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Alexis Leger
Born	Alexis Leger (1887-05-31)31 May 1887 Pointe-à-Pitre, Guadeloupe
Died	20 September 1975(1975-09-20) (aged 88) Presqu'île de Giens, Provence, France
Pen name	Saint-John Perse
Notable award(s)	Nobel Prize in Literature 1960

Saint-John Perse (first Saint-Leger Leger, pseudonyms of Alexis Leger) (31 May 1887–20 September 1975) was a French poet, awarded the Nobel Prize for Literature in 1960 "for the soaring flight and evocative imagery of his poetry." He was also a major French diplomat from 1914 to 1940, after which he lived primarily in the USA until 1967.

Biography[link]

Alexis Leger was born in Pointe-à-Pitre, Guadeloupe. His great-grandfather, a solicitor, had settled in Guadeloupe in 1815. His grandfather and father were also solicitors; his father was also a member of the City Council. The Leger family owned two plantations, one of coffee (La Joséphine) and the other of sugar (Bois-Debout).

In 1897, Hégésippe Légitimus, the first native Guadeloupan elected president of the Guadeloupe General Council, took office with a vindictive agenda towards colonists. The Leger family returned to metropolitan France in 1899 and settled in Pau. The young Alexis felt like an expatriate, and spent much of his time hiking, fencing, riding horses, and sailing in the Atlantic. He was awarded the baccalaureate with honors, and began studying law at the University of Bordeaux. When his father died in 1907, the resulting strain on his family's finances led Leger to interrupt temporarily his studies, but he eventually completed his degree in 1910.

In 1904 he met the poet Francis Jammes at Orthez, who became a dear friend. He frequented cultural clubs, and met Paul Claudel, Odilon Redon, Valery Larbaud, and André Gide.^[1] He wrote short poems inspired by the story of Robinson Crusoe (Images à Crusoe) and undertook a translation of Pindar. He published his first book of poetry, Éloges, in 1911.

In 1914, he joined the French diplomatic service, and spent some of his first years in Spain, Germany, and the United Kingdom. When World War I broke out, he was a press corps attaché for the government. From 1916 to 1921, he was secretary to the French Embassy in Peking. In 1921 in Washington, while taking part in a world disarmament conference, he was noticed by Aristide Briand, the then-Prime Minister of France, who recruited him as his assistant. In Paris, he got to know the fellow intellectual poet Paul Valéry who used his influence to get the poem Anabase, written during Léger's stay in China, published. Léger was warm to classical music, and knew Igor Stravinsky, Nadia Boulanger, and les Six.

While in China, Leger had written his first extended poem Anabase, publishing it in 1924 under the pseudonym "Saint-John Perse", one he employed for the rest of his life. He then published nothing for two decades, not even a re-edition of his debut book, because he believed it inappropriate for a diplomat to publish fiction. After Briand's death in 1932, Leger served as the General Secretary of the French Foreign Office (Quai d'Orsay) until 1940, a period in which the French government experienced chronic instability and turmoil. He accompanied the French Foreign Minister at the Munich Conference in 1938, where the cession of Czechoslovakia to Germany was agreed to. He was dismissed from his post right after the fall of France in May 1940, because he was a known anti-Nazi. In mid-July 1940, Leger began a long exile in Washington, D.C..

The Vichy government dismissed him from the Légion d'honneur order and revoked his French citizenship (it was reinstated after the war.) He was in some financial difficulty as an exile in Washington until Archibald MacLeish, Director of the Library of Congress and himself a poet, raised sufficient private donations to enable the Library to employ Perse until his official retirement from the French civil service in 1947. Perse declined a teaching position at Harvard University.

During his American exile, Perse wrote his long poems Exil, Vents, Pluies, Neiges, Amers, and Chroniques. He remained in the USA long after the end of the Second World War ended, traveling extensively, observing nature, and enjoying the friendship of, among others, U.S. President Franklin D. Roosevelt's Attorney General Francis Biddle and his spouse, author Katherine Garrison Chapin. Leger was on good terms with the UN Secretary General and author Dag Hammarskjöld. In 1957, American friends gave him a villa at Giens in Provence, and from that time on, he split his time between France and the United States. In 1958, he married the American Dorothy Milburn Russell.

