Method acting is any of a family of techniques used by actors to create in themselves the thoughts and emotions of their characters, so as to develop lifelike performances. It can be contrasted with more classical forms of acting, in which actors simulate the thoughts and emotions of their characters through external means, such as vocal intonation or facial expression. Though not all Method actors use the same approach, the "method" in Method acting usually refers to the practice, pioneered by Constantin Stanislavski and advocated by Lee Strasberg, by which actors draw upon their own emotions and memories in their portrayals, aided by a set of exercises and practices including sense memory and affective memory.
Method actors are often characterized as immersing themselves in their characters to the extent that they continue to portray them even offstage or off-camera for the duration of a project. However, this is a popular misconception. While some actors have employed this approach, it is generally not taught as part of the Method.
Jared Joseph Leto (born December 26, 1971) is an American actor, director, producer, musician, and occasional model. Leto has appeared in both big budget Hollywood films and smaller projects from independent producers and art houses. He rose to prominence for playing Jordan Catalano in the teenage drama My So-Called Life (1994). He later made his film debut in How to Make an American Quilt (1995) and received first notable critical praise for his performance in Prefontaine (1997). Leto played supporting roles in The Thin Red Line (1998) and Girl, Interrupted (1999), as well as the lead role in the horror film Urban Legend (1998), and earned critical acclaim after portraying heroin addict Harry Goldfarb in Darren Aronofsky's Requiem for a Dream (2000). He has worked with director David Fincher in Fight Club (1999) and Panic Room (2002). Since the 2000s, Leto has been nominated for awards for his work in such films as American Psycho (2000), Highway (2002), Lord of War (2005), Lonely Hearts (2006), Chapter 27 (2007), and Mr. Nobody (2009).
"Cortez the Killer" is a song by Neil Young from his 1975 album, Zuma. It was recorded with Young's band Crazy Horse and ranked #39 on Guitar World's 100 Greatest Guitar Solos and #321 on Rolling Stone's list of the 500 Greatest Songs of All Time.
Young has stated in concert that he wrote the song while studying history in high school in Winnipeg. The song was banned in Spain under Francisco Franco, according to Young's notes for the album Decade. Young's claim is dubious, since Franco was on his death bed on Nov. 10, 1975, the date the song was released. However, this would not necessarily have affected the nature of how the Spanish Censors would have viewed such a song. Franco died on Nov. 20, 1975 after a long illness during which he was incapacitated.
The song is about Hernán Cortez, a conquistador who conquered Mexico for Spain in the 16th century. "Cortez the Killer" also makes reference to the Aztec ruler Moctezuma II and other events that occurred in the Spanish conquest of the New World.
There is no beginning to the story, a bookshelf sinks into the sand
And a language learned and forgot, in turn is studied once again
It's a shocking bit of footage viewed from a shitty TV screen
You can squint at it through snowy static to make out the meaning
And just keep stretching the antennae, hoping that it will come clear
We need some reception, a higher message, just tell us what to fear
Because I don't know what tomorrow brings
It's alive with such possibilities
All I know is I feel better when I sing
Burdens are lifted from me
That's my voice rising
So Michael, please keep the tape rolling
Boys keep strumming those guitars
We need a record of our failures, we must document our love
I've sat too long in my silence, I've grown too old in my pain
To shed this skin, be born again, it starts with an ending
So thank you friends for the time we shared
My love stays with you like sunlight and air
Oh, I truly wish I could keep hanging around here
But my joy is covering me, soon, I will disappear
Well, not a movie, no private screening
This method acting, well, I call that living
It is a fountain, all the doors are open
We got a problem with no solution
But to love, love, love and to be loved
So I've made peace with the falling leaves
I see their same fate in my own body
I won't be frightened when I am awoken from this dream
And returned to that which gave birth to me
And the story goes, and the story goes
And it goes on and on and on and on
It's going on and on and on
It's going on and on and on
It's going on and on and on
It's going on and on and on
And on
And on
And on
I saw you this morning on television, making your mouth
No conviction to what you say, you just hope that it
works
And your're making out that there's nothing else
(You look so.. you look so..)
That there's no alternative, there's an alternative now.
And we'll carry it round in our pockets while
(You look so.. you look so..)
You look so jealous - oh you're so jealous now
We can't decide, we can't believe anyone
it all makes sense then it doesn't add up
Just work it out now
That you're not for compromise
We can't decide, we can't believe anyone
it all makes sense then it doesn't add up
You can't believe without your scene
You can't believe without your scene
What didn't you say? Would you care to enlighten me? - Or
walk with your head down? Or say?
Would you care to enlighten me? Would you care to