- published: 05 Aug 2015
- views: 2617
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http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/
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Tonal and atonal music have a few important differences that you're going to want to know. Learn the difference between tonal and atonal music with help from an experienced music teacher and mentor in this free video clip.
Expert: Rachel Cui
Filmmaker: Ben Kasica
Series Description: Whether you're playing a piano, a brass instrument or anything in between, being a musician and playing and recording music requires not only talent but heart and passion. Get tips on playing different types of music with help from an experienced music teacher and mentor in this free video series.
- published: 05 Dec 2012
- views: 67887
http://livingpianos.com/music-theory/does-atonality-go-against-nature/
- published: 20 Aug 2015
- views: 2156
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001).
More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001).
However, according to John Rahn, professor of Music Composition and Theory at the University of Washington, "[a]s a categorical label, 'atonal' generally means only that the piece is in the Western tradition and is not 'tonal' " (Rahn 1980, 1); "serialism arose partly as a means of organizing more coherently the relations used in the preserial 'free atonal' music. ... Thus many useful and crucial insights about even strictly serial music depend only on such basic atonal theory" (Rahn 1980, 2).
Late 19th- and early 20th-century composers such as Alexander Scriabin, Claude Debussy, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, and Edgard Varèse have written music that has been described, in full or in part, as atonal (Baker 1980 & 1986; Bertram 2000; Griffiths 2001; Kohlhase 1983; Lansky and Perle 2001; Obert 2004; Orvis 1974; Parks 1985; Rülke 2000; Teboul 1995--96; Zimmerman 2002).
- published: 16 Jun 2012
- views: 12304
READ it ALL PLEASE:
Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how many views I get for this atonal/serialism music. Some great comments and some hateful ones. I studied it in college so don't blame me. I found it rather fascinating and capable of describing certain moods, emotions, feelings, scenes, images etc., that "popular" harmonies and melodies MAY struggle doing so.
The notes for the tone row are listed at the end of the video for those who wish to know. I even have the sheet music/tabs available for this one if you dare to try it. Ask me.
YOU HAVE BEEN WARNED: Some listeners will not be pleased with the dissonant sounds this strict method of composition requires. It is not "random" notes.
I pick the set of 12 notes and must play them in that order. Chords use three or four note clusters of the 12 tone row notes. In one area I hint ever so slightly at tonality but then it is torn to bits by a single note following these brief hints.
THE PHOTOS! The images are from my late great friend Harv Kahn. I basically took what some may consider some of the "not-so-good" images (although some are very artistic as I look at them again and again and have a better eye for art these days after watching so many photography documentaries) well I think the images match the music appropriately enough. Imagine nice, beautiful "sunny day" pictures with the music and it does not work as well for me. If you want to see his "great images" go on flickyr and type in HARV KAHN.
THE VIDEO: At the middle of this video I do play it live for you on classical guitar. I tilted the camera angle to add to the dissonant feel. I hope you like the fruits of my thoughts as I woke up early one august morning and the opening rhythm and notes came to me quickly. It took a few hours to complete.
Thanks so much for listening and being open-minded. I know this is not for everybody. To those who hate it, just listen to my other videos with pure consonance in them.
Well at the time of this writing it is August 25 2014, and I am going to take a step back for a few weeks or so to think about things. The music in this video also depicts the tragic news I received by one of my former student's parents and the passing of their child (Clinton) who was only about 21. I was very, very saddened by this report. I always hoped that nobody I taught guitar would ever have an accident or something tragic happen to them. To all of the former students I wish them the very best and in a time of need or distress they can call on me. I'll be there.
The last time I saw him, he was fishing down by the canal here and we talked for a while and he thanked me for being his guitar teacher and then he said "Ah, let me give you a hug man." I was surprised and told him that meant a lot to me. That was the last time I seen him. So I need a little time to reflect and to realize that life is more precious than I can imagine and so short . I also have been too busy and overwhelmed. Mom has been in and out of the nursing home twice and their needing me at times. But my music, photography and friends help get me through the hard times in life, so I will keep going for you and me.
Sincerely and Musically Yours,
Ray Tutaj Jr.
- published: 25 Aug 2014
- views: 2576
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
- published: 20 Feb 2007
- views: 374872
My thoughts on the overly divisive language we use around music.
Pieces:
Berg: Wozzeck
Berlioz: Te Deum
Britten: Two Portraits
Stravinsky: Symphony of Psalms
Barber: Piano Sonata
Rachmaninoff: Vespers, movement 15
Carter: Presto from the 8 Etudes
Lauridsen: Lament for Pasiphae from Mid-Winter Songs
Mozart: Symphony no. 40, 4th movement
Ives: The Alcotts from the Concord Sonata
Monteverdi: Si ch'io vorrei morire
Stravinsky: The Firebird
Brahms: Feldeinsamkeit
- published: 06 Aug 2014
- views: 2418
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records.
Order CDs & Tshirts here: http://shop.apathiarecords.com/fr/bands/120_weeping-birth
Weeping Birth
Website: http://www.weepingbirth.com
Facebook : https://www.facebook.com/weeping.birth
Apathia Records
Subscribe : https://www.youtube.com/subscription_center?add_user=ApathiaRecords
Website : http://www.apathiarecords.com/
Facebook : https://www.facebook.com/apathiarecords
Twitter : https://twitter.com/ApathiaRecords
- published: 17 Nov 2015
- views: 428
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's. The Magic square which offered the composer the inversions and transpositions of the original 12-tone set or row could be easily presented in front of the composer by use of the "magic square." It is also called a Matrix and also a Babbitt square, named after Milton Babbitt who invented this square in the 1950's. Before then, the inversions and transpositions were written out on staff paper. Milton Babbitt's father was a mathematician so there was some intellectual thinking going on in their minds.
