Khaled Hadj Ibrahim (Arabic: خالد حاج ابراهيم, born 29 February 1960), better known as Khaled, is a raï singer-songwriter and multi-instrumentalist born in Oran in the square of Eckmühl in Algeria. He began recording in his early teens under the name Cheb Khaled (Arabic for "Young Man" Khaled, as opposed to the traditionalist Sheikh elders) and has become the most internationally famous Algerian singer in the Arab world and across many continents. His popularity has earned him the unofficial title "King of Raï". His most famous songs are "Aïcha" and "Didi".
His signature song, "Didi", became extremely popular in the Arabic-speaking countries and also in several other countries, including India and Pakistan. The song was used also used in a Bollywood film titled Shreeman Aashiq. Khaled and Don Was appeared on the The Tonight Show on February 4, 1993.
His next album N'ssi N'ssi further strengthened his position. Film-maker Bertrand Blier used it as the soundtrack for his film Un, deux, trois, soleil and sold two million copies. Three years would pass before the release of his next album Sahra.[citation needed] In the 1997 film The Fifth Element his song "Alech Taadi" from N'ssi N'ssi was used in the car chase with Bruce Willis and Milla Jovovich.
Plot
Nobody really respects Camel Najer, the young Bedouin who works as a security guard at the central bus station. Neither his family, nor his colleagues. When the Israeli government threatens to tear down his settlement, he decides to act. Camel comes up with the plan to stage a bomb attack, which he will then prevent from happening, making him the hero of the day, hopefully saving his settlement and earning him the respect he's so desperately yearning for.
Plot
This story is about a troupe of minstrels "The Umbrella Men" who compete every year in Cape Town's Street carnival. Their charismatic leader KHALED, has a fierce rivalry with TARIEK, a dodgy businessman who runs the more affluent 'Maulers'. Khaled's nightclub sponsors 'The Umbrella Men', Tariek knows that without the club, the troupe will no longer be a threat so come competition time, he pulls strings to get the club closed down. No club, No Umbrella Men, No reason for living. So Khaled is forced to get 'creative' and decides to rob the local bank during the chaos of the carnival. The city grinds to a halt when the carnival is on as thousands of tourists flock to the parade, creating havoc for the police department. Whilst scoping out the bank, Khaled meets and falls hard for KEISHA who is employed at the bank. This relationship is at first seen as an advantage for the robbers but later turns out to have more serious consequences and becomes a pivotal aspect of the plot. Using the noise of the big brass bands and general chaos on the streets, 'The Umbrella Men' tunnel their way into the local bank that is located at the starting point of the carnival. The plan is relatively simple-for thieves, but these guys are musicians! So with their faces painted and dressed in brightly coloured uniforms 'The Umbrella Men' seem to have the perfect plan and alibi. But Tariek has other plans as he creates every imaginable obstacle to prevent Khaled and his troupe of musicians from succeeding.
All you need is one great idea.
Sometimes losing is in fact winning.
Plot
Khaled returns from USA to his mother's funeral at his hometown: Alexandria, Egypt. He decides to make it a fresh new start even if it meant mending his first love story yet it proved a horrific failure. Khaled clashed big time with a changing more conservative Alexandria but He also stumbles upon fresh youth struggling for their under-ground music bands, art and ideas. in the middle of all the confusion, Will it ever all makes sense at the end? A question for the youth and the city to answer.
Keywords: alexandria-egypt, egypt, filmmaking, graffiti, hip-hop, independent-film, police, poster-art, rock, underground
Plot
Kabul - a city struggling to recover from 25 years of warfare. Taxi driver Khaled picks up a woman and baby. Her face is hidden behind a blue burka. They settle on a price, she pays him and they drive off. The taxi arrives at its destination. The woman gets out and a new passenger climbs in... to find the baby still in the backseat. Khaled leaps out after the woman but she's vanished. He's left holding the baby - a 6-month-old boy. Who is the mother? How can he find her? He asks friends and strangers in the street. He returns to where he picked her up. Nothing. Fate has handed him a young life for which he feels more and more responsible. An eventful, chaotic, often highly comic journey through a city which is itself simply trying to survive. Poignant, rich, vibrant, Barmak Akram's debut feature is a remarkable portrait of one man's emotional awakening in a city returning to crazy life after 25 years of violent conflict. "CENTRO DO BRAZIL in Afghanistan."
