Kalpana (actress) refers to any of the following.
The road is not scary, it's beyond scary!
Plot
Theater artiste, Anubhav Malhotra, is looking for his first break on the silver screen when he runs into a fan in wealthy Meera Valecha. Both become good friends, fall in love, but when Meera's family disapproves, elope and get married. They re-locate to live in a room rented from Ibrahim Vakil and Anubhav gets some work in TV serials. His friend, Aditya, decides to give him a lead role in a forthcoming movie based on Shakespeare's Hamlet. Meera then becomes pregnant, subsequently gives birth to a very ill baby girl, is told that the baby is no more, but Anubhav decides to medically treat the child, and is asked to deposit Rs.20 Lakhs. Unable to come up with this amount, he decides to cater as a resort to wealthy women for a price through a pimp, Vanraj. In this way he pays for his child's treatment, feels drained, and is unable to become intimate with Meera anymore. He continues catering to wealthy women behind her back but nothing will prepare him for the shock when he is asked to visit a female client he has never seen before - shattering and changing his life forever.
An actor's tale
Plot
Spunky and compassionate Kalpana rents an apartment and works as an ad-model. Her life changes when she invents a love affair between herself and wealthy Sanjay Ramaswamy. When Sanjay finds out, he decides to confront her to end this facade, but ends up falling in love with her. He pretends to be poor, proposes to her, and she subsequently accepts. Before they could get married, she gets killed, Sanjay gets assaulted, resulting in memory loss, and he is unable to remember anything beyond 15 minutes. During those 15 minutes, Sanjay manages to put together bit by bit through tattoos, Polaroid photos, notes, and maps on the wall of his apartment whatever he is able to recollect, as he sets out to avenge Kalpana's death. Sanjay does not know that the elusive killer knows about his agenda, and has already made plans to finish him off once and for all.
Keywords: fight, fight-in-water, flashback, injustice, kidnapping, memory, memory-lapse, murder, nonlinear-timeline, remake-of-american-film
Plot
Sapna Aggarwal lives a middle-class life in Delhi with her parents. She leaves home to re-locate to Bombay to purse a career as a Bollywood actress. She meets with several film producers, most want to either make her their mistress or have a sexual relationship with her. She starts to attend movie shoots and that's where she meets with photographer Sunil Verma, falls in love with him, and moves in with him in his apartment, much to the chagrin of her parents who refuse to have to do anything with her. Through Sunil she meets Film Producer, Saxena, who offers to sign her as a leading lady with Bollywood leading man, Karan, which Sapna accepts. Shortly thereafter Sunil telephones Bandra Police Station and informs Inspector Tyagi that Sapna has killed herself. Inspector Tyagi and the Police Commissioner arrive to investigate, find the dead body, as well as a suicide note indicating that Sapna was pregnant, was depressed, and had killed herself. The Police refuse to believe this, start their investigation and question a number of suspects including Ranjeet Hiranand, who had attempted to molest Sapna; Saxena who wanted a sexual relationship with her; Karan who wanted her to get intimate with him; Karan's Agent, Bindoo, who wanted Sapna to sleep with Financer, Kishan; Sunil Verma himself; Actress Kalpana who felt threatened that Sapna was going to take over her place with Karan and other film projects; Dolly, a Prostitute, who is now trying to make it big in Bollywood. The question remains will the Police make any headway or will they be forced to close this file as a 'suicide death'.
Plot
This story revolves around three sisters. The first is Kalpana, who is a widow, has a grown son by the name of Kasturi, and lives with her unmarried brother, Suraj; the second is Sarita Khanna who lives with her advocate brother, Deepak; and the third is Pooja who lives with her businessman brother, Sagar. Although the three families are not known to each other, their lives do inter-wine when Suraj gets married to Pooja, and Sagar marries Sarita. While the three families, who are now thrown together, live harmoniously, there is a level of bitterness with Deepak, who had hoped to marry Pooja. And one of the three sisters now plans to wreak havoc on the three families. The question is who is the that is fated to be destructive and break up these families. Watch how events unfold and start with Suraj being imprisoned for carrying out an assault on Sagar.
Plot
Former imprisoned convict, Kumar, returns to the town where he was arrested. He meets with his girlfriend, Kalpana, and her uncle and aunt. He spends the night at a hotel with a woman named Nisha. In the morning, he wakes up with a gun in his hand, and the lifeless body of Deputy Superintendent of Police, Lobo, shot dead in his room. He seeks the assistance of Kalpana, who arranges for him to live at her uncles' place. When Kumar, whose real name is Raju, locates Nisha, and goes to question her. The next day Nisha goes missing. When Raju goes to talk to the hotel manager where he was staying, the Manager gets killed. Now Raju must run from the police, as they seek to question him for two murders, and possibly one abduction.
