Liquid Architecture

Adelle Mills
Figures that act with skill wedge their voices in between rolling translations.

Alex Cuffe
Our abject humanness horrifies me, imagine all these people, these skin wrapped containers of meat communicating to each other their thoughts.

Alice Hui-Sheng Chang
vocal groups as small social experiments in the diversity in human social interactions

Alrey Batol
practical attempts to expose or rupture existing systems that operate and govern everyday life

Amelia Barikin
As a material index of acoustic activity, the term 'sound fossil' has gained currency in the field of contemporary art both as a means of accounting for the appearance of the past in the present, and as an embodiment of cosmic time.

Andrew McLellan
rather than being slowed down by your brain needing to figure out how to say the words first.

Anja Kanngieser and Daniel Jenatsch
sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in

Ann Fuata
!!CALL OUT!! Performers needed to participate in a live performance. It involves clicking, pausing and clapping. Please contact: a.a.fuata@gmail.com

Antony Riddell
aggressive physical impropriety, neurologically-disordered vocals, lyrical interventions, simultaneously absurd, yet strangely elegant

Aurelia Guo
#GiveYourMoneyToWomen

Basic House
Sonic adventurer who experiments with captivating rhythmic and textured techno.

Bon Mott
A transmutation into energy happens from an alchemical mixture of the corporeal, the spatial, the intangible and embodiment of the ghost of AC/DC’s singer/songwriter, Bon Scott.

Botanic Gordon
Reel to reel tape, live radio samples, loops, vintage synth and homemade and modified sound trinkets

Brandon LaBelle
questions of social life and cultural agency, using sound, performance, text and sited constructions

Caitlin Franzmann
...the term vocal fry and its association with young women is another ‘excuse to dismiss, ignore and marginalise women’s voices, both literally and figuratively’.

Camille Robinson
Camille Robinson is here to listen

Caroline Anderson
Screeds of crystallised information surprised me with its contents, issuing clues as to what was happening within.

Carolyn Connors
At one factory, each worker was assigned a piece of wood. Each of the four sides was painted a different colour: black, white, yellow and blue. The piece of wood displayed the colour that corresponded to the quality of the worker’s work the previous day: black was bad, blue was so-so, yellow was good, and white was excellent. The daily colour for each worker was logged in a ‘book of colour’.

Celeste Liddle
Melbourne-based Arrernte woman and self-described Black Feminist Ranter

Clare Cooper
The feminism at the core of her practice manifests as commitment to oddity.

Coco Solid AKA Jess Hansell
People have fatal embargoes on who they think they are. Permission to change unlocks that.

COLLINGWOOD COLLEGE SOUND COLLECTIVE
They were asked to consider the contradictions in sound, such as those found in film and Foley techniques and to consider that gender may be associated to particular qualities in sound, instruments and/or image.

DIVA FINGER
Super friend duo sending wavelengths of creme fraiche scooped offa a pile of sweetened condensed milk in a vortex of TLCWhaleNoise with a contact mic taped between Janet Jackson's buttcheeks, Sadeism and MariahCareyism, equaling the goodness of greasy pizzaonthecouch X 880000000

Eddie Hopely
(eg a triad of #branding, #recovery, and #evidence corresponding to then cycling through topos CS, WWAFMSL, E)

Ellena Savage
Ellena Savage is an essayist, critic, and editor from Melbourne. She has been described as a “neurotic airhead”, and “better than Marx”.

Evelyn Ida Morris
musician, performer, LISTEN(ER) and advocate for women in Australian music

Feminist Theory Group
FTG: Eva Birch, Katherine Botten, Aurelia Guo

Frances Barrett
From here to hear.
From here, as email. To hear, as script.
From here, as silent artist**. To hear, performing Curator***.

Frances Dyson
the resonance of voice has been exiled to places without people

Francis Plagne
to jerk or throw underhand or backhand

Gabi Briggs
Gabi Briggs is a Koori woman from the sovereign Anaiwan and Gumbangier peoples and has been raised on country in Armidale, NSW. She relocated to the unceded lands of the Wurunjeri people where she is currently completing her BFA at RMIT. Gabi works primarily with photography but also works within different mediums such as video and performance. Gabi is a co-founder of Sovereign Apocalypse and is a member of the Tiddas Take Back collective.

Gail Priest
Gail Priest is an artist, writer and curator, for whom sound is the key investigative material.

Georgina Criddle
a voice from behind the great walls of brian

Harriet Kate Morgan
Psychedelic death industrial act military position deals with modern and everlasting feelings of female and human subjugation.

Holly Childs
Kemistry died (cat-eye reflector dislodged by a truck travelling ahead of the vehicle she was in)

Ivan Lisyak
pop culture appropriation, techno, and heavy industrial aesthetics

Jackson Eaton
Don’t miss this opportunity to hear Jackson Eaton himself tell the Jackson Eaton story.

James Parker
Eavesdropping and exposure: the twin frontiers of contemporary sonic warfare. What binds them together? Amongst other things, law’s complicity.

