Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου [evˈaɲɟelos oðiˈseas papaθanaˈsiu]; born 29 March 1943) is a Greek composer of electronic, progressive, ambient, jazz, pop rock and orchestral music, under the artist name Vangelis /væŋˈɡɛlɨs/. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Blade Runner, 1492: Conquest of Paradise and Alexander, and the use of his music in the PBS documentary Cosmos: A Personal Voyage by Carl Sagan.
Vangelis began his professional musical career working with several popular bands of the 1960s such as The Forminx and Aphrodite's Child, with the latter's album 666 going on to be recognized as a psychedelic "classic". Throughout the 1970s, Vangelis composed music scores for several animal documentaries, including L'Apocalypse Des Animaux, La Fête sauvage and Opéra sauvage; the success of these scores brought him into the film scoring mainstream. In the early 1980s, Vangelis formed a musical partnership with Jon Anderson, the lead singer of progressive rock band Yes, and the duo went on to release several albums together as Jon & Vangelis. In 1981, he composed the score for the Oscar-winning film Chariots of Fire. The soundtrack's single, "Titles", won Vangelis the Academy Award for Best Original Music Score and also reached the top of the American Billboard.
El Greco born Doménikos Theotokópoulos, (1541 – 7 April 1614) was a painter, sculptor and architect of the Spanish Renaissance. "El Greco" (The Greek) was a nickname, a reference to his ethnic Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος (Doménikos Theotokópoulos), often adding the word Κρής (Krēs, "Cretan").
El Greco was born on Crete, which was at that time part of the Republic of Venice, and the centre of Post-Byzantine art. He trained and became a master within that tradition before travelling at age 26 to Venice, as other Greek artists had done. In 1570 he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings.
50 years later, he remains uncaught!
Plot
Markos, an ambitious young journalist on a provincial television channel is trying to retrieve a gun stolen from his Candid Camera-type show. His search leads him in the dead of winter to his mother's neck of the woods, one of the abandoned villages on the southwestern slopes of Mount Pindos. In his attempt to get the gun back he comes up against Elias, a strange young man who is the son of the guardian of the village. Their clash will have unforeseen results both for the two young men and for the few inhabitants of the village.
Keywords: camera, greece, guardian, gun, mountain, tv-station, village, villager
Plot
Lisa: A 25 years old pretty girl. She lives alone and works at the magazine Cosmopolitan. She is disappointed by the relations with men. She has a relation with a guy called Giannis, who is not that interested in her. Until one day, when she meets Paris ...
Keywords: club, cybersex, falling-in-love, fortune-teller, gym, insecurity, jogging, love-triangle, partial-female-nudity, playboy
Wanted: Young, cute and normal for more than 2 months...
In noreni per-i-pe,
in noremi co-ra,
tira mine per-i-to,
ne do---mina.
In romine tir-meno,
-ne romine to-fa,
imaginas pro-me-no
Enhance 34 to 46
Pull back
Wait a minute, go right
Stop
Enhance 57, 19
Track 45 left
Stop
Enhance 15 to 23
Oooooo
Aaah
Aaah
Ha ri me no ca ri ha
La ve ro ma ni es to ra
La mi na re se co ra
I do re na lo si ta
Ha ri me no ca ri la
La ve ro ma ni es to ra
Ri me na ta lo pa
No cari la da
No cari la re mi na
Da re mi na lor da
Da re mi na lor
Ha ri me no
Da re mi na
To re se da
Ha ra la ma ha
Ha re mi le mo no
Ha re mi le mo no
Ha re mi le mo no
Ha re mi le mo no
Ha ra la ma ha
Ha re mi le mo no
Ha re mi le mo no
One more kiss, dear
One more sigh
Only this, dear
It's goodbye
For our love is such pain
And such pleasure
And I'll treasure till I die
So for now, dear
Aurevoir, madame
But I'm how-d'ye, not farewell
For in time we may have a love's glory
Our love story to tell
Just as every autumn
Leaves fall from the tree
Tumble to the ground and die
So in the springtime
Like sweet memories
They will return as will I
Like the sun, dear
Upon high
We'll return, dear
To the sky
And we'll banish the pain and the sorrow
Until tomorrow goodbye
One more kiss, dear
One more sigh
Only this, dear
Is goodbye
For our love is such passion
And such pleasure
And I'll treasure till I die
Like the sun, dear
Upon high
We'll return, dear
To the sky
And we'll banish the pain and the sorrow
You ask me, "Where to begin?"
Am I so lost in my sin
You ask me, "Where did I fall?"
I'll say I can't tell you when
But if my spirit is lost
How will I find what is near?
Don't question, I'm not alone
Somehow I'll find my way home
My sun shall rise in the east
So shall my heart be at peace
And if you're asking me when
I'll say it starts at the end
You know your will to be free
Is matched with love secretly
And talk will alter your prayer
Somehow you'll find you are there
Your friend is close by your side
And speaks in far ancient tongue
A season's wish will come true
All seasons begin with you
One world we all come from
One world we melt into one
Just hold my hand and we're there
Somehow we're going somewhere
Somehow we're going somewhere
You ask me, "Where to begin?"
Am I so lost in my sin?
You ask me, "Where did I fall?"
