Hapkido (also spelled hap ki do or hapki-do; Hangul: 합기도; Hanja: 合氣道) is a dynamic and also eclectic Korean martial art. It is a form of self-defense that employs joint locks, techniques of other martial arts, as well as kicks, punches, and other striking attacks. There is also the use of traditional weapons, including a sword, rope, nunchaku, cane, short stick, and staff (gun, bō) which vary in emphasis depending on the particular tradition examined.
Hapkido contains both long and close range fighting techniques, utilizing jumping kicks and percussive hand strikes at longer ranges and pressure point strikes, joint locks, or throws at closer fighting distances. Hapkido emphasizes circular motion, non-resisting movements, and control of the opponent. Practitioners seek to gain advantage through footwork and body positioning to employ leverage, avoiding the use of strength against strength.
The art copied from Daitō-ryū Aiki-jūjutsu (大東流合気柔術) or a closely related jujutsu system taught by Choi Yong-Sool (Hangul: 최용술) who returned to Korea after World War II, having lived in Japan for 30 years. This system was later combined with kicking and striking techniques of indigenous and contemporary arts such as taekkyeon and tang soo do. Its history is obscured by the historical animosity between the Korean and Japanese people following the Second World War.
Bruce Lee (born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese AmericanHong Kong actor,martial arts instructor, philosopher, film director, film producer, screenwriter, and founder of the Jeet Kune Do martial arts movement. He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist and pop culture icon of the 20th Century. He is often credited with changing the way Asians were presented in American films.
Lee was born in San Francisco to parents of Hong Kong heritage but was raised in Hong Kong until his late teens. Lee returned to the United States at the age of 18 to claim his U.S. citizenship and receive his higher education. It was during this time that he began teaching martial arts, which soon led to film and television roles.
His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked a major surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world, as well. He is noted for his roles in five feature-length films: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers' Enter the Dragon (1973) and The Game of Death (1978), both directed by Robert Clouse.
Bobby and Joe out there do the rambo
Doin' that dance that no one ever know
CHORUS
Playing is a big big band while they're swinging
Playing is a big big song for the dance
First you move up your gun
Hold it straight to the sun now
REPEAT CHORUS
Then you bounce up the dance
It can keep you in a trance
REPEAT CHORUS
Bobby catch Joe mid-day on the patio
Playing with a woman like no girl ever know
She pull out a big big gun from her pocket
Point it down straight at the crotch of his pants
Bobby she do the rambo
Joe he get a big hole
It was after midnight had come
That the new year had begun
It was time man to drink some rum
Celebrate all the new things to come
Man say you want to live a brand new life
Sing a new song old habits must die
I know you want to try and try
But when you say that it can't be no lie
Man you must try and change your ways
Cause if you don't it might be too late
Bring the new year and happy days
Oh police woman, what can I do
You're the strength and the power of a system,
Working for you
Driving down the street (down the lane)
And to pick me up
You make me take your silly test (down the lane)
Police woman, police woman, police woman...
You're always on my mind...
Police woman, can you be true
And you once were so kind and so gentle
Now, what's come over you
See you in the car and you look so sweet
Smiling all the while, you belittle me
Police woman, police woman, police woman...
You're always on my mind...
Anywhere I go, I feel your presence there
You thrive on negativity and envoking fear
Oh police woman, oh police woman, oh police,
I was the rudest boy
From Kingston to Spanish town
Me run many a constabulary
Down to the ground.
