Parisian may refer to:
Lisa Eldridge is a British make-up artist.
Lisa Eldridge was born in England and spent her early years in New Zealand. She returned to England at age 5 with her mother. They lived in Liverpool until she moved to London in the late 1980s. When she was 13, a friend of her mother friend bought her a book on stage make-up.
Shortly after joining an agency she got a job to do a cover for Elle Magazine with Cindy Crawford. They got on well and Cindy booked her for other work. This was definitely the point from which things really started to take off for Lisa's career as a make-up artist.
She currently lives in London with her husband Robin Derrick, who is the creative director for British vogue.
In 2003 Lisa became the Creative Director for Boots No7 to help develop, re-design and re-launch the brand.
Alongside her day job, Lisa also creates video tutorials, advice, and beauty tips on her Youtube channel Lisa Eldridge Makeup Artist and her website lisaeldridge.com.
In June 2011, she teamed up with CHANEL on their Makeup Confidential site showcasing how to apply their Summer 2011 Les Fleurs d'Été de CHANEL Collection.
Plot
Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion.
Keywords: 19th-century, abused-child, army, arrest, assumed-identity, barricade, based-on-novel, based-on-play, based-on-stage-musical, battle
Fight. Dream. Hope. Love.
The Dream Lives This Christmas
Javert: Now Prisoner 24601, your time is up and your parole's begun. You know what that means?::Jean Valjean: Yes, it means I'm free.::Javert: No.::[hands him a yellow paper]::Javert: Follow to the letter your itinerary, this badge of shame you wear until you die. It warns that you're a dangerous man.::Jean Valjean: I stole a loaf of bread. My sisters child was close to death, and we were starving...::Javert: And you will starve again unless you learn the meaning of the law!::Jean Valjean: I've learnt the meaning of those nineteen years; a slave of the law.::Javert: Five years for what you did. The rest because you tried to run, yes 24601...::Jean Valjean: My name is Jean Valjean!::Javert: And I'm Javert! Do not forget my name. Do not forget me, 24601.
Jean Valjean: To love another person is to see the face of God.
Marius: In my life, there is someone who touches my life. Waiting near...::Éponine: Waiting here...
Fantine: I had a dream my life would be so different from this hell I'm living!
Marius: [about Cosette] Eponine, find her for me!::Éponine: What will you give me?::Marius: Anything!::Éponine: Got you all excited now, but God knows what you see in her! Aren't you all delighted now? [Marius offers her money] No, I don't want your money, sir.
Thénardier: Everybody raise a glass!::Madame Thénardier: Raise it up the master's arse!
Bishop: Monsieur, release him. This man has spoken true. I commend you for your duty, now God's blessing go with you. [to Valjean] But remember this, my brother. See in this some higher plan. You must use this precious silver to become an honest man. By the witness of the martyrs, by the passion and the blood, God has brought you out of darkness. I have bought your soul for God.
[first lines]::Jean Valjean: Look down, look down, don't look them in the eye.::Chain Gang: Look down, look down, you're here until you die.
Bishop: But remember this, my brother, see in this some higher plan. You must use this precious silver to become an honest man. By the witness of the martyrs, by the Passion and the Blood, God has raised you out of darkness; I have bought your soul for God!
Jean Valjean: How have you come to grief in a place such as this?::Fantine: M'sieur, don't mock me now, I pray. It's hard enough I've lost my pride. You let your foreman send me away - yes, you were there, and turned aside. I never did no wrong::Jean Valjean: Is it true, what I have done? To an innocent soul? Had I only known then...::Fantine: My daughter's close to dying. If there's a God above... He'd let me die instead...::Jean Valjean: In His name my task has just begun, I will see it done!
Plot
Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion.
Keywords: 19th-century, abused-child, army, arrest, assumed-identity, barricade, based-on-novel, based-on-play, based-on-stage-musical, battle
Fight. Dream. Hope. Love.
