0:39
Iracesims.com Demo Derby "Robert Burks Bump And Runover"
Iracesims.com Demo Derby "Robert Burks Bump And Runover"
9:57
Documentário Robert Burks, Uma Vida no Cinema
Documentário Robert Burks, Uma Vida no Cinema
Alfred Hitchcock Presents - Robert Burks Documentary: . Robert Burks, Uma Vida no Cinema . Roteiro, Direção e Montagem: Rafael Ruzene Narrado por: Caetano Cotrim Realizado durante o 6º período do curso de Cinema Digital, Universidade Metodista SP, 2008/2009 . Robert Burks foi o fotógrafo de praticamente todos os filmes da fase áurea de Alfred Hitchcock, tendo iniciado sua carreira nos filmes preto e branco dos anos 30. . Filmografia Hitchcock-Burks: Pacto Sinistro A tortura do silêncio Disque M para matar Janela Indiscreta Ladrão de Casaca O Terceiro Tiro O Homem Errado O homem que Sabia Demais Um Corpo que Cai Os Pássaros Marnie . . Versão reduzida: 10 minutos Versão completa: 17 minutos
4:09
Jammin' the Blues
Jammin' the Blues
Rare jam session from 1944. Featuring Lester Young and Marie Bryant. The Cinematographer was Robert Burks who went on to do Academy Award winning films with Alfred Hitchcock.
2:40
Rear Window Trailer
Rear Window Trailer
Go to oldmoviequotes.com for more great classic films. Rear Window Trailer - Watch Rear Window Movie trailer for the 1954 Paramount film directed by Alfred Hitchcock. Rear Window stars James Stewart as LB 'Jeff' Jeffries, Grace Kelly as Lisa Carol Fremont, Wendell Corey as Detective Thomas J. Doyle, Thelma Ritter as Stella, Raymond Burr as Lars Thorwald, Judith Evelyn as Miss Lonelyhearts, Ross Bagdasarian as the Songwriter and Georgine Darcy as Miss Torso. The screenplay was written by John Michael Hayes based on the short story "It Had to be Murder" by Cornell Woolrich. Music is by Franz Waxman. Rear Window was nominated for four academy awards (Best Director - Alfred Hitchcock; Best Cinematography, Color - Robert Burks; Best Sound, Recording - Loren L. Ryder (Paramount); and Best Writing, Screenplay - John Michael Hayes).
2:41
John Landis on TO CATCH A THIEF
John Landis on TO CATCH A THIEF
Filmmaker John Landis remembers TO CATCH A THIEF The mid-50s French Riviera provides an attractive backdrop to one of Hitchcock's lightest thrillers, with reformed cat burglar Cary Grant romancing a dazzling Grace Kelly, a spoiled rich girl whose Edith Head-designed clothes budget could bankroll several small countries for a year. Pure escapism. Won Robert Burks a best cinematography Oscar. Find out more about TO CATCH A THIEF at the IMDB: www.imdb.com And, as always, you'll discover more Hitchcock at trailersfromhell.com ABOUT JOHN LANDIS: JOHN LANDIS was the director of Animal House, The Blues Brothers, An American Werewolf In London, Trading Places, Coming To America, Kentucky Fried Movie, Spies Like Us, _Three Amigos!, Into The Night and Michael Jackson's Thriller among many other films and television shows. His documentary Mr. Warmth: The Don Rickles Project premiered on HBO and won an Emmy for Best Music, Comedy or Variety Special and he's slated to direct Burke and Hare for Ealing Studios this spring in Edinburgh and London. He is also the subject of noted film critic Giulia D'Agnolo Vallan's latest book "John Landis". ABOUTTRAILERS FROM HELL: TFH is the premier showcase for a breathtakingly eclectic assortment of trailers from classic era films both in their original form and punctuated with informative and amusing commentary by contemporary filmmakers. Follow us on Twitter: www.twitter.com Like us on Facebook: www.facebook.com
0:53
The Birds titlesequence
The Birds titlesequence
I wanted to make a title sequence of the movie the birds (by Alfred Hitchcock) using the original sound and footage. Thanks to a lot of keying, masking, editting, pitching and equalizing. This was the result
7:35
Gjon Mili
Gjon Mili