Plot
Burma-based widow, Parvati, along with two sons, Prem and Rajesh, re-locates to Bombay to live with her late husband's friend and widower, Sewakram, and his two daughters, Shanti and Durga. He returns some cash and jewelery to her that was entrusted to him, and she re-locates to live in a big bungalow. Shortly thereafter, Prem and Rajesh get married to Shanti and Durga respectively. The entire family live harmoniously until Parvati is told by Mrs. Pereira that Prem has been physically abusing his pregnant wife. Parvati and Rajesh undertake to rein-in Prem - and it this overture that will not only shatter their idyllic lifestyle but force both brothers to take up arms against each other.
Plot
After her return from abroad, Lali adjusts to life in India along with her devout Hindu mother, Laxmi; an easy-going father, Dinanath; two sisters, Kalpana and Geeta, and spends most of her time dancing along with her sisters and friends. On her way to the Mandir, she assumes a singer, Puranchan, is teasing her and she slaps him, but ends up apologizing when she is told that he is blind. Guilt-ridden, she makes arrangements for him to be taken to Bombay, has his vision restored, and both fall in love with each other. Dinanath takes a liking to Puranchan and not only gets him a job but also wants him to wed Lali. About to inform his parents, Purchan does not know that Dinanath has actually instructed Lali not to see him anymore as he is a Harijan (Lower-Caste).
Plot
Kumar lives a poor lifestyle in a village in India along with his mom, dad, Badri, and a younger brother, Arun. Kumar studies in Bombay, and is in love with wealthy Prabha, whose dad approves of him, and is even willing to loan him money to go abroad for further studies. But before the marriage could take place, Badri passes away, and as a result Kumar returns to the village so that Arun can go to Bombay, study, and make a better life for the entire family, leaving behind a heartbroken Prabha. Years later Kumar and Prabha are fated to meet again. This time Prabha will be a married woman - married to Bombay's Public Prosecutor, Mathur - who is prosecuting Kumar for using a gun to kill a woman named Kalpana!!
Hey Dola
Ragad Ragad Ke..Ragad Ke
Ragad Ragad Ke..Chaka Chak Bane Hai Bhayya Hey Bhayya
Jaane De Bhayya
ragad Ke Ragad Ragad Ke Ragad Ke Ragad Ke....
Gola Gola... Piya Bhang Ka Gola, Yeh Gola
Dola Dola... Yeh Jahaan Dola, Yeh Dola
Gola Gola.. Piya Bhang Ka Gola
Dola Dola.. Yeh Jahaan Dola, Oh
Mano Na Mano, Mano Mano Na Mano
Mein, Mein Baat Karoon Yeh Kari
Meri Ankhiyan Ko Lagti Hai Har Ladki Hari Hari
Chanan Chanan Gai Sanan Sanan Gai Chanan Chanan Gai Sajariya He
Sanan Sanan Gai Sanan Sanan Sanan Na Na Na Na Na Na Na Na Na Na Na
Gola Gola... Piya Bhang Ka Gola Piya Dola Dola Yeh Jahaan Dola..Hey Dola..
Paan Chabake Pike Bhang Ka Pyala
Rang Ke Bahane Mora Ang Rang Daala
Are Tere Naino Se Chalke Hai Madhushala
Humko Chura Ke Kahan Chali Madhubala
Chanan Chanan Gai Sanan Sanan Gai Chanan Chanan Gai Sajariya He
Sanan Sanan Gai Sanan Sanan Sanan Na Na Na Na Na Na Na Na Na Na Na
Gola Gola Piya Bhang Ka Gola
piya; Dola Dola Yeh Jahaan Dola..Hey Dola..Hey Dola..
Ah Ah Ah...Lehanga Sabhaloon Toh Chunar Gir Jaaye
Jobana Pe Balma Najariyan Gharaaye
Hai
gore Gore Tann Ko Jhalak Ne De Gori
Madira Jawaani Ki Chalak Ne De Chori
Chanan Chanan Gai Sanan Sanan Gai Chanan Chanan Gai Sajariya He
Sanan Sanan Gai Sanan Sanan Sanan Na Na Na Na Na Na Na Na Na Na Na
Gola Gola...(Gola Gola...) Piya Bhang Ka Gola
(Piya Bhang Ka Gola)Piya
Dola Dola... Dola Dola... Yeh Jahaan Dola..Yeh Jahaan Dola..
Gola Gola Gola Gola Piya Bhang Ka Gola Bhang Ka Gola,
Dola Dola Dola Dola Yeh Jahaan Dola Jahaan Dola Hey Dola.. Hey Dola..