I'll say I can't tell you when
But if my spirit is strong
I know it can't be long
No questions I'm not alone
Somehow I'll find my way home
Somehow I'll find my way home
Somehow I'll find my way home
After the first embrace from you
My senses knew the look of love was in your eyes
And after we first make love
Our senses tingle to the touch, oh how we hypnotize
Oh, to get the feeling on and on
Oh, just to get the feeling
Holding you closer in my arms we drift to heaven
Bringing in the morning light
And after all is said and done there's only us
We can make it right
So, our love will carry on and on
Now our love will be free, be free
And when we play, love don't delay, I hear you now
For what was then is what is now, anyhow
As I became a guest of love's tune hear again
We'll carry on together like today
After the first embrace from you I
From Vangelis "Heaven And Hell"
"So Long Ago, So Clear" vocals by Jon Anderson
Once, we did run
How we chased a million stars
and touched as only one can
Once, we did play
How the past delivered you
Amidst our youth we'd dream away, away
As if I knew the words I'm sure you'll hear
Of how we met as you recall so clear
Once, we did love
Long ago how did I forget
Holding you so closely
Look, how I move
Chance would have me glance at you
To know how you move me, me
Oh barriers fall around us as we hear
Of memories known and matters so long ago, so clear
(interlude)
Once, we did run
How we chased a million stars
Losing sleep in a waking dream
A recurring face I see come to pass my way
Still, my heart, will you please be still, my heart?
In this world of change, you keep turning me 'round again
In my mind could it be that
I'm just a fool for love is blind to danger
Is this faith then why should I
Hesitate when love would dance with a stranger?
Shout it loud from the rooftop high
Let it burn inside and try only to fade and die
If I knew all there was to learn every twist and turn
Name, street, city
feedback
the option, the construction, the solution, future
plans
Potential use
Domestic logic one
Segunda, Terca, Quarta, Quinta, Sexta, Sabado
Domingo
Domestic logic one
Domestic logic one
Domestic logic one
name, street, city
feedback
Nome, rua, cidade
the option, the construction the solution
future plans
potential use
domestic logic one Segunda, Terca, Quarta, Quinta,
Sexta, Sabado
Domingo
Domestic logic one
Domestic logic one
Domestic logic one
domingo
domingo
domingo
domingo
domingo
domingo
[footsteps]
-"Is the city open?" [voice of Roman Polanski]
-"c'est beau Romain, c'est beau" [voice of Emanuelle Seigner]
-"Are there any morning-papers yet?" [voice of Roman Polanski]
-"Too early"
-"a sandwich"
-"Thanks"
Ehla me-no no-re-le-o manivero laminare
Ehla me-no no-re-le-o manivero laminare
Ehla me-no no-re-le-o manivero laminare
Ehla me-no no-re-le-o manivero laminare
Ehla me-no no-re-le-o manivero laminare
Ehla me-no no-re-le-o manivero laminare
[interlude]
No-re-le-o manivero laminare
No-re-le-o manivero laminare
No-re-le-o
[interlude]
Aaah eeeh
Aaah eeeh
Ehla me-no no-re-le-o manivero laminare ee
[interlude]
[...]
Oooh
Oooh
Oooh
And did those feet in ancient time
Walk upon england's mountains green?
And was the holy lamb of god
On england's pleasant pastures seen?
And did the countenance divine
Shine forth upon our clouded hills?
And was jerusalem builded here
Among those dark satanic mills?
Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear: o clouds unfold!
Bring me my chariots of fire!
I will not cease from metal fight;
Nor shall my sword sleep in my hand
Till we have built jerusalem
Chariots of fire are on my way
Chariots of fire are the best
I love chariots of fire
Chariots
Chariots
Chariots
Chariots... of FIRE!!!
From the glory you shine
You dispense your marvellous protection
Give solace, Roce, to the bitter
Feelings of those pleading for your intercession
Roce ,save us
In noreni per ipe,
in noreni cora;
tira mine per ito,
ne domina.
In noreni per ipe,
in noreni cora;
tira mine per ito,
ne domina.
In noreni per ipe,
in noreni cora;
tira mine per ito,
ne domina.
In romine tirmeno,
ne romine to fa,
Maximum distance from the sun: 94 million 537 thousand miles
Minimum distance from the sun: 91 million 377 thousand miles
Mean distance from the sun: 92 million 957 thousand and 200 miles
Mean orbital velocity: 66000 miles per hour
0rbital eccentricity: 0.017
Obliquity of the ecliptic: 23 degrees 27 minutes 8.26 seconds
Length of the tropical year: equinox equinox 365.24 days
Lenght of the sidereal year: fixed star fixed star 365.26 days
Length of the mean solar day: 24 hours and 3 minutes and 56.5555 seconds at mean solar time
Length of the mean sidereal day: 23 hours and 56 minutes and 4.091 seconds at mean sederial time
Mass: 6600 milion milion milion tons
Equatorial diameter: 7927 miles
Polar diameter: 7900 miles
Oblateness: one 298th
Density: 5.41
Mean surface gravitational acceleration of the rotating earth: 32.174 feet per second per second
Escape velocity: 7 miles per second
Albedo: 0.39
Albedo: 0.39
Albedo: 0.39
Albedo: 0.39
Albedo: 0.39
Albedo: 0.39
[Well, I shouldn't dare translate the only work of the
bible that I like as a work of art, but just to give
you an idea of what parts of the book are included,
plus it is a "poetic" modern Greek translation so it
might not be exact]
-"How beautiful you are, my beloved, how beautiful you
are!"