When I attended college in the late 1980's I took a course on 20th century harmony. It was here I was introduced to 12-tone technique, serialism/ atonality. It was an acquired taste but I became very intrigued with how ordered and structured this music was and the end result of it. Soon I purchased a couple Arnold Schoenberg record LPs. During Schoenberg's time when he played his 12-tone works to audiences they rebelled and on some occasion fights broke out and even a riot. The music was too dissonant for many but there were always some who seen and heard the genius in it.
My biggest surprise on You tube over the years of putting up videos (very few atonal) is the number of people who have viewed those few videos (over 120,000). So there is an interest in this music even if at an academic level, people are finding it more acceptable. Therefore, I decided to post perhaps the most important key in all of this serialism/atonality/12-tone technique subject; "THE MAGIC SQUARE/MATRIX."
I do believe I was the first person to put up an atonal serialism guitar work on You Tube when the video network was just in it's infancy. (who else would want to you might ask) I know this is music that most folk cannot tolerate. Some love it and some hate it. That's fine. In Schoenberg's day it was the same. But this video is for those who like it and want to know how to fill out the square so they have all the inversions and transpositions at their fingertips.
If you want to know more about this system of writing please check out my "7 Tips for Atonal writing" (with 12-tone technique)
This product will include portions of this video, the 7 tips, and many of my 12-tone works and videos.
http://guitarjourney.tripod.com
Musically Yours,
Ray Tutaj Jr.
- published: 14 Dec 2015
- views: 324
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, in this sense, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001).
More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001). However, according to John Rahn, professor of Music Composition and Theory at the University of Washington, "[a]s a categorical label, 'atonal' generally means only that the piece is in the Western tradition and is not 'tonal' " (Rahn 1980, 1); "serialism arose partly as a means of organizing more coherently the relations used in the preserial 'free atonal' music. ... Thus many useful and crucial insights about even strictly serial music depend only on such basic atonal theory" (Rahn 1980, 2).
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Atonality
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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2:25What is Atonality? Atonality Part 1
What is Atonality? Atonality Part 1What is Atonality? Atonality Part 1
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/ -
2:16The Difference Between Tonal & Atonal Music : Piano & Music Tips
The Difference Between Tonal & Atonal Music : Piano & Music TipsThe Difference Between Tonal & Atonal Music : Piano & Music Tips
Subscribe Now: http://www.youtube.com/subscription_center?add_user=Ehow Watch More: http://www.youtube.com/Ehow Tonal and atonal music have a few important differences that you're going to want to know. Learn the difference between tonal and atonal music with help from an experienced music teacher and mentor in this free video clip. Expert: Rachel Cui Filmmaker: Ben Kasica Series Description: Whether you're playing a piano, a brass instrument or anything in between, being a musician and playing and recording music requires not only talent but heart and passion. Get tips on playing different types of music with help from an experienced music teacher and mentor in this free video series. -
5:14atonality 7
atonality 7atonality 7
Atonality, zk recording studio (premaster) 2014 -
5:02Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
http://livingpianos.com/music-theory/does-atonality-go-against-nature/ -
0:47Elvis discusses atonality
Elvis discusses atonality -
10:06Atonality Study #1
Atonality Study #1Atonality Study #1
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001). More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001). However, according to John Rahn, professor of Music Composition and Theory at the University of Washington, "[a]s a categorical label, 'atonal' generally means only that the piece is in the Western tradition and is not 'tonal' " (Rahn 1980, 1); "serialism arose partly as a means of organizing more coherently the relations used in the preserial 'free atonal' music. ... Thus many useful and crucial insights about even strictly serial music depend only on such basic atonal theory" (Rahn 1980, 2). Late 19th- and early 20th-century composers such as Alexander Scriabin, Claude Debussy, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, and Edgard Varèse have written music that has been described, in full or in part, as atonal (Baker 1980 & 1986; Bertram 2000; Griffiths 2001; Kohlhase 1983; Lansky and Perle 2001; Obert 2004; Orvis 1974; Parks 1985; Rülke 2000; Teboul 1995--96; Zimmerman 2002). -
9:25Serialism/Atonality Composition on Guitar
Serialism/Atonality Composition on GuitarSerialism/Atonality Composition on Guitar
READ it ALL PLEASE: Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how many views I get for this atonal/serialism music. Some great comments and some hateful ones. I studied it in college so don't blame me. I found it rather fascinating and capable of describing certain moods, emotions, feelings, scenes, images etc., that "popular" harmonies and melodies MAY struggle doing so. The notes for the tone row are listed at the end of the video for those who wish to know. I even have the sheet music/tabs available for this one if you dare to try it. Ask me. YOU HAVE BEEN WARNED: Some listeners will not be pleased with the dissonant sounds this strict method of composition requires. It is not "random" notes. I pick the set of 12 notes and must play them in that order. Chords use three or four note clusters of the 12 tone row notes. In one area I hint ever so slightly at tonality but then it is torn to bits by a single note following these brief hints. THE PHOTOS! The images are from my late great friend Harv Kahn. I basically took what some may consider some of the "not-so-good" images (although some are very artistic as I look at them again and again and have a better eye for art these days after watching so many photography documentaries) well I think the images match the music appropriately enough. Imagine nice, beautiful "sunny day" pictures with the music and it does not work as well for me. If you want to see his "great images" go on flickyr and type in HARV KAHN. THE VIDEO: At the middle of this video I do play it live for you on classical guitar. I tilted the camera angle to add to the dissonant feel. I hope you like the fruits of my thoughts as I woke up early one august morning and the opening rhythm and notes came to me quickly. It took a few hours to complete. Thanks so much for listening and being open-minded. I know this is not for everybody. To those who hate it, just listen to my other videos with pure consonance in them. Well at the time of this writing it is August 25 2014, and I am going to take a step back for a few weeks or so to think about things. The music in this video also depicts the tragic news I received by one of my former student's parents and the passing of their child (Clinton) who was only about 21. I was very, very saddened by this report. I always hoped that nobody I taught guitar would ever have an accident or something tragic happen to them. To all of the former students I wish them the very best and in a time of need or distress they can call on me. I'll be there. The last time I saw him, he was fishing down by the canal here and we talked for a while and he thanked me for being his guitar teacher and then he said "Ah, let me give you a hug man." I was surprised and told him that meant a lot to me. That was the last time I seen him. So I need a little time to reflect and to realize that life is more precious than I can imagine and so short . I also have been too busy and overwhelmed. Mom has been in and out of the nursing home twice and their needing me at times. But my music, photography and friends help get me through the hard times in life, so I will keep going for you and me. Sincerely and Musically Yours, Ray Tutaj Jr. -
5:46Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com. -
5:46Tonal or Atonal?
