-
Kazimir Malevich and the Russian Avant-Garde
The Stedelijk Museum Amsterdam presented Kazimir Malevich and the Russian Avant-Garde, with selections from the Khardzhiev and Costakis collections, the largest survey in twenty years devoted to the work of the Russian avant-garde pioneer Kazimir Malevich (1879--1935).
The Stedelijk Museum Amsterdam holds the largest collection of Malevich's work outside of Russia, which was the subject of a larg
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Architecture and the Russian Avant-garde(Pt2 Tatlins Tower)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film at: http://goo.gl/w9d8dj
Using computer graphics, archive footage and locations in Moscow, this film illustrates Tatlin's contribution to world architecture and how his tower may have lo
-
Alexander Rodchenko and the Russian Avant-garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film here:http://goo.gl/o2kxQm
Also available on http://goo.gl/lgVxLs
http://www.copernicusfilms.com
Alexander Rodchenko, the Russian avant-garde artist, abandoned painting in the early 1920s
-
The Russian Avant Garde - Bryn oh
The Russian Avant- Garde LEA8
Recreation of Tatlin tower by Bryn Oh
Constructivism, Malevich and many important european artists like Kandinsky came out of this movement.
Understanding the subject (for example)
Tim Harte
Chair, Associate Professor of Russian, and Co- Director of the Russian Language Flagship Program
Tim Harte received his Ph.D. from Harvard University in 2001, joining the facul
-
Architecture and the Russian Avant-garde(Pt1 Malevich)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film at http://goo.gl/w9d8dj
Malevich thought that supramatism could transform the world in its entirety. This film by Michael Craig and Copernicus Films is part of a larger documentary film about Architecture and Russian Avant-garde art. Using
-
Masterpieces of the Russian Avant-Garde
Sotheby's specialist Frances Asquith explores highlights from an outstanding collection of Russian avant-garde works united by primitivist influences, to be offered in our Important Russian Art auction on 2 June. The collection includes masterpieces by Larionov, Malevich, Zdanevich, Lentulov and Stepanova.
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Meyerhold,Theatre and the Russian Avant-garde - Clip
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Meyerhold Theatre and the Russian Avant-garde here: http://goo.gl/NJ6DHx
Vsevolod Meyerhold, the Russian theatre director, devised the acting technique biomechanics. Using actors this film attempts to recreate his ideas in the context of Russian Theatre
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russian avant-garde desktop organizer by 52FACTORY
idea & design – SASHA BRAULOV & NASYA KOPTEVA (52factory.ru)
video production – COTTON
КАНЦЕЛЯРСКИЙ НАБОР РУССКИЙ АВАНГАРД |
RUSSIAN AVANT-GARDE DESKTOP ORGANIZER
приобрести набор: http://52factory.ru/shop/russian-avant-garde-desktop-organizer
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Kasimir Malewitsch und die russische Avantgarde: Ausstellung in Bonn (russian avantgarde art)
Impressions of the exhibition "Kasimir Malevich and the Russian Avantgarde" from 08.03.2014 to 22.06.2014 at the Bundeskunsthalle, Bonn... read more in German:
Impressionen der Ausstellung "Kasimir Malewitsch und die russische Avantgarde" vom 08.03.2014 bis 22.06.2014 in der Bundeskunsthalle, Bonn.
Der Stalin der Malerei: Malewitsch trieb den Rigorismus der klassischen Moderne auf die Spitze. De
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Anatoly Krynsky - Clownade 1970 Russian Avant Garde Film - Part 1
Part 1...Ten black and white engravings were made to show the colorless and drab life of the Soviet Citizen. Krynsky found the lives of the classic clowns intriguing with their reprises and subtexts found in their humor. Krynsky's artwork captures the polarity of soviet life with the use of black and white tones, representing the conforming citizen or revolutionary prisoner.
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☼"The Golden Age of Russian Avant-Garde" ...comes in Second Life. 2014
☼Machinima by Wizardoz Chrome (w♠oz) from Opening of Event : "The Golden Age of Russian Avant-Garde" ...comes in Second Life . 2014 @LEA8
☼LM: http://maps.secondlife.com/secondlife/LEA8/22/112/56
☼Information on Event in Second Life ( from Lindenarts Blogspot) :
"....On Sunday the 27th of April at 1pm second life time, a collaborative Second Life work will open which is part of a larger exhibition
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Franz Ferdinand & The Russian Avant-Garde
Franz Ferdinand & The Russian Avant-Garde
I lost the names of the russian artists XD. I will update the video with annotations.
Enjoy it.
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Russian Avant Garde Art - Valera Martynchik
http://www.gvfstudio.com
Valera Martynchik Art is a direct continuation of the Russian Avant Garde art tradition.
Originally from Belarus, Martynchik settled in London, after spending some time in Poland. His first exhibition in Paris is a revelation, as he has already found, at the same time his maturity (the height of his powers), his savoir-faire (know-how) and his own domain (Field, Province)
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Russian Avant Garde
No titles- No artists' names. Just a visual reciprocal approach. Art object to eye and eye to art object. You LOOK and SEE. Visual and Musical vibrating tones. Inspirating direct feelings. Not an academic look. Just a project for the Viewer Anonymus.
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A Tribute to the Russian Avant Garde
Dedicated to my subscribers.
A Tribute about the Russian Avant Garde.
This includes music compositions, poetry, and even speeches.
* Dziga Vertov was born in Poland.
* The piece by Rozanova is actually called "[Spain]".
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Russian Avantgarde
"The Palazzo Strozzi is now housing an exhibition diplaying early 20th century Russian art created by innovative artist that tell
the story of modernism in Russia"
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Peter Greenaway about The Golden Age of Russian Avant-garde exhibition
Режиссер, куратор и писатель Питер Гринуэй - о выставке"Золотой век русского авангарда"/ Peter Greenaway about "The Golden Age of Russian Avant-garde" Multimedia exhibition-installation
Выставка проходит в рамках Перекрестного Года культуры великобритании и России 2014/ In the framework of UK - Russia Year of culture 2014
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
15 Apri
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New Tretyakov Gallery -- home to the Russian avant-garde
The younger sibling of Moscow's Tretyakov Gallery takes its visitors back to the USSR and beyond, gathering a whole century of Russian art under one roof. Located on Krymsky Val, not far from the Kremlin, it is a branch of the celebrated Tretyakov Gallery. While the original gallery houses Russian art from its earliest days to the late 19th century, this one, often referred to as the New Tretyakov
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"Ogonyok" by El Lissitzky - Russian Avant-Garde
The Printing plant of "Ogonyok" magazine designed by El Lissitzky is likely to be the only extant building based on the blueprints of this master. Located at 55°46′38″N 37°36′39″E / 55.777277°N 37.610828°E / 55.777277; 37.610828 17, 1st Samotechny Lane, it is Lissitzky's sole tangible work of architecture. It was commissioned in 1932 by Ogonyok magazine to be used as a print shop. In June 2007
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Museum of Cycladic Art: 5 Seasons of the Russian Avant-Garde (Video Spot)
Spot of the exhibition '5 Seasons of the Russian Avant-Garde.Works by the Costakis Collection from the State Museum of Contemporart Art' presented at the Museum of Cycladic Art in Athens from 14 May to 20 October 2008.
For more information on the exhibition please visit:
http://www.cycladic.gr/frontoffice/portal.asp?cpage=resource&cresrc;=1282&cnode;=22
© Museum of Cycladic Art, Athens, Greece
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Edward Artemiev - Moods (FULL ALBUM, Soviet cosmic electronic music, 1984, Russia, USSR)
Artist: Edward Artemiev (Эдуард Артемьев)
Album: Moods (Картины-Настроения)
Year: 1984 (recorded in 1976-1983)
Genre: electronic music, experimental, prog, ambient, jazz fusion, psychedelic, avant-garde, library music, soundtrack
Label: Мелодия -- C10 21077 002
Coutry: Russia, USSR
Track list:
A1-Огонь
A2-Созвездие ушедших времен
A3-Полигон
A4-Родные берега
A5-Колыбельная
A6-Воспоминания
A7-Горо
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"From Russia with Love" - Pietrasanta
"From Russia with Love" in mostra a Pietrasanta
Servizio di Giulia Maggi
Immagini e montaggio di Matteo Bertuccelli
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Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector G. Costakis.1
Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector George Costakis, part 1.
Megaro Mousikis, Thessaloniki, Greece, October 19, 2013.
Transcription Ensemble performs Aleksander Scriabin's Étude in C-sharp minor, Op. 2, No. 1, transcribed for piano trio by Aleksander Krein.
Transcription Ensemble:
Yorgos Kandylidis - violin
Christos Grimpas - cello
Nikolaos Zafranas
Kazimir Malevich and the Russian Avant-Garde
The Stedelijk Museum Amsterdam presented Kazimir Malevich and the Russian Avant-Garde, with selections from the Khardzhiev and Costakis collections, the largest...
The Stedelijk Museum Amsterdam presented Kazimir Malevich and the Russian Avant-Garde, with selections from the Khardzhiev and Costakis collections, the largest survey in twenty years devoted to the work of the Russian avant-garde pioneer Kazimir Malevich (1879--1935).
The Stedelijk Museum Amsterdam holds the largest collection of Malevich's work outside of Russia, which was the subject of a large-scale exhibition at the museum in 1989. Kazimir Malevich and the Russian Avant-Garde is a tribute to the artist and his contemporaries, as well as the culmination of 2013 as the year celebrating Dutch--Russian relations in the Netherlands.
Not only an artist, Malevich was an influential teacher and a passionate advocate of the "new" art. The show is a tribute to the Russian avant- garde of the early 20th century, with Malevich as its focal point. Although best known for his purely abstract work, he was inspired by diverse art movements of his day, including Impressionism, Symbolism, Fauvism, and Cubism; his own visual language was also influenced by Russian icon painting and folk art. Through oil paintings, gouaches, drawings, and sculptures, the exhibition traces the rich variety of his oeuvre. All the phases in Malevich's career are on view, from his Impressionist period to his iconic Suprematist phase—his Black Square was its most radical consequence—to the lesser-known figurative works that followed.
Exhibition dates:
Stedelijk Museum Amsterdam
October 19, 2013 -- February 2, 2014
Bundeskunsthalle, Bonn
March 11 -- June 22, 2014
Tate Modern, London
July 17 -- October 26, 2014
Credits
Commissioned by Stedelijk Museum Amsterdam; produced by Submarine.
wn.com/Kazimir Malevich And The Russian Avant Garde
The Stedelijk Museum Amsterdam presented Kazimir Malevich and the Russian Avant-Garde, with selections from the Khardzhiev and Costakis collections, the largest survey in twenty years devoted to the work of the Russian avant-garde pioneer Kazimir Malevich (1879--1935).
The Stedelijk Museum Amsterdam holds the largest collection of Malevich's work outside of Russia, which was the subject of a large-scale exhibition at the museum in 1989. Kazimir Malevich and the Russian Avant-Garde is a tribute to the artist and his contemporaries, as well as the culmination of 2013 as the year celebrating Dutch--Russian relations in the Netherlands.
Not only an artist, Malevich was an influential teacher and a passionate advocate of the "new" art. The show is a tribute to the Russian avant- garde of the early 20th century, with Malevich as its focal point. Although best known for his purely abstract work, he was inspired by diverse art movements of his day, including Impressionism, Symbolism, Fauvism, and Cubism; his own visual language was also influenced by Russian icon painting and folk art. Through oil paintings, gouaches, drawings, and sculptures, the exhibition traces the rich variety of his oeuvre. All the phases in Malevich's career are on view, from his Impressionist period to his iconic Suprematist phase—his Black Square was its most radical consequence—to the lesser-known figurative works that followed.