"Your look is sweet and tender like a pigeon's."
"None of the beautiful women can compete with you:"
"You are like a lilly, and they are like thorns."
"Your red lips are like a red thread."
"Your pink cheeks behind your veil look like a
pomegranate that was cut in two."
"Your two breasts look like twin gazelles that went out
to graze among the lilly flowers."
(Sigh)
"Kiss me, kiss me with all the kisses you have in your
mouth make me drunk with the sweetest wine of your
embrace and your name is perfume, myrrh spilled on the
floor."
"You are the fragrance of all the perfumes together
Yes, when you touch me I get more drunk than when I
drink My man, you only deserve to be loved."
Beautiful, flawless you are my beloved
(Double sigh)
"You have stolen my heart, my beloved, my sister with a
single glance from you, with a single pearl on your
neck."
"Your two sweet lips drip honey; honey and milk slowly
flow under your tongue."
"You are a closed garden, fool of flowers, my beloved."
"A spring with flowing water, "
"A paradise of coolness, a paradise of fragrances your
every [unintelligible] Cinammon, sweet-reed, nard and
saffron, and sweet-smelling roots, and insence, and
myrrh, and aloe, and every perfume you can name, smells
on you."
(Sigh)
"Rise, North Wind; Come, South Wind, blow on my
branches, to scatter my fragrances everywhere"
"Rise, North Wind; Come, South Wind, blow on my
branches, to scatter my perfumes everywhere (twice) And
let my man come down, to the garden that belongs to
him, to taste whatever fruit he wants from its
branches, to taste whatever fruit he wants from *MY*
branches"
[Faraway voice]
"Beautiful, sweet like a pigeon's, none of the
beautiful women"
What a misfortune, although you are made
for fine and great works
this unjust fate of yours always
denies you encouragement and success;
that base customs should block you;
and pettiness and indifference.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels.
How can Artaxerxes give you these,
where will you find these in a satrapy;
Doshita doshita [...] korya sa*
[...] korya sa
[...] korya sa
[...] korya sa
[...] korya sa
[...] korya sa
[...] korya sa
Doshita doshita sore kara doshita
[...] korya sa
[...] korya sa
[...] korya sa
I take a bottle of wine and I go drink it
Among the flowers, we are always three
Counting my shadow and my friend
The shimmering moon
Happily the moon knows nothing of drinking
And my shadow is never thirsty, when I sing
The moon listens to me in silence
When I dance, my shadow dances too
After all festivities the guests must depart
This sadness I do not know
When I go home, the moon goes with me
And my shadow follows me
My face in the rain
I walk all alone
It's sunday time is slow
I'm happy that is all I know
My face into the sun
My life is my own
It's sunday time is slow
I am happy that is all I know
[interlude]
My thoughts in the rain
I walk all alone
It's sunday time is slow
[Instrumental]
[Instrumental]
Enhance 34 to 46
Pull back
Wait a minute, go right
Stop
Enhance 57, 19
Track 45 left
Stop
Enhance 15 to 23
[astronaut conversation during apollo moon landing]
-"base (? ? ) or: nick? "
-"how are you doing? "
-"ha ha ha" [laugh]
-"very strange"
- "o.k."
- "hello mom"
...around looks just great.....
-"roger (? )"
-"hey john, how you doing"
- "it looks like ..."
-"it's what I see around all that ... here"
-"you know ...."
{At the third stroke it will be 10:03 and 40 seconds
At the third stroke it will be 10:03 and 50 seconds
At the third stroke it will be 10:04 precisely}
[Instrumental]
Let it happen
Honey don't you live on the edge of your life
Let it happen
Honey don't you live on the edge of a sigh
Let it happen
Honey don't you live on the edge of a smile
Let it happen
Honey don't you live on the edge of your time
Baby all you got to do
Is let the rythm get to you
Baby all you got to do
Is let the rythm get to you
Let it happen
Honey take a ride on the wheel of life
Let it happen
Open up your heart to the wheel of life
Let it happen
You can put your trust to the wheel of life
Let it happen
Throw away your fear on the wheel of life
Baby all you got to do
Is let the rythm get to you
Baby all you got to do
Is let the rythm get to you
[interlude]
Let it happen
All you need is love on the wheel of life let it happen
All you need is love on the wheel of life
Let it happen
All you need is love on the wheel of life
Let it happen
All you need is love on the wheel of life
Baby all you got to do
Is let the rythm get to you
Baby all you got to do
Is let the rythm get to you
Let it happen
All you need is love on the wheel of life
Let it happen
All you need is love on the wheel of life
All you need is love on the wheel of life
All you need is love on the wheel of life
All you need is love on the wheel of life
All you need is love on the wheel of life
I would like to write a song
That is so vibrant and so intimate
That the Earth would adopt it
As if it had sprung like the stream
From the land's memory
As if no one had written it but life itself
And my song would travel along
From bird to wing to tree
To breeze to heart to breath to song
Because a song belongs to everyone
I've seen things, you people wouldn't believe, hmm
Attack ships on fire off the shoulder of Orion
I've watched C-beams glitter in the dark near the Tannhauser Gate
[female voice:]
Hi ga kureru
Sore wa toki no mahou
Asu onaji toki
Mata chigau mahou
Sore wa iro ga kaori ni
Kaori ga iro ni kawaru toki
Soshite kage wa kagirinai
Ao ni tokeru
The day falls into the twilight.
It is a magic of time.
