- published: 04 May 2015
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Bardic Poetry refers to the writings of poets trained in the Bardic Schools of Ireland and the Gaelic parts of Scotland, as they existed down to about the middle of the 17th century, or, in Scotland, the early 18th century. Most of the texts preserved are in Middle Irish or in early Modern Irish, however, even though the manuscripts were very plentiful very few were printed. It was considered a period of great literary stability due to the formalised literary language that changed very little. This allowed Bardic poets to travel over parts of Ireland and Gaelic Scotland with little difficulty.
According to the Uraicecht Becc, 'bards' and 'fili' were distinct groups: fili involved themselves with law, language, lore and court poetry, whereas bards were verifiers. However, in time, these terms came to be used interchangeably. These groups likely originated from Druidism, which morphed into a 'Bardic Order' that co-existed with Christianity. They learned and kept the history and traditions of clan and country, as well as the technical requirements of a verse technique known as Dán Díreach that was syllabic and used assonance, half rhyme and alliteration.
Saint Patrick (Latin: Patricius; Greek: Πατρίκιος; Proto-Irish: *Qatrikias; Modern Irish: Pádraig [ˈpˠaːd̪ˠɾˠəɟ];Welsh: Padrig) was a 5th-century Romano-British Christian missionary and bishop in Ireland. Known as the "Apostle of Ireland", he is the primary patron saint of Ireland, along with Saints Brigit and Columba. He is also venerated in the Anglican Communion, the Old Catholic Church and in the Orthodox Church as Equal-to-the-Apostles, and The Enlightener of Ireland.
The dates of Patrick's life cannot be fixed with certainty but, on a widespread interpretation, he was active as a missionary in Ireland during the second half of the fifth century. He is generally credited with being the first bishop of Armagh, Primate of Ireland.
According to the Confessio of Patrick, when he was about 16, he was captured by Irish pirates from his home in Great Britain, and taken as a slave to Ireland, looking after animals, where he lived for six years before escaping and returning to his family. After becoming a cleric, he returned to northern and western Ireland. In later life, he served as an ordained bishop, but little is known about the places where he worked. By the seventh century, he had already come to be revered as the patron saint of Ireland.
My dream is to bring Pagans and Oldtime & Bluegrass music together. Lets honor the spirits of our land and create music born here for them. (12/29/09) If you enjoy my videos and like to see more and more quality videos, consider donating towards my "Help Gypsy get a RV Fund" by sending donations to my Pay Pal via my email, at: jlobos65 (at) gmail (dot) com Your donation will help me get out of my truck and into a bed and back up to Oregon where I can get work. THANK YOU!
After a transformative reading in 1914, at which he was lauded by W.B. Yeats, Vachel Lindsay emerged as the most famous American poet of his time. Over the next 17 years, he would perform in front of audiences totaling in the millions. Modern scholars struggle to explain the Lindsay phenomenon—both his popularity and his subsequent obscurity—but one clear foundation of his poetry was its connection to bardic elements. This thesis explores Lindsay's roots in the tradition of poetic bards, and argues that his work represents an important transition from Romantic to Modernist conceptions of the bardic ideal.
We feature weekly videos on Irish Genealogy; History, Heraldry and Old Style 'sean nos' song, with leading author Michael C. O'Laughlin. Founded in 1978 with headquarters at http://www.irishroots.com/ Subscribe here: http://www.youtube.com/subscription_center?add_user=Mickthebridge Random notes on todays show Before the time of Patrick The Irish Bardic School existed before the coming of St. Patrick. Written in the 7th c., Memoir of St. Patrick, there was a contest between St. Patrick and the Druids. Each was to throw a book into the water and see which came out uninjured. Same story is told in the Tripartite Lives of St. Patrick. Could they write ? Tradition says ancient Irish used Ogham, as in the pillar stones by chiefs graves with a name carved in the stone. Bardic Literature a...
A beautiful Northampton tradition, this year hosted at The Pomfret Arms
Mardukite Chamberlains Bardic College. So You Want to (How to) BE A DRUID WIZARD??? Part 20 So You Want to (How to) BE A WIZARD??? Part 76 From Mardukite Ministries curtesy of Joshua Free / Merlyn Stone. Mardukite Merlyn's Magick OnLine School www.youtube.com/mardukite Lesson 10.4: The Bardic Tradition: BARDS ART MUSIC BARDCRAFT this series has been adapted from MERLYNS MAGICK & APPLIED DRUIDOLOGY (both by JOSHUA FREE) Mardukite TV Ceremonial Series. Merlyn's Magick (c) 2005, Joshua Free. www.mardukite.com www.myspace.com/merlynstone www.myspace.com/mardukite www.youtube.com/merlynstone Be a Wizard Semester 1: Energy, Visualization, Thought & Willpower, Natural Forces, Magickal Correspondences, The Keys to Effective Magick, basic techniques, the magick circle, casting the circle, cal...
Bard Willian is a musician and writter.He recordeD this triad in his last cd, "The Testament of the bard"(2010). Registrado na Biblioteca Nacional RJ Brasil nº504.889 Registered in Brazil. Member of OBOD (The Order of Bards, Ovates & Druids") and Nine Mistical Orders.He is also Frater R+C. "This video is a scene from my newest play, " Memories of a fool pilgrim Frater Bard". It´s a zen view about the Iniciatic way. I give thanks to my wisest ancestors and master bards! "Este vídeo é uma das cenas musicias da mais nova peça teatral de Frater Bardo Willian, "Memórias de um tolo frater bardo peregrino". Uma visão ora dramática, ora zen sobre as ordálias do caminho iniciático. Frater Bardo Willian é um aspirante a filósofo místico, membro de Nove Ordens Fraternais, Filosóficas e Misticas...
My mind wakes up hungry for new information each and every single day! To Jehovah/JWorg/Watchtower : "In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were de...
Though completely unknown in the UK, Asiq Nargile is a highly regarded performer in Azerbaijan, Turkey and her native Georgia, performing at countless festivals and making a number of TV appearances. Following in the tradition of the asiq bards and having studied under a number of ustad asiqlar (master asiqs), Nargile Mehtiyeva continues the bardic tradition of epic folk poetry recitation accompanied by her own magisterial saz playing. Currently the only known female asiq in the ethnic Azeri region of Georgia known as Borcali, Nargile has a voice and presence that insists on your attention; we came to hear her music via conversations with Stefan Williamson Fa and the Sayat Nova Project he is part of (a small group of intrepid cultural enthusiasts scouring the Caucasus for musical and othe...
The name Mahoba is derived from 'Mahotsav Nagar', the city of great festivals, which were celebrated here by Chandra-Verman or Nannuka, The traditional founder of the Chandella Dynasty. The Bardic tradition preserves three other names of the City: Kekaipur, Patanpur and Ratanpur. These names are said to have been current in the Treta and Dwapar Yugas. The existence of the sacred 'Ram-Kund' and 'Seeta-Rasoi' cave at the Gokhar hill here are said to be monumental to the visit of Rama who widely treated this hilly region while in 14-year exile at Chitrakoot. Before the rise of Chandelas, Mahoba was held by the Gahadvala and Pratihara clans of Rajputs. The Chandela ruler Chandra-Verman, who hailed from Maniagarh, his birth place nearPanna, took it over from Pratihar rulers and adopted it as hi...