In 1960, he was awarded the Nobel Prize in Literature. After receiving the Nobel Prize, he wrote the long poems Chronique, Oiseaux, Chant pour un équinoxe, and the shorter Nocturne and Sécheresse. In 1962, Georges Braque worked with master printmaker Aldo Crommelynck to create a series of etchings and aquatints titled L’Ordre des Oiseaux,^[2] which was published with the text of Perse's Oiseaux by Au Vent d'Arles'.^[3]

A few months before he died, Leger donated his library, manuscripts and private papers to Fondation Saint-John Perse, a research centre devoted to his life and work (Cité du Livre, Aix-en-Provence) that remains active down to the present day. He died in his villa in Giens and is buried nearby.

Works[link]

• Éloges (1911, transl. Eugène Jolas in 1928, Louise Varèse in 1944, Eleanor Clark and Roger Little in 1965, King Bosley in 1970)
• Anabase (1924, transl. T.S. Eliot in 1930, Roger Little in 1970)
• Exil (1942, transl. Denis Devlin, 1949)
• Pluies (1943, transl. Denis Devlin in 1944)
• Poème à l'étrangère (1943, transl. Denis Devlin in 1946)
• Neiges (1944, transl. Denis Devlin in 1945, Walter J. Strachan in 1947)
• Vents (1946, transl. Hugh Chisholm in 1953)
• Amers (1957, transl. Wallace Fowlie in 1958, extracts by George Huppert in 1956, Samuel E. Morrison in 1964)
• Chronique (1960, transl. Robert Fitzgerald in 1961)
• Poésie (1961, transl. W. H. Auden in 1961)
• Oiseaux (1963, transl. Wallace Fowlie in 1963, Robert Fitzgerald in 1966, Roger Little in 1967, Derek Mahon in 2002)
• Pour Dante (1965, transl. Robert Fitzgerald in 1966)
• Chanté par celle qui fut là (1969, transl. Richard Howard in 1970)
• Chant pour un équinoxe (1971)
• Nocturne (1973)
• Sécheresse (1974)
• Collected Poems (1971) Bollingen Series, Princeton University Press.

• Œuvres complètes (1972) Bibliothèque de la Pléiade, Gallimard. The definitive edition of his work. Leger designed and edited this volume, which includes a detailed chronology of his life, speeches, tributes, hundreds of letters, notes, a bibliography of the secondary literature, and extensive extracts from those parts of that literature the author liked. Enlarged edition, 1982.

Footnotes[link]

Secondary Literature in English[link]

1936

• S. A. Rhodes, "Poetry of Saint-John Perse", The Sewanee Review, vol. XLIV, n° 1, Jan.-March 1936

1944

• Paul Rosenfeld, "The Poet Perse", The Nation, New York, vol. CLVIII, n° 20, 15 May 1944
• John Gould Fletcher, "On the Poetry of Alexis Saint-Leger Leger", Quarterly Review of Literature, vol. II, Autumn 1944
• Edouard Roditi, "Éloges and other poems, Saint-John Perse", Contemporary Poetry, Baltimore, vol. IV, n° 3, Autumn 1944

1945

• Conrad Aiken, "Rains, by Saint-John Perse. Whole Meaning or Doodles", New Republic, Washington, n° CXII, 16 April 1945.

1948

• David Gascoigne, "Vents by Saint-John Perse", Poetry, London, June–July 1948,

1949

• Valéry Larbaud, préface à Anabasis, translated by Jacques Le Clerq, in Anabasis, New York, Harcourt, Brace and C°, 1949.
• Hugo von Hofmannsthal, préface à Anabasis, translated by James Stern, ibid.
• Giuseppe Ungaretti, préface à Anabasis, translated by Adrienne Foulke, ibid.
• Archibald MacLeish, "The Living Spring", Saturday Review, vol. XXXII, n° 24, 16 July 1949
• Hubert Creekmore, "An Epic Poem of the Primitive Man", New York Times Book Review, 25 December 1949

1950

• Allen Tate, "Hommage to Saint-John Perse", Poetry, Chicago, LXXV, January 1950
• Harold W. Watts, "Anabase: The Endless Film", University of Toronto Quarterly, vol XIX, n° 3, April 1950
• Stephen Spender, "Tribute to Saint-John Perse", Cahiers de la Pléiade, Paris, Summer-Autumn 1950

