Kaiser is the German title meaning "Emperor", with Kaiserin being the female equivalent, "Empress". Like the Russian Czar it is directly derived from the Roman Emperors' title of Caesar, which in turn is derived from the personal name of a branch of the gens (clan) Julia, to which Gaius Julius Caesar, the forebear of the first imperial family, belonged. Although the British monarchs styled "Emperor of India" were also called "Kaisar-i-Hind" in Hindi and Urdu, this word, although ultimately sharing the same Latin origin, is derived from the Greek Kaisar, not the German Kaiser.
In English, the term the Kaiser is usually reserved for the Emperors of the German Empire, the emperors of the Austrian Empire and those of the Austro-Hungarian Empire. During the First World War, the term the Kaiser — especially as applied to Wilhelm II of Germany — gained considerable pejorative connotations in English-speaking countries.
The Holy Roman Emperors (962–1806) called themselves Kaiser,[citation needed] combining the imperial title with that of Roman King (assumed by the designated heir before the imperial coronation); they saw their rule as a continuation of that of the Roman Emperors and used the title derived from the title Caesar to reflect their supposed heritage.[citation needed]
Plot
Heavily influenced by true events of occupy movements and protests across the world over the past 3 years, The Lost Generation portrays a very entertaining yet relevant depiction of our current media and society. We are invited to follow reality TV star SJ - the inspirational female lead, on an epic fight for survival in a dystopian presentation of our present-day world. The Lost Generation exists in a world governed by a corrupt media who have the police and government in their pocket. Able to scandalize the government through mass surveillance, the media creates propaganda on how to live a life - and leaves desperate civilians in its wake. But there is hope. They are called The Unknown.
Keywords: banker, corrupt, government, murder, rebel, revenge, riot, take-over, web-to-tv, youth
The Brutal Truth About Today's Youth
A Clockwork Orange for The Football Factory generation
A Clockwork Orange for the Football Factory Generation
Welcome to the Endgame
Plot
Cis, one of the humans who have left The Matrix, is improving her skills in a virtual training program. All of the sudden she is joined by Duo, another human. After some sparring he begins a discussion about every human once in his life having doubts on making the right decision in leaving The Matrix and with it a care free life. He assures nobody can listen to them, since he blocked all communications with the interface. Cis admits she had has doubts, but Duo admits to something even bigger. He wants to return to The Matrix and Cis should come with him, even if she doesn't want to.
Keywords: impalement, katana-sword, sword-fight, virtual-reality
Plot
The sixteen year-old teenager Nicole Walker has moved to the house by the lake of her father, the architect Steve Walker, to live with her stepmother Laura and her brother Toby. Her best friends are Margo Masse and Gary Rohmer that study with her in the high school. When Nicole meets David McCall in a night-club, she has a crush on and dates him. David becomes obsessed by Nicole and one day he sees her friend Gary kissing and hugging her and he hits him. Nicole breaks with him but David continues to follow her. Steve decides to investigate the young man and he finds that he is an orphan that has spent most of his life in reformatories. The hell breaks loose in Nicole's life when David kills Gary and trashes the Mustang of her father. Steve breaks in his house and destroys everything inside. Now David and his gang go to Steve's house to payback.
Keywords: ambulance, anger, attempted-rape, axe, beating, black-eye, boyfriend-girlfriend-relationship, bra, car-chase, cell-phone
With boyfriends like this, who needs enemies? Not you.
Together forever. Or else.
The attraction was obvious. The Danger wasn't.
Attraction. Infatuation. Desire. Love. FEAR.
Nicole Walker: Isn't this the car they stopped making 'cause it, I don't know, blows up or something?::David McCall: Guess that's why I got her.
Nicole Walker: Everybody says one thing and then does another.
Margo Masse: Do yourself a favor and don't think so much. It gives you premature wrinkles.
Laura Walker: What's the big deal?::Steve Walker: The big deal, Laura, is that the guy gives me the creeps, and the girl is my daughter.
Gary Rohmer: The Washington Post has got to see something before they can make me Editor.
David McCall: Hey Mr. Walka!
David McCall: You filthy little whore!
Nicole Walker: My dad hates him, that's for sure.::Margo Masse: Well that means that he knows you're sleeping together, you know it's that usual weirdo jealousy trip.::Nicole Walker: How could he possibly know we were sleeping together?::Margo Masse: Caught ya, ya hoe! You never told me you were screwing him! You'll always remember your first, not your second, not your third, just your first.