Keywords: afghanistan, kabul, taxi-driver
Plot
A strong controversial adult drama about troubles facing young married and non-married couples. The old friends are invited at Khaled's and Perry's daughter birthday. Moushira is married to Ali, Amr to Farah , and Sameh is having an affair with Inas. After the party all the problems explodes when Moushira tells Ali that he doesn't satisfy her sexually, Perry tells Amr about her discovery of his infidelity, Amr is jealous of Ali as Farah's ex-boyfriend and she is faces him with the fact that her rich family improved his standard. While Inas gives the choice to Sameh of either marrying or separating. Then everyone faces his problem trying to make decisions with the help of his/her friends.
Keywords: adultery, booze, drugs, husband-wife-relationship, infidelity, marriage, party, prostitute, psychotherapy, sex
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
Rani manadàm 3la liyam
mahma tkouni b3ida 3lia
rani manadàm 3la liyam
hadro ana fik w fiya
aha iyàh aha iyàh lazàm ljour7 ybra bdwaaaa
aha iyàh aha iyàh sahra tkoun jmila ya l7nina
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
jani bachar balkhafia
w galia 3la li biya
w galia nta nia
ghir raha nasraniya
aha iyàh aha iyàh lazàm ljorh yabra bdwaaaa
aha iyàh aha iyàh sahra tkoun jmila ya l7ninaaa
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
Hadi lila w alf lila on va s'aimer pour toute la vie
hadi lila w alf lila on va s'aimer danser
c'est la la la
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
C'est la vie lalalalala
On va s'aimer
On va danser
Comme si je n'existais pas,
Elle est passe ct de moi,
Sans un regard, reine de Saba.
J'ai dit : "Acha, prends : tout est pour toi."
Voici des perles, des bijoux,
Aussi l'or autour de ton cou,
Les fruits bien mrs au got de miel,
Ma vie, Acha, si tu m'aimes.
J'irai o ton souffle nous mne
Dans les pays d'ivoire et d'bne.
J'effacerai tes larmes, tes peines.
Rien n'est trop beau pour une si belle.
Oooh ! Acha, Acha, coute-moi.
Acha, Acha, t'en vas pas.
Acha, Acha, regarde-moi.
Acha, Acha, rponds-moi.
Je dirai les mots des pomes.
Je jouerai les musiques du ciel.
Je prendrai les rayons du soleil
Pour clairer tes yeux de reine.
Oooh ! Acha, Acha, coute-moi.
Acha, Acha, t'en vas pas.
Elle a dit : "Garde tes trsors.
Moi, je veux mieux que tout a,
Des barreaux sont des barreaux, mme en or.
Je veux les mmes droits que toi
Et du respect pour chaque jour.
Moi, je ne veux que de l'amour."
Aaaah !
Comme si je n'existais pas,
Elle est passe ct de moi,
Sans un regard, reine de Saba.
J'ai dit : "Acha, prends : tout est pour toi."
Acha, Acha, coute-moi.
Acha, Acha, coute-moi.
Acha, Acha, t'en vas pas.
Acha, Acha, regarde-moi.
Acha, Acha, rponds-moi.
Lalala... lalala...
Ana mchit ou ma nassi.
Hiya mhabla rassi haaaah.
ana brit nejib nassi.
Dimar ou andi fassi.
ahhhahahhhh
Samha f dar ou jaya b alf khbar.
ma ihemha aib ou aar.
laalala
samha f dar ou jaya b alf khbar.
ou ana aliha ma nkdaar.
laalala
(Refrain x2)
hiya li brat, hiya hiya hiyaaaaah.
li brat laylalay daydaah.
Pitbull aka Christian great.
But please, baby you can call me...
I make you fall in love.
I'm a thief with the heart.
To me it's an art.
Baby your eyes don't lie.
I can see you want a little bit of me.
In your life.
