Alan Bennett (born 9 May 1934) is a British playwright, screenwriter, actor and author. Born in Leeds, West Riding of Yorkshire, he attended Oxford University where he studied history and performed with The Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing full time, his first stage play Forty Years On being produced in 1968.
His output includes The Madness of George III and its film incarnation The Madness of King George, the series of monologues Talking Heads, the play The History Boys, and popular audio books, including his readings of Alice's Adventures in Wonderland and Winnie-the-Pooh.
Bennett was born in Armley in Leeds, West Riding of Yorkshire. The son of a co-op butcher, Walter and his wife Lilian Mary (nee Peel), Bennett attended Christ Church, Upper Armley, Church of England School (in the same class as Barbara Taylor Bradford) and then Leeds Modern School (now Lawnswood School), learned Russian at the Joint Services School for Linguists during his national service and gained a place at Sidney Sussex College, Cambridge. However, having spent time in Cambridge during national service, and partly wishing to follow the object of his unrequited love, he decided to apply for a scholarship at Oxford University. He was accepted by Exeter College, Oxford from which he graduated with a first-class degree in history. While at Oxford he performed comedy with a number of eventually successful actors in the Oxford Revue. He was to remain at the university for several years, where he researched and taught Medieval History, before deciding he was not cut out to be an academic.
[Peter discovers Dudley shagging a young woman in his dressing room when he should be getting ready to go on stage]::Peter Cook: If you *do* decide to come on stage, Dudley, make sure you take her off your penis first.
Dudley Moore: Is my entire contribution to this show going to consist of my humiliating myself?::Peter Cook: No, Dudley. We'll do that for you.::Dudley Moore: Thank you. I wouldn't want to be appreciated or anything.::Peter Cook: Well, we initially tried looking up to you, Dudley... but when we did, we invariably found ourselves looking down.
Eleanor Bron: Sorry, sir. The club's full.::Upper Class Man: But I have an invitation. Do you know who I am?::Peter Cook: [to the people in the queue] Excuse me, ladies and gentlemen. May I have everyone's attention for a moment? This gentleman doesn't seem to know who he is. If anyone here recognises this man, can you come to the front of the queue and tell him his name.::Upper Class Man: Fuck you!::Peter Cook: You'll have to queue for that, too, I'm afraid, sir. There's a £5 waiting list.
Dudley Moore: Why do you constantly belittle me?::Peter Cook: Dudley, I don't think it's possible to belittle a club-footed dwarf whose only talent is to play Chopsticks in the style of Debussy.
Wendy Snowden: Everything happens for a purpose. Go with the flow.::Peter Cook: I've enjoyed the plughole immensely. I can't wait for the drain.::Wendy Snowden: It's really weird that this has happened when it has. I'm pregnant.::Dudley Moore: I think that was the U-bend, Pete.
Dudley Moore: You have a generous heart.::Peter Cook: I do have a generous heart. I have a very generous heart. I recently caught it trying to give my liver to a wino.
Dudley Moore: Are you allergic to compassion?::Peter Cook: Only in suppository form.
[about to give a tribute to Dudley Moore on "This Is Your Life"]::Alan Bennett: They wanted a glowing accolade. But I said "No. I'll do an amusing anecdote" - because glowing accolades tend to sound so insincere.::Peter Cook: ...Especially when they are.
Peter Cook: The BBC want another series.::Dudley Moore: Oh good. I'll make it up, you write it down, take all the money, take all the credit, then turn up drunk, and I'll make it all up again.
[1978: sketch prompted by the recent death of Pope John Paul I]::Peter Cook: Hello, mother.::Dudley Moore: [falsetto] Hello, son.::Peter Cook: Did you go to the Pope's funeral?::Dudley Moore: [falsetto] Yeah, I did. It was lovely.::Peter Cook: The way they laid out the Pope was beautiful.::Dudley Moore: [falsetto] Oh yes, son.::Peter Cook: Looking at that dead Pope gave me the horn.::Dudley Moore: [falsetto, shocked] No!::Peter Cook: Yeah, I got so horny seeing him lying in state, I had to have a wank.::Dudley Moore: [corpses]::Peter Cook: Yeah. I came all over the Pope - right across his face.::Dudley Moore: [corpses]
Plot
Host Eddie Izzard links together interviews with former Python members and other famous comedians to tell the story of one the most famous comedy troupes of the 20th century. Includes rare clips, including the seldom seen "German episodes."
Keywords: comedy-troupe, monty-python, number-in-title, sketch-comedy
[Four pepperpots have been asked what they would like to see on the BBC]::First pepperpot: I'd like to see that nice Michael Palet doing one of his travel programmes. You know when he says Hello, I'm Michael Palin and they say oh hello Michael how are you. And he says oh I'm very very well thank. What a nice hat you have. Would you like to come in and he says oh good idea and on and on and on.
Eric: Is Monty Python still alive? Well, technically, yes. He is on a wife support system in an old jokes' home in Surrey. When reached for tonight's tribute, he said, "Coo," then asked for a new bedpan. So the legendary wit has not gone with the passing of time... or his colon.
Eric: Well, John's obviously the cruel heartless bastard.::Doctor: [archive footage] Now I know some hospitals where you get the patients lying around in beds.::Eric: Michael's the sweet, slightly ineffective lower middle class one.::Silly Walker: [archive footage] I have a silly walk and I'd like to obtain a government grant to help me develop it.::Eric: Terry is the ratbag woman.::Ratbag Woman: [archive footage] [cackles with laughter]::Eric: and Gilliam is anything with unpleasant makeup jobs. [archive footage of Gilliam with a ferret through his head]
Eric: It's ridiculous, there's no sense to it at all. Why are the Vikings there? Why are they dressed as Vikings? Why are they singing love songs to pressed meat?
Eric: [about 'Sit on My Face'] Gracie would have loved my version I'm sure.
Michael Palin: [archive footage - debate in defence of Life of Brian] Yes, you started out with an open mind.
John Cleese: [archive footage - debate in defence of Life of Brian] 400 years ago we would have be burned for this film. Now I am suggesting we have made an advance.
Plot
Eddie Haines is a radio reporter with Station KBC. He is always getting the scoop, which infuriates those at the New York Star, which happens to employ his ex-girlfriend Mary Bradley. But when Mary is kidnapped while thinking she is getting a scoop on a big story, Eddie and Mary, (ie. the print media and the radio media), must work together to rescue her.
Keywords: 1930s, announcer, archive-footage, b-movie, backpack-radio, barroom, blackmail, body-in-trunk, broadcasting, cigarette-smoking
A MILLION IN GOLD STOLEN! A BRAVE GIRL AT BAY...and the bombshell broadcaster on the spot in the biggest story of his flaming career!
A pocket radio sender was his secret of success...the scoop reporter who made the yellow journals green with envy.
Modern science and old-fashioned grit at grips with a gang of crooks, as the radio reporter lives thrills while they happen!
He made the yellow journals green with envy...the "short-wave" reporter who put the news on the air the moment it happened!
Sizzling drama of a short-wave news hound who lived on thrills.
THE "SHORT WAVE REPORTERS" Who Scoop the News!
All is fair in love and yellow journalism, when a girl reporter, engaged to a news-hawk, double crosses him to make the headlines first.
Radio Reporter Rescues Sob Sister and a Billion in Gold!