Tonal or Atonal?Tonal or Atonal?
My thoughts on the overly divisive language we use around music. Pieces: Berg: Wozzeck Berlioz: Te Deum Britten: Two Portraits Stravinsky: Symphony of Psalms Barber: Piano Sonata Rachmaninoff: Vespers, movement 15 Carter: Presto from the 8 Etudes Lauridsen: Lament for Pasiphae from Mid-Winter Songs Mozart: Symphony no. 40, 4th movement Ives: The Alcotts from the Concord Sonata Monteverdi: Si ch'io vorrei morire Stravinsky: The Firebird Brahms: Feldeinsamkeit -
10:38How To Play Atonal Metal Licks
How To Play Atonal Metal Licks -
3:31Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records. Order CDs & Tshirts here: http://shop.apathiarecords.com/fr/bands/120_weeping-birth Weeping Birth Website: http://www.weepingbirth.com Facebook : https://www.facebook.com/weeping.birth Apathia Records Subscribe : https://www.youtube.com/subscription_center?add_user=ApathiaRecords Website : http://www.apathiarecords.com/ Facebook : https://www.facebook.com/apathiarecords Twitter : https://twitter.com/ApathiaRecords -
19:4512-tone/serialism/atonality How to Fill out the Magic Square - -
12-tone/serialism/atonality How to Fill out the Magic Square - -12-tone/serialism/atonality How to Fill out the Magic Square - -
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's. The Magic square which offered the composer the inversions and transpositions of the original 12-tone set or row could be easily presented in front of the composer by use of the "magic square." It is also called a Matrix and also a Babbitt square, named after Milton Babbitt who invented this square in the 1950's. Before then, the inversions and transpositions were written out on staff paper. Milton Babbitt's father was a mathematician so there was some intellectual thinking going on in their minds. When I attended college in the late 1980's I took a course on 20th century harmony. It was here I was introduced to 12-tone technique, serialism/ atonality. It was an acquired taste but I became very intrigued with how ordered and structured this music was and the end result of it. Soon I purchased a couple Arnold Schoenberg record LPs. During Schoenberg's time when he played his 12-tone works to audiences they rebelled and on some occasion fights broke out and even a riot. The music was too dissonant for many but there were always some who seen and heard the genius in it. My biggest surprise on You tube over the years of putting up videos (very few atonal) is the number of people who have viewed those few videos (over 120,000). So there is an interest in this music even if at an academic level, people are finding it more acceptable. Therefore, I decided to post perhaps the most important key in all of this serialism/atonality/12-tone technique subject; "THE MAGIC SQUARE/MATRIX." I do believe I was the first person to put up an atonal serialism guitar work on You Tube when the video network was just in it's infancy. (who else would want to you might ask) I know this is music that most folk cannot tolerate. Some love it and some hate it. That's fine. In Schoenberg's day it was the same. But this video is for those who like it and want to know how to fill out the square so they have all the inversions and transpositions at their fingertips. If you want to know more about this system of writing please check out my "7 Tips for Atonal writing" (with 12-tone technique) This product will include portions of this video, the 7 tips, and many of my 12-tone works and videos. http://guitarjourney.tripod.com Musically Yours, Ray Tutaj Jr.
