A nymph (Greek: νύμφη, nymphē) in Greek mythology is a minor female nature deity typically associated with a particular location or landform. Different from gods, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are believed to dwell in mountains and groves, by springs and rivers, and also in trees and in valleys and cool grottoes. Although they would never die of old age nor illness, and could give birth to fully immortal children if mated to a god, they themselves were not necessarily immortal, and could be beholden to death in various forms. Charybdis and Scylla were once nymphs.
Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, generally the huntress Artemis. Nymphs were the frequent target of satyrs. They are frequently associated with the superior divinities: the huntress Artemis; the prophetic Apollo; the reveller and god of wine, Dionysus; and rustic gods such as Pan and Hermes.
Jean Sibelius ( pronunciation (help·info); 8 December 1865 – 20 September 1957) was a Finnish composer of the later Romantic period. His music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
Plot
Today, Manhattan is a byword for overpriced property, overexposed landmarks and overdressed fashionistas. In the late 70s, however, it was rat-infested, crime-crippled, cheap and nasty - somewhere for America to dump its immigrants, poor people and artists. Music, art, fashion and filmmaking burgeoned, fueled by drugs, dares, fads, feuds, and a fair helping of madness.
New Cinema. New Wave. New York.
Plot
Scott Teller's life is turned upside down when he meets Ryan and Mary, a seemingly perfect couple who move into his apartment and his life. He quickly becomes their third wheel. But when Scott meets the girl of his dreams in Leslie he believes that Ryan and Mary are intentionally sabotaging his chances with her because they desperately need him in their life to hold their dysfunctional relationship together.
Keywords: number-in-title
Never Trust a Perfect Couple
Ryan: Friends don't let friends talk to exes drunk.
Mary: Scott! We have a contract.::Ryan: Don't make me put a Breathalyzer on that phone.
Leslie: I can't say I love being called Les.::Mary: I know what you're saying there. I can't stand it when people call me Mar. It's, like, what am I? Am I a horse? Am I some kind of horse? Like a pony?
Scott: You guys are shit-faced.::Ryan: [drunk] How dare... you.::Mary: That is silly. I am sober as a fucking judge.
Mary: God damn it, Scott! No one wants to see it work out between you and Leslie more than Ryan and I. You are screwing it up!::Scott: What am I screwing up?::Ryan: You asked her to move in after two dates.::Mary: Two!::Ryan: Come on, man! Couldn't scare her away any faster if you told her if you were a Nazi sympathizer who's into fondling puppy balls!::Mary: Or a chronic masturbater!
[Mary grabs Ryan's groin]::Scott: Mary, come on!::Mary: Come on, what? Want me to act like it's no big deal that my man's at half-mast? It is a big deal!::Scott: We're just having some guy time, all right? He'll just keep it in his pants.::Ryan: [high-pitch voice] Uh-huh.::Scott: I promise.::Ryan: And, um, if it's any consolation as you can see, I am completely flaccid now.::Scott: We all are, Ryan. We all are.
Mary: [referring to Bar Patron] You have to get rid of him. He is trying to get into my pants!::Scott: So? He's not going to. It's not like you're tempted to sleep with him or anything.::Mary: I'm tempted to fuck his brains out. I'd fuck him, I fuck that guy, I'd fuck the guy doing air-guitaring back there. I can fuck everybody I can see right now 'cause I just want the chance to be with somebody else. This is the reason I cannot be trusted without Ryan around me at all times. Just once I want to be with another guy without Ryan in the room. Can you understand that? I'm sick of fucking the same person over and over and over and over again!
An Erotic Journey in Time...
Plot
Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the neighbor's daughter Edna but is disliked by her father. He rides a cow into a stream and is kicked off. Unconscious, he dreams of a nymph dance. Back in reality a city slicker is hurt in a car crash and is being cared for by Edna. When Charlie is rejected after attempting to imitate the slicker, the result is ambiguous--either tragic or a happy ending. Critics have long argued as to whether the final scene is real or a dream.