The Dream Lives This Christmas
Javert: Now Prisoner 24601, your time is up and your parole's begun. You know what that means?::Jean Valjean: Yes, it means I'm free.::Javert: No.::[hands him a yellow paper]::Javert: Follow to the letter your itinerary, this badge of shame you wear until you die. It warns that you're a dangerous man.::Jean Valjean: I stole a loaf of bread. My sisters child was close to death, and we were starving...::Javert: And you will starve again unless you learn the meaning of the law!::Jean Valjean: I've learnt the meaning of those nineteen years; a slave of the law.::Javert: Five years for what you did. The rest because you tried to run, yes 24601...::Jean Valjean: My name is Jean Valjean!::Javert: And I'm Javert! Do not forget my name. Do not forget me, 24601.
Jean Valjean: To love another person is to see the face of God.
Marius: In my life, there is someone who touches my life. Waiting near...::Éponine: Waiting here...
Fantine: I had a dream my life would be so different from this hell I'm living!
Marius: [about Cosette] Eponine, find her for me!::Éponine: What will you give me?::Marius: Anything!::Éponine: Got you all excited now, but God knows what you see in her! Aren't you all delighted now? [Marius offers her money] No, I don't want your money, sir.
Thénardier: Everybody raise a glass!::Madame Thénardier: Raise it up the master's arse!
Bishop: Monsieur, release him. This man has spoken true. I commend you for your duty, now God's blessing go with you. [to Valjean] But remember this, my brother. See in this some higher plan. You must use this precious silver to become an honest man. By the witness of the martyrs, by the passion and the blood, God has brought you out of darkness. I have bought your soul for God.
[first lines]::Jean Valjean: Look down, look down, don't look them in the eye.::Chain Gang: Look down, look down, you're here until you die.
Bishop: But remember this, my brother, see in this some higher plan. You must use this precious silver to become an honest man. By the witness of the martyrs, by the Passion and the Blood, God has raised you out of darkness; I have bought your soul for God!
Jean Valjean: How have you come to grief in a place such as this?::Fantine: M'sieur, don't mock me now, I pray. It's hard enough I've lost my pride. You let your foreman send me away - yes, you were there, and turned aside. I never did no wrong::Jean Valjean: Is it true, what I have done? To an innocent soul? Had I only known then...::Fantine: My daughter's close to dying. If there's a God above... He'd let me die instead...::Jean Valjean: In His name my task has just begun, I will see it done!
Plot
A youth chooses manhood. The week Sam Witwicky starts college, the Decepticons make trouble in Shanghai. A presidential envoy believes it's because the Autobots are around; he wants them gone. He's wrong: the Decepticons need access to Sam's mind to see some glyphs imprinted there that will lead them to a fragile object that, when inserted in an alien machine hidden in Egypt for centuries, will give them the power to blow out the sun. Sam, his girlfriend Mikaela Banes, and Sam's parents are in danger. Optimus Prime and Bumblebee are Sam's principal protectors. If one of them goes down, what becomes of Sam?
Keywords: 17,000-b.c., 170th-century-b.c., 2000s, 21st-century, abandoned-factory, air-strike, aircraft-carrier, airplane, airplane-museum, alien
The battle for Earth begins in theatres and IMAX 6.24.09
Revenge takes many forms.
They have returned... to finish what they started.
On June 24th, get ready for the summer's biggest adventure.
Only one team will transform your summer.
They have returned. They have evolved.
Revenge is coming.
[spying on Mikaela]::Wheelie: You're hot, but you ain't too bright!
[Leo observes Frenzy's head in a jar]::Agent Simmons: Hey! Still radioactive, hands off!
Chief Master Sergeant Epps: [after seeing the onslaught of Decepticons] We're about to get our asses WHOOPED!
Optimus Prime: You picked the wrong planet! Give me your FACE!::[tears off the Fallen's face and sticks him with his staff]::Optimus Prime: I rise... you FALL!::Megatron: NOOO! NOOO!
