dario Fo (Italian pronunciation: [ˈdaːrjo ˈfɔ]; born 24 March 1926) is an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter and political campaigner, and recipient of the 1997 Nobel Prize in Literature. "Arguably the most widely performed contemporary playwright in world theatre", much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, England, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka, Sweden, and Yugoslavia. His work of the 1960s, 1970s and 1980s is peppered with criticisms of assassinations, corruption, organised crime, racism, Roman Catholic theology and war. Throughout the 1990s and 2000s, he took to lampooning Forza Italia and its leader Silvio Berlusconi, while his targets of the 2010s have included the banks amid the European sovereign-debt crisis. Also in the 2010s, he became the main ideologue of the Five Star Movement, the anti-establishment party led by Beppe Grillo, often referred by its members as "the Master".
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Dario_Fo
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