God

In monotheism and henotheism, God is conceived of as the Supreme Being and principal object of faith. The concept of God as described by theologians commonly includes the attributes of omniscience (infinite knowledge), omnipotence (unlimited power), omnipresence (present everywhere), omnibenevolence (perfect goodness), divine simplicity, and eternal and necessary existence.

God is also usually defined as a non-corporeal being without any human biological gender, but his role as a creator has caused some religions to give him the metaphorical name of "Father". Because God is concieved as not being a corporeal being, he cannot (some say should not) be portrayed in a literal visual image; some religious groups use a man to symbolize God because of his role as the "father" of the universe and his deed of creating man's mind in the image of his own.

In theism, God is the creator and sustainer of the universe, while in deism, God is the creator, but not the sustainer, of the universe. Monotheism is the belief in the existence of one God or in the oneness of God. In pantheism, God is the universe itself. In atheism, God does not exist, while God is deemed unknown or unknowable within the context of agnosticism. God has also been conceived as being incorporeal (immaterial), a personal being, the source of all moral obligation, and the "greatest conceivable existent". Many notable philosophers have developed arguments for and against the existence of God.

God (Tori Amos song)

"God" is a song by American singer-songwriter and musician Tori Amos. It was released as the second single from her second studio album Under the Pink. It was released on February 3, 1994 by Atlantic Records in North America and on October 3 by EastWest Records in the UK.

The song reached number 44 on the UK Singles Chart. as well as #1 on the US Modern Rock Chart.

Releases

The B-sides to the American release included Amos' reworking of "Home on the Range", with new lyrics, as well as a two-song instrumental piano suite. An American cassette single featured the b-side "Sister Janet".

A completely different single was released in Europe on CD, 12" and 7" vinyl single, and cassette. The 7" single was a glossy dual sided picture disc. The various formats featured ambient and jungle house remixes of the track by CJ Bolland, Carl Craig and The Joy.

Track listing

God in Judaism

The traditional conception of God in Judaism is strictly monotheistic. God is generally understood by Jews to be the absolute one, indivisible and incomparable being who is the ultimate cause of all existence. Jewish tradition teaches that the true aspect of God is incomprehensible and unknowable, and that it is only God's revealed aspect that brought the universe into existence, and interacts with mankind and the world. The one God of Israel is the God of Abraham, Isaac, and Jacob, who is the guide of the world, delivered the Israelites from slavery in Egypt, and gave them the Law of Moses at biblical Mount Sinai as described in the Torah. Traditional interpretations of Judaism generally emphasize that God is personal, while some modern interpretations of Judaism emphasize that God is a force or ideal.

God has a proper name, written YHWH (Hebrew: יְהֹוָה, Modern Yehovah, Tiberian Yəhōwāh) in the Hebrew Bible. In Jewish tradition another name of God is Elohim.

Names

The name of God used most often in the Hebrew Bible is the Tetragrammaton (YHWH Hebrew: יהוה‎), frequently anglicized as Jehovah or Yahweh but written in most editions of the Bible as "the Lord". Jews traditionally do not pronounce it, and instead refer to God as HaShem, literally "the Name". In prayer this name is substituted with Adonai, meaning "Master" or "Lord".

Loco (Apache)

Loco (1823–1905 or 1909) was a Copper Mines Mimbreño Apache chief.

Name

It is unknown whence Loco received his name. One theory suggests that he was named for the fact that he was "'crazy' enough to trust the white men." Another theory says that he got his name from his actions at a battle against the Mexicans, where he supposedly braved gunfire in order to save an injured warrior.

Time as chief

Unlike the militant Geronimo and the proud but aware Victorio, Loco was an advocate for peace. After the death of Cuchillo Negro, chief of the Warm Springs Tchihende, (1857) and Mangas Coloradas, chief of the Copper Mines Tchihende, (1863), the Copper Mines Mimbreños and the Warm Springs Mimbreños, under Pindah's pressure, were forced to leave the Pinos Altos area, near Santa Rita del Cobre, and try to concentrate in the Ojo Caliente area both of the tribe's bands; after Delgadito's death (1864) the Copper Mines Tchihende Loco, along with the Warm Springs Tchihende Victorio (who, already chosen as his son-in-law by Mangas Coloradas, was preferred to the older Nana), became the chiefs. The Mimbreños accepted to settle in a reservation, before at Ojo Caliente and later at Cañada Alamosa, but the Mimbreño reservation was abolished, and Victorio's and Loco's people was sent to the Mescalero reservation at Tularosa. When the Government stated to deport the Mimbreños to San Carlos, in 1877 Victorio and Loco led back their people to Ojo Caliente, but, in 1878, 9th Cavalry was sent to bring them back to San Carlos. Victorio took again the warpath, but Loco was arrested. Loco didn't join Victorio in his last war in 1879-1880, remaining in the San Carlos reservation. In 1882, when a party of Apaches including Geronimo forced Loco to leave for Mexico, Loco instead waged guerilla warfare against the Chiricahuas. In 1886, Loco went to Washington, D.C. to negotiate; however, like Geronimo, he was made prisoner and sent to Florida.

Loco (composition)

Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004 at the Ravinia Festival by the Chicago Symphony Orchestra.

Composition

Loco has a duration of roughly 8 minutes and is composed in a single movement. Higdon described her inspiration for the piece in the score program notes, writing:

Instrumentation

The work is scored for an orchestra comprising two flutes, piccolo, three oboes, three clarinets, two bassoons, contrabassoon, four French horns, three trumpets, three trombones, tuba, piano, timpani, three percussionists, and strings.

Reception

Jeremy Eichler of The Boston Globe described Loco as "a gleaming and rambunctious curtain-raiser". Scott Cantrell of The Dallas Morning News similarly called it "seven minutes of high-energy scurries, clatters, chatters, jabs, chugs and fanfares." Andrew Druckenbrod of the Pittsburgh Post-Gazette wrote, "This piece imitates a "fast-moving train," and it roared into the hall. The fanfare-like work filled every nook and cranny with rhythmic pulsing and walls of sound." He added:

Loco (loa)

In the Voodoo religion, Loco (also spelled Loko) is a loa, patron of healers and plants, especially trees. He is a racine (root), and a Rada Loa. Among several other Loa he is linked with the poteau mitan or centrepost in a Vodou peristyle.

He is the husband of loa Ayizan, and just as she is the archetypal Mambo (priestess), so her husband Loco is considered the first Houngan (priest). As the spiritual parents of the priesthood he and his wife are two of the Loa involved in the kanzo initiation rites in which the Priest/ess to be is given the asson (sacred rattle and tool of the priesthood), and are both powerful guardians of "reglemen," or the correct and appropriate form of Vodoun service.

This Deity was inherited from the Haitians Arawak ancestors. He is derived from the Arawak Deity Louquo, a founding ancestor of the Arawak people.

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