Exhibition dates:
Stedelijk Museum Amsterdam
October 19, 2013 -- February 2, 2014
Bundeskunsthalle, Bonn
March 11 -- June 22, 2014
Tate Modern, London
July 17 -- October 26, 2014
Credits
Commissioned by Stedelijk Museum Amsterdam; produced by Submarine.
- published: 02 May 2014
- views: 3283
Architecture and the Russian Avant-garde(Pt2 Tatlins Tower)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-ru...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film at: http://goo.gl/w9d8dj
Using computer graphics, archive footage and locations in Moscow, this film illustrates Tatlin's contribution to world architecture and how his tower may have looked in Moscow had it been built after the revolution. The film is an extract from a larger documentary film by Michael Craig of Copernicus Films about Russian Avant-garde architecture from a documentary series of four films.For more information about this series check our site http://www.copernicusfilms.com
wn.com/Architecture And The Russian Avant Garde(Pt2 Tatlins Tower)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film at: http://goo.gl/w9d8dj
Using computer graphics, archive footage and locations in Moscow, this film illustrates Tatlin's contribution to world architecture and how his tower may have looked in Moscow had it been built after the revolution. The film is an extract from a larger documentary film by Michael Craig of Copernicus Films about Russian Avant-garde architecture from a documentary series of four films.For more information about this series check our site http://www.copernicusfilms.com
- published: 19 Feb 2007
- views: 48820
Alexander Rodchenko and the Russian Avant-garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-ru...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film here:http://goo.gl/o2kxQm
Also available on http://goo.gl/lgVxLs
http://www.copernicusfilms.com
Alexander Rodchenko, the Russian avant-garde artist, abandoned painting in the early 1920s in favour of photography convinced it would better express the new visual and social realities emerging at that time. His experiments in photography and photo-collage influenced artists and photographers throughout the 20th century.
The film is part of a series of six documentaries about the Russian avant-garde. For more information about this series check our site at http://www.copernicusfilms.com
wn.com/Alexander Rodchenko And The Russian Avant Garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the entire film here:http://goo.gl/o2kxQm
Also available on http://goo.gl/lgVxLs
http://www.copernicusfilms.com
Alexander Rodchenko, the Russian avant-garde artist, abandoned painting in the early 1920s in favour of photography convinced it would better express the new visual and social realities emerging at that time. His experiments in photography and photo-collage influenced artists and photographers throughout the 20th century.
The film is part of a series of six documentaries about the Russian avant-garde. For more information about this series check our site at http://www.copernicusfilms.com
- published: 19 Feb 2007
- views: 48312
The Russian Avant Garde - Bryn oh
The Russian Avant- Garde LEA8
Recreation of Tatlin tower by Bryn Oh
Constructivism, Malevich and many important european artists like Kandinsky came out of thi...
The Russian Avant- Garde LEA8
Recreation of Tatlin tower by Bryn Oh
Constructivism, Malevich and many important european artists like Kandinsky came out of this movement.
Understanding the subject (for example)
Tim Harte
Chair, Associate Professor of Russian, and Co- Director of the Russian Language Flagship Program
Tim Harte received his Ph.D. from Harvard University in 2001, joining the faculty at Bryn Mawr a year later. His research interests center on 20th-century Russian literature, film, and culture. His book Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930 (http://uwpress.wisc.edu/books/4531.htm), published in 2009 by the University of Wisconsin Press, explores the modernist "cult of speed" that emerged in Russian avant-garde painting, poetry, and cinema. Tim has also published articles on the Aleksandr Sokurov film Russian Ark, the "ferroconcrete poetry" of Vasilii Kamensky, and the treatment of modern athletics in the verse of Osip Mandel'stam. His teaching interests include courses on 20th-century Russian literature (Nabokov, Chekhov), avant-garde culture, contemporary Russian culture, silent cinema, Soviet and Eastern European cinema of the 1960s, and, last but not least, the Russian language. In his spare time, Tim enjoys long distance running, watching soccer (specifically Arsenal), playing with his young son (Isaac), dog (Oliver) and cat (Thaddeus), and going to the movies.
The avant-garde (from French, "advance guard" or "vanguard", literally "fore-guard") are people or works that are experimental or innovative, particularly with respect to art, culture, and politics.
The avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism. Many artists have aligned themselves with the avant-garde movement and still continue to do so, tracing a history from Dada through the Situationists to postmodern artists such as the Language poets around 1981.
The avant-garde also promotes radical social reforms. It was this meaning that was evoked by the Saint Simonian Olinde Rodrigues in his essay "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist", 1825), which contains the first recorded use of "avant-garde" in its now customary sense: there, Rodrigues calls on artists to "serve as [the people's] avant-garde", insisting that "the power of the arts is indeed the most immediate and fastest way" to social, political and economic reform.
Second Life Virtual exhibit created by
Bryn Oh
Rose Borchovski
Jo Ellsmere
nessuno Myoo
Alpha Auer
soror Nishi
Filmed by Sophia Yates
Note to Bryn Oh: I respect your work. You have taught me so much. Opened my eyes. Thank you!
wn.com/The Russian Avant Garde Bryn Oh
The Russian Avant- Garde LEA8
Recreation of Tatlin tower by Bryn Oh
Constructivism, Malevich and many important european artists like Kandinsky came out of this movement.
Understanding the subject (for example)
Tim Harte
Chair, Associate Professor of Russian, and Co- Director of the Russian Language Flagship Program
Tim Harte received his Ph.D. from Harvard University in 2001, joining the faculty at Bryn Mawr a year later. His research interests center on 20th-century Russian literature, film, and culture. His book Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930 (http://uwpress.wisc.edu/books/4531.htm), published in 2009 by the University of Wisconsin Press, explores the modernist "cult of speed" that emerged in Russian avant-garde painting, poetry, and cinema. Tim has also published articles on the Aleksandr Sokurov film Russian Ark, the "ferroconcrete poetry" of Vasilii Kamensky, and the treatment of modern athletics in the verse of Osip Mandel'stam. His teaching interests include courses on 20th-century Russian literature (Nabokov, Chekhov), avant-garde culture, contemporary Russian culture, silent cinema, Soviet and Eastern European cinema of the 1960s, and, last but not least, the Russian language. In his spare time, Tim enjoys long distance running, watching soccer (specifically Arsenal), playing with his young son (Isaac), dog (Oliver) and cat (Thaddeus), and going to the movies.
The avant-garde (from French, "advance guard" or "vanguard", literally "fore-guard") are people or works that are experimental or innovative, particularly with respect to art, culture, and politics.
The avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism. Many artists have aligned themselves with the avant-garde movement and still continue to do so, tracing a history from Dada through the Situationists to postmodern artists such as the Language poets around 1981.
The avant-garde also promotes radical social reforms. It was this meaning that was evoked by the Saint Simonian Olinde Rodrigues in his essay "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist", 1825), which contains the first recorded use of "avant-garde" in its now customary sense: there, Rodrigues calls on artists to "serve as [the people's] avant-garde", insisting that "the power of the arts is indeed the most immediate and fastest way" to social, political and economic reform.
Second Life Virtual exhibit created by
Bryn Oh
Rose Borchovski
Jo Ellsmere
nessuno Myoo
Alpha Auer
soror Nishi
Filmed by Sophia Yates
Note to Bryn Oh: I respect your work. You have taught me so much. Opened my eyes. Thank you!
- published: 25 Mar 2014
- views: 913
Architecture and the Russian Avant-garde(Pt1 Malevich)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film at http://goo.gl/w9d8dj
Malevich thought that supramatism could transform the world in its entirety. This film by Michael Craig and Copernicus Films is part of a larger documentary film about Architecture and Russian Avant-garde art. Using computer generated material it shows how Malevich's black square came to bear on the development of modern architecture. For more information on the series and Copernicus Films see http://www.copernicusfilms.com
wn.com/Architecture And The Russian Avant Garde(Pt1 Malevich)
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film at http://goo.gl/w9d8dj
Malevich thought that supramatism could transform the world in its entirety. This film by Michael Craig and Copernicus Films is part of a larger documentary film about Architecture and Russian Avant-garde art. Using computer generated material it shows how Malevich's black square came to bear on the development of modern architecture. For more information on the series and Copernicus Films see http://www.copernicusfilms.com
- published: 19 Feb 2007
- views: 28210
Masterpieces of the Russian Avant-Garde
Sotheby's specialist Frances Asquith explores highlights from an outstanding collection of Russian avant-garde works united by primitivist influences, to be off...
Sotheby's specialist Frances Asquith explores highlights from an outstanding collection of Russian avant-garde works united by primitivist influences, to be offered in our Important Russian Art auction on 2 June. The collection includes masterpieces by Larionov, Malevich, Zdanevich, Lentulov and Stepanova.
wn.com/Masterpieces Of The Russian Avant Garde
Sotheby's specialist Frances Asquith explores highlights from an outstanding collection of Russian avant-garde works united by primitivist influences, to be offered in our Important Russian Art auction on 2 June. The collection includes masterpieces by Larionov, Malevich, Zdanevich, Lentulov and Stepanova.
- published: 21 May 2014
- views: 1011
Meyerhold,Theatre and the Russian Avant-garde - Clip
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Meyerhold Theat...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Meyerhold Theatre and the Russian Avant-garde here: http://goo.gl/NJ6DHx
Vsevolod Meyerhold, the Russian theatre director, devised the acting technique biomechanics. Using actors this film attempts to recreate his ideas in the context of Russian Theatre of the 1920s. The film is extracts from a larger film about Meyerhold (50 Minutes) which can be found at Amazon or see http://www.copernicusfilms.com for more information about this film and the series.
Prt of series of 6 about the Russian Avant-garde by Copernicus Films and directed by Michael Craig.
Available on Amazon http://amzn.to/n5FwVR
wn.com/Meyerhold,Theatre And The Russian Avant Garde Clip
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Meyerhold Theatre and the Russian Avant-garde here: http://goo.gl/NJ6DHx
Vsevolod Meyerhold, the Russian theatre director, devised the acting technique biomechanics. Using actors this film attempts to recreate his ideas in the context of Russian Theatre of the 1920s. The film is extracts from a larger film about Meyerhold (50 Minutes) which can be found at Amazon or see http://www.copernicusfilms.com for more information about this film and the series.
Prt of series of 6 about the Russian Avant-garde by Copernicus Films and directed by Michael Craig.