Gjon Mili (born 1904, Korça, Albania 1984) was an Albanian-American photographer. Born to Vasil Mili and Viktori Cekani, came to the United States in 1923. Fifteen years later, he was a photographer for Life (a relationship that continued until his death in 1984), and his assignments took him to the Riviera (Picasso); to Prades, France (Pablo Casals in exile); to Israel (Adolf Eichmann in captivity); to Florence, Athens, Dublin, Berlin, Venice, Rome, and Hollywood to photograph celebrities and artists, sports events, and concerts, and sculptures and architecture. Working with Harold Eugene Edgerton of MIT, Gjon Mili was a pioneer since the 1930s in the use of photoflash to capture a sequence of actions in one photograph. Trained as an engineer and self-taught in photography, Gjon Mili was the first to use electronic flash and stroboscopic light to create photographs that had more than scientific interest.[citation needed] Since the late 1930s, his pictures of dance, athletics, and musical and theatrical performances have astonished and delighted viewers,[citation needed] revealing the beautiful intricacy and graceful flow of movement too rapid or too complex for the eye to discern. His portraits of artists, musicians, and other notables are less visually spectacular, but equally masterful. In 1944, he directed the short film Jammin' the Blues,[1][2] which was made at Warner Bros., and featured performances by Lester Young, Red Callendar, Harry Edison, "Big" Sid Catlett <b>...</b>
27:34
[무비리뷰] Vertigo (1958)
[무비리뷰] Vertigo (1958)
stranded.hihome.com Vertigo (1958) Directed by Alfred Hitchcock Produced by Alfred Hitchcock Written by Alec Coppel Samuel A. Taylor Story by Pierre Boileau Thomas Narcejac Starring James Stewart Kim Novak Barbara Bel Geddes Music by Bernard Herrmann Cinematography Robert Burks Editing by George Tomasini Distributed by Paramount Pictures, Universal Pictures (1983-present) Release date(s) May 9, 1958 Running time 128 minutes Country United States Language English Budget $2479000 Box office $7311013
1:35
Critica do filme "O Homem que Sabia Demais"
Critica do filme "O Homem que Sabia Demais"
Baseado na obra de Charles Bennett "O Homem Que Sabia Demais" é um excelente filme do grande mestre, Alfred Hitchcock, embora não chegue à altura de "Janela Indiscreta", ou "Psicose. O roteiro de John Michael é bem estruturado e, nas mãos de Hitchcock, nos brinda com grandes momentos de tensão, como nas cenas da tentativa de assassinato do Primeiro Ministro, na orquestra, ou nas seqüências finais que envolvem o resgate do jovem Hank na Embaixada. A trilha sonora, conduzida por um companheiro de Hitchcock, Bernard Herrmann, é um dos pontos fortes do filme. Outro destaque é o desempenho de Doris Day. Nas cenas da Embaixada, ao cantar a música ganhadora do Oscar, (Que será, será), enquanto o marido tenta localizar o filho seqüestrado, contribui para o aumento da tensão exigida pela trama. A fotografia de Robert Burks também merece menção, Minimalista e segura. Sem duvida este filme é diversão garantida. Suspense, ação, aventura e diversão, do inicio ao fim. Novamente Hitchcock faz mais uma intriga internacional fenomenal.
1:15
Canadian man drives with dead wife in car
Canadian man drives with dead wife in car
Authorities say a British Columbia man drove about 225 miles after his 75-year-old wife died in the car next to him, uncertain whether he could cross the Canadian border with her. Tonasket Police Chief Robert Burks says the 71-year-old man didn't know what to do, so he kept driving. The man was vacationing in Oregon when his wife began suffering a medical condition. They were trying to get home to Oliver, BC, but she died near Pasco, Wash. The Wenatchee World (bit.ly ) reports the man on Sunday called the vehicle emergency system, OnStar, which put him in touch with dispatchers in Okanogan County. A dispatcher convinced him to stop at the Tonasket police station, about 20 miles south of Canada. Burks says the woman was taken to North Valley Hospital and pronounced dead. He says police determined her death wasn't suspicious. ___
7:36
Timothy Wright's "Trouble Won't Last Always" Robert & Sylvester organ Duo
Timothy Wright's "Trouble Won't Last Always" Robert & Sylvester organ Duo
www.ourstage.com www.kevinmooremusic.org Robert Lofton & Sylvester Burks at the Four Horns 1 Voice Event. Glad Tidings Church.
0:48
Beyond the Forest 'I hope I die & burn"
Beyond the Forest 'I hope I die & burn"
Short clip with Bette Davis in "Beyond The Forest" giving one of her classic lines and illustrating Robert Burks forced perspective cinematography. Nice shot of Tee Pee Burner too.
