- published: 17 Dec 2015
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In ancient Greek mythology, Lamia (Greek: Λάμια) was a beautiful queen of Libya who became a child-eating daemon. Aristophanes claimed her name derived from the Greek word for gullet (λαιμός; laimos), referring to her habit of devouring children.
Some accounts say she has a serpent's tail below the waist. This popular description of her is largely due to Lamia, a poem by John Keats published in 1819.Antoninus Liberalis uses Lamia as an alternate name for the serpentine drakaina Sybaris; however, Diodorus Siculus describes her as having nothing more than a distorted face.
Later traditions referred to many lamiae; these were folkloric monsters similar to vampires and succubi that seduced young men and then fed on their blood.
Zeus then gave her the ability to remove her eyes. The purpose of this ability is unclear in Diodorus, but other versions state Lamia's ability to remove her eyes came with the gift of prophecy. Zeus did this to appease Lamia in her grief over the loss of her children.
In later stories, Lamia was cursed with the inability to close her eyes so that she would always obsess over the image of her dead children. Some accounts (see Horace, below) say Hera forced Lamia to devour her own children. Myths variously describe Lamia's monstrous (occasionally serpentine) appearance as a result of either Hera's wrath, the pain of grief, the madness that drove her to murder, or - in some rare versions - a natural result of being Hecate's daughter.
The term "mythology" can refer either to the study of myths (e.g., comparative mythology), or to a body or collection of myths (a mythos, e.g., Inca mythology). In folkloristics, a myth is a sacred narrative usually explaining how the world or humankind came to be in its present form, although, in a very broad sense, the word can refer to any traditional story. Myths typically involve supernatural characters and are endorsed by rulers or priests. They may arise as overelaborated accounts of historical events, as allegory for or personification of natural phenomena, or as an explanation of ritual. They are transmitted to convey religious or idealized experience, to establish behavioral models, and to teach.
Early rival classifications of Greek mythos by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the neoplatonists and revived by Renaissance mythographers as in the Theologia mythologica (1532). Nineteenth-century comparative mythology reinterpreted myth as evolution toward science (E. B. Tylor), "disease of language" (Max Müller), or misinterpretation of magical ritual (James Frazer). Later interpretations rejected opposition between myth and science, such as Jungian archetypes, Joseph Campbell's "metaphor of spiritual potentiality", or Lévi-Strauss's fixed mental architecture. Tension between Campbell's comparative search for monomyth or Ur-myth and anthropological mythologists' skepticism of universal origin has marked the 20th century. Further, modern mythopoeia such as fantasy novels, manga, and urban legend, with many competing artificial mythoi acknowledged as fiction, supports the idea of myth as ongoing social practice.