Available on Amazon http://amzn.to/n5FwVR
- published: 16 Feb 2007
- views: 54739
russian avant-garde desktop organizer by 52FACTORY
idea & design – SASHA BRAULOV & NASYA KOPTEVA (52factory.ru)
video production – COTTON
КАНЦЕЛЯРСКИЙ НАБОР РУССКИЙ АВАНГАРД |
RUSSIAN AVANT-GARDE DESKTOP ORGA...
idea & design – SASHA BRAULOV & NASYA KOPTEVA (52factory.ru)
video production – COTTON
КАНЦЕЛЯРСКИЙ НАБОР РУССКИЙ АВАНГАРД |
RUSSIAN AVANT-GARDE DESKTOP ORGANIZER
приобрести набор: http://52factory.ru/shop/russian-avant-garde-desktop-organizer
wn.com/Russian Avant Garde Desktop Organizer By 52Factory
idea & design – SASHA BRAULOV & NASYA KOPTEVA (52factory.ru)
video production – COTTON
КАНЦЕЛЯРСКИЙ НАБОР РУССКИЙ АВАНГАРД |
RUSSIAN AVANT-GARDE DESKTOP ORGANIZER
приобрести набор: http://52factory.ru/shop/russian-avant-garde-desktop-organizer
- published: 11 Oct 2015
- views: 2718
Kasimir Malewitsch und die russische Avantgarde: Ausstellung in Bonn (russian avantgarde art)
Impressions of the exhibition "Kasimir Malevich and the Russian Avantgarde" from 08.03.2014 to 22.06.2014 at the Bundeskunsthalle, Bonn... read more in German:
...
Impressions of the exhibition "Kasimir Malevich and the Russian Avantgarde" from 08.03.2014 to 22.06.2014 at the Bundeskunsthalle, Bonn... read more in German:
Impressionen der Ausstellung "Kasimir Malewitsch und die russische Avantgarde" vom 08.03.2014 bis 22.06.2014 in der Bundeskunsthalle, Bonn.
Der Stalin der Malerei: Malewitsch trieb den Rigorismus der klassischen Moderne auf die Spitze. Dem Erfinder des Suprematismus widmet die Bundeskunsthalle eine glänzend bestückte Retrospektive -- mit Werken aller Phasen vor und nach dem Schwarzen Quadrat.
Einen ausführlichen Bericht finden Sie bei "Kunst+Film":
http://kunstundfilm.de/2014/05/kasimir-malewitsch-russische-avantgarde/
wn.com/Kasimir Malewitsch Und Die Russische Avantgarde Ausstellung In Bonn (Russian Avantgarde Art)
Impressions of the exhibition "Kasimir Malevich and the Russian Avantgarde" from 08.03.2014 to 22.06.2014 at the Bundeskunsthalle, Bonn... read more in German:
Impressionen der Ausstellung "Kasimir Malewitsch und die russische Avantgarde" vom 08.03.2014 bis 22.06.2014 in der Bundeskunsthalle, Bonn.
Der Stalin der Malerei: Malewitsch trieb den Rigorismus der klassischen Moderne auf die Spitze. Dem Erfinder des Suprematismus widmet die Bundeskunsthalle eine glänzend bestückte Retrospektive -- mit Werken aller Phasen vor und nach dem Schwarzen Quadrat.
Einen ausführlichen Bericht finden Sie bei "Kunst+Film":
http://kunstundfilm.de/2014/05/kasimir-malewitsch-russische-avantgarde/
- published: 21 May 2014
- views: 1067
Anatoly Krynsky - Clownade 1970 Russian Avant Garde Film - Part 1
Part 1...Ten black and white engravings were made to show the colorless and drab life of the Soviet Citizen. Krynsky found the lives of the classic clowns intr...
Part 1...Ten black and white engravings were made to show the colorless and drab life of the Soviet Citizen. Krynsky found the lives of the classic clowns intriguing with their reprises and subtexts found in their humor. Krynsky's artwork captures the polarity of soviet life with the use of black and white tones, representing the conforming citizen or revolutionary prisoner.
wn.com/Anatoly Krynsky Clownade 1970 Russian Avant Garde Film Part 1
Part 1...Ten black and white engravings were made to show the colorless and drab life of the Soviet Citizen. Krynsky found the lives of the classic clowns intriguing with their reprises and subtexts found in their humor. Krynsky's artwork captures the polarity of soviet life with the use of black and white tones, representing the conforming citizen or revolutionary prisoner.
- published: 10 Aug 2009
- views: 5708
☼"The Golden Age of Russian Avant-Garde" ...comes in Second Life. 2014
☼Machinima by Wizardoz Chrome (w♠oz) from Opening of Event : "The Golden Age of Russian Avant-Garde" ...comes in Second Life . 2014 @LEA8
☼LM: http://maps.secon...
☼Machinima by Wizardoz Chrome (w♠oz) from Opening of Event : "The Golden Age of Russian Avant-Garde" ...comes in Second Life . 2014 @LEA8
☼LM: http://maps.secondlife.com/secondlife/LEA8/22/112/56
☼Information on Event in Second Life ( from Lindenarts Blogspot) :
"....On Sunday the 27th of April at 1pm second life time, a collaborative Second Life work will open which is part of a larger exhibition being held in the main exhibition hall of Moscow's Manege Museum. Peter Greenaway (UK) and Saskia Boddeke/Rose Borchovski (Holland) supported by the British Council have created a unique experience fusing a variety of visual forms. The virtual world exhibition is featured on four interactive viewing stations within the Museum and was created by Alpha Auer (Turkey), Bryn Oh (Canada), Caer Balogh (USA), Eupalinos Ugajin, Jo Ellsmere (USA), Nessuno Myoo (Italy) and Soror Nishi (UK). The virtual world region is provided by the Linden Endowment for the Arts..." (From Lindenarts.blogspot) .
☼ Other Information on Event in Sl and in Real Life:
http://lindenarts.blogspot.it/2014/04/opening-tomorrow-golden-age-of-russian.html
https://www.facebook.com/events/137853743051478/
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
https://www.facebook.com/MoscowMediaartlab?fref=photo
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
http://www.otr-online.ru/news/news_26123.html
http://toctoccenessuno.myblog.it/2014/04/23/the-golden-age-of-russian-avant-garde/
☼Soundtrack of machinima: Scriabin (Aleksandr Nikolaevič Skrjabin) Sonata Fantasy No.2 Op 19. Performed by Valentina Lisitsa
wn.com/☼ The Golden Age Of Russian Avant Garde ...Comes In Second Life. 2014
☼Machinima by Wizardoz Chrome (w♠oz) from Opening of Event : "The Golden Age of Russian Avant-Garde" ...comes in Second Life . 2014 @LEA8
☼LM: http://maps.secondlife.com/secondlife/LEA8/22/112/56
☼Information on Event in Second Life ( from Lindenarts Blogspot) :
"....On Sunday the 27th of April at 1pm second life time, a collaborative Second Life work will open which is part of a larger exhibition being held in the main exhibition hall of Moscow's Manege Museum. Peter Greenaway (UK) and Saskia Boddeke/Rose Borchovski (Holland) supported by the British Council have created a unique experience fusing a variety of visual forms. The virtual world exhibition is featured on four interactive viewing stations within the Museum and was created by Alpha Auer (Turkey), Bryn Oh (Canada), Caer Balogh (USA), Eupalinos Ugajin, Jo Ellsmere (USA), Nessuno Myoo (Italy) and Soror Nishi (UK). The virtual world region is provided by the Linden Endowment for the Arts..." (From Lindenarts.blogspot) .
☼ Other Information on Event in Sl and in Real Life:
http://lindenarts.blogspot.it/2014/04/opening-tomorrow-golden-age-of-russian.html
https://www.facebook.com/events/137853743051478/
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
https://www.facebook.com/MoscowMediaartlab?fref=photo
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
http://www.otr-online.ru/news/news_26123.html
http://toctoccenessuno.myblog.it/2014/04/23/the-golden-age-of-russian-avant-garde/
☼Soundtrack of machinima: Scriabin (Aleksandr Nikolaevič Skrjabin) Sonata Fantasy No.2 Op 19. Performed by Valentina Lisitsa
- published: 04 May 2014
- views: 534
Franz Ferdinand & The Russian Avant-Garde
Franz Ferdinand & The Russian Avant-Garde
I lost the names of the russian artists XD. I will update the video with annotations.
Enjoy it....
Franz Ferdinand & The Russian Avant-Garde
I lost the names of the russian artists XD. I will update the video with annotations.
Enjoy it.
wn.com/Franz Ferdinand The Russian Avant Garde
Franz Ferdinand & The Russian Avant-Garde
I lost the names of the russian artists XD. I will update the video with annotations.
Enjoy it.
- published: 14 Sep 2008
- views: 13230
Russian Avant Garde Art - Valera Martynchik
http://www.gvfstudio.com
Valera Martynchik Art is a direct continuation of the Russian Avant Garde art tradition.
Originally from Belarus, Martynchik settled i...
http://www.gvfstudio.com
Valera Martynchik Art is a direct continuation of the Russian Avant Garde art tradition.
Originally from Belarus, Martynchik settled in London, after spending some time in Poland. His first exhibition in Paris is a revelation, as he has already found, at the same time his maturity (the height of his powers), his savoir-faire (know-how) and his own domain (Field, Province) which resembles no other. He paints endless canvases, whose every recess is covered with multiple colours, layered geometric shapes ,with half -- objects and small figures. The whole forms an inextricable tangle, as if our world were irremediably (incurably) destined for the dustbin or for a (traffic) jam from which it was no longer able to extricate (free) itself. The paintings can be viewed from all directions ,as there is no longer high or low, north or south, nor beginning, nor boundary. Within this heap, if one looks closely, one can discover geometric elements, boxes, tiny armed warriors, a pitiful Icarus, squares, tubes, taps, an unfinished stucco Madonna, masks, pyramids, rockets, architect's models, scaffolding: all the means necessary to furnish a carpenter's workshop. But there are also lizards piping, clock mechanisms.
Generally, when brick -- a --brack (odds end ends) is (are) piled up like this, in the work of gesture painters, one has impression of a gigantic disorder, of suffering on a grand scale. This is not at all the case with Martynchik, who remains master of his overabundance and who paints each detail with absolute precision. Although the anthropomorphic part of his art is minimal -- are we not details of a universe which structures itself without us? -- one infers from this that man is only one ant in an enormous flood. This realisation brings no fear; there is joy and rhythm in the quivering of this painter, who knows -- and is this not rare these days? -- the meaning of work, and the requirements of a true oeuvre (opus, work), worthy of the name.
Alain BOSQUET
Academic
French Academy of Fine Arts
"Russian Avant Garde Art - Valera Martynchik"
wn.com/Russian Avant Garde Art Valera Martynchik
http://www.gvfstudio.com
Valera Martynchik Art is a direct continuation of the Russian Avant Garde art tradition.
Originally from Belarus, Martynchik settled in London, after spending some time in Poland. His first exhibition in Paris is a revelation, as he has already found, at the same time his maturity (the height of his powers), his savoir-faire (know-how) and his own domain (Field, Province) which resembles no other. He paints endless canvases, whose every recess is covered with multiple colours, layered geometric shapes ,with half -- objects and small figures. The whole forms an inextricable tangle, as if our world were irremediably (incurably) destined for the dustbin or for a (traffic) jam from which it was no longer able to extricate (free) itself. The paintings can be viewed from all directions ,as there is no longer high or low, north or south, nor beginning, nor boundary. Within this heap, if one looks closely, one can discover geometric elements, boxes, tiny armed warriors, a pitiful Icarus, squares, tubes, taps, an unfinished stucco Madonna, masks, pyramids, rockets, architect's models, scaffolding: all the means necessary to furnish a carpenter's workshop. But there are also lizards piping, clock mechanisms.
Generally, when brick -- a --brack (odds end ends) is (are) piled up like this, in the work of gesture painters, one has impression of a gigantic disorder, of suffering on a grand scale. This is not at all the case with Martynchik, who remains master of his overabundance and who paints each detail with absolute precision. Although the anthropomorphic part of his art is minimal -- are we not details of a universe which structures itself without us? -- one infers from this that man is only one ant in an enormous flood. This realisation brings no fear; there is joy and rhythm in the quivering of this painter, who knows -- and is this not rare these days? -- the meaning of work, and the requirements of a true oeuvre (opus, work), worthy of the name.