I can treat you like the princess you are.
But behind closed doors.
We can do it all.
Ladies first, when I open doors.
I got an open mind, let me open yours.
You can come see me while I'm on tour.
But until then, besitos mi amor.
samha f dar ou jaya b alf khbar.
ou ana aliha ma nkdaar.
laalala
(ain x2)
hiya li brat, hiya hiya hiyaaaaah.
li brat laylalay daydaah.
Watching you, watching me,
Watching you, watching me,
And I'ma give you want right,
Watching you, watching me,
Watching you, watching me,
And I'ma give you want right.
(ain x2)
hiya li brat, hiya hiya hiyaaaaah.
Yana il arbi weld il ghama wa7jil dellali
Dellali dellali
Dana dana dana liy dellali
Miryooli dellali
Yana il arbi weld maga waghmal dellali
Dellali dellali
Yana il arbi weld il sa7ra wasmar dellali
Dellali dellali
La zhar la mimoun khallouni nhoum dellali
Dellali dellali
Yana il arbi weld il maga waghmal dellali
Dellali
Ana pharl rlia ountia la
Manderlek brida manebki rlek
La zharl la mimoun la gozel
Didi didi didi di hazine di ouah
Didi ouah didi didi di hazine di didi hey yeh
Manederlek brida manebki rlek
Manederlek brida mane sakse rlek
La zherl la mimoun la gozel
Didi didi didi di hazine di ouah
Didi ouah didi didi di hazine di didi hey)Teh
La baâdek rlia el jbal ghaka
Derl el makadelech bal el ghaka
Hsabt el rnilioun ou rIa mendarga
Didi didi didi di hazine di ouah
On va s'aimer
On va danser
C'est la vie lalalalala
(x4)
rani manadà m 3la liyam
mahma tkouni b3ida 3lia
rani manadà m 3la liyam
hadro ana fik w fiya
aha iyà h aha iyà h lazà m ljour7 ybra bdwaaa
aha iyà h aha iyà h sahra tkoun jmila ya l7nina
On va s'aimer
On va danser
C'est la vie lalalalala
(x4)
jani bachar balkhafia
w galia 3la li biya
w galia nta nia
ghir raha nasraniya
aha iyà h aha iyà h lazà m ljorh yabra bdwaaa
aha iyà h aha iyà h sahra tkoun jmila ya l7ninaaa
On va s'aimer
On va danser
C'est la vie lalalalala
(x4)
hadi lila w alf lila on va s'aimer pour toute la vie
hadi lila w alf lila on va s'aimer danser c'est la la la c'est la vie
On va s'aimer
On va danser
C'est la vie lalalalala
Comme si je n'existais pas
Elle est passee a cote de moi,
Sans un regard, reine de Saba
J'ai dit: Aicha, prends tout est pour toi
Voici, les perles , les bijoux
Aussi l'or autour de ton cou
Les fruits bien murs au gout de miel
Ma vie, Aicha, si tu m'aimes
J'irai ou ton souffle nous mene,
dans les pays d'ivoire et d'ebene
J'effacerai tes larmes, tes peines,
rien n'est trop beau pour une si belle
Aicha, aicha, ecoute moi
Aicha, aicha, t'en vas pas
Aicha, aicha, regarde moi
Aicha, aicha, reponds moi
Je dirai les mots, les poemes
je jouerai les musiques du ciel
Je prendrai les rayons du soleil
pour eclairer tes yeux de reve
Aicha, aicha, ecoute moi
Aicha, aicha, t'en vas pas
Elle a dit garde tous tes tresors
Moi, je vaus mieux que tout ca
Des barreaux sont des barreaux memes en or,
Je veux les memes droits que toi
Du respect pour chaque jour
Moi, je ne veux que de l'amour
Comme si je n'existais pas
Elle est passee a cote de moi,
Sans un regard, reine de Saba
J'ai dit: Aicha, prends tout est pour toi
Aicha, aicha, ecoute moi
Aicha, aicha, ecoute moi
Aicha, aicha, t'en vas pas
Aicha, aicha, regarde moi
Aicha, aicha, reponds moi