- Alban Berg
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- Arnold Schoenberg
- Arshile Gorky
- Arthur Honegger
- Arthur Miller
- Arthur Rimbaud
- Arvo Pärt
- Atonal II
- August Strindberg
- Barnett Newman
- Berthe Morisot
- Bertolt Brecht
- Béla Bartók
- Camille Pissarro
- Carl Ruggles
- Carl Theodor Dreyer
- Charles Baudelaire
- Charles Ives
- Charles Seeger
- Charles Weidman
- Charlie Chaplin
- Claude Debussy
- Claude Monet
- Clyfford Still
- Constantin Brâncuși
- Dmitri Shostakovich
- Doris Humphrey
- Dylan Thomas
- Dziga Vertov
- Edgar Degas
- Edgard Varèse
- Edward Albee
- Eero Saarinen
- Elliott Carter
- Emeric Pressburger
- Erich Mendelsohn
- Erik Satie
- Ernest Ansermet
- Ernest Hemingway
- Erwin Piscator
- Eugène Ionesco
- Ezra Pound
- Fernand Léger
- Francis Picabia
- Frank Lloyd Wright
- Frank Stella
- Frank Wedekind
- Franz Kafka
- Franz Liszt
- Fritz Lang
- George Balanchine
- George Bernard Shaw
- George Perle
- Georges Braque
- Georges Méliès
- Georges Seurat
- Gerrit Rietveld
- Gertrude Stein
- Giorgio de Chirico
- Giorgio Morandi
- Gustav Mahler
- Gustave Moreau
- György Ligeti
- Hannah Höch
- Hans Hofmann
- Hans Poelzig
- Hanya Holm
- Harry Partch
- Hart Crane
- Helen Tamiris
- Henri Matisse
- Henri Rousseau
- Henrik Ibsen
- Henry Cowell
- Henry Moore
- Hermann Broch
- Iannis Xenakis
- Igor Stravinsky
- Ingmar Bergman
- Isadora Duncan
- Isamu Noguchi
- Italo Svevo
- Ivan Cankar
- Jackson Pollock
- James Joyce
- Jaroslav Hašek
- Jasper Johns
- Jean Anouilh
- Jean Barraqué
- Jean Cocteau
- Jean Epstein
- Jean Genet
- Jean Renoir
- Jean Vigo
- Joan Miró
- John Cage
- John Osborne
- Joseph Conrad
- Juan Gris
- Jørn Utzon
- Kazimir Malevich
- Knut Hamsun
- Konstantin Melnikov
- Krzysztof Penderecki
- Le Corbusier
- Lou Harrison
- Louis Kahn
- Louis Sullivan
- Luciano Berio
- Luigi Nono
- Luigi Pirandello
- Luigi Russolo
- Luis Buñuel
- Léonide Massine
- Man Ray
- Marc Chagall
- Marcel Duchamp
- Marcel Proust
- Marianne Moore
- Mark Rothko
- Martha Graham
- Mary Cassatt
- Mary Wigman
- Maurice Maeterlinck
- Max Ernst
- Max Jacob
- Maxim Gorky
- Maxwell Anderson
- Merce Cunningham
- Mikhail Bulgakov
- Milton Babbitt
- Mina Loy
- Morton Feldman
- Odilon Redon
- Olivier Messiaen
- Orson Welles
- Oscar Niemeyer
- Oscar Wilde
- Pablo Picasso
- Parmenides
- Paul Cézanne
- Paul Gauguin
- Paul Hindemith
- Paul Klee
- Paul Lansky
- Paul Valéry
- Peter Westergaard
- Pier Luigi Nervi
- Pierre Bonnard
- Pierre Boulez
- Pierre Schaeffer
- Piet Mondrian
- Rainer Maria Rilke
- René Clair
- René Magritte
- Richard Strauss
- Robert Delaunay
- Robert Musil
- Robert Rauschenberg
- Robert Wiene
- Salvador Dalí
- Samuel Beckett
- Sergei Diaghilev
- Sergei Eisenstein
- Sergei Prokofiev
- Stanley Sadie
- Stéphane Mallarmé
- Susan Glaspell
- Ted Shawn
- Tennessee Williams
- Thomas Mann
- Thornton Wilder
- Tristan Tzara
- Umberto Boccioni
- Vaslav Nijinsky
- Victor Horta
- Victor Sjöström
- Vincent van Gogh
- Virgil Thompson
- Virginia Woolf
- Vladimir Tatlin
- Vsevolod Pudovkin
- Wallace Stevens
- Walter Gropius
- Walter Piston
- Wassily Kandinsky
- Willem de Kooning
- William Inge
- Witold Lutosławski
- World War I
- Wyndham Lewis
- Édouard Manet
- Édouard Vuillard
-
What is Atonality? Atonality Part 1
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/ -
The Difference Between Tonal & Atonal Music : Piano & Music Tips
Subscribe Now: http://www.youtube.com/subscription_center?add_user=Ehow Watch More: http://www.youtube.com/Ehow Tonal and atonal music have a few important differences that you're going to want to know. Learn the difference between tonal and atonal music with help from an experienced music teacher and mentor in this free video clip. Expert: Rachel Cui Filmmaker: Ben Kasica Series Description: Whether you're playing a piano, a brass instrument or anything in between, being a musician and playing and recording music requires not only talent but heart and passion. Get tips on playing different types of music with help from an experienced music teacher and mentor in this free video series. -
atonality 7
Atonality, zk recording studio (premaster) 2014 -
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
http://livingpianos.com/music-theory/does-atonality-go-against-nature/ -
-
Atonality Study #1
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001). More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern... -
Serialism/Atonality Composition on Guitar
READ it ALL PLEASE: Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how many views I get for this atonal/serialism music. Some great comments and some hateful ones. I studied it in college so don't blame me. I found it rather fascinating and capable of describing certain moods, emotions, feelings, scenes, images etc., that "popular" harmonies and melodies MAY struggle doing so. The notes for the tone row are listed at the end of the video for those who wish to know. I even have the sheet music/tabs available for this one if you dare to try it. Ask me. YOU HAVE BEEN WARNED: Some listeners will not be pleased with the dissonant sounds this strict method of composition requires. It is not "random" ... -
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com. -
Tonal or Atonal?
