In Hellenistic Greek and Roman architecture a peristyle is a columned porch or open colonnade in a building surrounding a court that may contain an internal garden. Tetrastoon (pronounced /tetrastohon/, from Greek τετράστῳον, "four arcades") is another name for this feature. In the Christian ecclesiastical architecture that developed from Roman precedents, a basilica, such as Old St Peter's in Rome, would stand behind a peristyle forecourt that sheltered it from the street. In time the cloister developed from the peristyle.

In rural settings a wealthy Roman could surround a villa with terraced gardens; within the city Romans created their gardens inside the domus. The peristylium was an open courtyard within the house; the columns or square pillars surrounding the garden supported a shady roofed portico whose inner walls were often embellished with elaborate wall paintings of landscapes and trompe-l'oeil architecture. Sometimes the lararium, a shrine for the Lares, the gods of the household, was located in this portico, or it might be found in the atrium. The courtyard might contain flowers and shrubs, fountains, benches, sculptures and even fish ponds. Romans devoted as large a space to the peristyle as site constraints permitted; even in the grandest development of the urban peristyle house, as it evolved in Roman North Africa, often one range of the portico was eliminated, for a larger open space.

Roland Sands (born August 12, 1974) is the 1998 AMA 250GP National Champion road racer, an award-winning designer for Performance Machine, and owner and founder of Roland Sands Design.

Sands is from Long Beach, California. He began his life with the upbringing and diverse experience in the motorcycle industry. His first motorcycle was a RM 50 dirt bike, given to him on his 5th birthday, to which, after just minutes of riding, he broke a bone, but fell in love with it anyway. He literally grew up in the Performance Machine shop, and started working there at age 14 sweeping floors. Quickly moving up to assembly, sanding polishing, wheel designing, eventually working his way as Director of R&D and Design at Performance Machine. In 2005, after the tremendous success Sands found on Discovery Channel's Biker Build-Off vs. Arlen Ness, Sands founded Roland Sands Design. RSD designs concept motorcycle parts and accessories and builds custom motorcycles. RSD works with major motorcycle manufacturers to design concept and prototype motorcycles and promote benchmark product in the motorcycle industry and beyond. Sands’ designs are described as being a mixture of sport bike and chopper influences to create the ultimate custom bikes.

Éric Alfred Leslie Satie (pronounced: [eʁik sati]) (17 May 1866 – Paris, 1 July 1925; signed his name Erik Satie after 1884) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of a "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.

In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.

Frank Stella (born May 12, 1936) is an Italian American painter and printmaker, significant in the art movements of minimalism and post-painterly abstraction.

Stella was born in Malden, Massachusetts, to parents of Italian descent. After attending high school at Phillips Academy in Andover, Massachusetts, he attended Princeton University, where he majored in history and met Darby Bannard and Michael Fried. Early visits to New York art galleries influenced his artist development, and his work was influenced by the abstract expressionism of Jackson Pollock and Franz Kline. Stella moved to New York in 1958, after his graduation. He is one of the most well-regarded postwar American painters still working today. Frank Stella has reinvented himself in consecutive bodies of work over the course of his five-decade career. Notably, he is heralded for creating abstract paintings that bear no pictorial illusions or psychological or metaphysical references in twentieth-century painting.

Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the "flatter" surfaces of Barnett Newman's work and the "target" paintings of Jasper Johns. He began to produce works which emphasized the picture-as-object, rather than the picture as a representation of something, be it something in the physical world, or something in the artist's emotional world. Stella married Barbara Rose, later a well-known art critic, in 1961. Around this time he said that a picture was "a flat surface with paint on it - nothing more". This was a departure from the technique of creating a painting by first making a sketch. Many of the works are created by simply using the path of the brush stroke, very often using common house paint.

Leroy Jones is a jazz trumpeter from New Orleans, Louisiana. Born February 20, 1958, Jones began playing trumpet at the age of ten, and by the time he was 13 was leading the Fairview Baptist Church Marching Band, a group of young musicians organized by guitar- and banjo-player Danny Barker. When the musicians' union forced Barker to disband the group in 1974, Jones became a union musician and took over the running of the group, renamed the Hurricane Brass Band, himself. In 1975 or 1976 he left the group, touring for a time with Eddie Vinson and Della Reese before forming his own group, the Leroy Jones Quintet. In 1991 Jones joined the big band of Harry Connick, Jr., and the exposure with Connick's band (including the opportunity for the Leroy Jones Quintet to open for Connick, which they did in 1994), led to Jones' releasing his first album under his own name; Mo' Cream From The Crop came out on the Columbia Records label in 1994. The Leroy Jones Quintet continues to tour and record, and since 2004 Jones has also appeared with the Preservation Hall Jazz Band and Dr. John.