The same time tommorrow,
There'll be another magic.
It is when colors turn to flavors,
And flavors turn to colors.
And it is when
[Instrumental]
IN THE PAGE www.engelen.demon.nl appears this:
TALES OF THE FUTURE
ibal lahl arou-sah om-yah-lee
yah al-bil kou-rou-dil menyaah
is-bahl kou-tul - ham-mahn ou-saw
ahl-bi yam-mil kaw-lil laah
is-bahl ahl-bi im-mil mous-saw heenal - my-dil
has-bi kaw-lahl arah-baw heena yas'a-lou-na il 'araw-til
- eehl laah
fis-'ahm mil kaw-waah-reeh yaah
mi-'aa-nihl kou-laah- aah - leeh - aah
Ay-nah ou-saw kooh nahn min kah-rah-baw
has-di khamf 'alah ay-nahl musam-meh il-lah tou-lihl
kah-reeb
has-dihl kou-toh ub-beehl ul-ou-saw
wah oul-leel-arah-baw - wah oul-leel-arah-baw -
wah oul-leel-
yaa hub-bi al-mas-daw-nih ah-naay as-dee lil-kou-ral
yaah
mis-'aal bar'oun-nih
ya 'es-ta-khal-lahl 'am-duh uhm-mee a-raah kah -
yum-mi yam-mah
as-dee naa-bi yam-mah - al-kharou-si yam-ma
as-ta-wou lee il-lee yam-mah li-laah
uk-rou 'ou-lee il-oh-daah daw-wah
oul-lee ya ahl-bi
oul-lee ya um-mee
oul-lee ya sa-hib
Attenzione! attenzione!
Tutte le persone con bambini si rechino immediatamente al rifugio b37!
Attenzione! ripeto! attenzione!
Tutte le famiglie con bambini si rechino al rifugio b37!
Attenzione! attenzione!
Attenzione! attenzione!
Tutte le famiglie con bambini sono pregati di recarsi immediatamente al rifugio b37!
Ripeto! tutti I genitori con bambini si rechino immediatamente al rifugio b37!
Attenzione! attenzione!
Tutte le famiglie con bambini si rechino immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Immediatamente al rifugio b37!
Ripeto! I genitori con bambini si rechino immediatamente al rifugio b37!
[english translation:]
Attention! attention!
All persons with children immediately go to shelter b37!
Attention! I repeat! attention! all families with children go to shelter b37!
All families with children are requested to go immediately to shelter b37!
Attention! attention!
Attention! attention!
I repeat! al parents with children go to shelter b37!
All families with children go immediately to shelter b37!
Immediately to shelter b37!
Immediately to shelter b37!
Immediately to shelter b37!
Immediately to shelter b37!
Immediately to shelter b37!
Immediately to shelter b37!
I repeat! parents with children go immediately to shelter b37!
Where in my place?
Where is my home?
Where is my place?
Where is my friend?
Ha, ha, haa
Ha, ha, haa
My friend
[man:]
"senti, io esco... e cerco di arrivare fino al blocco 14, perch¨¦... ¨¨ necessario. ieri ho visto paul e..."
[woman:]
"e la sua ragazza? "
[man:]
"niente, non ce l'ha fatta, lei non ce l'ha fatta"
[woman:]
"caspita"
[man:]
"per¨° comunque cos¨¬ prendo una... cos¨¬ la tuta protettiva... e spero che sia sufficiente"
[woman:]
"solo la tuta protettiva, forse ¨¨ meglio che prendi anche la maschera, cosa pensi? "
[man:]
"okay, cos¨¬ parto ora"
[woman:]
"no, ¨¨ meglio aspettare ancora un quarto d'ora, venti minuti prima di uscire, che faccia pi¨´ buio"
[man:]
"guardo fuori come stanno le cose"
[woman:]
"guarda fuori adesso s¨¬"
"hai guardato fuori che cosa succede? "
[man:]
"niente"
[woman:]
"niente? come niente, c'¨¨ qualcuno fuori? "
[man:]
"no, tutto uguale come prima. sembra che nulla si sposti. in effetti vale la pena tentare. dammela!"
[woman:]
"s¨¬, s¨¬, va bene, te la porto, va bene, s¨¬, s¨¬, vado"
[english translation:]
[man:]
"listen, I go out... and I try to reach block 14, because... it's necessary. yesterday I have seen paul and..."
[woman:]
"and his girlfriend? "
[man:]
"nothing, didn't make it, she didn't make it"
[woman:]
"don't you say so"
[man:]
"but anyhow so I take a... so the protective suit... and hope it will be sufficient"
[woman:]
"only the protective suit, maybe it's better you also take the mask, what do you think? "
[man:]
"o.k., so I leave now"
[woman:]
"no, it's better to wait a quarter of an hour, 20 minutes before going out, so it will be darker"
[man:]
"i look outside how things are"
[woman:]
"yes look outside now"
"did you look outside what happens? "
[man:]
"nothing"
[woman:]
"nothing? what do you mean nothing, is there anybody out? "
[man:]
"no, everything the same like before. seems nothing is changing. in fact it's worthwhile trying. give it to me!"
[woman:]
[Instrumental]
[Instrumental]
I can't take it any more
I can't take it any more
I can't take it any more
I can't take it any more
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
I can't take it any more
Can you take it any more?
Can you take it any more?
Can we take it any more?
Can we take it any more?