My thoughts on the overly divisive language we use around music. Pieces: Berg: Wozzeck Berlioz: Te Deum Britten: Two Portraits Stravinsky: Symphony of Psalms Barber: Piano Sonata Rachmaninoff: Vespers, movement 15 Carter: Presto from the 8 Etudes Lauridsen: Lament for Pasiphae from Mid-Winter Songs Mozart: Symphony no. 40, 4th movement Ives: The Alcotts from the Concord Sonata Monteverdi: Si ch'io vorrei morire Stravinsky: The Firebird Brahms: Feldeinsamkeit -
-
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records. Order CDs & Tshirts here: http://shop.apathiarecords.com/fr/bands/120_weeping-birth Weeping Birth Website: http://www.weepingbirth.com Facebook : https://www.facebook.com/weeping.birth Apathia Records Subscribe : https://www.youtube.com/subscription_center?add_user=ApathiaRecords Website : http://www.apathiarecords.com/ Facebook : https://www.facebook.com/apathiarecords Twitter : https://twitter.com/ApathiaRecords -
12-tone/serialism/atonality How to Fill out the Magic Square - -
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's. The Magic square which offered the composer the inversions and transpositions of the original 12-tone set or row could be easily presented in front of the composer by use of the "magic square." It is also called a Matrix and also a Babbitt square, named after Milton Babbitt who invented this square in the 1950's. Before then, the inversions and transpositions were written out on staff paper. Milton Babbitt's father was a mathematician so there was some intellectual thinking going on in their minds. When I attended college in the late 1980's I took a course on 20th century harmony. It was here I was introduced to 12-tone techni...
What is Atonality? Atonality Part 1
- Order: Reorder
- Duration: 2:25
- Updated: 05 Aug 2015
- views: 2617
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/
wn.com/What Is Atonality Atonality Part 1
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/
- published: 05 Aug 2015
- views: 2617
The Difference Between Tonal & Atonal Music : Piano & Music Tips
- Order: Reorder
- Duration: 2:16
- Updated: 05 Dec 2012
- views: 67887
Subscribe Now:
http://www.youtube.com/subscription_center?add_user=Ehow
Watch More:
http://www.youtube.com/Ehow
Tonal and atonal music have a few important di...
Subscribe Now:
http://www.youtube.com/subscription_center?add_user=Ehow
Watch More:
http://www.youtube.com/Ehow
Tonal and atonal music have a few important differences that you're going to want to know. Learn the difference between tonal and atonal music with help from an experienced music teacher and mentor in this free video clip.
Expert: Rachel Cui
Filmmaker: Ben Kasica
Series Description: Whether you're playing a piano, a brass instrument or anything in between, being a musician and playing and recording music requires not only talent but heart and passion. Get tips on playing different types of music with help from an experienced music teacher and mentor in this free video series.
wn.com/The Difference Between Tonal Atonal Music Piano Music Tips
Subscribe Now:
http://www.youtube.com/subscription_center?add_user=Ehow
Watch More:
http://www.youtube.com/Ehow
Tonal and atonal music have a few important differences that you're going to want to know. Learn the difference between tonal and atonal music with help from an experienced music teacher and mentor in this free video clip.
Expert: Rachel Cui
Filmmaker: Ben Kasica
Series Description: Whether you're playing a piano, a brass instrument or anything in between, being a musician and playing and recording music requires not only talent but heart and passion. Get tips on playing different types of music with help from an experienced music teacher and mentor in this free video series.
- published: 05 Dec 2012
- views: 67887
atonality 7
- Order: Reorder
- Duration: 5:14
- Updated: 17 Oct 2014
- views: 1612
Atonality, zk recording studio (premaster) 2014
Atonality, zk recording studio (premaster) 2014
wn.com/Atonality 7
Atonality, zk recording studio (premaster) 2014
- published: 17 Oct 2014
- views: 1612
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
- Order: Reorder
- Duration: 5:02
- Updated: 20 Aug 2015
- views: 2156
http://livingpianos.com/music-theory/does-atonality-go-against-nature/
http://livingpianos.com/music-theory/does-atonality-go-against-nature/
wn.com/Does Atonality Go Against Nature The Overtone Series Atonality Part 2
http://livingpianos.com/music-theory/does-atonality-go-against-nature/
- published: 20 Aug 2015
- views: 2156
Elvis discusses atonality
- Order: Reorder
- Duration: 0:47
- Updated: 24 Sep 2011
- views: 65888
Atonality Study #1
- Order: Reorder
- Duration: 10:06
- Updated: 16 Jun 2012
- views: 12304
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 ...
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001).
More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001).
However, according to John Rahn, professor of Music Composition and Theory at the University of Washington, "[a]s a categorical label, 'atonal' generally means only that the piece is in the Western tradition and is not 'tonal' " (Rahn 1980, 1); "serialism arose partly as a means of organizing more coherently the relations used in the preserial 'free atonal' music. ... Thus many useful and crucial insights about even strictly serial music depend only on such basic atonal theory" (Rahn 1980, 2).
Late 19th- and early 20th-century composers such as Alexander Scriabin, Claude Debussy, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, and Edgard Varèse have written music that has been described, in full or in part, as atonal (Baker 1980 & 1986; Bertram 2000; Griffiths 2001; Kohlhase 1983; Lansky and Perle 2001; Obert 2004; Orvis 1974; Parks 1985; Rülke 2000; Teboul 1995--96; Zimmerman 2002).
wn.com/Atonality Study 1
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality, therefore, usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale function independently of one another (Kennedy 1994). More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries (Lansky, Perle, and Headlam 2001).
More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001).
However, according to John Rahn, professor of Music Composition and Theory at the University of Washington, "[a]s a categorical label, 'atonal' generally means only that the piece is in the Western tradition and is not 'tonal' " (Rahn 1980, 1); "serialism arose partly as a means of organizing more coherently the relations used in the preserial 'free atonal' music. ... Thus many useful and crucial insights about even strictly serial music depend only on such basic atonal theory" (Rahn 1980, 2).
Late 19th- and early 20th-century composers such as Alexander Scriabin, Claude Debussy, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, and Edgard Varèse have written music that has been described, in full or in part, as atonal (Baker 1980 & 1986; Bertram 2000; Griffiths 2001; Kohlhase 1983; Lansky and Perle 2001; Obert 2004; Orvis 1974; Parks 1985; Rülke 2000; Teboul 1995--96; Zimmerman 2002).