Jannah Quill
lights on lights off lights on lights off

Jasmine Guffond
digital technologies, sonification and the aesthetisation of data as a means of artistically surveying contemporary surveillance

Jennifer Walshe
Irish Dada-ist, composer and musical conceptualist, socially mediated / meditated performance art

Joe Banks
the relation between techniques of recording and mechanisms of perception

Johannes S. Sistermanns
[Un - the World] unexpected unrepeatable unclosed

Jonathan Kemp
the elaboration of life coding strategies usually by way of some breton-brut sleights of hand

Julia Drouhin and Pip Stafford
Drouhin and Stafford use radios, transmitters, crystals, hurdy gurdy and field recordings in acts of sound divination and occult listening. Their collective interests lie in radio arts, auditory-spatial practices and the intersection of gender and emergent art forms.

Kate Brown
The processes ‘the body’ undergoes during a vocal performance are acknowledged by representing the body as a machinic entity via sound to combine present actions and potential connections within a continuum.

Kate Geck
animation, textiles, installation, interactive, melbourne, australia m8

Kraus
I play guitar, drums, a home-made synthesizer, organ, bamboo flute and tape-loops. I live in Auckland, New Zealand. I like medieval and Renaissance music, Japanese traditional music, psychedelic music, electronic music 1950s-70s and rock and pop of the same era. And, etc.

Kynan Tan
What are the implications of being listened to at all times? What is the difference between being listened to
by: nobody, somebody, a machine, an intelligent machine?

Lawrence Abu Hamdan
the contemporary politics of listening – its relationship to power, borders, human rights, testimony and truth

Leena Riethmuller
By accessing bodily information, participants will be given the opportunity to reflect on tacit knowledge, physical experiences and emotional states.

Lucreccia Quintanilla
multidisciplinary artist, writer and sometimes DJ

Magic Steven
"Treat Every Experience as a Lesson... To Open your Mind & Heart." -

Marcus Rechsteiner
Time travel confuses me. When I see it in movies I get confused and think how is this possible. I also think it would be cool to see if Aliens did build the pyramids. I would also use it to see if Julius Caesar ate Caesar salads.

Marian Tubbs
There is a party at Minerva 4/111 Macleay St, Potts Point this Saturday from 8pm-9:30pm. We hope you can make it. There will be some recording devices at the gallery.

Mark Brown
relentless processes of the dematerialisation of matter despite the human struggle to contain time - the eternal eating machine

Martin Howse
discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions)

Martina Copley
Sound, idea, object and modality are collated to set up a structural space for something to exist, a space in which the work moves towards an opening and at the same time asks questions about itself.

Media Lab Melbourne

Monica Monin & Astrid Lorange
Affective Citations

Nathan Gray

Nicola Morton
psychic séances, psychedelic performances, psychological deaths

Pia Van Gelder
heosophy, technology, science, counter-culture histories, DIY pedagogy, AV mysticism and what she calls ‘machinic affinity’

Poppy de Souza
"Beyond Voice Poverty: New Economies of Voice and the Frontiers of Speech, Listening and Recognition"

Ragtime Frank
Her neighbours come tell me
Frankie she ain’t home

Rebecca Ross

Richard Dawson
songs both chucklesome and tragic, rooted in a febrile imagination that references worlds held dear and worlds unknown

Rita Revell
Amniotic reminiscences and mutated mummy rhythms transmute in home video holy matrimony.

Rosalind Hall and Dave Brown
a blind dance of hope in step and flight..sending thoughts astray amid hallucinations born of time and telepathy.

Ruth O’Leary
Melbourne based artist who works primarily with performance, video and painting.

Saskia Doherty
speak until the breath is completely gone

Sean Dockray
The Facebook timeline is like a broken toilet, constantly flushing.

Shani Mohini-Holmes
(I just want to create sound that transcends my horrendous personality)

Sibling
SIBLING works at the intersection of architecture, urbanism, cultural analysis and graphic communication to produce new and unexpected spatial outcomes

Simona Castricum
"All that I am doesn't belong, all I will be doesn't belong, so whats the point of all of my songs if everything I know is now wrong?"

Snack Syndicate (Andrew Brooks and Astrid Lorange)
Multipacks, or: microbial colonies, algorithms talking to algorithms, a google deep dream, systems as swarms. Denial in a buzz is no escape at all. Effortless, thick cloud.

Sovereign Trax
decolonises the party with tracks from First Nations musicians and producers who are “experimenting across genres and spitting heavy truths”.

Steph Overs
Electronic materials recombine and transform in infinite compositions as an experiment in computer aided sound-to-object synesthesia.

Thanh Hằng Phạm
Thanh Hằng is a queer, second-gen Vietnamese-Other descendant. She draws on the bodily to visualize and give breathe to her writing and zine-making. Thanh Hằng’s work is engrossed in mental health, bodies, boundaries, Vietnamese diaspora, queerness, and water. She is also a radio producer for 3CR’s Queering the Air.

Tom Ogley
“I went to my teacher I wanted to stop and she said ,'no Tom , you can’t leave . You’ve got something special in your feet that people would die for'“

Tom Smith
I selected several excerpts from Luc Boltanski and Eve Chiapello's The New Spirit of Capitalism. I interpreted these sentences in the manner of the heavily auto-tuned slowdown.

Yen-Ting Hsu
the connection between sound, life, environment and culture.

Zac Segbedzi
“one does not simply take the acid, the acid is no longer a tab... ”