Alain BOSQUET
Academic
French Academy of Fine Arts
"Russian Avant Garde Art - Valera Martynchik"
- published: 14 Feb 2013
- views: 830
Russian Avant Garde
No titles- No artists' names. Just a visual reciprocal approach. Art object to eye and eye to art object. You LOOK and SEE. Visual and Musical vibrating tones....
No titles- No artists' names. Just a visual reciprocal approach. Art object to eye and eye to art object. You LOOK and SEE. Visual and Musical vibrating tones. Inspirating direct feelings. Not an academic look. Just a project for the Viewer Anonymus.
wn.com/Russian Avant Garde
No titles- No artists' names. Just a visual reciprocal approach. Art object to eye and eye to art object. You LOOK and SEE. Visual and Musical vibrating tones. Inspirating direct feelings. Not an academic look. Just a project for the Viewer Anonymus.
- published: 26 Jul 2009
- views: 1940
A Tribute to the Russian Avant Garde
Dedicated to my subscribers.
A Tribute about the Russian Avant Garde.
This includes music compositions, poetry, and even speeches.
* Dziga Vertov was born in...
Dedicated to my subscribers.
A Tribute about the Russian Avant Garde.
This includes music compositions, poetry, and even speeches.
* Dziga Vertov was born in Poland.
* The piece by Rozanova is actually called "[Spain]".
wn.com/A Tribute To The Russian Avant Garde
Dedicated to my subscribers.
A Tribute about the Russian Avant Garde.
This includes music compositions, poetry, and even speeches.
* Dziga Vertov was born in Poland.
* The piece by Rozanova is actually called "[Spain]".
- published: 02 Jun 2014
- views: 519
Russian Avantgarde
"The Palazzo Strozzi is now housing an exhibition diplaying early 20th century Russian art created by innovative artist that tell
the story of modernism in Rus...
"The Palazzo Strozzi is now housing an exhibition diplaying early 20th century Russian art created by innovative artist that tell
the story of modernism in Russia"
wn.com/Russian Avantgarde
"The Palazzo Strozzi is now housing an exhibition diplaying early 20th century Russian art created by innovative artist that tell
the story of modernism in Russia"
- published: 10 Feb 2014
- views: 93
Peter Greenaway about The Golden Age of Russian Avant-garde exhibition
Режиссер, куратор и писатель Питер Гринуэй - о выставке"Золотой век русского авангарда"/ Peter Greenaway about "The Golden Age of Russian Avant-garde" Multime...
Режиссер, куратор и писатель Питер Гринуэй - о выставке"Золотой век русского авангарда"/ Peter Greenaway about "The Golden Age of Russian Avant-garde" Multimedia exhibition-installation
Выставка проходит в рамках Перекрестного Года культуры великобритании и России 2014/ In the framework of UK - Russia Year of culture 2014
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
15 April 2014 -- 26 May 2014
Central Exhibition Hall "Manege", Moscow
wn.com/Peter Greenaway About The Golden Age Of Russian Avant Garde Exhibition
Режиссер, куратор и писатель Питер Гринуэй - о выставке"Золотой век русского авангарда"/ Peter Greenaway about "The Golden Age of Russian Avant-garde" Multimedia exhibition-installation
Выставка проходит в рамках Перекрестного Года культуры великобритании и России 2014/ In the framework of UK - Russia Year of culture 2014
http://ukrussia2014.ru/en/event/golden-age-russian-avant-garde/
15 April 2014 -- 26 May 2014
Central Exhibition Hall "Manege", Moscow
- published: 14 Apr 2014
- views: 895
New Tretyakov Gallery -- home to the Russian avant-garde
The younger sibling of Moscow's Tretyakov Gallery takes its visitors back to the USSR and beyond, gathering a whole century of Russian art under one roof. Locat...
The younger sibling of Moscow's Tretyakov Gallery takes its visitors back to the USSR and beyond, gathering a whole century of Russian art under one roof. Located on Krymsky Val, not far from the Kremlin, it is a branch of the celebrated Tretyakov Gallery. While the original gallery houses Russian art from its earliest days to the late 19th century, this one, often referred to as the New Tretyakov, takes us into the modern era, from the 1900s to now.
wn.com/New Tretyakov Gallery Home To The Russian Avant Garde
The younger sibling of Moscow's Tretyakov Gallery takes its visitors back to the USSR and beyond, gathering a whole century of Russian art under one roof. Located on Krymsky Val, not far from the Kremlin, it is a branch of the celebrated Tretyakov Gallery. While the original gallery houses Russian art from its earliest days to the late 19th century, this one, often referred to as the New Tretyakov, takes us into the modern era, from the 1900s to now.
- published: 25 Dec 2011
- views: 810
"Ogonyok" by El Lissitzky - Russian Avant-Garde
The Printing plant of "Ogonyok" magazine designed by El Lissitzky is likely to be the only extant building based on the blueprints of this master. Located at 55...
The Printing plant of "Ogonyok" magazine designed by El Lissitzky is likely to be the only extant building based on the blueprints of this master. Located at 55°46′38″N 37°36′39″E / 55.777277°N 37.610828°E / 55.777277; 37.610828 17, 1st Samotechny Lane, it is Lissitzky's sole tangible work of architecture. It was commissioned in 1932 by Ogonyok magazine to be used as a print shop. In June 2007 the independent Russky Avangard foundation filed a request to list the building on the heritage register. In September 2007 the city commission (Moskomnasledie) approved the request and passed it to the city government for a final approval, which did not happen. In October 2008, the abandoned building was badly damaged by fire. But next door developer "Inteco" has started preparations for construction of a new block of flats for the Film- Makers Union.
wn.com/Ogonyok By El Lissitzky Russian Avant Garde
The Printing plant of "Ogonyok" magazine designed by El Lissitzky is likely to be the only extant building based on the blueprints of this master. Located at 55°46′38″N 37°36′39″E / 55.777277°N 37.610828°E / 55.777277; 37.610828 17, 1st Samotechny Lane, it is Lissitzky's sole tangible work of architecture. It was commissioned in 1932 by Ogonyok magazine to be used as a print shop. In June 2007 the independent Russky Avangard foundation filed a request to list the building on the heritage register. In September 2007 the city commission (Moskomnasledie) approved the request and passed it to the city government for a final approval, which did not happen. In October 2008, the abandoned building was badly damaged by fire. But next door developer "Inteco" has started preparations for construction of a new block of flats for the Film- Makers Union.
- published: 14 May 2010
- views: 3599
Museum of Cycladic Art: 5 Seasons of the Russian Avant-Garde (Video Spot)
Spot of the exhibition '5 Seasons of the Russian Avant-Garde.Works by the Costakis Collection from the State Museum of Contemporart Art' presented at the Museum...
Spot of the exhibition '5 Seasons of the Russian Avant-Garde.Works by the Costakis Collection from the State Museum of Contemporart Art' presented at the Museum of Cycladic Art in Athens from 14 May to 20 October 2008.
For more information on the exhibition please visit:
http://www.cycladic.gr/frontoffice/portal.asp?cpage=resource&cresrc;=1282&cnode;=22
© Museum of Cycladic Art, Athens, Greece
wn.com/Museum Of Cycladic Art 5 Seasons Of The Russian Avant Garde (Video Spot)
Spot of the exhibition '5 Seasons of the Russian Avant-Garde.Works by the Costakis Collection from the State Museum of Contemporart Art' presented at the Museum of Cycladic Art in Athens from 14 May to 20 October 2008.
For more information on the exhibition please visit:
http://www.cycladic.gr/frontoffice/portal.asp?cpage=resource&cresrc;=1282&cnode;=22
© Museum of Cycladic Art, Athens, Greece
- published: 19 Jun 2008
- views: 1318
Edward Artemiev - Moods (FULL ALBUM, Soviet cosmic electronic music, 1984, Russia, USSR)
Artist: Edward Artemiev (Эдуард Артемьев)
Album: Moods (Картины-Настроения)
Year: 1984 (recorded in 1976-1983)
Genre: electronic music, experimental, prog, ambi...
Artist: Edward Artemiev (Эдуард Артемьев)
Album: Moods (Картины-Настроения)
Year: 1984 (recorded in 1976-1983)
Genre: electronic music, experimental, prog, ambient, jazz fusion, psychedelic, avant-garde, library music, soundtrack
Label: Мелодия -- C10 21077 002
Coutry: Russia, USSR
Track list:
A1-Огонь
A2-Созвездие ушедших времен
A3-Полигон
A4-Родные берега
A5-Колыбельная
A6-Воспоминания
A7-Город
B1-Поход
B2-Сон
B3-Жаркое лето
B4-Медитация
B5-Охота
B6-Крыша мира
wn.com/Edward Artemiev Moods (Full Album, Soviet Cosmic Electronic Music, 1984, Russia, Ussr)
Artist: Edward Artemiev (Эдуард Артемьев)
Album: Moods (Картины-Настроения)
Year: 1984 (recorded in 1976-1983)
Genre: electronic music, experimental, prog, ambient, jazz fusion, psychedelic, avant-garde, library music, soundtrack
Label: Мелодия -- C10 21077 002
Coutry: Russia, USSR
Track list:
A1-Огонь
A2-Созвездие ушедших времен
A3-Полигон
A4-Родные берега
A5-Колыбельная
A6-Воспоминания
A7-Город
B1-Поход
B2-Сон
B3-Жаркое лето
B4-Медитация
B5-Охота
B6-Крыша мира
- published: 16 May 2014
- views: 40536
"From Russia with Love" - Pietrasanta
"From Russia with Love" in mostra a Pietrasanta
Servizio di Giulia Maggi
Immagini e montaggio di Matteo Bertuccelli...
"From Russia with Love" in mostra a Pietrasanta
Servizio di Giulia Maggi
Immagini e montaggio di Matteo Bertuccelli
wn.com/From Russia With Love Pietrasanta
"From Russia with Love" in mostra a Pietrasanta
Servizio di Giulia Maggi
Immagini e montaggio di Matteo Bertuccelli
- published: 22 Apr 2011
- views: 236
Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector G. Costakis.1
Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector George Costakis, part 1.
Megaro Mousikis, Thessaloniki, Greece, October 19, ...
Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector George Costakis, part 1.
Megaro Mousikis, Thessaloniki, Greece, October 19, 2013.
Transcription Ensemble performs Aleksander Scriabin's Étude in C-sharp minor, Op. 2, No. 1, transcribed for piano trio by Aleksander Krein.
Transcription Ensemble:
Yorgos Kandylidis - violin
Christos Grimpas - cello
Nikolaos Zafranas - piano.
wn.com/Russian Avant Garde Image, Sound, Word. 100 Years Since The Birth Of The Collector G. Costakis.1
Russian Avant-garde: Image, Sound, Word. 100 Years since the Birth of the Collector George Costakis, part 1.
Megaro Mousikis, Thessaloniki, Greece, October 19, 2013.
Transcription Ensemble performs Aleksander Scriabin's Étude in C-sharp minor, Op. 2, No. 1, transcribed for piano trio by Aleksander Krein.
Transcription Ensemble:
Yorgos Kandylidis - violin
Christos Grimpas - cello
Nikolaos Zafranas - piano.