Sam Witwicky: You don't stop, you don't hide. You run. You understand me?::Ron Witwicky: No!::Sam Witwicky: You've gotta let me go. You've gotta let me go.::Judy Witwicky: Let him go.::Ron Witwicky: You come back! YOU COME BACK!
Mikaela Banes: [to Sam] I'm not going to go without you!
Sam Witwicky: Bee, I want to talk to you about the college thing, okay?::Bumblebee: [does a dance] "I'm so excited, / And I just can't hide it..."::Sam Witwicky: Hey! I'm not taking you with me!::[Bumblebee is downcast]::Mikaela Banes: I'm gonna wait outside...::[goes outside and starts to strip]::Sam Witwicky: Bumblebee, just hear me out okay? You know, freshmen aren't allowed to have cars, that's all it is. It is best for both of us. I know it doesn't sound like it but... you're an Autobot, you shouldn't be living in my dad's garage. I mean you're suffocating in here. Hey will you look at me please? Hey, come on big guy... [gives Bumblebee a hug]::Sam Witwicky: Look, the guardian thing is done, okay? You did your job. It's over with. You've gotta be something else, you've got have a bigger purpose then just me, Bee! I can't be the end all deal in your life! I wanna be normal, I want to go to college. Everybody has this, and I should be able to experience this. And I can't do that with you.::[Bumblebee bursts into tears; literally, with his windscreen cleaners malfunctioning]::Sam Witwicky: Come on... it's not the last time I'm gonna see you, you know? Come on, don't do that... Bee, you're killing me...::[Bee angrily gesticulates to Sam to go away]::Sam Witwicky: You'll always be my first car man. I love you.::[leaves the garage]
Jetfire: What do you want?::Sam Witwicky: Look, we just want to talk!::Jetfire: I've got no time to talk, I'm on a mission! I'm a mercenary doom-bringer!... What planet am I on?::Sam Witwicky: Earth.::Jetfire: Earth? Terrible name for a planet. Might as well call it DIRT, Planet Dirt...
[Sam shows Mikaela Bumblebee testing his vocal processors]::Mikaela Banes: Is he still having voice problems?::Sam Witwicky: He's playing it off.
Sam Witwicky: [on the phone with Mikeala] I just read a 903-page astronomy book in 32.6 seconds. I had a meltdown in the middle of my class. I am seeing symbols ever since I...::Mikaela Banes: Since what?::Sam Witwicky: Ever since I touched the Cube splinter.
Plot
Paris, 2042: a dark motion-captured world of shadows and right angles. Ilona Tasuiev, a brilliant young scientist, is kidnapped, and her employer, Avalon, a major health and beauty corporation, wants her found. Karas, a jaded police captain, is assigned to find her, fast. He seeks help from her sister, Bislane, and they are soon uncovering identify theft, missing files, and hints that something back in 2006 may explain what's going on. Ilona's mentor, Avalon's vice president, a Japanese researcher, an underworld boss, and Bislane's drug connection all figure in the mix. So does an attraction between Karas and Bislane. What's behind the kidnapping? Who's the victim?
Keywords: 2050s, aging, big-corporation, black-&-white-to-color, cgi-film, dead-dog, dystopia, future, future-noir, immortality
Paris 2054. Live forever or die trying.
Jonas Muller: Without death, life is meaningless.
Barthélémy Karas: I don't know anything about saints, but I have an uncanny instinct for sniffing out a son of a bitch.
Paul Dellenbach: Everything has its price, Captain. You cash in or you pay out.
Barthélémy Karas: First, we find her. And then, we sleep.
Bislane Tasuiev: [to Karas] Come back or I'll kill you.
Billboard Woman: I like being beautiful. I like to stay fit. That's why I like Avalon. With Avalon, I know I'm beautiful. And I'm going to stay that way.::Announcer: Avalon. For a better world.::Billboard Woman: Health. Beauty. Longevity. Avalon. We're on your side. For life.
