Mandi may refer to:
A New Film About A Wayout Craze!
Plot
Dana is 18, gorgeous and a killer surfer with a shelf full of trophies to prove it. When her father pressures her to buckle down and go to college, Dana flees her Beverly Hills home for the beaches of South Africa, the site of some of the world's most awesome surf and her late mother's home country. With her mom's journal in hand and a mismatched gang of surf fanatics watching her back, Dana embarks on an odyssey along the breathtaking southern coast of Africa to fulfill her mother's dream-one long, flawless journey down the barrel of the killer waves of J-Bay.
Keywords: airplane, american, american-abroad, bare-chested-male, beach, bikini, blood-on-face, bulldozer, bus, class-divide
Plot
The desert heat rises as a Russian girl named Sasha swears to protect her friend Victoria's secrets while having a few of her own. Michael, a private business owner, will do anything to stop information linking him to the illegal operation. Seemingly in love, Sasha takes her private affair into a desert getaway. Sasha realizes that her love affair with Lenny was not opportune and he leaves her for dead in the midst of the desert sand, and she will discover that trust is a matter of perception. In a tale of twisted love affairs and lies, Sasha must find a way to reveal the truth about who she thought she was and risk it all to save those she have never met.
Keywords: dead-end, directed-by-star, human-trafficking
Dark human trade.
Plot
A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.
Keywords: abusive-husband, acting, actor, actress, adultery, african-american, alternative-reality, anger, anguish, applause
A Woman In Trouble
A Story of a mystery...A mystery inside worlds within worlds...Unfolding around a woman...A woman in love and in trouble.
Neighbor: The Evil was born and followed the boy...
Neighbor: Is there a murder in your film?::Nikki: Uh, no. It's not part of the story.::Neighbor: No, I think you are wrong about that.::Nikki: No.::Neighbor: Brutal fucking murder!::Nikki: I don't like this kind of talk; the things you've been saying. I think you should go now.::Neighbor: Yes. Me, I... I can't seem to remember if it's today, two days from now, or yesterday. I suppose if it was 9:45, I'd think it was after midnight! For instance, if today was tomorrow, you wouldn't even remember that you owed on an unpaid bill. Actions do have consequences. And yet, there is the magic. If it was tomorrow, you would be sitting over there.::[Neighbor points to Nikki's couch across the room]::Neighbor: Do you see?
Announcer: The Marilyn Levens Starlight Celebrity Show will be back next week. From Hollywood, California - where stars make dreams, and dreams make stars.
Neighbor: So, you have a new role to play, I hear?::Nikki: Up for a role, but I'm afraid far from getting it.::Neighbor: No, no. I definitely heard that you have it.::Nikki: Oh?::Neighbor: Yes. It is an... It is an interesting role?::Nikki: Oh yes, very!::Neighbor: Is it about marriage?::Nikki: Um, perhaps in some ways, but...::Neighbor: Your husband is involved?::Nikki: No.::Neighbor: Hmmm. A little boy went out to play. When he opened his door, he saw the world. As he passed through the doorway, he caused a reflection. Evil was born. Evil was born, and followed the boy.::Nikki: I'm sorry, what is that?::Neighbor: An old tale, and a variation. A little girl went out to play. Lost in the marketplace, as if half-born. Then, not through the marketplace - you see that, don't you? - but through the alley behind the marketplace. This is the way to the palace. But it isn't something you remember.
Neighbor: I've been going around, meeting my new neighbors. I think that it is important to know one's neighbors. To say "hello!" to them.
Devon Berk: Kingsley, get to the point.::Kingsley Stewart: On High and Blue Tomorrows is in fact a remake.::Devon Berk: It's a remake?::Kingsley Stewart: Yeah.::Devon Berk: I wouldn't do a remake.::Kingsley Stewart: No, no, no, no. I know. Of course... but you didn't know. The original was under a different name. It was started, but never finished. Now, Freddy's found out that our producers know the history of this film and they have taken it upon themselves not to pass that information along to us. Purposefully. Of course, not me. I assume not to the two of you. True?::Nikki: No... absolutely. Nobody told me anything.::Devon Berk: No, me neither. I thought this was an original script.::Kingsley Stewart: Yeah... well... anyway, the film was never finished.::Nikki: I don't understand. Why wasn't it finished?::Kingsley Stewart: Well, after the characters have been filming for some time, they discovered something... something inside the story.::Devon Berk: Please. Kingsley.::Kingsley Stewart: The two leads were murdered! It was based on a Polish-Gypsy folk-tale. The title in German was "Vier-Sieben: 47". And it was said to be cursed. So it turned out to be.
Nikki: Hey! Look at me. And tell me if you've known me before.::Lanni: Yes. We will do that.
Nikki: I'm a whore. Where am I? I'm afraid!
Nikki: When the police came and they asked what happened, I told them "He's reaping what he's been sowing, that's what." They said "Fucker been sowing some pretty heavy shit."
Nikki: Bam! I Kicked him straight in the balls so hard they go crawling into his brain for refuge - he went down like a two dollar whore.
Plot
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick Castle is one of the descendants of the men, and owns a fishing charter company, using his vessel, the Seagrass, for tourism. When his girlfriend Elizabeth Williams returns to the island after spending six months in New York, a bizarre series of events begin to occur, including several gruesome deaths and the presence of a mysterious fog. When Elizabeth slips in Nick's boathouse and falls into the sea, she finds an old journal from 1871, written by Patrick Malone, one of the town's founders. It tells how a man named Blake bought half the island for use as a leper colony. While bringing his people to Antonio Island in their clipper ship, the Elizabeth Dane, Blake is betrayed by Castle, Wayne, Williams and Malone. The four men locked Blake and his people in the vessel, stole their money and possessions, and then set fire to the ship, killing everyone aboard. In the present day, the ghosts of Blake and his crew have risen from their watery grave to seeking revenge on the descendants of the four men.
Keywords: african-american, ambulance, anchor, apparition, artifact, bare-chested-male, beach, bedridden, beer-can, bell
From The Makers Of "Halloween"
Their PAST Has Come Back To HAUNT THEM
Elizabeth Williams: Let's go back home.::Nick Castle: And have some crazy sex?
Stevie Wayne: Somebody please beam me out of here.
Stevie Wayne: Now, what kind of fog moves against the wind?
[repeated line]::Captain Blake: Elizabeth...
Father Malone: So now you know.::Elizabeth Williams: That our forefathers murdered every man, woman and child on the Elizabeth Dane? And this town was built on nothing but lies?::Father Malone: And now they've come for revenge.
Father Malone: We're the children of murderers. All of us. Wayne, Castle, Williams, Malone...::Kathy Williams: But we haven't done anything.::Spooner: Yeah, keep my father out of this. We from Chicago.
Tom Malone: [to Nick] You tell your pal, when he thaws out he better have a damn good story.
Father Malone: Get off the Island!::Elizabeth Williams: Why?::Father Malone: Just go!
Spooner: I got an idea. Why don't you do some work around here and I'll go get the clutch.::Nick Castle: Cause I'm the Skipper, and you're Gilligan.::Spooner: Like that? After all the "we", now I'm just Gilligan. I'm by myself, huh?
Sean Castle: Why do I have to drive?::Spooner: Because I'm the Skipper, and you're Gilligan.