1952

• Amos Wilder, "Nature and the immaculate world in Saint-John Perse", in Modern Poetry and the Christian tradition, New York, 1952
• Katherine Garrison Chapin, "Saint-John Perse. Notes on Some Poetic Contrasts", The Sewanee Review

1953

• Paul Claudel, "A Poem by St.-John Perse", translation by Hugh Chisholm, in Winds, New York, Pantheon Books, Bollingen Series, n° 34, 1953.
• Gaëtan Picon, "The Most proudly free", translation by Willard R. Trask, ibid, 1rst edition in Les Cahiers de la Pléiade, n° 10, été-automne 1950.
• Albert Béguin, "A Poetry marked by scansion", translation by Willard R. Trask, ibid, 1rst edition in Les Cahiers de la Pléiade, n° 10, été-automne 1950.
• Gabriel Bounoure, "St.-John Perse and poetic ambiguity", translation by Willard R. Trask, ibid, 1rst edition in Les Cahiers de la Pléiade, n° 10, été-automne 1950.
• Wallace Fowlie, "The Poetics of Saint-John Perse", Poetry,, Chicago, vol. LXXXII, n° 6, September 1953
• Hayden Carruth, "Winds by Saint-John Perse... Parnassus stormed", The Partisan Review, vol. XX, n° 5, September-October 1953
• Henri Peyre, "Exile by Saint-John Perse", Shenandoah, Lexington, vol. V, Winter 1953

1956

• "Tribute to Saint-John Perse", The Berkeley Review (Arthur J. Knodel, René Girard, Georges Huppert), vol. I, n° 1, Berkeley, 1956

1957

• Archibald MacLeish, "Saint-John Perse. The Living Spring", in A continuing journey. Essays and Addresses, Boston, 1957
• Wallace Fowlie, "Saint-John Perse", in A Guide to Contemporary french Literature, from Valéry to Sartre, New York, 1957
• Anonymous, "Saint-John Perse, poet of the Fare Shore", Tmes Literary Supplement, London, 2 March 1957
• Paul West, "The Revival of Epic", The Twentieth Century, London, July 1957

1958

• Conrad Aiken, A Reviewer's A.B.C., Collected criticism from 1916, New York, 1958
• Jacques Guicharnaud, "Vowels of the Sea: Amers", Yale French Studies, n° 21, Spring-Summer 1958
• Martin Turnell, "The Epic of Saint-John Perse", The Commonweal, LXX, 17 July 1958
• W. H. Auden, "A song of life's power to renew", New York Times Book Review, vol. LXIII, n° 30, 27 July 1958
• Melvin Maddocks, "Perse as Cosmologist", Christian Science Monitor, 4 September 1958
• John Marshall, "The greatest Living French Poet", The Yale Review, XLVIII, September 1958
• Katherine Garrison Chapin, "Perse on the sea with Us: Amers", The New Republic, Washington, CXXXIX, 27 October 1958

1959

• H.-J. Kaplan,"Saint-John Perse: The Recreation of the World", The Reporter, XV, 22 January 1959
• Raymond Mortimer, "Mr Eliot and Mr Perse: Two fine Poets in tandem", Sunday Times, London, May 1959
• Philip Toynbee, "A great modern Poet", The Observer, London, 31 May 1959
• Charles Guenther, "Prince among the Prophets", Poetry, Chicago, vol. XCIII, n° 5, 1959

1976

• Joseph Henry McMahon, A Bibliography of works by and about Saint-John Perse, Stanford University, 1959

1960

• Stanley Burnshaw, "Saint-John Perse", in The Poem Itself, New York, 1960
• Joseph MacMahon, "A question of Man", Commonweal, LXXIII, 13 January 1960
• Byron Colt, "Saint-John Perse", Accent, New York, XX,3, Summer 1960
• Joseph Barry, "Science and poetry merge in the crucial stage of creation", New York Post, 12 December 1960

