- published: 06 Apr 2021
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Women in prison film (or WiP) is a subgenre of exploitation film that began in the late 1960s and continues to the present day.
Their stories feature imprisoned women who are subjected to sexual and physical abuse, typically by sadistic male or female prison wardens, guards and other inmates. The genre also features many films in which imprisoned women engage in lesbian sex.
WiP films are works of fiction intended as pornography. The flexible format, and the loosening of film censorship laws in the 1960s, allowed filmmakers to depict more extreme fetishes, such as voyeurism (strip searches, group shower scenes, catfights), sexual fantasies (lesbianism, rape, sexual slavery), fetishism (bondage, whipping, degradation), and sadism (beatings, torture, cruelty).
Prior to these films, the only expression of pornographic women in prison was found in "true adventure" men's magazines such as Argosy in the 1950s and 1960s, although it is possible that Denis Diderot's novel The Nun anticipated the genre. Nazis tormenting damsels in distress were particularly common in these magazines.
A prison film is a film genre concerned with prison life and often prison escape. These films range from acclaimed dramas examining the nature of prisons, such as Cool Hand Luke, Brubaker, Escape from Alcatraz, The Shawshank Redemption, and Kiss of the Spider Woman to actioners like Lock Up and Undisputed, and even comedies satirizing the genre like Stir Crazy, Life, and Let's Go To Prison.
Themes repeatedly visited in the action films include escape attempts, gang activities inside the prison, and an entire subgenre of films where the toughest prisoners are permitted (or forced) to engage in boxing matches or martial arts bouts, replete with high-stakes wagering on the outcomes. These elements may be meshed together, where for example a prisoner forced to fight uses the occasion to plan an escape.
Prison films set during war have become a popular subgenre known as prisoner of war film.
Prison (Swedish: Fängelse) is a 1949 Swedish drama film directed by Ingmar Bergman.
Women in Prison is an American television sitcom created by Katherine Green which aired on Fox from October 11, 1987 to April 2, 1988.
Set in cell-block J of the Bass Women's prison in Wisconsin, the show focuses on the interactions among the prison inmates. The show's cast include Peggy Cass, Julia Campbell, Antoinette Byron, Blake Clark, Denny Dillon, CCH Pounder, and Wendie Jo Sperber.
Campbell stars as Vicki Springer, an overachieving yuppie, who was brought to Bass Women's Prison for supposedly shoplifting (she had been actually framed on the charge by her scheming no-good husband), where she had to deal with the inmates. Eve Shipley (Cass) was the old lady prisoner, having been there for almost 10 years and was kind of the old hand prisoner, helping others get used to the routine; Dawn Murphy (Pounder) was a bad tempered African-American woman who had murdered her abusive husband; and Bonnie Harper (Byron) was in for prostitution.
Vickie, Eve, Dawn and Bonnie all shared a cell, while, in a nearby cell of her own, complete with computer access, was Pam (Sperber), who was, not surprisingly, in prison for computer fraud. They all had to contend with guard Meg Bando (Dillon), who didn't like the prisoners, and vice versa, and the assistant warden, Clint Rafferty (Clark), for whom Vicki worked as a secretary (for her prison job) and to whom he was attracted.
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Chained Heat is a 1983 American-German exploitation film in the women-in-prison genre. It was co-written and directed by Paul Nicholas for Jensen Farley Pictures. Producer was Paul Fine, who had previously produced The Concrete Jungle. "Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use."
Janine is a young woman on the road to a new life when a freak accident strands her on a deserted highway and a call for help soon becomes a fight for survival. Stalked and tormented by a psychotic tow truck driver, Janine soon finds herself trapped in a world of torture and depravity, imprisoned in a cellar and given only thirty days to live! Janine must contend with both the ghosts of her past and the demons of her present in an effort to survive. Diretor: Paul Moore Estrelando: Robert Pralgo, Sunny La Rose, Liz Blake
When her mother is murdered by her father, Julie Ann Mabry is confronted by a life of hardship and poverty. Taken in by her Evangelical relatives, she begins to adopt new convictions in an effort to reconnect with her mother. Slowly, the threads of her new life begin to unravel and Julie Ann is sent to prison. It is there she finds the freedom and community she had sought so long, yet it does not come without a price. Featuring music by Jeremy Joyce and Sharon Van Etten Winner of the New York Women in Film & Television Award La Femme Festival - Best Narrative Feature Film Crossroad Film Festival Kansas International Film Festival Southern Appalachian Film Festival Alabama Film Festival Columbus Film Festival Woodstock Film Festival Illinois Film Festival
Discontent leads to a daring escape plan in a women's prison where the inmates are all lingerie clad models and the lesbian warden demands unusual favours for early parole. As you come to find out this prison is not even a prison but a scheme hatched by some goons to have their way with young women who come to L.A to become actors.
Women in Prison films gave us powerful black women, lesbians and socialism on screen- but they also focus on torture and abuse of women in abundance. How can the two be reconciled? This important genre launched the career of Pam Grier (Coffy, Jackie Brown, Foxy Brown) and Jonathan Demme (Silence of the Lambs, Philadelphia), gave rise to blaxploitation and increased representation across the board. Here's my rundown on the most important women in prison films. Filmography: Caged The Big Doll House The Big Bird Cage Black Mama White Mama Coffy The Silence of the Lambs Philadelphia Chained Heat Caged Heat 3000 Chained Heat: Hell Mountain
Women in prison film (or WiP) is a subgenre of exploitation film that began in the late 1960s and continues to the present day.
Their stories feature imprisoned women who are subjected to sexual and physical abuse, typically by sadistic male or female prison wardens, guards and other inmates. The genre also features many films in which imprisoned women engage in lesbian sex.
WiP films are works of fiction intended as pornography. The flexible format, and the loosening of film censorship laws in the 1960s, allowed filmmakers to depict more extreme fetishes, such as voyeurism (strip searches, group shower scenes, catfights), sexual fantasies (lesbianism, rape, sexual slavery), fetishism (bondage, whipping, degradation), and sadism (beatings, torture, cruelty).
Prior to these films, the only expression of pornographic women in prison was found in "true adventure" men's magazines such as Argosy in the 1950s and 1960s, although it is possible that Denis Diderot's novel The Nun anticipated the genre. Nazis tormenting damsels in distress were particularly common in these magazines.
[The prince:]
Thrown into prison, into "Crown's inn"
I'm sitting here all alone
Already forgotten by people I loved
Surrounded by walls of stone
Goddamn you prophet for putting me here
Anguish and hate strikes my mind
Darkens my senses, tearing my soul
The rage is making me blind
I must control my hate
Don't want to be like him now
I must fight before it's too late
Our kingdom is at stake
How / Can I be free from theese dungeons of hate
I want out to face my enemy
Can I be free from theese dungeons of hate
I / want to face the one who killed the king
[Solo Michael]
Now / I have to think, how am I to get out
Out of this dreadful place
I've got to be free to clear my name
And / revenge my father's death
I must...
How can I...
[Solo Both / Both / Jake / Michael]
I must...
How can I...