- published: 16 Jun 2012
- views: 12304
Serialism/Atonality Composition on Guitar
- Order: Reorder
- Duration: 9:25
- Updated: 25 Aug 2014
- views: 2576
READ it ALL PLEASE:
Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how...
READ it ALL PLEASE:
Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how many views I get for this atonal/serialism music. Some great comments and some hateful ones. I studied it in college so don't blame me. I found it rather fascinating and capable of describing certain moods, emotions, feelings, scenes, images etc., that "popular" harmonies and melodies MAY struggle doing so.
The notes for the tone row are listed at the end of the video for those who wish to know. I even have the sheet music/tabs available for this one if you dare to try it. Ask me.
YOU HAVE BEEN WARNED: Some listeners will not be pleased with the dissonant sounds this strict method of composition requires. It is not "random" notes.
I pick the set of 12 notes and must play them in that order. Chords use three or four note clusters of the 12 tone row notes. In one area I hint ever so slightly at tonality but then it is torn to bits by a single note following these brief hints.
THE PHOTOS! The images are from my late great friend Harv Kahn. I basically took what some may consider some of the "not-so-good" images (although some are very artistic as I look at them again and again and have a better eye for art these days after watching so many photography documentaries) well I think the images match the music appropriately enough. Imagine nice, beautiful "sunny day" pictures with the music and it does not work as well for me. If you want to see his "great images" go on flickyr and type in HARV KAHN.
THE VIDEO: At the middle of this video I do play it live for you on classical guitar. I tilted the camera angle to add to the dissonant feel. I hope you like the fruits of my thoughts as I woke up early one august morning and the opening rhythm and notes came to me quickly. It took a few hours to complete.
Thanks so much for listening and being open-minded. I know this is not for everybody. To those who hate it, just listen to my other videos with pure consonance in them.
Well at the time of this writing it is August 25 2014, and I am going to take a step back for a few weeks or so to think about things. The music in this video also depicts the tragic news I received by one of my former student's parents and the passing of their child (Clinton) who was only about 21. I was very, very saddened by this report. I always hoped that nobody I taught guitar would ever have an accident or something tragic happen to them. To all of the former students I wish them the very best and in a time of need or distress they can call on me. I'll be there.
The last time I saw him, he was fishing down by the canal here and we talked for a while and he thanked me for being his guitar teacher and then he said "Ah, let me give you a hug man." I was surprised and told him that meant a lot to me. That was the last time I seen him. So I need a little time to reflect and to realize that life is more precious than I can imagine and so short . I also have been too busy and overwhelmed. Mom has been in and out of the nursing home twice and their needing me at times. But my music, photography and friends help get me through the hard times in life, so I will keep going for you and me.
Sincerely and Musically Yours,
Ray Tutaj Jr.
wn.com/Serialism Atonality Composition On Guitar
READ it ALL PLEASE:
Some people love this stuff!" Here's to them who wanted to see me do another piece. It's rare I do this but here it is. I am stunned at how many views I get for this atonal/serialism music. Some great comments and some hateful ones. I studied it in college so don't blame me. I found it rather fascinating and capable of describing certain moods, emotions, feelings, scenes, images etc., that "popular" harmonies and melodies MAY struggle doing so.
The notes for the tone row are listed at the end of the video for those who wish to know. I even have the sheet music/tabs available for this one if you dare to try it. Ask me.
YOU HAVE BEEN WARNED: Some listeners will not be pleased with the dissonant sounds this strict method of composition requires. It is not "random" notes.
I pick the set of 12 notes and must play them in that order. Chords use three or four note clusters of the 12 tone row notes. In one area I hint ever so slightly at tonality but then it is torn to bits by a single note following these brief hints.
THE PHOTOS! The images are from my late great friend Harv Kahn. I basically took what some may consider some of the "not-so-good" images (although some are very artistic as I look at them again and again and have a better eye for art these days after watching so many photography documentaries) well I think the images match the music appropriately enough. Imagine nice, beautiful "sunny day" pictures with the music and it does not work as well for me. If you want to see his "great images" go on flickyr and type in HARV KAHN.
THE VIDEO: At the middle of this video I do play it live for you on classical guitar. I tilted the camera angle to add to the dissonant feel. I hope you like the fruits of my thoughts as I woke up early one august morning and the opening rhythm and notes came to me quickly. It took a few hours to complete.
Thanks so much for listening and being open-minded. I know this is not for everybody. To those who hate it, just listen to my other videos with pure consonance in them.
Well at the time of this writing it is August 25 2014, and I am going to take a step back for a few weeks or so to think about things. The music in this video also depicts the tragic news I received by one of my former student's parents and the passing of their child (Clinton) who was only about 21. I was very, very saddened by this report. I always hoped that nobody I taught guitar would ever have an accident or something tragic happen to them. To all of the former students I wish them the very best and in a time of need or distress they can call on me. I'll be there.
The last time I saw him, he was fishing down by the canal here and we talked for a while and he thanked me for being his guitar teacher and then he said "Ah, let me give you a hug man." I was surprised and told him that meant a lot to me. That was the last time I seen him. So I need a little time to reflect and to realize that life is more precious than I can imagine and so short . I also have been too busy and overwhelmed. Mom has been in and out of the nursing home twice and their needing me at times. But my music, photography and friends help get me through the hard times in life, so I will keep going for you and me.
Sincerely and Musically Yours,
Ray Tutaj Jr.
