Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression.
The term film noir, French for "black film", first applied to Hollywood films by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era. Cinema historians and critics defined the noir canon in retrospect. Before the notion was widely adopted in the 1970s, many of the classic film noirs were referred to as melodramas. The question of whether film noir qualifies as a distinct genre is a matter of ongoing debate among scholars.
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Written by: Ben Taylor
I'm an island
Everyone can see that I'm an island
I've got ocean just about
Everywhere that I can see
So I'll be stranded unless you come to me
And I'm lonely
I would rather fall from grace completely,
than let you change my mind
I would rather bet my life against the rising of the sun.
Can't be too careful
About the friends you keep around you
Some won't ever let you down
Some who'll fail you every day?
And it's a blatant disrespect of privacy
It enrages me
But I would rather fall from grace completely,
than let you change my mind
I would rather bet my life against the rising of the sun.
I'm an island
Can't you understand me I'm an Island
And I'm finally by myself
The way I've got to be
Now that's exactly the thing that's been killing me
I would rather fall from grace completely,
than let you change my mind
And I would rather bet my life against the rising of the sun
I'm all washed out by the side of the road
Broken bones Matilda left a note and a rose
Sayin' "Baby honey child, I've loved you so long
But you deserve much better than me"
So I'm just burnin' all around all the miles in the road
And I'm never goin' back and I'm never goin' home
I've been gone too long, I've been less right than wrong
I lost so much blood in the fallin' out
And I lit a fire that wouldn't go out
Until it consumed the walls and roof of this house
Until all I remember was burnin' away
And all I remember, you burned it away
See, for ten long years I've been hustlin' around
Tryin' to wash the sins and the sweat from my brow
Tryin' to find a better life for me and my own
Just some rest for these tired workin' fingers
But nobody never gonna tell you the way
You gotta figure it out boys, and suffer the rain
And the fools in the night, and the heat in the day
When all you ever really wanted was for someone to understand
And I lit a fire that wouldn't go out
Until it consumed the walls and roof of this house
Until all I remember was burnin' away
And all that you left me, you burned it away
Well, don't you take it so hard and baby, don't you cry
You cross your hard heart and you hope to die
Don't you tell me no more lies, you lied all the time
Don't you tell me no more lies, you lied every night
And you're sugar and spice and everything nice
You got Monroe hips, poisoned lips and knives
And you're sugar and spice and everything nice
You got open wounds in a young boy's pride
And you're sugar and spice and everything nice
You got Monroe hips, poisoned lips and knives
Sugar and spice, everything nice
You got open wounds in a young boy's pride
And I lit a fire that wouldn't go out
Until it consumed the walls and roof of this house
Until all I remember was burnin' away
And all that you left me, you burned it away
Well, don't you take it so hard and baby, don't you cry
You cross your hard heart and you hope to die
Don't you tell me no more lies, you lied all the time
Don't you tell me no more lies, you lied every night
He casts himself as an adventurer,
all foot on floor and hell for leather;
She never told him what he meant to her-
Perhaps that's for the better.
She's never clearly seen dividing lines
between real life and parts she's chosen,
confuses character and rising sign,
sex and emotions.
She waits in the caravan at the side of the set
for the scene with her leading man
that he'll not forget...
Things get crazy on location
and they had their little swing,
only yesterday he told her
that it didn't mean a thing.
Chorus:She's in love with the hero of the movie
but she's lost herself on some dark trip;
she's in love with being in the movie.
Call for action!
This is it:
The method actress and the shooting script.
So she waits in the caravan
for the film's final scene
and her love/hate for the action man
will fill the silver screen....
On the dresser is the pistol,
in the chamber are the blanks,
in her pocket are the bullets,
with his name upon the shanks
Monkey shines
Snow capped strangers
Blind folded we hold hands
Going nowhere and far
A signpost empty
I forget who I am
No road is forever dear friend
So dangerous
This place inside you
Lantana honey on my tongue
Tastes like winter but warm inside
Ah - I will dress red for you
I forget who I am
No road is forever dear friend
So dangerous
This place inside you
Now I forget who I am
The red sun
Glacier melts
Inside my mouth
Heart and lung
I belong to you now
So dangerous
This place inside you
I forget who I am
No road is forever dear friend
Like cars and foreign places
We lose ouselves here
So dangerous
(J. Webb/C.Simon)
Got on in New Haven
Last car on the train.
Put my hat on the seat,
Wipe the tears from my eyes.
I watched my life go by,
Like a movie in my brain.
Scenes unreeling;
In a sceneless chain
On the window,
and a silver screen of rain!
And the opening title scroll,
and the score comes in and under.
And I'm in the starring role,
in a world of love-struck wonder;
It's a tale full of promise, about two crazy kids;
Falling in love, but in flashback.
And then the music,
that gorgeous music;
And I wake up,
Rattling down the railroad track.
He could be sweet,
But I stayed on my guard.
Just how good a liar
can a decent man be?
I always played my hand
Like I didn't have the cards.
Cause he held them all
So I could never see.
Yes, he played me for a fool,
and I agreed.
And the closing credits roll,
And the waves come in like thunder.
Cause the hero's lost control,
And I made a fatal blunder.
Just another sad story;
Two star-crossed kids,
Racing headlong up a cul-de-sac.
And then that music,
That mournful music.
And the train's disappearing
Down that railroad track.
And the long, slow dissolve,