1961

• Bernard Weinberg, The Limits of Symbolism. Studies of Five modern French Poets. Baudelaire, Rimbaud, Mallarmé, Valéry, Saint-John Perse, Manchester, 1961
• Anthony Hartley, "Saint-John Perse", Encounter, London, n° 2, Feb. 1961
• Octavio Paz, "Saint-John Perse as Historian", The Nation, New York, 17 June 1961
• Donald Davis, "Chronique by Saint-John Perse", New Statesman, London, LXII, 26 July 1961
• John Montague, "The Poetry of Saint-John Perse", Irish Times, Dublin, 25 August 1961
• Léon-S. Roudiez, "The Epochal Poetry of Saint-John Perse", Columbia University Forum, New York, vol. IV, 1961

1962

• Anthony Curtis, "Back to the Elements", The Sunday Telegraph, London, 7 January 1962
• Amos Wilder, "St-John Perse and the future of Man", Christianity and Crisis, New York, vol. XXI, n° 24, 22 January 1962
• Ronald Gaskell, "The Poetry of Saint-John Perse", The London Magazine, vol. I, n° 12, March 1962
• Peter Russel, "Saint-John Perse's Poetical works", Agenda, London, May–June 1962
• Cecil Hemley, "Onward and Upward", Hudson Review, XV, Summer 1962

1963

• Eugenia Maria Arsenault, Color imagery in the Vents of Saint-John Perse, Catholic University of America, Washington, 1963

1964

• Arthur J. Knodel, "Towards an Understanding of Anabase", PMLA, June 1964
• Eugenia Vassylkivsky, The Main Themes of Saint-John Perse, Columbia University, 1964

1966

• Arthur J. Knodel, Saint-John Perse. A Study of his Poetry, Edimburg, 1966
• R. W. Baldner, "Saint-John Perse as Poet Prophet" in Proceedings of the Pacific Northwest Conference on Foreign Languages, vol. XVII, n° 22, 1966

1967

• Roger Little, Word Index of the Complete Poetry and Prose of Saint-John Perse, Durham, 1966 and 1967
• M. Owen de Jaham, An Introduction to Saint-John Perse, University of South Western Louisiana, 1967

1968

• Kathleen Raine, "Saint-John Perse, Poet of the Marvellous", Encounter, vol. IV, n° 29, October 1967; idem in Defending Ancient Springs, Oxford, 1968

1969

• Roger Little, "T. S. Eliot and Saint-John Perse", The Arlington Quarterly Review, University of Texas, vol. II, n° 2, Autumn 1969

1970

• Charles Delamori, "The Love and aggression of Saint-John Perse's Pluies", Yale French Studies, 1970
• Richar O. Abel, The Relationship between the Poetry of T. S. Eliot and Saint-John Perse, University of Southern California, 1970

1971

• Roger Little, Saint-John Perse. A Bibliography for Students of His Poetry, London, 1971
• Ruth N. Horry, Paul Claudel and Saint-John Perse. Parallels and Contrasts, University of North Carolina Press, Chapel Hill, 1971
• Pierre Emmanuel, Praise and Presence, with a Bibliography, Washington, 1971
• Candace Uter De Russy, Saint-John Perse's Chronique: a study of Kronos and other themes through imagery, Tulane University, 1971
• Marc Goodhart, Poet and Poem in Exile, University of Colorado, 1971

1972

• René Galand, Saint-John Perse, New York, 1972
• Richard Ruland, America as metaphor in modern French Letters. Celine, Julien Green and Saint-John Perse, New York, 1972

1973

• Roger Little, Saint-John Perse, University of London, 1973
• Carol Nolan Rigolot, The Dialectics of Poetry: Saint-John Perse, University of Michigan, 1973

1974

• Richard-Allen Laden, Saint-John Perse's Vents: From Theme to Poetry, Yale University, 1974