- published: 25 Aug 2014
- views: 2576
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
- Order: Reorder
- Duration: 5:46
- Updated: 20 Feb 2007
- views: 374872
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
wn.com/Arnold Schoenberg Piano Concerto Op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
- published: 20 Feb 2007
- views: 374872
Tonal or Atonal?
- Order: Reorder
- Duration: 5:46
- Updated: 06 Aug 2014
- views: 2418
My thoughts on the overly divisive language we use around music.
Pieces:
Berg: Wozzeck
Berlioz: Te Deum
Britten: Two Portraits
Stravinsky: Symphony of Psalms
B...
My thoughts on the overly divisive language we use around music.
Pieces:
Berg: Wozzeck
Berlioz: Te Deum
Britten: Two Portraits
Stravinsky: Symphony of Psalms
Barber: Piano Sonata
Rachmaninoff: Vespers, movement 15
Carter: Presto from the 8 Etudes
Lauridsen: Lament for Pasiphae from Mid-Winter Songs
Mozart: Symphony no. 40, 4th movement
Ives: The Alcotts from the Concord Sonata
Monteverdi: Si ch'io vorrei morire
Stravinsky: The Firebird
Brahms: Feldeinsamkeit
wn.com/Tonal Or Atonal
My thoughts on the overly divisive language we use around music.
Pieces:
Berg: Wozzeck
Berlioz: Te Deum
Britten: Two Portraits
Stravinsky: Symphony of Psalms
Barber: Piano Sonata
Rachmaninoff: Vespers, movement 15
Carter: Presto from the 8 Etudes
Lauridsen: Lament for Pasiphae from Mid-Winter Songs
Mozart: Symphony no. 40, 4th movement
Ives: The Alcotts from the Concord Sonata
Monteverdi: Si ch'io vorrei morire
Stravinsky: The Firebird
Brahms: Feldeinsamkeit
- published: 06 Aug 2014
- views: 2418
How To Play Atonal Metal Licks
- Order: Reorder
- Duration: 10:38
- Updated: 04 May 2015
- views: 18001
http://musictheoryforguitar.com Today I will show you a simple trick to play "atonal" metal licks starting from "plain" chords and scales. This trick works ever...
http://musictheoryforguitar.com Today I will show you a simple trick to play "atonal" metal licks starting from "plain" chords and scales. This trick works every time and is so simple that you can improvise with it!
wn.com/How To Play Atonal Metal Licks
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
- Order: Reorder
- Duration: 3:31
- Updated: 17 Nov 2015
- views: 428
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records.
Order CDs & Tshirts...
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records.
Order CDs & Tshirts here: http://shop.apathiarecords.com/fr/bands/120_weeping-birth
Weeping Birth
Website: http://www.weepingbirth.com
Facebook : https://www.facebook.com/weeping.birth
Apathia Records
Subscribe : https://www.youtube.com/subscription_center?add_user=ApathiaRecords
Website : http://www.apathiarecords.com/
Facebook : https://www.facebook.com/apathiarecords
Twitter : https://twitter.com/ApathiaRecords
wn.com/Weeping Birth Atonality (Official Audio 2015, Apathia Records)
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be released on November 16th 2015 via Apathia Records.
Order CDs & Tshirts here: http://shop.apathiarecords.com/fr/bands/120_weeping-birth
Weeping Birth
Website: http://www.weepingbirth.com
Facebook : https://www.facebook.com/weeping.birth
Apathia Records
Subscribe : https://www.youtube.com/subscription_center?add_user=ApathiaRecords
Website : http://www.apathiarecords.com/
Facebook : https://www.facebook.com/apathiarecords
Twitter : https://twitter.com/ApathiaRecords
- published: 17 Nov 2015
- views: 428
12-tone/serialism/atonality How to Fill out the Magic Square - -
- Order: Reorder
- Duration: 19:45
- Updated: 14 Dec 2015
- views: 324
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's....
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's. The Magic square which offered the composer the inversions and transpositions of the original 12-tone set or row could be easily presented in front of the composer by use of the "magic square." It is also called a Matrix and also a Babbitt square, named after Milton Babbitt who invented this square in the 1950's. Before then, the inversions and transpositions were written out on staff paper. Milton Babbitt's father was a mathematician so there was some intellectual thinking going on in their minds.
When I attended college in the late 1980's I took a course on 20th century harmony. It was here I was introduced to 12-tone technique, serialism/ atonality. It was an acquired taste but I became very intrigued with how ordered and structured this music was and the end result of it. Soon I purchased a couple Arnold Schoenberg record LPs. During Schoenberg's time when he played his 12-tone works to audiences they rebelled and on some occasion fights broke out and even a riot. The music was too dissonant for many but there were always some who seen and heard the genius in it.
My biggest surprise on You tube over the years of putting up videos (very few atonal) is the number of people who have viewed those few videos (over 120,000). So there is an interest in this music even if at an academic level, people are finding it more acceptable. Therefore, I decided to post perhaps the most important key in all of this serialism/atonality/12-tone technique subject; "THE MAGIC SQUARE/MATRIX."
I do believe I was the first person to put up an atonal serialism guitar work on You Tube when the video network was just in it's infancy. (who else would want to you might ask) I know this is music that most folk cannot tolerate. Some love it and some hate it. That's fine. In Schoenberg's day it was the same. But this video is for those who like it and want to know how to fill out the square so they have all the inversions and transpositions at their fingertips.