- published: 06 Jan 2014
- views: 153
-
Kandinsky and the Russian House Pt 1
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Kandinsky and the Russian House at: http://ow.ly/qaX32
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art a
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Kandinsky and the Russian House Pt 2
DOWNLOAD here: http://ow.ly/qaX32 For more information see http://www.copernicusfilms.com The film is available on DVD.
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art at the beginning of the century in Russia and in Germany. Using archive footage
-
Biomechanics Rehearsal for "Meyerhold Theatre and the Russian Avant-garde"
Biomechanics rehearsal in Moscow. This is a behind the scenes look at the preparation of the final video "Shadow Mechanics" which is a selection from a larger documentary about Meyerhold, called "Theatre, Meyerhold and the Russian Avant-garde". This piece should be seen as a companion to the film "Shadow Mechanics". For more about this film and the whole series about the Russian avant-garde see h
-
David Burliuk and The Japanese Avant-garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film here: http://ow.ly/oOIxf Michael Craigs blog: http://www.michaelcraig.copernicusfilms.com
David Burliuk in 1922, travelled to Japan from Russia, where he spent two years before finally emigrating to America.Born in the Ukraine,David Burli
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Mayakovsky
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the film here: http://ow.ly/gjkCL
As a poet, Vladimir Mayakovsky changed the context of Russian and Soviet literature both before and after the revolution. His controversial suicide to this day is a su
Kandinsky and the Russian House Pt 1
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Kandinsky and ...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Kandinsky and the Russian House at: http://ow.ly/qaX32
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art at the beginning of the century in Russia and in Germany. Using archive footage and locations in Munich and Moscow this film follows Kandinsky's development of abstract art. The film is available on DVD. For more information see http://www.copernicusfilms.com Also available on Amazon.
wn.com/Kandinsky And The Russian House Pt 1
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD Kandinsky and the Russian House at: http://ow.ly/qaX32
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art at the beginning of the century in Russia and in Germany. Using archive footage and locations in Munich and Moscow this film follows Kandinsky's development of abstract art. The film is available on DVD. For more information see http://www.copernicusfilms.com Also available on Amazon.
- published: 10 Dec 2007
- views: 42563
Kandinsky and the Russian House Pt 2
DOWNLOAD here: http://ow.ly/qaX32 For more information see http://www.copernicusfilms.com The film is available on DVD.
Kandinsky and the Russian House is th...
DOWNLOAD here: http://ow.ly/qaX32 For more information see http://www.copernicusfilms.com The film is available on DVD.
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art at the beginning of the century in Russia and in Germany. Using archive footage and locations in Munich and Moscow this film follows Kandinsky's development of abstract art.
wn.com/Kandinsky And The Russian House Pt 2
DOWNLOAD here: http://ow.ly/qaX32 For more information see http://www.copernicusfilms.com The film is available on DVD.
Kandinsky and the Russian House is the 6th in a series of documentary films about the Russian Avant-garde. This clip is part of a larger film about Kandinsky and his pioneering work in abstract art at the beginning of the century in Russia and in Germany. Using archive footage and locations in Munich and Moscow this film follows Kandinsky's development of abstract art.
- published: 10 Dec 2007
- views: 16801
Biomechanics Rehearsal for "Meyerhold Theatre and the Russian Avant-garde"
Biomechanics rehearsal in Moscow. This is a behind the scenes look at the preparation of the final video "Shadow Mechanics" which is a selection from a larger ...
Biomechanics rehearsal in Moscow. This is a behind the scenes look at the preparation of the final video "Shadow Mechanics" which is a selection from a larger documentary about Meyerhold, called "Theatre, Meyerhold and the Russian Avant-garde". This piece should be seen as a companion to the film "Shadow Mechanics". For more about this film and the whole series about the Russian avant-garde see http://www.copernicusfilms.com
DOWNLOAD Meyerhold Theatre and the Russian Avant-garde here: http://www.movie-discovery.com/index.php/art/116-meyerhold-theatre-and-the-russian-avant-garde
Also available on Amazon http://amzn.to/n5FwVR
wn.com/Biomechanics Rehearsal For Meyerhold Theatre And The Russian Avant Garde
Biomechanics rehearsal in Moscow. This is a behind the scenes look at the preparation of the final video "Shadow Mechanics" which is a selection from a larger documentary about Meyerhold, called "Theatre, Meyerhold and the Russian Avant-garde". This piece should be seen as a companion to the film "Shadow Mechanics". For more about this film and the whole series about the Russian avant-garde see http://www.copernicusfilms.com
DOWNLOAD Meyerhold Theatre and the Russian Avant-garde here: http://www.movie-discovery.com/index.php/art/116-meyerhold-theatre-and-the-russian-avant-garde
Also available on Amazon http://amzn.to/n5FwVR
- published: 05 Oct 2007
- views: 10262
David Burliuk and The Japanese Avant-garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film here: http://ow.ly/oOIxf Michael Craigs blog: http://www.michaelcraig.copernicusfilms.com
David Burliuk in 1922, travelled to Japan from Russia, where he spent two years before finally emigrating to America.Born in the Ukraine,David Burliuk was known as the Father of Russian futurism but after the revolution he and his family found it necessary to leave Russia. Whilst in Japan he cooperated with the emerging Japanese futurist movement on whom he had an enormous influence. This film is an extract from a larger documentary film about David Burliuk's journey to Japan.
For more information about Copernicus Films visit http://www.copernicusfilms.com
DOWNLOAD the entire film here: http://ow.ly/oOIxf
wn.com/David Burliuk And The Japanese Avant Garde
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfil...
DOWNLOAD the entire film here: http://ow.ly/oOIxf Michael Craigs blog: http://www.michaelcraig.copernicusfilms.com
David Burliuk in 1922, travelled to Japan from Russia, where he spent two years before finally emigrating to America.Born in the Ukraine,David Burliuk was known as the Father of Russian futurism but after the revolution he and his family found it necessary to leave Russia. Whilst in Japan he cooperated with the emerging Japanese futurist movement on whom he had an enormous influence. This film is an extract from a larger documentary film about David Burliuk's journey to Japan.
For more information about Copernicus Films visit http://www.copernicusfilms.com
DOWNLOAD the entire film here: http://ow.ly/oOIxf
- published: 02 Jul 2007
- views: 9990
Mayakovsky
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-ru...
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the film here: http://ow.ly/gjkCL
As a poet, Vladimir Mayakovsky changed the context of Russian and Soviet literature both before and after the revolution. His controversial suicide to this day is a subject of debate. This is an extract from a larger documentary by Copernicus Films and the Director, Michael Craig, about Mayakovsky and part of a series of six films about the Russian avant-garde and futurism. More details can be found on http://www.copernicusfilms.com
Official site: http://www.copernicusfilms.com
wn.com/Mayakovsky
New book to compliment this documentary film series - ENCOUNTERS WITH THE RUSSIAN AVANT-GARDE http://www.michaelcraig.copernicusfilms.com/encounters-with-the-russian-avant-garde-purchase/
DOWNLOAD the film here: http://ow.ly/gjkCL
As a poet, Vladimir Mayakovsky changed the context of Russian and Soviet literature both before and after the revolution. His controversial suicide to this day is a subject of debate. This is an extract from a larger documentary by Copernicus Films and the Director, Michael Craig, about Mayakovsky and part of a series of six films about the Russian avant-garde and futurism. More details can be found on http://www.copernicusfilms.com
Official site: http://www.copernicusfilms.com
- published: 12 Jun 2007
- views: 47255
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Mosolov - Piano Sonata No. 1
Piano Sonata No. 1 Op. 3 (1924)
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Mosolov Piano Sonata No. 2 (1/3)
First movement of Alexander Mosolov's (b. 1900) Piano Sonata No. 2 Op. 4 in B Minor (1924), performed by Yuri Lisichenko. It could most-readily be equated to the late works of Alexander Scriabin, or if you're more musically inclined, Sergej Protopopov or Nikolai Roslavets, except... a thousand times more violent. If you like Scriabin and you like mixed martial arts, here is the composer for you!
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Mosolov Piano Sonata No. 2 (2/3)
Second Movement
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Mosolov Piano Sonata No. 2 (3/3)
Third Movement.
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Mosolov - Piano Sonata No. 4 Op. 11 (Part 1/2)
Part one of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central
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Mosolov - Piano Sonata No. 4 Op. 11 (Part 2/2)
Part two of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central
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Mosolov - Piano Sonata No. 5; I "Lento grave - Allegro affanato"
First movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Centr
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Mosolov - Piano Sonata No. 5; II "Elegia"
Second movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Cent
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Mosolov - Piano Sonata No. 5; III "Scherzo marciale"
Third movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Centr
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Mosolov - Piano Sonata No. 5; IV "Adagio languente e patetico" (Part 1/2)
Part one of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned an
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Mosolov - Piano Sonata No. 5; IV "Adagio languente e patetico" (Part 2/2)
Part two of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned an
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Evgeny Starodubtsev plays Shostakovich Piano sonata no.1
Concertgebau (small hall) 2006
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Evgeny Starodubtsev plays Shostakovich Piano sonata no.1 - 2
Concertgebau 2006
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Shostakovich Piano Sonata n°1
I played the first movement of this awfully difficult piece, after only 3 weeks of preparation... I will play the rest in september, after a fuller preparation.
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Shostakovich - Piano Sonata No.1 (1/2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympi
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Shostakovich - Piano Sonata No.1 (2/2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympi
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Feinberg - Four Preludes Op. 8
Four Preludes Op. 8 (1920).
Samuil Feinberg (1890-1962) was a major Russian pianist-composer in the early 20th-century. He was an acclaimed virtuoso with an eclectic repertoire and an esteemed teacher at the Moscow Conservatory. Today, he is mostly remembered for his Bach transcriptions and various recordings. However, his compositional output is substantial and his piano works, despite influen
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Lourié - Intermezzo
Intermezzo (1928)
Arthur Lourié (1892-1966) was an important musical figure in post-1917 Russia and a composer of decidedly avant-garde music. In the wake of the October Revolution, Lourié was appointed chair of the Music division of Soviet Education Ministry, which was established to cultivate a new and revolutionary music suitable for the Soviet citizen. During the 1910s, Lourié was viewed as
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Roslavets - Two Poems (1920)
Nikolai Roslavets (1881-1944) is sometimes called the "Russian Schoenberg" and was certainly the first Russian composer to use a system of tone organization similar to Schoenberg's serialism. Before the 1917 revolution, Roslavets was regarded as a cutting-edge composer comparable to Scriabin. Interestingly, Marc-Andre Hamelin describes Roslavets's music as "Scriabin on acid." After the revolution
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Anait Karpova piano
Waltz of Leonid Polovinkin. Pianist Anait Karpova. Moscow 11.2009 by (C) Alexander Pavlovsky
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Polovinkin - Seventh Event
Seventh Event (1928)
I Premonition
II Action
III Souvenir
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Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Nikolai Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Masahiro Kawakami - Piano
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Mosolov - Piano Concerto No. 1 [1/3] (USSR State Symphony - Kozhukar)
Alexander Mosolov (1900-1973) - Piano Concerto No. 1, op.14 (1927)
I. Concerto
II. Tema con concertini
III. Toccata
Rusudan Khuntsarya, piano. USSR State Symphony Orchestra - Vladimir Kozhukar
Mosolov - Piano Sonata No. 1
Piano Sonata No. 1 Op. 3 (1924)...
