Synchronicity

Synchronicity is a concept, first explained by psychiatrist Carl Jung, which holds that events are "meaningful coincidences" if they occur with no causal relationship, yet seem to be meaningfully related. During his career, Jung furnished several slightly different definitions of it.

Jung variously defined synchronicity as an "acausal connecting (togetherness) principle," "meaningful coincidence", and "acausal parallelism." He introduced the concept as early as the 1920s but gave a full statement of it only in 1951 in an Eranos lecture.

In 1952, he published a paper Synchronizität als ein Prinzip akausaler Zusammenhänge (Synchronicity – An Acausal Connecting Principle) in a volume which also contained a related study by the physicist and Nobel laureate Wolfgang Pauli.

Jung's belief was that, just as events may be connected by causality, they may also be connected by meaning. Events connected by meaning need not have an explanation in terms of causality. This contradicts the Axiom of Causality in specific cases but not generally.

Synchronicity (Olivia Lufkin album)

"Synchronicity" is the debut album of singer-songwriter Olivia Lufkin. It includes her first six singles. The First Press edition includes an extra track called "Mint". The album reached #20 on Oricon charts and charted for five weeks.

The music video for "Dress Me Up" was shot on March 21 and 22, 2000 at Sunshine City, Tokyo, featuring footage of the roof, the aquarium and the shopping center.

Track listing

References

Synchronicity (disambiguation)

Synchronicity, in philosophy, is the experience of two or more events that are causally unrelated, yet are experienced as occurring together in a meaningful manner. It was first described by Carl Jung in the 1920s.

Synchronicity may also refer to:

See also

THX (disambiguation)

THX or thx may refer to:

THX 1138

THX 1138 is a 1971 science fiction film directed by George Lucas in his feature film directorial debut. The film was produced by Francis Ford Coppola and written by Lucas and Walter Murch. It stars Robert Duvall and Donald Pleasence and depicts a dystopian future in which the populace is controlled through android police officers and mandatory use of drugs that suppress emotion, including outlawed sexual desire.

THX 1138 was developed from Lucas' student film Electronic Labyrinth: THX 1138 4EB, which he made in 1967 while attending the University of Southern California's film school. The feature film was produced in a joint venture between Warner Bros. and Francis Ford Coppola's production company, American Zoetrope. A novelization by Ben Bova was published in 1971. The film received mixed reviews from critics and failed to find box office success (even though it got its budget back) on initial release; however, the film has subsequently received critical acclaim over the years and gained a cult following, particularly in the aftermath of Lucas' success with Star Wars in 1977.

Theorem

In mathematics, a theorem is a statement that has been proven on the basis of previously established statements, such as other theorems—and generally accepted statements, such as axioms. A theorem is a logical consequence of the axioms. The proof of a mathematical theorem is a logical argument for the theorem statement given in accord with the rules of a deductive system. The proof of a theorem is often interpreted as justification of the truth of the theorem statement. In light of the requirement that theorems be proved, the concept of a theorem is fundamentally deductive, in contrast to the notion of a scientific law, which is experimental.

Many mathematical theorems are conditional statements. In this case, the proof deduces the conclusion from conditions called hypotheses or premises. In light of the interpretation of proof as justification of truth, the conclusion is often viewed as a necessary consequence of the hypotheses, namely, that the conclusion is true in case the hypotheses are true, without any further assumptions. However, the conditional could be interpreted differently in certain deductive systems, depending on the meanings assigned to the derivation rules and the conditional symbol.

Teorema (film)

Teorema is a 1968 Italian art-house film written and directed by Pier Paolo Pasolini and starring Terence Stamp, Laura Betti, Silvana Mangano, Massimo Girotti, and Anne Wiazemsky. It was the first time Pasolini worked primarily with professional actors. In this film, an upper-class Milanese family is introduced to, and then abandoned by, a divine force. Two prevalent motifs are the desert and the timelessness of divinity.

Plot

A mysterious figure known only as "The Visitor" appears in the lives of a typical bourgeois Italian family. His arrival is heralded at the gates of the family's Milanese estate by an arm-flapping postman. The enigmatic stranger soon engages in sexual affairs with all members of the household: the devoutly religious maid, the sensitive son, the sexually repressed mother, the timid daughter and, finally, the tormented father. The stranger gives unstintingly of himself, asking nothing in return. He stops the passionate maid from committing suicide with a gas hose and tenderly consoles her; he befriends and sleeps with the frightened son, soothing his doubts and anxiety and endowing him with confidence; he becomes emotionally intimate with the overprotected daughter, removing her childish innocence about men; he seduces the bored and dissatisfied mother, giving her sexual joy and fulfillment; he cares for and comforts the despondent and suffering father, who has fallen ill.