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
Ha, ha, ha
Ha, ha, ha
Ha, ha ...
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
One more kiss, dear, one more sigh
Only this dear, is goodbye
For our love is such pain and such pleasure
That I'll treasure till I die
So for now dear, Aurevoir, madame
But I bow dear, not farewell
For in time we may have a love's glory
Our love story to tell
Just as every autumn leaves fall from the tree
Tumble to the ground and die
So in the springtime like sweet memories
They will return as will I
Like the sun dear, upon high
We'll return dear, to the sky
And we'll banish the pain and the sorrow
Until tomorrow, goodbye
One more kiss dear, one more sigh
Only this dear, is goodbye
For our love is such passion, such pleasure
I will treasure until till I die
Like the sun dear, upon high
We'll return dear, to the sky
And we'll banish the pain and the sorrow
I take a bottle of wine and I go drink it
Among the flowers, we are always three
Counting my shadow and my friend
The shimmering moon
Happily the moon knows nothing of drinking
And my shadow is never thirsty, when I sing
The moon listens to me in silence
When I dance, my shadow dances too
After all festivities the guests must depart
This sadness I do not know
When I go home, the moon goes with me
[Instrumental]
Hysteria and insomnia
Stress, neurosis
Please give a better impression with clever use of cosmetics
Amang others at this very happy wedding
Were mr. and mrs [peep]
The bride looked very pretty
Wearing a dress of old lace, designed by [peep]
Last week I had been to this beautiful memorial service held at [peep]
For the late [peep]
Laaaa, la da dia haoo ...
This man is a professional singer
We think his voice will develop
La, lala lala lalala
Here is the bride
La la la la la la la la
Holy bright
Tra la la la la la la la
Not a bit
La la la la la la la la
All of it
Here is the bride
La la la la la la la la
Holy bright
Tra la la la la
Not a bit
All of it
I made myself interesting again today
{At the third stroke it will be 10:03 and 40 seconds
At the third stroke it will be 10:03 and 50 seconds
Losing sleep
in a waking dream
A recurring face I see
comes to pass my way
Still, my heart,
will you please be still, my heart
In this world of change
you keep turning me round again
[interlude]
In my mind
could it be that I'm just a fool for love
Is blind to danger Is this faith,
then why should I
Hesitate when love would dance with a stranger?
[interlude]
Shout it loud from the rooftop high
Let it burn inside,
and try only to fade and die
If I knew all there was to learn,
Every twist and turn,
why do I still try
State of life may I live, may I love
Coming out the sky, I name me a name
Coming out silver word "What it is?"
It is the very nature of the sound the game
Siamese, Indionese to Tibet treat the life
As a game, if you please
Coming up carabi this sense of freedom
Derives from a medative state
Movin' on, believe that's it, call it magic
Third world, it is I only guessed it
Shablam idi shablam ida
Shablam idi shablam ida
Shablam idi shablam ida
Shot to the soul the flame of Oroladin
The essence of the word
The state of independence
Sounds like a signal from you
Bring me to meet your sound
And I will bring you to my heart
Love like a signal you call
Touching my body, my soul
Bring to me, you to meet me here
Home be the temple of your heart
Home be the body of your love
Just like holy water to my lips
Hey, hey, yes I do know how I survive
Yes I do know why I m alive
To love to be with you
Day by, day by, day by day
Hey, hey
Say aye yaya oh
Yayah yaya oh
Be the sound of higher love today
Hey, hey, time, time again, it is said
We will hear, we will see
See it all in his wisdom hear
His truth will abound the land
This truth will abound the land
This state of independence shall be
This state of independence shall be
Time, time again, it is said
We will hear, we will see
See it all in his wisdom hear
His truth will abound the land
This truth will abound the land
This state of independence shall be
This state of independence shall be
This state of independence shall be
This state of independence shall be
This state of independence shall be
Say year
Say maybe
Say body
Say remember
Say I wonder
Say nay
Say meet her
Say my
Say mother
Say a year [or: I hear]
Say high
Noise
Abc - a note to us
Pour le pret-a-porter
Pour le pret-a-manger
Pour le pret-a-boire
Pour le pret-a-penser
Renseignments au 93 (93), poste lopn par ligne digitale
Les noms figurent dans la liste par arrondissement
Et pourtant je ne suis pas sur
Et pourtant je ne suis pas sur
[interlude]
La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la
Parce que j'aime bien la musique
Parce que je trouve bien les instruments
Parce qu'il y a beaucoup de boutons
Et que j'aimerais bien jouer du piano
Yes, a sin city, it's a much sin city
Yes, a sin city, it's a much sin city
Yes, a sin city, it's a much sin city
Yes, a sin city, it's a much sin city
Yes, a sin city, it's a much sin city
Yes, a sin city, it's a much sin city
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
Puisqu'au font
See you later
See yoy later
Ce n'est pas si loin d'aller tres loin
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
See you later
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
Puisqu'au font
Ce n'est pas si loin d'aller tres loin
Ou font sais pas
Parceque au font c'est pas loisir
See you later
Living or not living
The question I can't ask you
Living or not living
After many many years
See you later
See you later
See you later
See you later
See you later
See you later
Come to me
While I'm sleeping
So their wagging tongues
Might not find you, my love
All the while
They lie down
[i'll let a so sweet]
For I'll die for my love
So stop this night so strong
That I will remember
And have it ever after
Come to me
While I'm sleeping
So their wagging tongues
Might not find you, my love
[interlude]
Come to me
End my dreaming
So their wagging tongues
Might not find you, my love
'round the corner
Back of hands
They'll still be talking
Whether or not we'd ever
[Instrumental]
[Instrumental]
He-o he came walking down my street
He-o and he stopped in front of my door
He-o and he knocked on the door a long while
He-o then he turned and he walked away
He-o then he turned and he walked away
He-o and he never came back again
He-o I wasn't at home that day
He-o and I never found out that he came
[interlude]
He-o he came walking down my street
He-o and he stopped in front of my door
He-o and he knocked on the door a long while
He-o then he turned and he walked away
He-o then he turned and he walked away
He-o and he never came back again
He-o I wasn't at home that day
In noreni per-i-pe,
in noremi co-ra,
tira mine per-i-to,
ne do---mina.