Piano Sonata No. 1 Op. 3 (1924)
wn.com/Mosolov Piano Sonata No. 1
Piano Sonata No. 1 Op. 3 (1924)
- published: 29 May 2009
- views: 12452
Mosolov Piano Sonata No. 2 (1/3)
First movement of Alexander Mosolov's (b. 1900) Piano Sonata No. 2 Op. 4 in B Minor (1924), performed by Yuri Lisichenko. It could most-readily be equated to t...
First movement of Alexander Mosolov's (b. 1900) Piano Sonata No. 2 Op. 4 in B Minor (1924), performed by Yuri Lisichenko. It could most-readily be equated to the late works of Alexander Scriabin, or if you're more musically inclined, Sergej Protopopov or Nikolai Roslavets, except... a thousand times more violent. If you like Scriabin and you like mixed martial arts, here is the composer for you!
Yet another lost composer whose voice was muted by the USSR.
wn.com/Mosolov Piano Sonata No. 2 (1 3)
First movement of Alexander Mosolov's (b. 1900) Piano Sonata No. 2 Op. 4 in B Minor (1924), performed by Yuri Lisichenko. It could most-readily be equated to the late works of Alexander Scriabin, or if you're more musically inclined, Sergej Protopopov or Nikolai Roslavets, except... a thousand times more violent. If you like Scriabin and you like mixed martial arts, here is the composer for you!
Yet another lost composer whose voice was muted by the USSR.
- published: 11 Aug 2008
- views: 8643
Mosolov - Piano Sonata No. 4 Op. 11 (Part 1/2)
Part one of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. ...
Part one of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 4 Op. 11 (Part 1 2)
Part one of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 06 Oct 2008
- views: 9202
Mosolov - Piano Sonata No. 4 Op. 11 (Part 2/2)
Part two of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. ...
Part two of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 4 Op. 11 (Part 2 2)
Part two of Mosolov's single-movement Fourth Piano Sonata (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 06 Oct 2008
- views: 2880
Mosolov - Piano Sonata No. 5; I "Lento grave - Allegro affanato"
First movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920...
First movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 5 I Lento Grave Allegro Affanato
First movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 05 Oct 2008
- views: 7996
Mosolov - Piano Sonata No. 5; II "Elegia"
Second movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 192...
Second movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 5 Ii Elegia
Second movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 05 Oct 2008
- views: 6484
Mosolov - Piano Sonata No. 5; III "Scherzo marciale"
Third movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920...
Third movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 5 Iii Scherzo Marciale
Third movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 05 Oct 2008
- views: 6004
Mosolov - Piano Sonata No. 5; IV "Adagio languente e patetico" (Part 1/2)
Part one of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-...
Part one of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 5 Iv Adagio Languente E Patetico (Part 1 2)
Part one of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 05 Oct 2008
- views: 2753
Mosolov - Piano Sonata No. 5; IV "Adagio languente e patetico" (Part 2/2)
Part two of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-...
Part two of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
wn.com/Mosolov Piano Sonata No. 5 Iv Adagio Languente E Patetico (Part 2 2)
Part two of the fourth and final movement from the Piano Sonata No. 5 in D minor Op. 12 (1925).
Alexander Mosolov (1900-1973) was a part of the Soviet Avant-Garde prominent in the 1920s. He was oppressed by the RAPM (Russian Association of Proletarian Musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to Soviet Realism. By 1929 his compositions were banned and in 1936 he moved to Central Asia to collect folk music. From then until his death, Mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
- published: 05 Oct 2008
- views: 1819
Shostakovich Piano Sonata n°1
I played the first movement of this awfully difficult piece, after only 3 weeks of preparation... I will play the rest in september, after a fuller preparation....
I played the first movement of this awfully difficult piece, after only 3 weeks of preparation... I will play the rest in september, after a fuller preparation.
wn.com/Shostakovich Piano Sonata N°1
I played the first movement of this awfully difficult piece, after only 3 weeks of preparation... I will play the rest in september, after a fuller preparation.
- published: 17 Jul 2007
- views: 18058
Shostakovich - Piano Sonata No.1 (1/2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga,...
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympiade piano competition (Germany, 2007), Los Angeles Liszt Piano Competition (2002) and Stockholm Performing Artists Competition (2001). In 2002 he was awarded with the Grand Music Prize of Latvia (2002) and "White Star" order of Estonia (2005).
Shimkus has given performances throughout Europe, the USA, the Middle-East and Japan. Festival appearances have included Bergen Festival (Norway), Lockenhaus Gidon Kremer Festival (Austria), Kissinger Sommer Festival, Al Bustan Festival (Lebanon), amongst others. He has performed with BBC Philharmonic Orchestra, Czech Philharmonic Orchestra, Orchestre National de France, KREMERata Baltica, Nordwestdeutsche Philharmonie and Tallin Chamber Orchestra and has collaborated with such conductors as Lawrence Foster, Vassily Sinaisky, Eri Klas, Woldemar Nelsson, Anu Tali, Jonathan Darlington, Andris Nelsons and Olari Elts.
Shimkus has released two solo CD albums and has had compositions published by Schott Music. His own newly composed piano concerto was premiered on July 2008.
Info: www.geocities.com/vestards
wn.com/Shostakovich Piano Sonata No.1 (1 2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympiade piano competition (Germany, 2007), Los Angeles Liszt Piano Competition (2002) and Stockholm Performing Artists Competition (2001). In 2002 he was awarded with the Grand Music Prize of Latvia (2002) and "White Star" order of Estonia (2005).
Shimkus has given performances throughout Europe, the USA, the Middle-East and Japan. Festival appearances have included Bergen Festival (Norway), Lockenhaus Gidon Kremer Festival (Austria), Kissinger Sommer Festival, Al Bustan Festival (Lebanon), amongst others. He has performed with BBC Philharmonic Orchestra, Czech Philharmonic Orchestra, Orchestre National de France, KREMERata Baltica, Nordwestdeutsche Philharmonie and Tallin Chamber Orchestra and has collaborated with such conductors as Lawrence Foster, Vassily Sinaisky, Eri Klas, Woldemar Nelsson, Anu Tali, Jonathan Darlington, Andris Nelsons and Olari Elts.
Shimkus has released two solo CD albums and has had compositions published by Schott Music. His own newly composed piano concerto was premiered on July 2008.
Info: www.geocities.com/vestards
- published: 20 Dec 2008
- views: 10602
Shostakovich - Piano Sonata No.1 (2/2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga,...
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympiade piano competition (Germany, 2007), Los Angeles Liszt Piano Competition (2002) and Stockholm Performing Artists Competition (2001). In 2002 he was awarded with the Grand Music Prize of Latvia (2002) and "White Star" order of Estonia (2005).
Shimkus has given performances throughout Europe, the USA, the Middle-East and Japan. Festival appearances have included Bergen Festival (Norway), Lockenhaus Gidon Kremer Festival (Austria), Kissinger Sommer Festival, Al Bustan Festival (Lebanon), amongst others. He has performed with BBC Philharmonic Orchestra, Czech Philharmonic Orchestra, Orchestre National de France, KREMERata Baltica, Nordwestdeutsche Philharmonie and Tallin Chamber Orchestra and has collaborated with such conductors as Lawrence Foster, Vassily Sinaisky, Eri Klas, Woldemar Nelsson, Anu Tali, Jonathan Darlington, Andris Nelsons and Olari Elts.
Shimkus has released two solo CD albums and has had compositions published by Schott Music. His own newly composed piano concerto was premiered on July 2008.
Info: www.geocities.com/vestards
wn.com/Shostakovich Piano Sonata No.1 (2 2) Vestard Shimkus
Pianist Vestard Shimkus plays Piano Sonata No.1 op.12 by Dmitri Shostakovich.
Recorded live, August 2003.
Vestard Shimkus (Vestards Šimkus) studied in Riga, Los Angeles, Madrid and Munich with professors Dmitri Bashkirov, Daniel Pollack, Vadim Suchanov and others. Has also studied composition with Peteris Vasks.
Among his prizes are 1st prize at the international Bad-Kissinger KlavierOlympiade piano competition (Germany, 2007), Los Angeles Liszt Piano Competition (2002) and Stockholm Performing Artists Competition (2001). In 2002 he was awarded with the Grand Music Prize of Latvia (2002) and "White Star" order of Estonia (2005).
Shimkus has given performances throughout Europe, the USA, the Middle-East and Japan. Festival appearances have included Bergen Festival (Norway), Lockenhaus Gidon Kremer Festival (Austria), Kissinger Sommer Festival, Al Bustan Festival (Lebanon), amongst others. He has performed with BBC Philharmonic Orchestra, Czech Philharmonic Orchestra, Orchestre National de France, KREMERata Baltica, Nordwestdeutsche Philharmonie and Tallin Chamber Orchestra and has collaborated with such conductors as Lawrence Foster, Vassily Sinaisky, Eri Klas, Woldemar Nelsson, Anu Tali, Jonathan Darlington, Andris Nelsons and Olari Elts.
Shimkus has released two solo CD albums and has had compositions published by Schott Music. His own newly composed piano concerto was premiered on July 2008.
Info: www.geocities.com/vestards
- published: 20 Dec 2008
- views: 2135
Feinberg - Four Preludes Op. 8
Four Preludes Op. 8 (1920).
Samuil Feinberg (1890-1962) was a major Russian pianist-composer in the early 20th-century. He was an acclaimed virtuoso with an ...
Four Preludes Op. 8 (1920).
Samuil Feinberg (1890-1962) was a major Russian pianist-composer in the early 20th-century. He was an acclaimed virtuoso with an eclectic repertoire and an esteemed teacher at the Moscow Conservatory. Today, he is mostly remembered for his Bach transcriptions and various recordings. However, his compositional output is substantial and his piano works, despite influences from Scriabin, are original, intense, and extremely virtuosic. Unlike Scriabin, he preferred a sound world of angst and pessimism. By 1934, Feinberg ceased playing his darker works in public. He also stopped composing in his early style and instead created simpler pieces according to Socialist Realism.
wn.com/Feinberg Four Preludes Op. 8
Four Preludes Op. 8 (1920).
Samuil Feinberg (1890-1962) was a major Russian pianist-composer in the early 20th-century. He was an acclaimed virtuoso with an eclectic repertoire and an esteemed teacher at the Moscow Conservatory. Today, he is mostly remembered for his Bach transcriptions and various recordings. However, his compositional output is substantial and his piano works, despite influences from Scriabin, are original, intense, and extremely virtuosic. Unlike Scriabin, he preferred a sound world of angst and pessimism. By 1934, Feinberg ceased playing his darker works in public. He also stopped composing in his early style and instead created simpler pieces according to Socialist Realism.
- published: 31 Oct 2008
- views: 10846
Lourié - Intermezzo
Intermezzo (1928)
Arthur Lourié (1892-1966) was an important musical figure in post-1917 Russia and a composer of decidedly avant-garde music. In the wake of...