Mehfil Yeh Humari Hain 2
Toh Bol Do Yeh Saare Zamane Se
Men Not Allowed 4
Jo Bhi Beqaraari Hain
Kyon Hum Bataye Woh Har Deewane Se
Men Not Allowed 4
Har Khushbu Hain Fida Yaha Khusbu Se
Sir Chadhke Bol Raha Hain Jadoo Jadoo Pe
Takra Hain Paimaana Paimaane Se
Men Not Allowed 4
Hum Woh Shama Hain Jise Shauk Hain Shama Hain
Humko Kya Kaam Hain Parwaanese 2
Kya Kaam Hain Parwaanese
Men Not Allowed 4
Ishq Hain Ishq Main Kutch Bhi Galat Nahi
Jisko Ho Shaq Ho Hume Toh Hain Yakeen
Khwaahish Hain Badi Afsaane Se
Men Not Allowed 8
Haadsaa... Haadsaa...
Haadsaa Haadsaaa... Haadsaa...
Yeh Mumbai Shaher Haadson Ka Shaher Hai
Yahan Zindgi Hadso Ka Safar Hai
Yahan Roz Roz Har Mod Mod Pe Hota Hai Koi Na Koi
Haadsaa Haadsaa Haadsaaaaaa Haadsaaaaaa
Yahan Ki Khushi Aur Gum Hai Anokhe
Bade Khoobsurat Se Hote Hai Dhoke
Bahut Tez Raftar Hai Zindgi
Hai Phursat Kise Koi Kitna Bhi Soche
Khushi Haadsa Hai Gum Hadsaa Hai
Haqeeqat Bhulakar Har Ek Bhagta Hai
Yahan Roz Roz Ki Bhagdaud Main Hota Hai Koi Na Koi
Haadsaa Haadsaa Haadsaaaaaa Haadsaaaaaa
Haadsaa... Haadsaa...
Yahan Aadmi Aasma Chumte Hai
Nashe Main Tarakki Ke Sab Jhumte Hai
Hari Roshni Dekh Bhage Woh Tare
Achanak Ruke Phir Se Banke Katare
Yahan Ke Parindo Ki Parwaaz Dekho
Hasino Ke Chalne Ka Andaz Dekho
Yahan Husno Ishq Ki Aawo Hawa Main Hota Hai Koi Na Koi
Haadsaa Hadsaa Haadsaaaaaa Haadsaaaaaa
Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi
Haay Dayya Dayya Haay Dayya
Ui Maa
Haay Dayya Dayya Haay Dayya
(Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi) 2
Mach Gaya Shor Saare Gaanv Mein 2
Kaanta Chubha Jo Mere Paanv Mein 2
Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi
Kabakht Isaki Chubhan Abb Sataaye
Raato Ko Bhi Nind Mujhko Na Aaye
Haay Dayya Dayya Haay Dayya
Kabakht Isaki Chubhan Abb Sataaye
Raato Ko Bhi Nind Mujhko Na Aaye
Ghar Se Niklana Bhi Muchkil Huva Re
Raste Pe Chalna Bhi Mushkil Huva Re
Mach Gaya Shor Saare Gaanv Mein 2
Kaanta Chubha Jo Mere Paanv Mein 2
Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi
Kaise Sanbhaalu Main Apani Jawaani
Kaise Main Roku Yeh Nadiya Ka Paani
Haay Dayya Dayya Haay Dayya 2
Kaise Sanbhaalu Main Apani Jawaani
Kaise Main Roku Yeh Nadiya Ka Paani
Pyaasi Hai Sabki Nazar Kya Karu Main
Ladta Hai Abb Mujhko Darr Kya Karu Main
Mach Gaya Shor Saare Gaanv Mein 2
Kaanta Chubha Jo Mere Paanv Mein 2
(Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi) 2
Mach Gaya Shor Saare Gaanv Mein 2
Kaanta Chubha Jo Mere Paanv Mein 2
(Saiyaan Ki Baiyaan Main Thaame Chali Thi
Tedha Tha Rasta Andheri Gali Thi) 2
Haay Dayya Dayya Haay Dayya
Ui Maa
Haay Dayya Dayya Haay Dayya
Haay...
