In the sociological classifications of religious movements in English, a cult is a religious or social group with socially deviant or novel beliefs and practices. However, whether any particular group's beliefs and practices are sufficiently deviant or novel is often unclear, thus making a precise definition problematic. In the English speaking world, the word often carries derogatory connotations, but in other European languages, it is used as English-speakers use the word "religion", sometimes causing confusion for English-speakers reading material translated from other languages. The word "cult" has always been controversial because it is (in a pejorative sense) considered a subjective term, used as an ad hominem attack against groups with differing doctrines or practices, which lacks a clear or consistent definition.
Beginning in the 1930s, cults became the object of sociological study in the context of the study of religious behavior. Certain groups have been labelled as cults and have been opposed by the Christian countercult movement for their unorthodox beliefs. Since the 1970s, some groups have been opposed by the anti-cult movement, partly motivated in reaction to acts of violence committed by members of some groups. Some of the claims by the anti-cult movement have been disputed by other scholars and by the news media, leading to further controversy. Public and governmental reactions to the cult issue have also been a source of controversy.
The Cult are a British rock band formed in 1983. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band with singles such as "She Sells Sanctuary", before breaking mainstream in the US in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". The band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of the Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock". Since their earliest form in Bradford during 1981, the band have had various line-ups; the longest-serving members are vocalist Ian Astbury and guitarist Billy Duffy, the band's two songwriters.
After moving to London, the band released the album Love in 1985, which charted at No. 4 in the UK, and which included singles such as "She Sells Sanctuary" and "Rain". In the late 1980s, the band supplemented their post-punk sound with hard rock in their third album, Electric; the polish on this new sound was facilitated by Rick Rubin, who produced the record. Their fourth album, Sonic Temple, proceeded in a similar vein, and these two LPs enabled them to break into the North American market.
Cult (カルト) is a 2013 Japanese horror found footage film written and directed by Kôji Shiraishi about the supernatural malevolent forces haunting the Kaneda family. It was released in Japan on July 20, 2013.
The film stars several idols who play themselves as they appear on a paranormal television show to investigate the exorcism of the Kaneda family. The supernatural events in the Kaneda household are recorded by the documentary team. A mysterious shaman seems to be the only hope of salvation not only for the family, but for the investigators as well.
The film was released in Japan on July 20, 2013. The UK premiere took place on October 31, 2013.
Follow is the third album by Pakho Chau, comprising four new tracks and nine previously released tracks. It was released in Hong Kong on July 10, 2009.
In some types of partner dance, lead and follow are designations for the two dancers comprising a dance couple. In the case of mixed-sex couples, the male is traditionally the lead and the female is the follow. The lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The lead conveys his choices and direction to the follow through subtle physical and visual signals, thereby allowing the couple to be smoothly coordinated.
The amount of direction given by the lead depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Some partner dances (e.g., Lindy Hop) employ an open position that encourages improvisation by the follow. Others, such as Argentine Tango, involve a close embrace (or closed position) that requires the follow to strictly conform to the lead's direction.
Richard Pierce "Richie" Havens (January 21, 1941 – April 22, 2013) was an American singer-songwriter and guitarist. His music encompassed elements of folk, soul, and rhythm and blues. He is best known for his intense and rhythmic guitar style (often in open tunings), soulful covers of pop and folk songs, and his opening performance at the 1969 Woodstock Festival.
Born in Brooklyn, Havens was the eldest of nine children. He was of American Indian (Blackfoot) descent on his father's side, and of the British West Indies on his mother's. His grandfather was Blackfoot of the Montana/South Dakota area. Havens' grandfather and great-uncle joined Buffalo Bill's Wild West Show, got off in New York City and ended up on the Shinnecock Reservation in Long Island. There he got married then moved to Brooklyn.
As a youth in Bedford-Stuyvesant, Havens began organizing his neighborhood friends into street corner doo-wop groups and was performing with the McCrea Gospel Singers at age 16.
Can you feel me?
When you heal me, thrill me, kill me?
Would you hurt yourself just to bring me down?
Sometimes
I lose myself in your lies
Abuse myself in my mind
I'd hurt myself just to bring you down
(I believed in you)
I believed in you
(I trusted you)
I trusted you
All I ever knew was to bleed for you
This time I can't forgive you
The music kills me
When you're so empty
I lived through it all
And I can't forget you
But I am breaking
You've forsaken me
I can't go on
I am through with you
For the last time
I'm not O.K.
I'm not alright
It feels so good just to watch you drown
You should notice
I prefer you to be breathless
I hope you're feeling helpless
It feels so good just to watch you drown
The music kills me
When you're so empty
I've lived through it all
And I can't forget you
But I am breaking
You've forsaken me
I can't go on
I am through with you
It feels so good
To watch you burn
It feels so good
To watch you burn
It feels so good
It feels so good
It feels so good
To watch you burn
The music kills me
When you're so empty
I've lived throug it all
And I can't forget you
But I am breaking
You've forsaken me
I can't go on...
The music kills me
When you're so empty
I've lived through it all
And I can't forget you
But I am breaking
You've forsaken me
I can't go on
I am through with you
Can you feel me?
When you heal me
Thrill me
Kill me
Would you hurt yourself just to heal me, thrill me, kill me
(Bring me down)
Would you hurt yourself
Can you feel me? Heal me, thrill me, kill me
(I am through with you)
Would you hurt yourself just to heal me, thrill me, kill me
(Bring me down)
Would you hurt yourself
Can you feel me? Heal me, thrill me, kill me
(I am through with you)
Through.
With.
In the sociological classifications of religious movements in English, a cult is a religious or social group with socially deviant or novel beliefs and practices. However, whether any particular group's beliefs and practices are sufficiently deviant or novel is often unclear, thus making a precise definition problematic. In the English speaking world, the word often carries derogatory connotations, but in other European languages, it is used as English-speakers use the word "religion", sometimes causing confusion for English-speakers reading material translated from other languages. The word "cult" has always been controversial because it is (in a pejorative sense) considered a subjective term, used as an ad hominem attack against groups with differing doctrines or practices, which lacks a clear or consistent definition.
Beginning in the 1930s, cults became the object of sociological study in the context of the study of religious behavior. Certain groups have been labelled as cults and have been opposed by the Christian countercult movement for their unorthodox beliefs. Since the 1970s, some groups have been opposed by the anti-cult movement, partly motivated in reaction to acts of violence committed by members of some groups. Some of the claims by the anti-cult movement have been disputed by other scholars and by the news media, leading to further controversy. Public and governmental reactions to the cult issue have also been a source of controversy.
Radio Free Europe | 17 Sep 2018
WorldNews.com | 18 Sep 2018
Chicago Sun-Times | 18 Sep 2018