Pulitzer Prize–winning author Adam Johnson talks about his new book, Fortune Smiles, fiction and voice, veterans and defectors, solar-powered robots and self-driving cars, and infrared baseball caps that can blind security cameras. ...more
I’ve been a sucker for redheads since the day in second grade when chubby Johnny with the glasses kissed me on the playground and told me I was his girlfriend....more
When you arrived, you reached under the mat to pick up the keys in an envelope. Inside, a note on the kitchen counter said help yourself to anything in the pantry or fridge....more
Author Deborah Reed discusses her latest novel, Olivay, the necessity of fire, Los Angeles anxiety, and how she found fulfillment at the edge of the American West. ...more
The Boat is an interactive graphic novel based on the acclaimed story by Nam Le. The project unites hand drawn artwork, animation, text, sound, and archive to explore this important moment in history. ...more
Melissa Gira Grant talks sex workers’ rights, labor politics, the novelty of women’s sexuality, and her book, Playing the Whore: The Work of Sex Work. ...more
I had to look back at the late nights when her voice has sung me out of sadness to sleep, back to those Saturday afternoons of my childhood, and ask myself what I had learned from her, as a musician and a woman....more
In Yearbook #3, Sarah Gerard talks about writing Binary Star, going to her ten-year high school reunion stoned, and growing up on the south side of St. Petersburg, Florida. ...more
David Lipsky, whose book was recently adapted into the movie The End of the Tour, discusses his career as a writer and journalist as it’s evolved in the twenty years since his road trip with David Foster Wallace. ...more
We live our lives and then relive them on the page in a relentless search for some nugget of discovery, some further comprehension of what it all means....more
Over one third of the women in my survey had been called “Thunder Thighs” at some point in their life. Many were still haunted by this. None of them interpreted “thunder” to mean “power. ...more
Yumi Sakugawa discusses her latest book, Ikebana, discovering meditation, exploring blank spaces, and drawing a world of sentient oranges and one-eyed monsters. ...more
For me, Bob Pollard became a messiah of the creative life, urging me forward for many years to come, in my new, somewhat shabby but inspired career....more
In Episode 35 of The Rumpus’s Make/Work host Scott Pinkmountain speaks with scholar Dru Farro about his role on the fringes of academia, his deeply ingrained American reluctance to seek medical attention, and his eventual and abstract creative goals. ...more
Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery. ...more
The Rumpus Poetry Book Club chats with Ada Limón about her new book Bright Dead Things, writing love poems in an age of cynicism, and committing to places. ...more
Musician Owen Ashworth on his new album, Nephew in the Wild, literary influences, self-expression in songwriting, and how becoming a father has changed his work. ...more
In this ongoing series, writers in all genres explore the intersection between our literary lives and practices and our BDSM and fetishistic lives and practices. ...more
Performing sadness is a self-indulgent practice, and that’s part of what makes it radical. The act of using public space instead of a private diary to work through and document this emotional content is a bold resistance against those who have attempted to silence women’s voices.
Young British bibliophiles may have found the Golden Ticket. In a six-week campaign backed by the National Literacy Trust (NLT), McDonald’s will offer chapters from Roald Dahl’s books with its Happy Meals. The Rumpus would choose Matilda over a Lego toy any day—especially when 15.4% of British kids don’t have a book of their own, according to the NLT.
Maybe it’s because she was a woman writing largely about women, from the perspective of women, and also about real sadness—not cute pat-her-on-the-head romantic problems and family matters. The women in her stories work jobs that roughen the hands and tax the knees; they work jobs that cause a lifetime of lower back pain. Who wants to read about that? And, to make matters worse, she was funny.
This Friday is full of much-anticipated releases, such as Kurt Vile‘s b’lieve i’m goin down, New Order‘s Music Complete, and Rub by Peaches. There are also new albums from CHVRCHES, U.S. Girls, Girl Band, Dungen, Wand, and Fetty Wap. Find a comprehensive list of this week’s releases here.
Imagine a world in the late 21st century: countries are underwater from the rising oceans, Europeans have become refugees, and a mathematical formula has been discovered that explains the entire universe, the applications of which include human flight (sans airplane) and the ability to remove pain and grief. That’s the world Lesley Nneka Arimah has created in her outstanding story “What It Means When a Man Falls From the Sky,” published at Catapult last Friday.
The dystopian future story has become a popular trope, but Arimah’s story isn’t like the others. “What It Means” is more magical realism than science fiction. (more…)
Friday 9/25: The Chicago Center for Literature and Photography releases their new anthology, TheView From Here: Stories about Chicago Neighborhoods, with an introduction by Patricia Ann McNair. City Lit Books, 6:30 p.m.
Perhaps the rise of literary events at music festivals is part of a broader move towards a growing sense of the multidisciplinary—consider Kanye West’s forays into the world of fashion, or the fact that Jim Jarmusch has, in recent years, tapped back into his musical side. Just as a growing music festival culture is bringing together disparate musicians in the same space for the same audiences, a relative porousness in the walls between creative disciplines is making it easier for those with an affinity for one to explore others within the same space.
While the anger of second-wave feminists was meant to be liberating, it wasn’t without its own limitations. Solanas and Rosler, Kate Millet and Judy Chicago all have one thing in common: They were white women. Even while trying to liberate their own anger, second-wave feminists bristled at black women’s anger, telling women of color to repress their fury for the sake of stability. White women demanded that women of color to do exactly what the patriarchy had demanded of women for centuries.
At Hyperallergic, Daniel Owen reflects on the Robert Seydel exhibit at the Queens Museum. The late writer and artist’s display explores alter egos and the obscurity of personas, as well as the blending and fluidity of the visual and textual artistic mediums:
In many of these texts, a rectangular passage is accompanied by lineated fragments, stamped stars, or child-like colored pencil drawings. No single element is more important than another. The textual is visual and the visual is textual. The movement of the language in its box is at play with the the boxed red star above the stationary mountains or toes or nubs. The correspondence of these elements is loose and complex. Possible meanings abound at every turn. “Here’s air.”