![](http://web.archive.org./web/20150930143947/http://www.newyorker.com/wp-content/uploads/2015/10/151005_r27108-728-375-25114633.jpg)
Letter from Baghdad
An Activist in the Sex-Trafficking Underworld of Iraq
By Rania Abouzeid
A former prostitute evades Islamic militias to rescue her country’s most vulnerable women.
A former prostitute evades Islamic militias to rescue her country’s most vulnerable women.
A sudden attention has blindsided Korean artists, but it coincides with a new global focus among galleries and auction houses.
President Xi prefers to call the differences between America’s regulatory conditions and China’s “national realities.”
In 2015, there is no better embodiment of the state’s dizzying, orphic appeal.
Far from challenging the tax-plan fantasies that have become G.O.P. orthodoxy, Donald Trump embraced them wholesale.
Is China moving fast enough to save the African elephant?
“I’d like to hear some talk of a looming government shut-up.”
The charity Compassion International approaches poverty alleviation as an outgrowth of enterprise.
Corbyn’s speech at the Labour Annual Conference was his best performance to date, but he still demonstrates a surplus of the wrong kind of experience.
After decades of languishing, the octogenarian artists of the Tansaekhwa movement are enjoying a surge in the demand for their work.
Is it time to dispense with the R. & B. genre? Andrew Marantz will moderate a panel on the question at The New Yorker Festival.
Most politicians know Jorge Ramos as the gateway to the Latino vote. Trump told him to “go back to Univision.”
The making of a revolutionary new musical.
Ta-Nehisi Coates on “Between the World and Me” and his life and career.
Why do moral people make us uneasy? It maybe be guilt, or irritation. But that’s not the whole story.
A century-old sawdust factory is reopening as a nonprofit classical-music venue in Williamsburg, and it’s attracting influential musicians.
The Nobel Laureate set out to solve the mysteries of the French Occupation. Instead, he created his own.
Kaluk is a fledgling business that offers street performances as a marketing strategy.
The Financial Times’s success is a bright spot in a depressing decade for newspapers.
In New Hampshire, the Presidential candidate elicited ugliness, and he got it.
The congressman said that he plans to begin every day with a good breakfast and a vote to revoke the Affordable Care Act.
Historical and psychological factors have combined to make them seem less like criminals and more like celebrities.
Tobi Schülert, the cartoon editor for the German magazine Stern, pays a visit to The Cartoon Lounge.
In “The Intern,” Nancy Meyers sketches a hard-edged portrait of a heroine of the times as well as a softball fantasy of the moment.
Carrie Battan and Kelefa Sanneh join Amelia Lester and David Haglund to discuss R. & B. artists from the Weeknd to Aretha Franklin.
Influenced by his own amateur track endeavors, the photographer Mark Davis began taking pictures of Edward Cheserek in 2012.
A young married couple invites two of their single friends out to Palm Springs for a long weekend. It does not go as planned. This short from director Michael Mohan premiered at the 2015 Sundance Film Festival and won the Jury Prize for best short at the 2015 SXSW Film Festival.