David McCall: You're not dancing.::Nicole Walker: I know.
David McCall: Daddy, you will forever hold your peace.
Plot
In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth.
Keywords: 2010s, 555-phone-number, action-hero, airship, alternate-version, android, artificial-intelligence, assumed-superiority, backflip, bar
A Futuristic Vision Perfected [2007 Final Cut]
Man Has Made His Match... Now It's His Problem
A chilling, bold, mesmerizing, futuristic detective thriller.
The original cut of the futuristic adventure. [Director's Cut]
The star of "RAIDERS OF THE LOST ARK" and the director of "ALIEN" take you on a spectacular journey to the savage world of the year 2019!!
Batty: I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time... like tears in rain... Time to die.
Deckard: [getting up to leave] I was quit when I come in here, Bryant, I'm twice as quit now.::Bryant: Stop right where you are! You know the score, pal. You're not cop, you're little people!::[Deckard stops at the door]::Deckard: No choice, huh?::Bryant: [smiles] No choice, pal.
[Batty has grabbed Deckard's gun hand and pulled it, along with the gun, through a hole in the wall]::Batty: Proud of yourself, little man?::[Batty takes the gun out of Deckard's hand]::Batty: This is for Zhora!::[Batty breaks one of Deckard's fingers]::Batty: This is for Pris!::[Batty breaks another one of Deckard's fingers, puts the gun back into his hand and lets him go]::Batty: C'mon, Deckard. I'm right here, but you've gotta shoot straight!::[Deckard shoots through the hole in the wall and blows one of Batty's ears off]::Batty: Straight doesn't seem to be good enough! Now it's my turn! I'm going to give you a few seconds before I come.
Batty: Not very sporting to fire on an unarmed opponent. I thought you were supposed to be good. Aren't you the "good" man? C'mon, Deckard. Show me what you're made of.
Bryant: I need ya, Deck. This is a bad one, the worst yet. I need the old blade runner, I need your magic.
Deckard: [narrating] They don't advertise for killers in the newspaper. That was my profession. Ex-cop. Ex-blade runner. Ex-killer.
Deckard: Have you felt yourself to be exploited in any way?::Zhora: Like what?::Deckard: Well... well, like to get this job. I mean, did... did you do, or... or were you asked to do anything lewd... or unsavory, or... or, otherwise repulsive to your... your person, huh?::Zhora: [laughs] Are you for real?
Deckard: She's a replicant, isn't she?::Tyrell: I'm impressed. How many questions does it usually take to spot them?::Deckard: I don't get it, Tyrell.::Tyrell: How many questions?::Deckard: Twenty, thirty, cross-referenced.::Tyrell: It took more than a hundred for Rachael, didn't it?::Deckard: [realizing Rachael believes she's human] She doesn't know.::Tyrell: She's beginning to suspect, I think.::Deckard: Suspect? How can it not know what it is?
Deckard: [narrating] The report read "Routine retirement of a replicant." That didn't make me feel any better about shooting a woman in the back.
Bryant: You could learn from this guy, Gaff. He's a goddamned one-man slaughterhouse, that's what he is. Four more to go!
Plot
A single woman in her early thirties, Martha (Margit Carstensen) is on vacation with her father in Europe when he has a heart attack and falls down dead. She reacts rather indifferently and returns home to her highly-strung mother and begins to new era of her life taking care of a completely ungrateful and insulting mother (declining an offer of marriage from her boss). After a barrage of verbal abuse and offensive remarks from her mother who see's her as an 'ugly old spinster' she accepts a proposal of marriage from an equally insulting and disrespectful man, Helmuth. They honeymoon in Italy. While there Helmuth resigns Martha from the job that she loves, sends her mother to a mental institution, and lets his wife get horribly burnt in the sun while sleeping, then painfully rapes her. Martha gets back to Germany to find that Helmuth has rented them a new house, and she will not be able to return to her old home even to collect any of her things, which he says must be left behind her. At first the naive and immature Martha believes that her husbands childish temper and selfishness, his domineering possessiveness, his lack of respect, and his violent sexual preferences are just a normal part of marriage. Later, against her husbands order she leaves the house and befriends an old work-mate, Herr Kaiser, who tell her Helmuth is a sadist. While Kaiser and Martha are driving together Martha becomes convinced that her husband is following her and is going to kill her.
Keywords: 1970s, 360-degree-pan, attempted-suicide, based-on-short-story, black-cat, blame, bookshelf, businessman, car-crash, cat