Keywords: awkwardness, blind-man's-bluff-game, car-accident, cattle, chicken, church, farm, farm-hand, goat, homespun
Charlie Chaplin In His Third Million Dollar Comedy
No me fio jamas de las miradas
de los brazos que abrazan
sin razon
no me gustan las frases regaladas
que me llenan de nada el corazon
No me fio de aquel que me conoce
ni siquiera recuerdo bien su voz
de esa niña que dice haber besado
esos besos que jamas me dio
no me puedo fiar
el miedo me ha hecho frio
comprendeme
si ya ni en mi confio
Mi soledad
tal vez la adulacion
me han roto el corazon
y siento hastio
no me fio
No me fio de aquel que no me mira
que tendra contra mi su corazon
me da miedo entregarme a tus caricias
Pues me han hecho tanto daño amor
No me fio de aquel que hace favores
y presume de hacerlos por amor
no confio en aquel que vende amores
el amor jamas es un favor
no me puedo fiar
el miedo me ha hecho frio
comprendeme
si ya ni en mi confio
Mi soledad
tal vez la adulacion
me han roto el corazon
y siento hastio
no me puedo fiar
el miedo me ha hecho frio
comprendeme
si ya ni en mi confio
No me puedo fiar
pues tras la vanidad
llega la verdad
luego el vacio
no me fio
no me puedo fiar
el miedo me ha hecho frio
comprendeme
si ya ni en mi confio
No me puedo fiar
pues tras la vanidad
llega la verdad
luego el vacio
No me fio....
Yeah
You know we had to take a stab at this one
Yeah
Yeah
Swag
Swag
This that, this that over the top sexy shit that i be
talking about
Verse 1:
Now when i'm throwing on my clothes in the morning
(She be like) Where the hell you think you going?
(She be like) Last night you really put it on me
(She be like) Why you leaving so soon?
I say girl cause I gotta go to work now
(She be like) Nigga you aint gotta go to work now
(She be like) Come up out them pants and that shirt now
(And it be like) Going in for round two
Pre-Chorus:
Whoa oh whoa
Now she touching all on me
She rubbing and kissing my spot
She licking and sucking all on me
Now she moaning and getting all hot
And when she see me giving in
(She be like) Stop teasing me and slip it in
(And I be like) Damn this girl can get it in
Cause i know she is a nympho
Chorus:
She gets wetter than the rain on my truck
All she ever wanna do is fuck
She need it like a feen need a drug
She only got sex on the brain
It's plain and simple
Anytime, any day, any position, any kind of way
She's a nympho (I aint complaining)
Nympho (I'm just saying)
Verse 2:
Now she don't need no X to make the sex Spectacular
She aint no amature
Couple shots of patron and a camera
So wet soak the sheets and the mattress up
She's a beast
We be at it like Jack Rabbit
Sex addicts
She gotta have it
I hit the blunt and i be right back in her
Pussy is the only thing she serving for dinner
Pre- Chorus:
Whoa
Now she touching all on me
She rubbing and kissing my spot
She licking and sucking all on me
Now she moaning and getting all hot
And when she see me giving in
(She be like) Stop teasing me and slip it in
(And I be like) Damn this girl can get it in
Cause i know she is a nympho
Chorus:
She gets wetter than the rain on my truck
All she ever wanna do is fuck
She need it like a feen need a drug
She only got sex on the brain
It's plain and simple
Anytime, any day, any position, any kind of way
She's a nympho (I aint complaining)
Nympho (I'm just saying)
Bridge:
I like the way she freaks me when we're playing those
freaky games oh no
I like the way and i be like damn this girl can get it
Un nudo en la garganta rompiendome la voz,
no encuentro las palabras para decir adios,
te busco entre las luces tratare de no llorar
te regalo cada sueño que logramos conquistar (no me voy)
Crecimos de la mano copandos en jugar,
hizimos una historia sin pensar en su final,
Aveces tuve miedo pero aprendi a volar,
hoy prestame tus alas que no quiero aterrisar
Y gracias por tus brazos abiertos
para mi de par en par siempre igual,
CHORUS
No me voy si me amarras a tu corazon por siempre
no me voy,
no me voy y no voy a decir adios mientras no me olvides no me voy
y no no me voy
No caben los recuerdos en toda la ciudad mil gracias por tu risa que alumbro la obsuridad y si volviera el tiempo te diria desde hoy
Que no cambiaria este viento a ninguna direccion
Mil gracias por tus brazos abiertos para mi de par en par siempre igual,
No me voy
Si me amarras a tu corazon por siempre
No me voooy y no voy a decir adios mientras no me olvides no me voy
No me voy
Si me amarras a tu corazon por siempre
No me voooy y no voy a decir adios mientras no me olvides no me voy
Hey kids its Borgore,
Do you know whats hardcore,
Me shoving an elelphant up your sisters back door,
She wants foreplay, i don't wanna play what for,
This bitch is so used, i wouldn't sell her at the second
hand store,
'Cause her pussy is so wide,
That you could put you're head inside
Bring ten of your friends,
And have yourself a ride,
I'm telling you this bitch is crazy,
She needs to be arrested,
She'll suck your dick so deep,
That you'll feel your dick digested.
