Ganesha (Sanskrit: गणेश; IAST: Gaṇeśa; listen (help·info)), also spelled Ganesa or Ganesh, also known as Ganapati (Sanskrit: गणपति, IAST: gaṇapati), Vinayaka (Sanskrit: विनायक; IAST: Vināyaka), and Pillaiyar (Tamil: பிள்ளையார்), is one of the deities best-known and most widely worshipped in the Hindu pantheon. His image is found throughout India and Nepal.Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.
Although he is known by many other attributes, Ganesha's elephant head makes him particularly easy to identify. Ganesha is widely revered as the Remover of Obstacles and more generally as Lord of Beginnings and Lord of Obstacles (Vighnesha (Sanskrit: विघ्नेश; IAST: Vighneśa), Vighneshvara (Sanskrit: विघ्नेश्वर; IAST: Vighneśvara)), patron of arts and sciences, and the deva of intellect and wisdom. He is honoured at the beginning of rituals and ceremonies and invoked as Patron of Letters during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.
Jai Uttal (Hindi: जय उत्तल) is an American musician and singer-songwriter born in New York City. Often performing with his "Pagan Love Orchestra," Jai's music is influenced by his R&B roots of the 1960s and '70s and by traditional Indian music, which he first became familiar with at age 19.
When he was 19, Jai moved to California to become a student of sarod player Ali Akbar Khan for traditional voice training and to learn the sarod, a 25-stringed Indian instrument. Later he traveled to India where he studied yoga under Neem Karoli Baba. He was also deeply inspired by the Bauls, the wandering street musicians of Bengal. Jai settled among them, communicating only through music, which ultimately helped establish his unique style1.
While some of Jai's music is used in the practice of yoga2, it is not all meditative; his 1990s records also used elements of jazz, reggae and rock and often featured powerful horn arrangements by Peter Apfelbaum. In addition to Baul influences (particularly in the lyrical realm), elements of his music are strongly influenced by kirtan, and bhajan.
Plot
In ancient India the five Pandava brothers, Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, are cousins of the sons of king Dhritharashtra, known as the Kaurava. The five are the sons of the wives of king Pandu, who seceded in favor of his blind brother after he was cursed. The men are raised together, but from the beginning there are difficulties. They are prone to fight and when Arjuna becomes a great archer, the Kaurava are both jealous and afraid. Is it the kingdom the Pandava are after? Yudhishthira, the eldest of the Pandava, strives after it as he is told by the deity Krishna that he will become king. The hatred and jealousy of the Kaurava grows even stronger when the Pandava turn a barren wasteland Dhritharashtra gave them into a great court. This can't go on forever. Inevitably a war will follow, a war that will shake the foundations of the Earth.
Keywords: based-on-play, battle, dead-boy, epic, massacre, mythological, religion, tv-mini-series, veda
Duryodhana: Birth is obscure and men are like rivers whose origin are often unknown
Duryodhana: A man says: I have enough to eat and wear. I need nothing more! Shame! He says: I don't know anger! Shame! I am like a dried up stream, like a wooden elephant. All because my father was born blind, because one does not give a throne to a blind man.
Duryodhana: A man's body grows from birth and everyone is delighted in the same way his desire grows, his desire for power.
Duryodhana: Stay in this unhappy world, I am going to another world . Who is happier than I? I reigned on earth. I was just. I laughed. I sang. I loved my friends and wives. I protected my servants. I held out my hand to the afflicted. I knew all of human joys.
Krishna: The victory of the Pandava is assured. Tell your friends: 'Look - it's spring. The buds are sweet, the water sparkles, everyone is joyful... we're going to die.'