1976

• Elizabeth Jackson, Worlds Apart Structural Parallels in the Poetry of Paul Valéry, Saint-John Perse, Benjamin Perret and René Char, The Hague, 1976
• Arthur J. Knodel, Saint-John Perse: Lettres, Princeton, 1979
• Edith Jonssen-Devillers, Cosmos and the Sacred in the poetics of Octavio Paz and Saint-John Perse, San Diego, University of California, 1976
• John M. Cocking, "The Migrant Muse: Saint-John Perse", Encounter, London, XLVI, March 1976
• Elizabeth Jennings, "Saint-John Perse: the worldly seer", in Seven Men of Vision: an appreciation, London, 1976
• Roger Little, "A letter about Conrad by Saint-John Perse", Conradiana, Lubbock, Texas, VIII, n° 3, Autumn 1976
• Anonymous, "An Exile for Posterity", The Times Literary Supplement, London, n° 3860, 5 March 1976

1977

• Roger Little, "The Eye at the Center of Things", Times Literary Supplement, London, n° 3941, 7 October 1977
• Roger Little, "Saint-John Perse and Joseph Conrad: some notes and an uncollected Letter", Modern language Review, Cambridge, LXII, n° 4, October 1977
• Roger Little, "The World and the Word in Saint-John Perse", in Sensibility and Creation: Essays in XXth Century French Poetry, London and New York, 1977
• John D. Price, "Man, Women and the Problem of Suffering in Saint-John Perse", Modern language Review, Cambridge, LXII, n° 3, July 1977

1978

• Reino Virtanen, "Between Saint-John and Persius: Saint-John Perse and Paul Valéry", Symposium, Summer 1978
• Roger Little, "Saint-John Perse and Denis Devlin: a compagnonage", Irish University Review, Dublin, VIII, Autumn 1978

1979

• Roger Little, "Claudel and Saint-John Perse. The Convert and the Unconvertible", Claudel Studies, VI, 1979

1982

• Steven Winspur, "Saint-John Perse's Oiseaux: the Poem, the Painting and beyond", L'Esprit Créateur, Columbia University, XXII, n° 4, Winter 1982

1983

• William Calin, "Saint-John Perse", in A Muse for heroes: Nine Centuries of the Epic in France, University of Toronto Press, 1983
• Steven Winspur, "The Poetic Signifiance of the Thing-in-itself", Sub-stance, n° 41, 1983
• Joseph T. Krause, "The Visual Form of Saint-John Perse's Imagery", Aix-en-Provence, 1983
• Peter Fell, "A Critical Study of Saint-John Perse's Chronique" . MA dissertation, University of Manchester, 1983

1984

• Saint-John Perse: Documentary Exhibition and Works on the Poem Amers, Washington, 1984–1985

1985

• Erika Ostrovsky, Under the Sign of Ambiguity: Saint-John Perse/Alexis Leger, New York, 1985

1988

• Steven Winspur, Saint-John Perse and the Imaginary Reader, Geneva, 1988
• Peter Baker, "Perse on Poetry", The Connecticut Review, Willimantic, XI, n° 1, 1988
• Peter Baker, "Saint-John Perse, Alexis Leger, 1960", The Nobel Prize Winners: Literature, April 1988

1990

• Peter Baker, "Exile in Language", Studies in 20th century Literature, Manhattan (Kansas) and Lincoln (Nebraska), XIV, n° 2, Summer 1990
• Judith Kopenhagen-Urian, "The voyage chronotop and other dynamic topoi in Saint-John Perse's Work", American Comparative Literature Association, Pennsylvania State University, annual meeting Marc 29-31 1990 (unpublished)
• Erika Ostrovsky, "Saint-John Perse", The Twentieth Century, New York, 1990

1991

• Luigi Fiorenzato, Anabasis/Anabase: T. S. Eliot translates Saint-John Perse, Padova, 1991–1992
• Peter Baker, "Metric, Naming and Exile: Perse, Pound, Genet", in The Scope of Words in Honor to Albert S. Cook, New York, 1991
• Peter Baker, Obdurate Brilliance: Exteriority and the Modern Long Poem, University of Florida Press, 1991

1992

• Josef Krause, "The Two Axes of Saint-John Perse's Imagery", Studi Francesi, Torino, XXXVI, n° 106, 1992
• Carol Rigolot, "Ancestors, Mentors and 'Grands Aînés': Saint-John Perse's Chronique", Literary Generations, Lexington, 1992

1994

• Richard L. Sterling, The Prose Works of Saint-John Perse. Towards an Understanding of His Poetry, New York, 1994

1996

• Richard A. York, "Saint-John Perse, the diplomat", Claudel Studies, XXIII, 1-2, 1996