I'm a nympho, x4
You can get in my pants skip the intro,
I love my mom, my dad, and my dildo.
She's a nympho, x4
She likes to fuck all day, she never stops
[Intro:]
Dru-ski-nigga
Dis ain't no love song
Dis just a cut song
Dis ain't no love song
Dis just a cut song
Dis ain't no love song
[Pre-chorus:]
Lil mama let me get up in dem draws
Hit dem four walls
Let me get up in dem draws
Get up get up in dem draws
Let me get up in dem draws
Hit dem four walls
I'm down to break you off
I'm just waitin for da call
[Chorus:]
I'm a nympho baby I'm a nympho
Shawty I'm a nympho baby I'm a nympho
Shawty I'm a nympho baby I'm a nympho
Shawty I'm a nympho baby I'm a nympho
[Verse 1:]
Now I ain't tryina be rude baby
It's just some thangs I wanna do baby
By the way my name Dru baby
And all night I been lookin at you baby
I'm thinkin maybe we should cruze baby
Get out these clothes and maybe get into you baby(haha)
Nah I'm just playin that's just my humor baby
And I'm just loose on the juice it's just the goose baby
Sophisticated and classy you are
Wanna get you to the crib and see how nasty you are
But that's only if you cool with it
Give me 3 hours pelvic power I'm abusin it
It's about that motion in the ocean
I'm just smooth with it
And I'm not gone stop I'm a rub that thang until you get it
I'm a dig ya out but that's only if you can dig it
I'm Mr.McNasty Dru showin you da business
[Pre-chorus]
[Chorus]
[Verse 2:]
Chea I'm a nympho baby that just mean I love sex
Girl I like that slow pace but I love that rough sex
Love to try new positions
Like baby what's next
I can play the detective and u be my suspect
You my Florida orange baby let's go to south beach
Move them tricks with yo tongue shawty I love that mouth piece
Damn right I'm freaky girl and I need a freaky girl
Subconcious mind tate
Takin you to Skizee world
I'm a real nigga moma so you know I keep it real
You wanna fuck with me moma
Is that really how you feel
So question #1 you wanna hit this dick
Question #2 you wanna drink this juice
Question #3 I know u pop dem pills
So eitha way she gone be wakin up next to me
I see them otha chicks baby
But you the best fa me
Just call me chef boyardru
Cookin up the recipe
What
[Pre-chorus]
[Chorus]
Lick lick lick lick lick lick lick
I'm a lick you up and down
Let me lick you up and down [x4]
I'm a lick you up and down(ooh girl you taste good)
Let me lick you up and down [x4]
[Pre-chorus]
[Chorus]
(Vane)
Los dias se me pasaban
Y mis sueños se alejaban
No enconraba la manera
Y quedaba atrapada
Nadie dijo que se seria
Un camino tan dificil
Yo queria la salida
Por toda esa ipocrecia
Ahora mira mi vida
Brilla, como una estrella que illumina
Mi sueño se realizo
Muchos pensaban que no
Pero esto era mi destino
Y no me voy
Nadie oyo mi pasion
Despues el tiempo paso
Hora que me encuentro brillo y no me voy
(Arsenal)
Ya nos llego la hora
La puerta la dejaron abierta
Los latinos y una morena bella
Todo empiesa cuando cruzamos
El escenario todos emocionados
Nos reciben con aplausos
Pa todas las estaciones de radio
Aqui tenemos algo horiginal
Como en el tiempo ha escuchado
Las lienes del telefono
Van a confirmarlo
Cuando la gente este llamando
Y exigiendo, yo se que oyes
Los violines cuando estan tocando
Te gusta el nuevo sonido mesclado,
Tenemos la chispa pa ser los
Determinados y vamos a lograrlo
La sinfonia la drama biene en vivo
(Chorus)
Mis sueño se realizo
Muchos pensaban que no
Pero esto hera mi destino
Y no me voy
Nadien oyo mi pasion
Despues el tiempo paso
Ahora que me encuentro
Brillo y no me voy
(Seis)
Fanaticos relajan sus oidos
Oyendo mi musica es cien porciento
Sentimiento le pongo mi corazon
Y llaman lo que escribo,
Es lo real cada nota es como
Lagrima dejando humida la pagina
Es como y mi rima llegar y llorar
Cada vez que me pongo a cantar,
Los hago suspirar
Estamos dispuestos hasta no oir o ver
La sinfonia recorriendo el mundo,
Harrasando con las melodias
Que tocas sobre el ritmo de la bateria
El escenario se ilumina
La gente grita
Toda esa adicta a nuestro publico
Se desespera y arma la loquera
No ay nadie que pare, la raza unida!