Pluto (mythology)

Pluto (Greek: Πλούτων, Ploutōn) was the ruler of the underworld in classical mythology. The earlier name for the god was Hades, which became more common as the name of the underworld itself. In ancient Greek religion and mythology, Pluto represents a more positive concept of the god who presides over the afterlife. Ploutōn was frequently conflated with Ploutos (Πλοῦτος, Plutus), a god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as a stern ruler but the loving husband of Persephone. The couple received souls in the afterlife, and are invoked together in religious inscriptions. Hades by contrast had few temples and religious practices associated with him, and is portrayed as the dark and violent abductor of Persephone.

Pluto and Hades differ in character, but they are not distinct figures and share their two major myths. In Greek cosmogony, the god received the rule of the underworld in a three-way division of sovereignty over the world, with his brothers Zeus ruling the Sky and Poseidon the Sea. His central narrative is the abduction of Persephone to be his wife and the queen of his realm.Plouton as the name of the ruler of the underworld first appears in Greek literature of the Classical period, in the works of the Athenian playwrights and of the philosopher Plato, who is the major Greek source on its significance. Under the name Pluto, the god appears in other myths in a secondary role, mostly as the possessor of a quest-object, and especially in the descent of Orpheus or other heroes to the underworld.

Pluto

Pluto (minor-planet designation: 134340 Pluto) is a dwarf planet in the Kuiper belt, a ring of bodies beyond Neptune. It was the first Kuiper belt object to be discovered. It is the largest and second-most-massive known dwarf planet in the Solar System and the ninth-largest and tenth-most-massive known object directly orbiting the Sun. It is the largest known trans-Neptunian object by volume but is less massive than Eris, a dwarf planet in the scattered disc. Like other Kuiper belt objects, Pluto is primarily made of ice and rock and is relatively small—about one-sixth the mass of Earth's Moon and one-third its volume. It has a moderately eccentric and inclined orbit during which it ranges from 30 to 49 astronomical units or AU (4.4–7.4 billion km) from the Sun. This means that Pluto periodically comes closer to the Sun than Neptune, but a stable orbital resonance with Neptune prevents them from colliding. Light from the Sun takes about 5.5 hours to reach Pluto at its average distance (39.5 AU).

Mythology

Mythology is a collection of myths, especially one belonging to a particular sacred, religious or cultural tradition of a group of people. Myths are a collection of stories told to explain nature, history, and customs–or the study of such myths.

As a collection of such stories, mythology is a vital feature of every culture. Various origins for myths have been proposed, ranging from personification of nature, personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A culture's collective mythology helps convey belonging, shared and religious experience, behavioural models, and moral and practical lessons.

The study of myth dates back to antiquity. Rival classifications of the Greek myths by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers. Nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science (E. B. Tylor), a "disease of language" (Max Müller), or a misinterpretation of magical ritual (James Frazer).

Geek & Sundry

Geek & Sundry is a commercial YouTube Channel and multimedia production company. It was launched on April 2, 2012 by actress Felicia Day with Kim Evey and Sheri Bryant as part of YouTube's 100 million dollar original channel initiative. In June 2012, Forbes Magazine suggested that "if successful, it could help blaze a trail for the future of network television."

History

The channel was originally based around three unscripted programs produced by Day: The Flog (hosted by Day), Sword & Laser (hosted by Veronica Belmont and Tom Merritt) and Tabletop (hosted by actor Wil Wheaton).

Revenue for the company is undisclosed. Before the channel launch, they were given an advance payment by YouTube "against future advertising revenue to jumpstart production."

The channel's founders and hosts of some of its programs have attended a number of fan conventions since its startup in April 2012 including: ComicCon,Dragon*Con,VidCon, and WonderCon. They also attended Comic-Con in 2013.

In March 2013, the channel announced three new series: "Felicia's Ark" (featuring Felicia Day), "Fetch Quest" (created by Jordan Allen-Dutton) and "The Player One[s]". Two programs, "Tabletop" and "Space Janitors", were renewed for season 2 of the channel starting April 1, 2013.

Some Great Reward

Some Great Reward is the fourth studio album by English electronic music band Depeche Mode, released in 1984. The album peaked at number five in the United Kingdom and at number fifty-one in the United States. The title comes from the last lines of the bridge in "Lie to Me" when it repeats near the end. The album was supported by the Some Great Reward Tour.

Critical reception

Melody Maker hailed the album, noting a "truly remarkable development in the voice of Gahan". Reviewer Barry McIlheney noted that "[i]t used to be okay to slag this bunch off because of their lack of soul, their supposed synthetic appeal, their reluctance to really pack a punch." He concluded that Some Great Reward "just trashes such bad old talk into the ground and demands that you now sit up and take notice of what is happening here, right under your nose".

NME criticised the album, stating that it "suffers from too many missed grips on good ideas." Reviewer David Quantick found the tunes "ordinary" but he nevertheless rated the singles as "fine". He finally stated that the result was "annoying" and concluded, "Depeche Mode can be one the few acts worthy of the name pop group. It's just that they should be so much better."