Intermezzo (1928)
Arthur Lourié (1892-1966) was an important musical figure in post-1917 Russia and a composer of decidedly avant-garde music. In the wake of the October Revolution, Lourié was appointed chair of the Music division of Soviet Education Ministry, which was established to cultivate a new and revolutionary music suitable for the Soviet citizen. During the 1910s, Lourié was viewed as a fanatical advocate of all modern art and some of his early compositions anticipate the musical advances of the West vis-à-vis the Second Viennese School and "Les Six". His extreme policies eventually clashed with a number of musicians and Soviet bureaucrats, causing him to bitterly resign his post, and in 1921, Lourié followed the footsteps of other Russian émigrés and left Russia for good. He settled in Berlin and then Paris, joining Stravinsky's circle, but when WWII engulfed Europe, Lourié fled again to America, where he remained in obscurity for the rest of his life. His early works show tangible influences from Scriabin, but the trajectory of his aesthetics is far-reaching: one can find Scriabinesque, Rachmaninovian or Webern-like piano works, orchestral compositions hinting at Prokofiev, and choral music recalling Mussorgsky.
wn.com/Lourié Intermezzo
Intermezzo (1928)
Arthur Lourié (1892-1966) was an important musical figure in post-1917 Russia and a composer of decidedly avant-garde music. In the wake of the October Revolution, Lourié was appointed chair of the Music division of Soviet Education Ministry, which was established to cultivate a new and revolutionary music suitable for the Soviet citizen. During the 1910s, Lourié was viewed as a fanatical advocate of all modern art and some of his early compositions anticipate the musical advances of the West vis-à-vis the Second Viennese School and "Les Six". His extreme policies eventually clashed with a number of musicians and Soviet bureaucrats, causing him to bitterly resign his post, and in 1921, Lourié followed the footsteps of other Russian émigrés and left Russia for good. He settled in Berlin and then Paris, joining Stravinsky's circle, but when WWII engulfed Europe, Lourié fled again to America, where he remained in obscurity for the rest of his life. His early works show tangible influences from Scriabin, but the trajectory of his aesthetics is far-reaching: one can find Scriabinesque, Rachmaninovian or Webern-like piano works, orchestral compositions hinting at Prokofiev, and choral music recalling Mussorgsky.
- published: 25 May 2009
- views: 26624
Roslavets - Two Poems (1920)
Nikolai Roslavets (1881-1944) is sometimes called the "Russian Schoenberg" and was certainly the first Russian composer to use a system of tone organization sim...
Nikolai Roslavets (1881-1944) is sometimes called the "Russian Schoenberg" and was certainly the first Russian composer to use a system of tone organization similar to Schoenberg's serialism. Before the 1917 revolution, Roslavets was regarded as a cutting-edge composer comparable to Scriabin. Interestingly, Marc-Andre Hamelin describes Roslavets's music as "Scriabin on acid." After the revolution and the formation of the RAPM (Russian Association of Proletarian Musicians), Roslavets was criticized and harrassed for his modernism. In the late 1920s, he left the Communist Party and in 1931 moved to Tashkent. There he conducted for a music theater and composed simple pieces in accordance with Socialist Realism. He died in obscurity and his name and music was mostly forgotten until the 1970s.
wn.com/Roslavets Two Poems (1920)
Nikolai Roslavets (1881-1944) is sometimes called the "Russian Schoenberg" and was certainly the first Russian composer to use a system of tone organization similar to Schoenberg's serialism. Before the 1917 revolution, Roslavets was regarded as a cutting-edge composer comparable to Scriabin. Interestingly, Marc-Andre Hamelin describes Roslavets's music as "Scriabin on acid." After the revolution and the formation of the RAPM (Russian Association of Proletarian Musicians), Roslavets was criticized and harrassed for his modernism. In the late 1920s, he left the Communist Party and in 1931 moved to Tashkent. There he conducted for a music theater and composed simple pieces in accordance with Socialist Realism. He died in obscurity and his name and music was mostly forgotten until the 1970s.
- published: 22 Oct 2008
- views: 6812
Anait Karpova piano
Waltz of Leonid Polovinkin. Pianist Anait Karpova. Moscow 11.2009 by (C) Alexander Pavlovsky...
Waltz of Leonid Polovinkin. Pianist Anait Karpova. Moscow 11.2009 by (C) Alexander Pavlovsky
wn.com/Anait Karpova Piano
Waltz of Leonid Polovinkin. Pianist Anait Karpova. Moscow 11.2009 by (C) Alexander Pavlovsky
- published: 06 Nov 2009
- views: 732
Polovinkin - Seventh Event
Seventh Event (1928)
I Premonition
II Action
III Souvenir...
Seventh Event (1928)
I Premonition
II Action
III Souvenir
wn.com/Polovinkin Seventh Event
Seventh Event (1928)
I Premonition
II Action
III Souvenir
- published: 15 Oct 2009
- views: 22230
Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Nikolai Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Masahiro Kawakami - Piano...
Nikolai Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Masahiro Kawakami - Piano
wn.com/Kapustin Piano Sonata No.13 Op.110 (1) Allegretto
Nikolai Kapustin - Piano Sonata No.13 Op.110 - (1) Allegretto
Masahiro Kawakami - Piano
- published: 14 May 2010
- views: 1135
Mosolov - Piano Concerto No. 1 [1/3] (USSR State Symphony - Kozhukar)
Alexander Mosolov (1900-1973) - Piano Concerto No. 1, op.14 (1927)
I. Concerto
II. Tema con concertini
III. Toccata
Rusudan Khuntsarya, piano. USSR Sta...
Alexander Mosolov (1900-1973) - Piano Concerto No. 1, op.14 (1927)
I. Concerto
II. Tema con concertini
III. Toccata
Rusudan Khuntsarya, piano. USSR State Symphony Orchestra - Vladimir Kozhukar
wn.com/Mosolov Piano Concerto No. 1 1 3 (Ussr State Symphony Kozhukar)
Alexander Mosolov (1900-1973) - Piano Concerto No. 1, op.14 (1927)
I. Concerto
II. Tema con concertini
III. Toccata
Rusudan Khuntsarya, piano. USSR State Symphony Orchestra - Vladimir Kozhukar
- published: 20 Feb 2010
- views: 6225
-
Cinematic Orchestra Man w/ the Movie Camera 1
*NOTE* The first two minutes is silence w/out soundtrack.
This is a Russian film from 1929. It's a non-narrative style, kind of like a Koyaaniskatsi of the silent era.
The sountrack is done by the Cinematic Orchestra. This film was supposed to be released as a DVD, but was pulled from the shelves at the last minute under mysterious circumstances.
http://en.wikipedia.org/wiki/Man_with_a_
-
Cinematic Orchestra Man w/ the Movie Camera 2
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
-
Cinematic Orchestra Man w/ the Movie Camera 3
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
-
Cinematic Orchestra Man w/ the Movie Camera 4
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
-
Cinematic Orchestra Man w/ the Movie Camera 5
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
-
Cinematic Orchestra Man w/ the Movie Camera 7
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
-
Cinematic Orchestra Man w/ the Movie Camera 8
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
-
Cinematic Orchestra Man w/ the Movie Camera 6b
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
-
SERGEI EISENSTEIN'S BATTLESHIP POTEMKIN PART 1
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had consolidated his power and gained ... (more)
Added: November 25, 2007
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had
-
SERGEI EISENSTEIN'S BATTLESHIP POTEMKIN 1925 Part 2 ODESSA
The full exploitation of suspense and
tension highlights Hitchcock's artistic debt to Eisenstein. Will the nanny be shot? For how long can the baby carriage teeter on the top step before it begins its fall? The tracking camera shot which introduces the runaway pram increases the scene's tempo so that the pram runs at double time against the march of the soldiers, also raising the dramatic stakes
-
Arsenal (1928) Soviet Propaganda Film Part 1 of 8
Directed by Aleksandr Dovzhenko in 1928.
-
Arsenal (1928) Soviet Propaganda Film Part 2 of 8
Directed by Aleksandr Dovzhenko in 1928.
-
Arsenal (1928) Soviet Propaganda Film Part 3 of 8
Directed by Aleksandr Dovzhenko in 1928.
Cinematic Orchestra Man w/ the Movie Camera 1
*NOTE* The first two minutes is silence w/out soundtrack.
This is a Russian film from 1929. It's a non-narrative style, kind of like a Koyaaniskatsi of the ...
*NOTE* The first two minutes is silence w/out soundtrack.
This is a Russian film from 1929. It's a non-narrative style, kind of like a Koyaaniskatsi of the silent era.
The sountrack is done by the Cinematic Orchestra. This film was supposed to be released as a DVD, but was pulled from the shelves at the last minute under mysterious circumstances.
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
wn.com/Cinematic Orchestra Man W The Movie Camera 1
*NOTE* The first two minutes is silence w/out soundtrack.
This is a Russian film from 1929. It's a non-narrative style, kind of like a Koyaaniskatsi of the silent era.
The sountrack is done by the Cinematic Orchestra. This film was supposed to be released as a DVD, but was pulled from the shelves at the last minute under mysterious circumstances.
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
- published: 24 Mar 2007
- views: 86567
Cinematic Orchestra Man w/ the Movie Camera 2
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a desc...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
wn.com/Cinematic Orchestra Man W The Movie Camera 2
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
- published: 24 Mar 2007
- views: 108031
Cinematic Orchestra Man w/ the Movie Camera 3
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a desc...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
wn.com/Cinematic Orchestra Man W The Movie Camera 3
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
- published: 24 Mar 2007
- views: 36135
Cinematic Orchestra Man w/ the Movie Camera 4
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
wn.com/Cinematic Orchestra Man W The Movie Camera 4
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
- published: 24 Mar 2007
- views: 24776
Cinematic Orchestra Man w/ the Movie Camera 5
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a desc...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
wn.com/Cinematic Orchestra Man W The Movie Camera 5
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
http://ninjatune.net/home/
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
- published: 24 Mar 2007
- views: 24125
Cinematic Orchestra Man w/ the Movie Camera 7
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
wn.com/Cinematic Orchestra Man W The Movie Camera 7
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
- published: 24 Mar 2007
- views: 14640
Cinematic Orchestra Man w/ the Movie Camera 8
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
wn.com/Cinematic Orchestra Man W The Movie Camera 8
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
- published: 25 Mar 2007
- views: 18846
Cinematic Orchestra Man w/ the Movie Camera 6b
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://...
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
wn.com/Cinematic Orchestra Man W The Movie Camera 6B
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_%28album%29
For a description, see part 1
http://www.youtube.com/watch?v=lDXgcBQVJCw
- published: 26 Mar 2007
- views: 11883
SERGEI EISENSTEIN'S BATTLESHIP POTEMKIN PART 1
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin h...
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had consolidated his power and gained ... (more)
Added: November 25, 2007
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had consolidated his power and gained an iron grip on the arts. During this period the Communist Party initially favored Proletkult artists. Strike, made in 1924, Eisenstein's second film and the first of the trilogy, was originally planned as the first of a series of films documenting the pre-revolutionary working class. It turned out to be an artistic success as well as an educational aid and it won an award at the 1925 'Exposition des Arts Décoratifs' in Paris, as well as being commercially exhibited in Germany.
On its release in 1925, Strike was poorly received by the Russian public, whose imagination had already been gripped by American films and the comfy folkloric familiarity of their conventional questing heroes and tightly developed narratives.
A domestic flop in the Soviet Union, Potemkin was loved by German audiences, although the armed forces were forbidden to see it for fear of mutiny, as were Pennsylvanian audiences on the grounds that it gave American sailors 'a blueprint as to how to conduct a mutiny'.38 When it was eventually screened in the US in 1926, Chaplin declared it to be 'the best film in the world'. In France the authorities burnt all copies they could find - it received only a limited art house screening at Paris film clubs. Despite being banned in the UK until 1954, The Battleship Potemkin has rarely been out of the annual BFI critics' top ten list, and only then when another Eisenstein film has been voted in.