Me mother bow her head in shame
When she would mention my name
What do I care I'm headed for
The Rudeboy Hall of Fame
Summer in Jam
(Jamaica)
Down the streets begin to bubble
The wicked sun beats down
While jobless youth just look for trouble
This is the Jam Down
That the tourist never see
In contrast to the dreadful ghetto
Is the limbo party
I've got no time man to sit and to brew
This corner is mine
'Cause I'm the rudest of the rude
The root of the ruthless
Little Miss Congeniality
She's living in her own reality
Her whole life is such a fallacy
But still I let her make a fool of me
Met her in a billiard
She say boy can I see you soon (soon)
If you was me man what would you (do)
I didn't know she wouldn't be true (true)
Well that night we a make a date (we make a date)
To meet around seven o'clock or eight
I said young girl let me set you straight
I'll shoot you if you're with another mate
And she sang, what could you mean
You are the only one for me
I'm not one to lie
I don't like to deceive
Little Miss Congeniality
She's living in her own reality
Her whole life is such a fallacy
But still I let her make a fool of me
I was the apple of her eye
I say why not give her a try
I knew that she was true
Until I found the other man's tie
Little girl just tell the truth (just tell the truth)
This one go with none of my suits
Where's that man, he'll eat my boots,
She wouldn't answer
So I began to shoot, and I sang
Little Miss Congeniality
She lied to much now she dead and burried
No one can make a fool out of me
I live to speak about it, you see
Little Miss Congeniality
She's living in her own reality
Her whold life is such a fallacy
Listen my brother and understand
Don't play like a donkey if you're really a man
You don't fool a soul when you wear sharp studs
Your mouth is dirty and you cuss a bad word
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Hooligans, hooligans make up your mind
Mother been weeping
We were no more strangers (yes I pray)
We were more than friends (battles came down)
Yet the battles were splintered all over the place
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Hooligans, hooligans make up your mind
Always come up and always rude
Smashing things and breaking rules
Man what do you think you are
A little beast for sure
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Hooligans, hooligans make up your mind
Can't a woman's tender care (return you now)
Change from all the child she beared
We were no more strangers (yes I pray)
We were more than friends (battles came down)
Yet the battles were splintered all over the place
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Hooligans, hooligans make up your mind
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Hooligans, hooligans make up your mind
Hooligans, hooligans make up your mind
Hooligans, hooligans this is the time
Earthquake and fire
This is the only place for a man like me
Earthquake and fire
May woman comes fe take me home
Earthquake and fire
She beneath me began to moan
Earthquake and fire...
We sunk it deep and she start to shake you say
What can I do, she's on fire
Oh my god, that girl's on fire
Go get the bucket and-a fill it with some sheet
This place is coming down, all around me
Earthquake and fire
This is the only place for a man like me
Earthquake and fire
My woman come-fe come-fe come-fe come-fe
Earthquake and fire
She beneath me began to moan
Earthquake and fire...
An angry mother and a father after me
When all I did was make the girls so happy
You're not complaining much, so why come after me
We move, we groove, she move
And all that kind of stuff,
A-yeah a-why a-go a-say a-hey a-ho
Earthquake and fire
Turn out the lights, let me finish it
Earthquake and fire
And when the musics done,
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Now I know that you're not the type of girl
To up and dance and make the crowd jump a-whirl
To twist and shake and make the ice water boil
Dance wid' me baby and I'll make you my girl, singin'
Swing it, swing it, swing it, swing it
And move it, move it, move it, move it,
Push it, push it, push it, push it
And shake it baby like I like it
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Baby, now don't you ever worry
I'll take you out for breakfast
And do the cafe drinks
I drink cappuccino,
I know that you'll drink something
We're off to the dance at the rollerskating rink
I'll give you time to answer, I'll give you time to think
Just as long as we swing it, swing it, swing it, swing it,
Move it, move it, move it, move it,
Push it, push it, push it, push it,
Shake it baby like I like it
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Sweet girl,
I know that you can dance
So baby (sweet baby),
This is your chance, yeah (yeah)
To maybe move and shake (girl),
To maybe jerk and quake (girl)
Right on time, don't be late (girl)
Never mind that cuz you know why (you can dance)
You may not know it but girl (you shouldn't show it)
So come on with me (yeah)
I'll give you such a treat (yeah)
Come on, baby dance wid' me
Come on, baby dance wid' me
Come on, baby dance wid' me
Black sky before dawn
The moon shines down below the earth
A new day has begun
Another frightful and dreaded rebirth
Yesterday was such a pressure
Last night was waste of time
This morning's not much better
This morning's not much better
Time has come, and then run past me
I think I'd better just go walk this time
Instead of dealing with the pain of failure
I take my pleasure from the dark of night
Yesterday was such a pressure
Last night was waste of time
This morning's not much better
This morning's not much better
Finally come to the morning
And my legs are feeling wet with cold
I wish I hadn't gone and done it
I wish I woulda just stayed home
Yesterday was like today and
Tonight may be what I'm longing for
And the morning has not come
And still there's work to be done
Time has come, and then run past me
I think I'd better just go walk this time
Instead of dealing with the pain of failure
I take my pleasure from the dark of night
Yesterday was such a pressure
Last night was waste of time
This morning's not much better