If you want to know more about this system of writing please check out my "7 Tips for Atonal writing" (with 12-tone technique)
This product will include portions of this video, the 7 tips, and many of my 12-tone works and videos.
http://guitarjourney.tripod.com
Musically Yours,
Ray Tutaj Jr.
wn.com/12 Tone Serialism Atonality How To Fill Out The Magic Square
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus Atonality) was developed/invented by Arnold Schoenberg in the 1920's. The Magic square which offered the composer the inversions and transpositions of the original 12-tone set or row could be easily presented in front of the composer by use of the "magic square." It is also called a Matrix and also a Babbitt square, named after Milton Babbitt who invented this square in the 1950's. Before then, the inversions and transpositions were written out on staff paper. Milton Babbitt's father was a mathematician so there was some intellectual thinking going on in their minds.
When I attended college in the late 1980's I took a course on 20th century harmony. It was here I was introduced to 12-tone technique, serialism/ atonality. It was an acquired taste but I became very intrigued with how ordered and structured this music was and the end result of it. Soon I purchased a couple Arnold Schoenberg record LPs. During Schoenberg's time when he played his 12-tone works to audiences they rebelled and on some occasion fights broke out and even a riot. The music was too dissonant for many but there were always some who seen and heard the genius in it.
My biggest surprise on You tube over the years of putting up videos (very few atonal) is the number of people who have viewed those few videos (over 120,000). So there is an interest in this music even if at an academic level, people are finding it more acceptable. Therefore, I decided to post perhaps the most important key in all of this serialism/atonality/12-tone technique subject; "THE MAGIC SQUARE/MATRIX."
I do believe I was the first person to put up an atonal serialism guitar work on You Tube when the video network was just in it's infancy. (who else would want to you might ask) I know this is music that most folk cannot tolerate. Some love it and some hate it. That's fine. In Schoenberg's day it was the same. But this video is for those who like it and want to know how to fill out the square so they have all the inversions and transpositions at their fingertips.
If you want to know more about this system of writing please check out my "7 Tips for Atonal writing" (with 12-tone technique)
This product will include portions of this video, the 7 tips, and many of my 12-tone works and videos.
http://guitarjourney.tripod.com
Musically Yours,
Ray Tutaj Jr.
- published: 14 Dec 2015
- views: 324
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2:25
What is Atonality? Atonality Part 1
http://livingpianos.com/music-theory/what-is-atonality-atonality-part-1/
published: 05 Aug 2015
What is Atonality? Atonality Part 1
What is Atonality? Atonality Part 1
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- published: 05 Aug 2015
- views: 2617
2:16
The Difference Between Tonal & Atonal Music : Piano & Music Tips
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published: 05 Dec 2012
The Difference Between Tonal & Atonal Music : Piano & Music Tips
The Difference Between Tonal & Atonal Music : Piano & Music Tips
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- published: 05 Dec 2012
- views: 67887
5:14
atonality 7
Atonality, zk recording studio (premaster) 2014
published: 17 Oct 2014
atonality 7
atonality 7
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- published: 17 Oct 2014
- views: 1612
5:02
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
http://livingpianos.com/music-theory/does-atonality-go-against-nature/
published: 20 Aug 2015
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
Does Atonality Go Against Nature? The Overtone Series - Atonality Part 2
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- published: 20 Aug 2015
- views: 2156
0:47
Elvis discusses atonality
Sometimes you can just tell what Elvis is about to say before he says it...
published: 24 Sep 2011
Elvis discusses atonality
Elvis discusses atonality
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- published: 24 Sep 2011
- views: 65888
10:06
Atonality Study #1
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonali...
published: 16 Jun 2012
Atonality Study #1
Atonality Study #1
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- published: 16 Jun 2012
- views: 12304
9:25
Serialism/Atonality Composition on Guitar
READ it ALL PLEASE:
Some people love this stuff!" Here's to them who wanted to see me do ...
published: 25 Aug 2014
Serialism/Atonality Composition on Guitar
Serialism/Atonality Composition on Guitar
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- published: 25 Aug 2014
- views: 2576
5:46
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Scor...
published: 20 Feb 2007
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
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- published: 20 Feb 2007
- views: 374872
5:46
Tonal or Atonal?
My thoughts on the overly divisive language we use around music.
Pieces:
Berg: Wozzeck
Be...
published: 06 Aug 2014
Tonal or Atonal?
Tonal or Atonal?
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- published: 06 Aug 2014
- views: 2418
10:38
How To Play Atonal Metal Licks
http://musictheoryforguitar.com Today I will show you a simple trick to play "atonal" meta...
published: 04 May 2015
How To Play Atonal Metal Licks
How To Play Atonal Metal Licks
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- published: 04 May 2015
- views: 18001
3:31
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
"Atonality" is the first track of the Weeping Birth's album "The Crushed Harmony", to be r...
published: 17 Nov 2015
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
Weeping Birth "Atonality" (Official Audio - 2015, Apathia Records)
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- published: 17 Nov 2015
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19:45
12-tone/serialism/atonality How to Fill out the Magic Square - -
The method of composing with 12-tones arranged in a specific order to avoid tonality (thus...
published: 14 Dec 2015
12-tone/serialism/atonality How to Fill out the Magic Square - -
12-tone/serialism/atonality How to Fill out the Magic Square - -
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- published: 14 Dec 2015
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What is Atonality? Atonality Part 1...
The Difference Between Tonal & Atonal Music : Pian...
atonality 7...
Does Atonality Go Against Nature? The Overtone Ser...
Elvis discusses atonality...
Atonality Study #1...
Serialism/Atonality Composition on Guitar...
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)...
Tonal or Atonal?...
How To Play Atonal Metal Licks...
Weeping Birth "Atonality" (Official Audio - 2015, ...
12-tone/serialism/atonality How to Fill out the ...
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Edit New York Post 19 May 2016
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Edit Sydney Morning Herald 18 May 2016
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Edit Huffington Post 18 May 2016
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