In romine tir-meno,
-ne romine to-fa,
imaginas pro-me-no
per i--mentira.
Oooooo
Ooo
Aaah
Aaah
Ha ri me no ca ri ha
La ve ro ma ni es to ra
La mi na re se co ra
I do re na lo si ta
Ha ri me no ca ri la
La ve ro ma ni es to ra
Ri me na ta lo pa
No cari la da
No cari la re mi na
Da re mi na lor da
Da re mi na lor
Ha ri me no
Da re mi na
To re se da
Ha ra la ma ha
Ha re mi le mo no
Ha re mi le mo no
Ha re mi le mo no
Ha re mi le mo no
Ha ra la ma ha
Ha re mi le mo no
Ha re mi le mo no
Ha ra la ma ha
I've seen things, you people wouldn't believe, hmm
Attack ships on fire off the shoulder of Orion
I've watched C-beams glitter in the dark near the Tannhauser Gate
All those moments, will be lost in time like tears in rain
After the first embrace from you
My senses knew the look of love was in your eyes
And after we first make love
Our senses tingle to the touch, oh how we hypnotize
Oh, to get the feeling on and on
Oh, just to get the feeling
Holding you closer in my arms we drift to heaven
Bringing in the morning light
And after all is said and done there's only us
We can make it right
So, our love will carry on and on
Now our love will be free, be free
And when we play, love don't delay, I hear you now
For what was then is what is now, anyhow
As I became a guest of love's tune hear again
We'll carry on together like today
After the first embrace from you I
After the first embrace from you I want you too
[female voice:]
Hi ga kureru
Sore wa toki no mahou
Asu onaji toki
Mata chigau mahou
Sore wa iro ga kaori ni
Kaori ga iro ni kawaru toki
Soshite kage wa kagirinai
Ao ni tokeru
The day falls into the twilight.
It is a magic of time.
The same time tommorrow,
There'll be another magic.
It is when colors turn to flavors,
And flavors turn to colors.
And it is when
Shadows melt into deep blue....
Frankie: Okay, this is the picture. Johnny's been hurt.
He's been hurt bad.
Woman: Look, we can't leave him here, we can't. Look,
he's in a pool of blood. He's gonna die, I know it.
Frankie: We've gotta leave him here, honey. We gotta.
He won't talk, I promise you that! Will you Johnny?
Woman: Frankie, I don't care whether he talks or not, I
just can't leave him like this.
Johnny Listen. Leave me here I... I... I can ... I can
... handle it.
Woman: Oh, no, Johnny, no...
[interlude]
Frankie: The cops are outside. Luke's in the car. Come
on, let's get the hell outta this joint.
Woman: Frankie, when they get here wer're gonna be
dead, I know we are! We don't have agun!
Frankie: Listen. We got three million... Listen,
[spud]. We got three million in the can, here. We can't
look after him, I'll send the bird to his mother. Come
on, let's just get out of this place, we can do it!
Woman: Oh, no, Johnny, no...
[interlude]
Frankie: Okay now, just lean up against that door. When
I give the word "Go" we just..., we just go through it
and blast at the same time.
She came, as in the book, Mickey Spillane
That Saturday night dark masquerade
Had filled his friend with lead, the same, sweetheart
But then, as nothing happens quite the same
Investigation is the game
He had to check her story right away-he dead
Sam Spade his buddy Archer first to go he got it
She spelt it out, how could they know the 'Fatman' got
it -he dead
Her sister didn't really live at all-confusion-he dead
His chase led to the Fatman, to face the friends of Mr.
Cairo
[movie like speech:]
Woman: Hey, there's a really terrific dress shop. Can
we stop this raid while I buy a new gown?
Frankie: I'll buy you the whole factory, sweetheart.
Don't worry.
That night, the double crosser got it right
Pretending he was really dim
He slipped to Sam a double gin (Mickey Finn)
He woke, the boys had gone, but not his gun
They'd left a note to lead him on
The chase to find the Maltese Falcon-you bet-
Early thirties gangster movies
Set to spellbind population
From Chicago to Hong Kong
Via Istanbul the Talking Tong
Dirty rats thru' prohibition
Money flowed thru gangsterism
Acting out this fantasy
In Hollywoods vicinity
The best part for the best rendition
Al Capone he sent to prison
Citizen Kane came fast and quickly
Conquerin ol' New York City
Poking fun at superstition
Media became television Give me Cagney anyday
Or Jimmy Stewart for President
Or Edward 'G' and all those guys
Who always shoot between the eyes
Between the eyes
Between the eyes
[movie like speech:]
Kasper: ha, ha, well done Mr. Cairo, and what do you
have to say about that, my friend?