It is easy to see why. The Odessa Steps sequence has even now the power to move and excite: '...Eisenstein, in forcing the spectator to create the image by putting together all the relationships between attractions (relationships existing because of the interpenetrating theme), gives to the spectator not a completed image, but the "experience of completing an image".'39 All Eisenstein's elements come together in this perfect piece of cinema and the audience participates in the process of producing meaning.
The film documents an event that helped precipitate the 1905 Revolution which shook the Tsarist regime. The battleship Potemkin is a microcosm of Russian society. The ship's officers, doctor and priest - all representing the ruling power structure - pile abuse on top of abuse until maggot infested meat and a threatened mass execution push the sailors to mutiny. The mutineers eventually find sanctuary at the Black Sea port of Odessa, the setting for the film's penultimate sequence, showing Odessa's population supporting the Potemkin mutineers anchored in the bay. The sudden appearance of Tsarist soldiers abruptly reverses the joyous mood as the troops mercilessly advance, shooting everything that moves. Rhythm (cutting) builds with tempo (the pace of action within the frame) as the soldiers descend the steps in relentless solid formation behind the chaotically scattering crowd. This descending action travels left to right across the screen for rapidity (because we read left to right, top to bottom in English, our brains process screen information better in this direction, enabling us to read the images faster
wn.com/Sergei Eisenstein'S Battleship Potemkin Part 1
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had consolidated his power and gained ... (more)
Added: November 25, 2007
Eisenstein's three great films about the Russian Revolution - Strike, The Battleship Potemkin and October - were all made between 1924 and 1928, before Stalin had consolidated his power and gained an iron grip on the arts. During this period the Communist Party initially favored Proletkult artists. Strike, made in 1924, Eisenstein's second film and the first of the trilogy, was originally planned as the first of a series of films documenting the pre-revolutionary working class. It turned out to be an artistic success as well as an educational aid and it won an award at the 1925 'Exposition des Arts Décoratifs' in Paris, as well as being commercially exhibited in Germany.
On its release in 1925, Strike was poorly received by the Russian public, whose imagination had already been gripped by American films and the comfy folkloric familiarity of their conventional questing heroes and tightly developed narratives.
A domestic flop in the Soviet Union, Potemkin was loved by German audiences, although the armed forces were forbidden to see it for fear of mutiny, as were Pennsylvanian audiences on the grounds that it gave American sailors 'a blueprint as to how to conduct a mutiny'.38 When it was eventually screened in the US in 1926, Chaplin declared it to be 'the best film in the world'. In France the authorities burnt all copies they could find - it received only a limited art house screening at Paris film clubs. Despite being banned in the UK until 1954, The Battleship Potemkin has rarely been out of the annual BFI critics' top ten list, and only then when another Eisenstein film has been voted in.
It is easy to see why. The Odessa Steps sequence has even now the power to move and excite: '...Eisenstein, in forcing the spectator to create the image by putting together all the relationships between attractions (relationships existing because of the interpenetrating theme), gives to the spectator not a completed image, but the "experience of completing an image".'39 All Eisenstein's elements come together in this perfect piece of cinema and the audience participates in the process of producing meaning.
The film documents an event that helped precipitate the 1905 Revolution which shook the Tsarist regime. The battleship Potemkin is a microcosm of Russian society. The ship's officers, doctor and priest - all representing the ruling power structure - pile abuse on top of abuse until maggot infested meat and a threatened mass execution push the sailors to mutiny. The mutineers eventually find sanctuary at the Black Sea port of Odessa, the setting for the film's penultimate sequence, showing Odessa's population supporting the Potemkin mutineers anchored in the bay. The sudden appearance of Tsarist soldiers abruptly reverses the joyous mood as the troops mercilessly advance, shooting everything that moves. Rhythm (cutting) builds with tempo (the pace of action within the frame) as the soldiers descend the steps in relentless solid formation behind the chaotically scattering crowd. This descending action travels left to right across the screen for rapidity (because we read left to right, top to bottom in English, our brains process screen information better in this direction, enabling us to read the images faster
- published: 26 Nov 2007
- views: 3810
SERGEI EISENSTEIN'S BATTLESHIP POTEMKIN 1925 Part 2 ODESSA
The full exploitation of suspense and
tension highlights Hitchcock's artistic debt to Eisenstein. Will the nanny be shot? For how long can the baby carriage t...
The full exploitation of suspense and
tension highlights Hitchcock's artistic debt to Eisenstein. Will the nanny be shot? For how long can the baby carriage teeter on the top step before it begins its fall? The tracking camera shot which introduces the runaway pram increases the scene's tempo so that the pram runs at double time against the march of the soldiers, also raising the dramatic stakes. The final climactic destruction of innocence - the death of the baby and the attack on the conciliatory, bespectacled old woman by the sabre wielding cossack to whose better nature she vainly appeals - puts paid to any notion that verbal persuasion in powerless isolation can ever be an effective part of any revolutionary's armoury against monstrous reactionary forces.
Eisenstein's next film, October, was based on Ten Days that Shook the World, journalist John Reed's eyewitness account of the period leading up to the 1917 revolution. Released in 1928, the film takes the director's experiments in juxtaposition to new heights
When Eisenstein went to Hollywood in 1928 he was feted by movie moguls and powerbrokers like Douglas Fairbanks, Chaplin and Paramount's Jesse Lasky, all hailing him as the genius who would teach the philistines who populated this commercial hell how to make film.
Eistenstein churned out scripts by the cartload, but Paramount failed to green light any of them for actual production. Eventually Eisenstein accepted the financial backing of novelist Upton Sinclair and commenced filming Que Viva Mexico! but Sinclair pulled the plug following one too many interventions by Stalin. Eisenstein's near complete work was sold to studios for use as stock footage.
He returned to the Soviet Union in 1932, finding a vastly different climate to the one he had left. Proletkult had petered out. Few of his friends remained active. Many of them had been purged. So, years after making October, Eisenstein was denounced as a Formalist. The Formalism movement used the method of defamiliarisation - making objects strange in order to make them seem more real. Eisenstein's technique expressed their idea that mere reproduction is never valid unless it is a deviation from the norm, a risky thing to do under Stalin.
Subsequently he directed Old And New, which advanced the arguments of Stalin's collectivisation policy. Toeing Stalin's nationalistic line with Alexander Nevsky (1938) at a time when the Soviet state was gearing up for war with Germany, Eisenstein portrayed medieval Russian knights as heroic defenders of the motherland. Ivan The Terrible I (1944) depicts a tough but misunderstood tyrant battling single handed against the evil Boyar conspiracy, the enemy within. Eisenstein's brilliant earlier technique has congealed: the storytelling is stolid and turgid; the performances verge on self parody. The 1,376 editing cuts of The Battleship Potemkin, double that of the average film, give way to long, repetitive shots of actors mugging to camera. In 1946, with Eisenstein recovering from a near fatal heart attack, his work print of Ivan the Terrible II was screened and critically mauled. Finally released in 1958, during Khrushchev's 'thaw' and ten years after Eisenstein's death, its antiquated style rendered it an ill received dinosaur.
Eisenstein threw in the towel shortly before he died in 1948, weakened by poor health and the stultifying political climate in which he was trying to work.
What, then, remains of Eisenstein's legacy? Without the Russian Revolution we might never have heard of him at all. He was at his most inventive and innovative during the initial throes of the revolution, in unprecedented conditions of mass creative liberation. In the early days state finance allowed him to pursue his ideas to their limits, whereas even Griffith encountered great difficulty in securing backing for his films in the US. Griffith and his successors eventually defined the art of film for the mass market, if not for the masses; but whilst little of Eisenstein's work transcended brilliant experimentation, it was nevertheless Eisenstein who embodied the promise of the fulfillment of human potential under socialism.
wn.com/Sergei Eisenstein'S Battleship Potemkin 1925 Part 2 Odessa
The full exploitation of suspense and
tension highlights Hitchcock's artistic debt to Eisenstein. Will the nanny be shot? For how long can the baby carriage teeter on the top step before it begins its fall? The tracking camera shot which introduces the runaway pram increases the scene's tempo so that the pram runs at double time against the march of the soldiers, also raising the dramatic stakes. The final climactic destruction of innocence - the death of the baby and the attack on the conciliatory, bespectacled old woman by the sabre wielding cossack to whose better nature she vainly appeals - puts paid to any notion that verbal persuasion in powerless isolation can ever be an effective part of any revolutionary's armoury against monstrous reactionary forces.
Eisenstein's next film, October, was based on Ten Days that Shook the World, journalist John Reed's eyewitness account of the period leading up to the 1917 revolution. Released in 1928, the film takes the director's experiments in juxtaposition to new heights
When Eisenstein went to Hollywood in 1928 he was feted by movie moguls and powerbrokers like Douglas Fairbanks, Chaplin and Paramount's Jesse Lasky, all hailing him as the genius who would teach the philistines who populated this commercial hell how to make film.
Eistenstein churned out scripts by the cartload, but Paramount failed to green light any of them for actual production. Eventually Eisenstein accepted the financial backing of novelist Upton Sinclair and commenced filming Que Viva Mexico! but Sinclair pulled the plug following one too many interventions by Stalin. Eisenstein's near complete work was sold to studios for use as stock footage.
He returned to the Soviet Union in 1932, finding a vastly different climate to the one he had left. Proletkult had petered out. Few of his friends remained active. Many of them had been purged. So, years after making October, Eisenstein was denounced as a Formalist. The Formalism movement used the method of defamiliarisation - making objects strange in order to make them seem more real. Eisenstein's technique expressed their idea that mere reproduction is never valid unless it is a deviation from the norm, a risky thing to do under Stalin.
Subsequently he directed Old And New, which advanced the arguments of Stalin's collectivisation policy. Toeing Stalin's nationalistic line with Alexander Nevsky (1938) at a time when the Soviet state was gearing up for war with Germany, Eisenstein portrayed medieval Russian knights as heroic defenders of the motherland. Ivan The Terrible I (1944) depicts a tough but misunderstood tyrant battling single handed against the evil Boyar conspiracy, the enemy within. Eisenstein's brilliant earlier technique has congealed: the storytelling is stolid and turgid; the performances verge on self parody. The 1,376 editing cuts of The Battleship Potemkin, double that of the average film, give way to long, repetitive shots of actors mugging to camera. In 1946, with Eisenstein recovering from a near fatal heart attack, his work print of Ivan the Terrible II was screened and critically mauled. Finally released in 1958, during Khrushchev's 'thaw' and ten years after Eisenstein's death, its antiquated style rendered it an ill received dinosaur.
Eisenstein threw in the towel shortly before he died in 1948, weakened by poor health and the stultifying political climate in which he was trying to work.
What, then, remains of Eisenstein's legacy? Without the Russian Revolution we might never have heard of him at all. He was at his most inventive and innovative during the initial throes of the revolution, in unprecedented conditions of mass creative liberation. In the early days state finance allowed him to pursue his ideas to their limits, whereas even Griffith encountered great difficulty in securing backing for his films in the US. Griffith and his successors eventually defined the art of film for the mass market, if not for the masses; but whilst little of Eisenstein's work transcended brilliant experimentation, it was nevertheless Eisenstein who embodied the promise of the fulfillment of human potential under socialism.
- published: 26 Nov 2007
- views: 3487