4:08
All Points South - Treat Me Bad (Chipmunk Version)
All Points South - Treat Me Bad (Chipmunk Version)
All Points South was a band that my Mom's current husband, Robert Burks, was involved in during 2003. They released an album titled "Road Of Resistance," of which Treat Me Bad was one of the tracks. I thought it would be funny to try a little tweaking of this song, and here is the end result.
2:35
All Points South - Watermelon (Chipmunk Version)
All Points South - Watermelon (Chipmunk Version)
All Points South was a band that my Mom's current husband, Robert Burks, was involved in during 2003. They released an album titled "Road Of Resistance," of which Watermelon was one of the tracks. I thought it would be funny to try a little tweaking of this song, and here is the end result.
2:11
DALA - The Mission
DALA - The Mission
DALA - The Mission Starring Robert "Bobby" Dekeyser and Stephen "Magic" Burks. A perfect day, an amazing city, and 2 incredibly handsome cowboys on the hunt for the ultimate inspiration. See for yourself how DEDON's founder Bobby Dekeyser enjoys his new neighborhood and celebrates the "inauguration" of Mr. Stephen Burks in NY. The Mission continues at Salone del Mobile 2012 and on www.facebook.com/World.of.DEDON
2:35
Pinetop Burks - Shake The Shack
Pinetop Burks - Shake The Shack
Texas was as rich in piano blues as Mississippi was in guitar blues, which is not to say that there were no great blues guitarists in Texas, or piano men in Mississippi. A cursory glance through the discographies will emphasize the fact that a remarkable number of blues pianists came from Texas. They can be grouped into schools, characterized by certain similarities of style and approach, that were partly a reflection of the environments in which they worked, of their friendships and associations with other pianists, and by the isolation of Texas from other states. One school was the so-called Santa Fe group who were based in the southwestern part of the state where the cities of Galveston, Houston and Richmond lie. Here was where the music thrived and pianists could be found like Pinetop Burks, Son Becky, Rob Cooper, Black Boy Shine, Andy Boy, Big Boy Knox, Robert Shaw, Buster Pickens and the singers who worked with them like Walter Cowboy Washington and Joe Pullum. The other important school was a cluster of pianists and singers based in Dallas such as Alex Moore, Texas Bill Day, Neal Roberts Willie Tyson, and singer Billiken Johnson.
5:11
Michael Burks "Let The Door Knob Hit You"
Michael Burks "Let The Door Knob Hit You"
Michael Burks "Let The Door Knob Hit You" from "I Smell Smoke". Great version of this Latimore song by Michael Burks.
0:47
DALA - The Mission (Trailer)
DALA - The Mission (Trailer)
DALA - The Mission (Trailer) Will one day be enough to change furniture design forever? Starring Robert "Bobby" Dekeyser and Stephen "Magic" Burks. A perfect day, an amazing city, and 2 incredibly handsome cowboys on the hunt for the ultimate inspiration. The Mission continues at Salone del Mobile 2012 and on www.facebook.com/World.of.DEDON
3:48
"Since You've Gone" - Lisa Asher
"Since You've Gone" - Lisa Asher
Lisa Asher sings one of the long lost songs from Robert Altman's classic film, "Nashville" From the production "Daryl Glenn & Jo Lynn Burks play and sing Robert Altman's NASHVILLE" at the metropolitan room in NYC, directed by Vince DeGeorge
2:42
Son Becky - Mistreated Washboard Blues
Son Becky - Mistreated Washboard Blues
Texas was as rich in piano blues as Mississippi was in guitar blues, which is not to say that there were no great blues guitarists in Texas, or piano men in Mississippi. A cursory glance through the discographies will emphasize the fact that a remarkable number of blues pianists came from Texas. They can be grouped into schools, characterized by certain similarities of style and approach, that were partly a reflection of the environments in which they worked, of their friendships and associations with other pianists, and by the isolation of Texas from other states. One school was the so-called Santa Fe group who were based in the southwestern part of the state where the cities of Galveston, Houston and Richmond lie. Here was where the music thrived and pianists could be found like Pinetop Burks, Son Becky, Rob Cooper, Black Boy Shine, Andy Boy, Big Boy Knox, Robert Shaw, Buster Pickens and the singers who worked with them like Walter Cowboy Washington and Joe Pullum. The other important school was a cluster of pianists and singers based in Dallas such as Alex Moore, Texas Bill Day, Neal Roberts Willie Tyson, and singer Billiken Johnson.