Spade: Allright. So you've got me in it. What about
her?
Brigid: Don't worry about me, I'm okay
Kasper: Very magnanimous, sir, very magnanimous indeed,
ha, ha, ha
Mr. Cairo: You mean..., you won't make us an offer
we... we can't refuse...
Father love do you work, do you work for Mother
Chances could call, and accept that, be no other
Science as it might, disappear correspond with colour
Chance is the fruit, will outlive, what is now the
brother
Call for total wealth to distribute like a picture
In black and white, give it joy, give it, let it hit
Spoil our existence by extreme gift to population
Father love do you work, do you work for Mother
Tell me straight be the Godfather be no other
Media Kings give us now give us total movie
Straight right now, give it clear, give us total movie
Now being here, being now, being here believing
[movie like speeches:]
Man: I don't know which words to put in there
sweetheart, you know, I can't do it. Pretty kind of
useless, though, don't you think so Mary?
Man: Come with me to the far lands of Baghdad.
Woman: Oh, if only I could. That's what I want more
than anything in the world, but it could never be...
Man: Of course it can...
Woman: But my father would find us wherever we went.
Yes, he has forbidden me to... to even speak to you, if
he finds me now. I don't know what he'd do...
Man: But he doesn't know that I'm... I'm a prince.
Before, I was the thief of Baghdad now...
Woman: It doesn't matter...
Man: Then follow me, darling, follow me now to the ends
of the Earth
One on one to talk to you
Like film stars they get close to you
You've mirrored his appeal
He wants you so, he wants to be beside you
Then you pass by giving him the other side of you
Like the mystics do
So that every time he moves, he moves for you
Soul and light can always see
The meeting of true love and she
This silent night and I,
I guess a lonely mind might see
I've seen love on the screen
I've seen a screen goddesss and me-oh
How often this, how often, this the power of you
And so, I must confess
Whatever I see
I'm meant to be there with you
With you with you
Silent golden movies, talkies, technicolour, long ago
My younger ways stand clearer, clearer than my
footprints
Stardom greats I've followed closely Closer than the
nearest heartbeat
Longer that expected-ther were great-
Oh love oh love just to see them
Acting on the silver screen, oh my
Clark Gable, Fairbanks, Maureen O'Sullivan
Fantasy would fill my life and I
Love fantasy so much
Did you see in the morning light
I really talked, yes I did, to Gods early dawning light
And I was privileged to be as I am to this day
To be with you. To be with you
[movie actor like speech:]
Mr. Cairo: Listen. I have arranged this display for...
for all of you people to... to come here this evening
and I... I know you have been searched, but, what
you... you don't realize is, is that in the back of the
"i've, seen things..
..so many things that you can't believe.
Past designs, future designs,
Cables in the bend.
Second-hand sounds,
Future sounds,
Synthesised dialogues.
Incomprehenseble software.
Hi jon, let's break some rules!
Here comes the sun.
We're doing some recordings later
Same ol' factory you know
Here's some names for you,
'polyester landscape,
Nylon oxygen,
Ashes to concrete.'
Etcetera.....etcetera....
Etcetera.....
"oh, by the way,
It's been a beautiful morning,
What a morning,
Great morning,
It's a great moring man."
We were all uprooted
The earth was stolen from beneath our feet
We became a Diaspora
An unnamed nation of bastards
We channeled our roots to the pulse of light
deep within the galaxies of our mind
Our breath was the sky
Our dreams were water
We claimed the wilderness
[rachel:]
"deckard"
"do you have those files on me? "
"the incept date"
"the longevity"
"those things, you saw them? "
"deckard"
"what if I go north? "
"would you come after me? "
My love,
my love
it's getting, getting hard,
it's getting, getting hard, my love
We talk
the start
Recorded on our own
(most effectively)
this song
Merci beaucoup
la la la la la la,
la la la la la la,
to you
So now
I now
the sound of make [...]
the sound of make [...]
to go
[interlude]
My love
my love
the many, many ways
the many, many ways, to see Pardon,
pardon,
pardon, the only one
pardon, the only one
pardon
[interlude]
We talk
the start
recorded on our own
(most effectively)
this song
merci beaucoup
la la la la la la,
la la la la la la,
I read your letter, I got it just the other day...
You seem so happy, so funny... how time melts away
It's such a pleasure, to see you growing
And how you sending your love to the air today
I think of Heaven... each time I see you walking there
And as you're walking, I think of children everywhere
It's in your star sign... you growing stronger
I can't believe you... so good to care
Thru enchantment, into sunlight
Angel's touch... your eyes...
Your highness... electric... so surprise
Is this your first life...?
It seems as though you have live before
You help me hold on...
You have a heart like an open door
You sing so sweetly... my love adores you
She does, she's thinking of you right now
I know...
The summer's coming...
I'll keep in touch so you're not alone
Then like the swallow, you'll fly away like birds have flown
So let me tell you... how much I Love You
I'd make the songbirds sing... for you again...
Well now it's goodnight...
Sweet Angel... read this letter...
Once, we did run
How we chased a million stars
and touched as only one can
Once, we did play
How the past delivered you
Amidst our youth we'd dream away, away
As if I knew the words I'm sure you'll hear
Of how we met as you recall so clear
Once, we did love
Long ago how did I forget
Holding you so closely
Look, how I move
Chance would have me glance at you
To know how you move me
Me, all barriers fall around us as we hear
Of memories known and matters long ago, so clear
[interlude]
Once, we did run
How we chased a million stars
Born from the sky,
We are born to this land.
