Another place (Parliament)

'Another place' or 'the other place' is a euphemism used in many bicameral parliaments using the Westminster system, including Australia, Canada and the United Kingdom.

A member of one house will not usually refer directly to the other, but refer to it indirectly using the phrase 'another place', or 'the other place'. So for example, a member of the Canadian Senate would not mention 'the House of Commons', but would use the phrase 'the other place'.

The tradition does not extend to business (such as speeches and interviews) conducted outside the house, and is generally dropped when a debate is directly addressing the nature of the other house, such as in debates on reform of the House of Lords in the Parliament of the United Kingdom.

The reasons for the tradition are unclear, but it has been suggested that it dates back to a period of ill-feeling between the two houses of the UK Parliament. Similarly a member talking of their own house would refer to it as 'this place'.

Another Place

Another Place is a piece of modern sculpture by Sir Antony Gormley. It consists of 100 cast iron sculptures of the artist's own body, facing towards the sea.

After being displayed at several locations in Europe, it has become permanently located at Crosby Beach in northwestern England. The work was controversial in the local area due to issues such as possible economic gain or environmental damage from tourism. A meeting on 7 March 2007 by Sefton Council accepted proposals that would allow the sculptures to be kept permanently at Crosby Beach in place of being moved to New York.

Details

The work consists of cast iron figures which face out to sea, spread over a 2 mile (3.2 km) stretch of the beach between Waterloo and Blundellsands. Each figure is 189 cm tall (nearly 6 feet 2½ inches) and weighs around 650 kg (over 1400 lb).

In common with most of Gormley's work, the figures are cast replicas of his own body. As the tides ebb and flow, the figures are revealed and submerged by the sea. The figures were cast at two foundries, Hargreaves Foundry in Halifax, West Yorkshire, and Joseph and Jesse Siddons Foundry in West Bromwich.

Radio edit

In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.

Editing for time

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.

Amba Shepherd

Amba Shepherd is an Australian singer and songwriter, best known for her collaborations with the Dutch music producer, Hardwell. Amba Shepherd was named "The most relevant guest vocalist in EDM" by Elektro Mag June 2013 & "The number one voice on today's dance floor" by DMC World. Her collaboration with Hardwell on the track "Apollo" held the number one position on the Beatport Top 100.

Shepherd comes from a musical family in Sydney.

Discography

As featured artist

Apollo

Apollo (Attic, Ionic, and Homeric Greek: Ἀπόλλων, Apollōn (GEN Ἀπόλλωνος); Doric: Ἀπέλλων, Apellōn; Arcadocypriot: Ἀπείλων, Apeilōn; Aeolic: Ἄπλουν, Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.

As the patron of Delphi (Pythian Apollo), Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the god's custodial charges, Apollo became associated with dominion over colonists, and as the patron defender of herds and flocks. As the leader of the Muses (Apollon Musegetes) and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became a common attribute of Apollo. Hymns sung to Apollo were called paeans.