Ishq Toh Hai Ek Aag Ka Dariya Paar Kabhi Na Kariyo
Jindadi Ka Koi Mol Nahi Hain Jeet E Jee Na Mariyo
Jeet E Jee Na Mariyo
Daiyya Re Daiyya Re 2
Daiyya Re Daiyya Re Meri Pakadi Kalaai Aah Le Gaya Mujhko Uthaaye 2
Raat Meri Dhin Chak Lad Gayi 3
Daiyya Re Daiyya Re Meri Pakadi Kalaai Daiyya Re Daiyya Re
Daiyya Re Daiyya Re Meri Pakadi Kalaai Aah Le Gaya Aaj Tu Uthaaye
Raat Meri Dhin Chak Lad Gayi 3
Main Baithi Thi Darwajje Par Jab Usne Ladaai Mujhpe Nazar 2
Phir Gali Mein Aane Jaane Laga Ankhiyon Se Pyaar Jataane Laga
Din Bhar Woh Ishaare Karta Raha Kya Chahe Woh Mann Darta Raha
Haai Main Soch Mein Pad Gayi Raat Meri Dhin Chak Lad Gayi 2
Daiyya Re Daiyya Re
Daiyya Re Daiyya Re Meri Pakadi Kalaai Aah Le Gaya Mujhko Uthaaye
Raat Meri Dhin Chak Lad Gayi 3
Main Raat Akeli Soyi Thi Meethe Sapnon Mein Khoyi Thi 2
Neendiya Se Jagaya Usne Mujhe Phir Khub Sataya Usne Mujhe
Ab Sochu Toh Dhadke Hai Jiya Bedardi Ne Woh Kaam Kiya
Jaan Aafat Mein Padd Gayi Raat Meri Dhin Chak Ladd Gayi
Daiyya Re Daiyya Re Meri Pakadi Kalaai Aah Le Gaya Mujhko Uthaaye
Raat Meri Dhin Chak Lad Gayi 4
Daiyya Re Daiyya Re Meri Pakadi Kalaai Daiyya Re Daiyya Re
Daiyya Re Daiyya Re Meri Pakadi Kalaai Aah Le Gaya Aaj Tu Uthaaye
Raat Meri Dhin Chak Lad Gayi 4
Raat Teri Dhin Chak Lad Gayi 4
Haay 6
Muhabbat Muhabbat Haay Kiye Jaa Rahe Hain 2
Aap Hain Ke Kuchh Bhi Samajhate Nahin
Haa Aa
Muhabbat Muhabbat Haay Kiye Jaa Rahe Hain
Muft Mein Hum Dil Diye Jaa Rahe Hain
Aap Hain Ke Kuchh Bhi Samajhate Nahin
Baat Aisi Jo Honthon Mein Dabi Hai 2
Khul Jaayegi To Kuchh Ho Jaayegaa
Mere Haalat Pe Kuchh Ikaraar Kare Jaanaa
Varanaa Aapako Bhi Kuchh Ho Jaayegaa
Aur Aap
Aap Hain Ke Kuchh Bhi Samajhate Nahin
Ho O O Ho O O Ho 2
Haa Ho 4
Naagin Si Kaali Raat Javaan Lag Rahi Hai 2
Kaamoshiyon Mein To Zubaan Lag Rahi Hai
Divaanagi Meri Uf Mujhe Maar Hi Naa Daale
Kaanton Ki Sej Kud Gulistaan Lag Rahi Hai
Aap Hain Ke Kuchh Bhi Samajhate Nahin
Ho O O Ho O O Ho 2
Muhabbat Muhabbat Haay Kiye Jaa Rahe Hain
Muft Mein Hum Dil Diye Jaa Rahe Hain
Aap Hain Ke Kuchh Bhi Samajhate Nahin
Ho O O Ho O O Ho 4
(Sunaaye Kya Tumko Fasaana Kisika
Mera Dil Bhi Tha Yeh Deewaana Kisika
Magar Usake Dil Mein Na Thi
Wafaa.. Wafaa.. Wafaa.. Wafaa..) 2
(Rote Rote Kehata Hai Yeh Jakhm E Jigar
Aaja Kabhi Meri Taraf Tu Laut Kar) 2
Armaan Hai Itana Hi Are Bewafa Kar Kabhi
Wafaa.. Wafaa.. Wafaa.. Wafaa..
Sunaaye Kya Tumko.. Fasaana Kisika..
Mera Dil Bhi Tha Yeh Deewaana Kisika
Magar Usake Dil Mein Na Thi
Wafaa.. Wafaa.. Wafaa.. Wafaa..
(Dil Ne Mere Jaana Jisako Diljaaniya
Deke Mujhako Wohi Gaya Tanhaayiya) 2
Dil Ka Hai Bas Yeh Ghum
Kabhi Usane Mujhse Na Ki
Wafaa.. Wafaa.. Wafaa.. Wafaa..
Sunaaye Kya Tumko Fasaana Kisika
Mera Dil Bhi Tha Yeh Deewaana Kisika
Magar Usake Dil Mein Na Thi
(Wafaa.. Wafaa.. Wafaa.. Wafaa..) 2