1997

• Judith Urian, The Biblical context in Saint-John Perse's work, Hebrew University of Jerusalem, 1997

1999

• Mary Gallagher, "Seminal Praise: The Poetry of Saint-John Perse", in An Introduction to Caribbean Francophone writing, Oxford, 1999
• Carol Rigolot, "Saint-John Perse's Oiseaux: from Audubon to Braque and beyond", in Resonant Themes: literature, history and the arts in XIXth - and XXth - century Europe, Chapel Hill, North Carolina, 1999
• Judith Urian, "Delicious abyss: the biblical darkness in the poetry of Saint-John Perse", Comparative literature studies, XXXVI, n° 3, 1999

2000

• Jeffrey Mehlman, Émigré New York. French Intellectuals in Wartime, Manhattan, 1940–1944, Baltimore and London, 2000
• Zeyma Kamalick, In Defense of Poetry: T. S. Eliot's translation ofAnabase by Saint-John Perse, Princeton, 2000

2001

• Emmanuelle Hériard Dubreuil, Une certaine idée de la France: Alexis Leger's views during the occupation of France June 1940-August 1944, London School of Economics, 2001
• Pierre Lastenet, Saint-John Perse and the Sacred, University of London, 2001
• Marie-Noëlle Little, The Poet and the Diplomat [Correspondence Saint-John Perse/Dag Hammarskjöld], Syracuse University Press, 2001
• Marie-Noëlle Little, "It is the same land: Poetry and Diplomacy for Dag Hammarskjöld and Alexis Leger", Uppsala, 7 September 2001, in Dag Hammarskjöld and the XXIst Century (Unpublished work)
• Marie-Noëlle Little, "Letters written, read and translated: The Correspondence of Dag Hammarskjöld and Alexis Leger", Uppsala, 8 September 2001, in Dag Hammarskjöld and the XXIst Century (Unpublished work)
• Marie-Noëlle Little, "Travellers in two Worlds: Dag Hammarskjöld and Alexis Leger", in evelopment Dialogue, Uppsala, 2001

2002

• Carol Rigolot, Forged Genealogies: Saint-John Perse's Conversations with Culture, The University of North Carolina Press, 2002

2003

• Mary Gallagher, "Re-membering Caribbean childhoods, Saint-John Perse's Éloges and Patrick Chamoiseau's Antan d'enfance", in The Francophone Caribbean today-literature, language, culture, The University of West Indies Press, 2003

2004

• Colette Camelin, "Hermes and Aphrodite in Saint-John Perse's Winds and Seemarks", in Hermes and Aphrodite Encounters, Birmingham, 2004
• Patrick Chamoiseau, "Excerpts freely adapted from Meditations for Saint-John Perse", Literature and Arts of the Americas, XXXVII, n° 1

2005

• Henriette Levillain, Saint-John Perse, Ministère des Affaires étrangères, Paris, 2005
• Joseph Acquisto, "The Lyric of Narrative: Exile, Poetry and Story in Saint-John Perse and Elisabeth Bishop", Orbis Litterarum, n° 5, 2005
• Xue Die, "Saint-John Perse's Palm Trees", American Letters and Commentary, n° 17, 2005
• Valérie Loichot, "Saint-John Perse's Imagined Shelter: J'habiterai mon nom, in Discursive Geographies, Writing Space and Place in French, Amsterdam, 2005
• Carol Rigolot, "Blood Brothers: Archibald MacLeish and Saint-John Perse", Archibald MacLeish Journal, Summer 2005
• Carol Rigolot, "Saint-John Perse", in Transtlantic relations, France and the Americas, Culture, Politics, History, Oxford and Santa Barbara, 2005

2007

• Valérie Loichot, Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison and Saint-John Perse, University of Virginia Press, 2007
• Harris Feinsod, "Reconsidering the 'Spiritual Economy': Saint-John Perse, his translators and the limits of internationalism", "Benjamin, Poetry and Criticism", Telos, New York, n° 38, 2007
• Peter Poiana, "The order of Nemesis in Saint-John Perse's Vents", Neophilologus, vol. 91, n° 1, 2007
• Jeffrey Meyers, "The Literary Politics of the Nobel Prize", Antioch Review, vol. 65, n° 2, 2007