From a dream, so far away,
I was sent to your heart.
With the stars shining,
We are asked to live as one love.
Never forget, this is.
Trust me to be singlet,
We will sing on the days.
When each voice will be a witness,
Each will sing every way.
There'll be no more empty promises.
We are turning a special page of life.
I will be the one to hold you
In this everlasting dance of love.
Hold me, now forever.
I can remember when
You and I came through the winter.
Now it's summer again.
Be mine, be my love, be my guide, together
We'll be as one, you can count on my life.
Born from the sky.
ahhhhhh...
Words of discouragement disappear
In your clear eyes.
Never change, never doubt
"i've, seen things..
..so many things that you can't believe.
Past designs, future designs,
Cables in the bend.
Second-hand sounds,
Future sounds,
Synthesised dialogues.
Incomprehenseble software.
Hi jon, let's break some rules!
Here comes the sun.
We're doing some recordings later
Same ol' factory you know
Here's some names for you,
'polyester landscape,
Nylon oxygen,
Ashes to concrete.'
Etcetera.....etcetera....
Etcetera.....
"oh, by the way,
It's been a beautiful morning,
What a morning,
Great morning,
[footsteps]
-"is the city open? " [voice of roman polanski]
-"c'est beau romain, c'est beau" [voice of emanuelle seigner]
-"are there any morning-papers yet? " [voice of roman polanski]
-"too early"
-"a sandwich"
-"thanks"
[female voice:]
"what? "
"fine,"
"i, no, I can't remember"
"no, not at all, no"
"because"
"yeah"
"no"
"ha ha ha ..." [laugh]
"ooh, yeah, yeah"
"far away down"
"eh, no fine, yeah"
"no dear"
"yeah"
Don't come after
Don't come after
Don't come after
Come
Come
Come
Come
Don't come after
Don't come after
Please don't follow me along
When you read this I'll be gone
Ask the mountains
Springs and fountains
Why couldn't this go on?
Couldn't our happiness go on?
Ask the sun that lightens up the sky
When the night gives in, to tell you why
Ask the mountains
Wild woods, highlands
Ask the green in the woods and the trees
The cold breeze coming in from the sea
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Ask the sun that lightens up the sky
When the night gives in, to tell you why
Tell the mountains
Springs and fountains
Why couldn't this go on?
Couldn't our happiness go on?
Why couldn't this go on?
[Instrumental]
[Instrumental]
[Instrumental]
Don't come after
Don't come after
Don't come after
Come
Come
Come
Come
Don't come after
Don't come after
Please don't follow me along
When you read this I'll be gone
Ask the mountains
Springs and fountains
Why couldn't this go on?
Couldn't our happiness go on?
Ask the sun that lightens up the sky
When the night gives in, to tell you why
Ask the mountains
Wild woods, highlands
Ask the green in the woods and the trees
The cold breeze coming in from the sea
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Springs and fountains
Ask the mountains
Ask the sun that lightens up the sky
When the night gives in, to tell you why
Tell the mountains
Springs and fountains
Why couldn't this go on?
Couldn't our happiness go on?
Why couldn't this go on?
Shine for me,
I'll shine for you,
Each waking dawn,
Each day.
Let these words,
Please, let this song
Take you so
Completely.
You have the gift of love.
You have the gift of life.
Take whatever you need.
Be the light.
For once, be sure.
Be the light
you are.
You are the sound of love.
You are the sound of life.
Take whatever you need.
More will come as you reopen
All your senses changing.
Once you have seen,
Be awake to this life song.
Shine for me,
I'll shine for you,
Each waking dawn,
Each day.
You are the gift of love.
You are the gift of life.
[Instrumental]
Come on, come on
Come on, Come on,
Come on, Come on,
Come on, Come on,
Come on, Come on,
Come on
[etc.]
Do you like our owl?
Is it artificial?
Of course it is
Must be expensive, very
I'm Rachel
Deckard
Its seems you feel our work is not a benefit to the public
Replicants are like any other machines
They are either a benefit or a hazard
If they're a benefit, it's not my problem
May I ask you a personal question? Sure
Have you ever retired a human by mistake? No
But in your position that is a risk
Is this to be an empathy test?
Capillary dilation of the so called blush response
Fluctuation of the pupil
Involuntary dilation of the iris
We call it Voight-Kampf for short
Mr. Deckard, Dr. Elden Tyrell
Demonstrate it, I want to see it work
Were is the subject?
I want to see it work on a person
I want to see a negative
Before I provide you with a positive
What's that gonna prove?
Indulge me
[Instrumental]
[Instrumental]
Years passing by
And again
And again
Years passing by
Let her go
Let her stay
In the memory's place
Gets a machine
Get the tape
Get the bass
100 + one
Multitrack
Patch bay, patch bay
Eq low cut
Free post
Frequency 1000
La da, da, da
In the memory's place
We let them pay
I am no techno-guy
The live ...
100 + one
Multitrack
Patch bay, patch bay
Eq low cut
Free post
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Multitrack suggestion
Suggestion
Suggestion
Suggestion
Suggestion
Suggestion
Suggestion
Suggestion
Suggestion
[Instrumental]
[Instrumental]