Plot
Paris, 2042: a dark motion-captured world of shadows and right angles. Ilona Tasuiev, a brilliant young scientist, is kidnapped, and her employer, Avalon, a major health and beauty corporation, wants her found. Karas, a jaded police captain, is assigned to find her, fast. He seeks help from her sister, Bislane, and they are soon uncovering identify theft, missing files, and hints that something back in 2006 may explain what's going on. Ilona's mentor, Avalon's vice president, a Japanese researcher, an underworld boss, and Bislane's drug connection all figure in the mix. So does an attraction between Karas and Bislane. What's behind the kidnapping? Who's the victim?
Keywords: 2050s, aging, big-corporation, black-&-white-to-color, cgi-film, dead-dog, dystopia, future, future-noir, immortality
Paris 2054. Live forever or die trying.
Jonas Muller: Without death, life is meaningless.
Barthélémy Karas: I don't know anything about saints, but I have an uncanny instinct for sniffing out a son of a bitch.
Paul Dellenbach: Everything has its price, Captain. You cash in or you pay out.
Barthélémy Karas: First, we find her. And then, we sleep.
Bislane Tasuiev: [to Karas] Come back or I'll kill you.
Billboard Woman: I like being beautiful. I like to stay fit. That's why I like Avalon. With Avalon, I know I'm beautiful. And I'm going to stay that way.::Announcer: Avalon. For a better world.::Billboard Woman: Health. Beauty. Longevity. Avalon. We're on your side. For life.
Plot
Among the terrified refugees jamming the roads out of Paris in 1940 are Kitty de Mornay, a rich American divorced from her French husband, and her companion Emmyline (Emmy) Quayle. A German patrol orders their car back to Paris and, en-route, they stop at an inn where they find a wounded RAF flyer, Lieutenant Gray. They hide him in the luggage compartment of their car. While attempting to repair a flat tire, they are accosted by Gestapo Captain Kurt von Webber. He drives them to Emmy's apartment. Later, with the help of Kitty's estranged husband, Andre de Mornay, a member of the FRench underground movement, Kitty and Emmy smuggle Lt. Gray out of Paris to safety. Since they now have means of getting to unoccupied France they contact a priest who is harboring many RAF fliers. Funeral processions are allowed across the border unchallenged by the German sentries, and Kitty and Emmy stage one in which their RAF men pose as mourners. Von Weber suspects the women, and he plants a spy in Emmy's flat.
Keywords: 1930s, 1940s, allies, american, archive-footage, arrest, catholic-church, cigarette-smoking, city-in-title, conqueror
SENSATIONAL! REVEALING! Amazing story that tears the veil of secrecy from terrors of occupied Paris!
Plot
Among the terrified refugees jamming the roads out of Paris in 1940 are Kitty de Mornay, a rich American divorced from her French husband, and her companion Emmyline (Emmy) Quayle. A German patrol orders their car back to Paris and, en-route, they stop at an inn where they find a wounded RAF flyer, Lieutenant Gray. They hide him in the luggage compartment of their car. While attempting to repair a flat tire, they are accosted by Gestapo Captain Kurt von Webber. He drives them to Emmy's apartment. Later, with the help of Kitty's estranged husband, Andre de Mornay, a member of the FRench underground movement, Kitty and Emmy smuggle Lt. Gray out of Paris to safety. Since they now have means of getting to unoccupied France they contact a priest who is harboring many RAF fliers. Funeral processions are allowed across the border unchallenged by the German sentries, and Kitty and Emmy stage one in which their RAF men pose as mourners. Von Weber suspects the women, and he plants a spy in Emmy's flat.
Keywords: 1930s, 1940s, allies, american, archive-footage, arrest, catholic-church, cigarette-smoking, city-in-title, conqueror
SENSATIONAL! REVEALING! Amazing story that tears the veil of secrecy from terrors of occupied Paris!
Beautiful beast! Maddening...with her soft caress! Murdering...with steel-clawed terror!
The Mystery-master's spine-clutching classic of the Phantom Mangler of Paris!