See also[link]

Poetry portal

• Le Monde's 100 Books of the Century, a list which includes Amers

External links[link]

• Fondation Saint-John Perse, Aix-en-Provence, Website of the Aix-en-Provence Fondation about the poet and diplomat (in French)
• Saint-John Perse biography from the official Nobel Prize website
• Nobel acceptance speech
• Saint-John Perse, le poète aux masques, site devoted to the author (in French)
• Liste de diffusion SJPinfo (news) devoted to Saint-John Perse

Lucien Clergue
Lucien Clergue on occasion of the retrospective, Vienna, 2007.
Born	(1934-08-14)August 14, 1934 Arles, France
Nationality	French
Occupation	Photographer and Artist

Lucien Clergue (born August 14, 1934) is a French photographer.

Biography[link]

Lucien Clergue was born in Arles. From the age of 7, he learned to play the violin. Several years later, his teacher revealed to him that he had nothing more to teach him. From a family of shopkeepers, he could not pursue further studies in a conservatory. In 1949, he learned the rudiments of photography. Four years later, at a corrida in Arles, he showed his photographs to Pablo Picasso who, though subdued, demanded to see others. Within a year and a half, young Clergue worked with the goal of sending photos to Picasso. During this period, he worked on a series of photographs of traveling entertainers, acrobats and harlequins, the « Saltimbanques ». He also worked on a series whose subject was carrion.

On 4 November 1955, Lucien Clergue visited Picasso in Cannes. Their friendship lasted near 30 years until the death of the Master. The book, Picasso my friend retraces the important moments of their relation.

Rencontres d'Arles, 1975

Clergue has taken many photographs of the gypsies of southern France, and he was instrumental in propelling the guitarist Manitas de Plata to fame. In 1968 he founded, along with his friend Michel Tournier the Rencontres d’Arles photography festival which is held in Arles in July. His works was presented during the festival from 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003, 2007.

Clergue has illustrated books, among these a book by writer Yves Navarre.

Clergue’s photographs are in the collections of numerous well-known museums and private collectors. His photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as 1961, Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with extensive inventory of photographs by Lucien Clergue include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the US, the exhibition of photographs of Jean Cocteau was premiered by Westwood Gallery, New York City.[1]

In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award.[2].

He is named knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, on the creation of a new section dedicated to photography. Clergue is the first photographer to enter the Academy to a seat devoted to photography.

Books[link]

• Corps mémorable, Pierre Seghers editions, Paris, 1957. Poems by Paul Éluard, cover by Pablo Picasso, introductory poem by Jean Cocteau.
  • Re-edited in 1960 without Cocteau’s poem, then in 1963 in a German version where censors impose changes to one of the dozen photos; then in 1965 with all the text in black.
  • In 1969, a remake edition with added photos and new marquetry is published.
  • In 1996, on the occasion of the poet’s centenary, another edition is published with new photos and a marquette designed by Massin. ISBN 978-2-221-08423-6
  • In 2003 this last edition is re-published. An exposition organized by the Carré d'Art of Nîmes at the end of 2006 celebrates 50 years of this legendary work.
• Turck, Eva-Monika, ed. (November 2003) (Hardcover). Poésie Photographique. (Photographic Poetry). Clergue, Lucien (Photographer); Heiting, Manfred (Foreword); Kranzfelder, Ivo (Contributor) (English, French and German ed.). Prestel Publishing. http://www.amazon.com/Lucien-Clergue-Poesie-Photographique-Eva-Monika-Turck/dp/3791328506. Retrieved 2010-11-13.  ISBN 3-7913-2850-6
• Langage des Sables, Agep, Marseilles, 1980, ISBN 2-902634-08-0
• Portraits, Actes Sud, Arles, 2005, ISBN 2-7427-5423-7

External links[link]

• (French) Bibliography, Filmography, and Artwork
• (French) Portfolio and recent work by Lucien Clergue on Anne Clergue' website

1966 "Toros Muertos" published in the United States by Brussel & Brussel. This was a 48 page collection of images from the Spanish bullfights, particularly those showing the killing and the dying of the bulls. A masterpiece.