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M@s Videos en http://CanalFutbolista.COM Asi fue la fiesta de cumpleaños de Cristiano Ronaldo. La fiesta por el 30 cumpleaños de Cristiano Ronaldo tuvo lugar anoche y poco después del naufragio en el Calderón. Se celebró en el selecto restaurante In Zalacaín, en La Finca. Una cena a la que estaban invitados 150 comensales y toda la plantilla del Real Madrid. A las 19:00 horas los futbolistas salieron en chándal del estadio rojiblanco rumbo a Valdebebas para recoger sus coches, ir a casa y cambiarse para un cumpleaños agridulce. Dos horas y media después ya se encontraban cenando junto a ilustres invitados en Pozuelo. El cantante colombiano Kevin Roldán colgó una foto con Cristiano a las 21:55 horas: “Es un honor para mí que te guste mi musica esta noche va a ser especial espero que disfrutes nuestro show. Hoy rompemos tarima en Madrid”. Cristiano Ronaldo había preparado con bastante antelación este evento por su trigésimo aniversario (cumplió la treintena el pasado jueves). Cristiano Ronaldo enjoys karaoke session at 30th birthday party... just hours after Real Madrid's humiliating 4-0 defeat by local rivals Atletico Madrid Cristiano Ronaldo risked the wrath of Real Madrid fans by attending his belated 30th birthday party just hours after suffering a humiliating derby-day defeat to Atletico Madrid. Around 150 revellers gathered at the exclusive 'In Zalacain' venue in the millionaires' row 'La Finca' district on the outskirts of Madrid to party the night away as supporters in the city drowned their sorrows after the 4-0 defeat at the hands of Diego Simeone's team. The party had been planned for midweek but with preparations for Saturday's game in mind Ronaldo decided it would be better to celebrate after the game. That backfired when the team fell to what he described as an unacceptable defeat. 'Real Madrid should not lose 4-0 to any team in the world,' he said after the match. His coach Carlo Ancelotti – not present at the party – had also questioned his side's attitude and desire and called it the 'worst performance since he had been in charge'. In spite of that and with the inquest into such a disastrous display only just getting started Ronaldo had hired Colombian singer Kevin Roldán and there was no going back. He was even videoed singing with Roldán on stage. The other Madrid players involved in the drubbing stayed away from the spotlight with Marcelo and James Rodriguez who missed the game through suspension and injury those who seemed to enjoy themselves the most. Ronaldo's closest pal in the Madrid dressing room Fabio Coentrao, who had been led a merry dance by Atletico Madrid's Arda Turan on Saturday afternoon, was also pictured enjoying the festivities.
Asi fue la fiesta de cumpleaños de Cristiano Ronaldo. La fiesta por el 30 cumpleaños de Cristiano Ronaldo tuvo lugar anoche y poco después del naufragio en el Calderón. Se celebró en el selecto restaurante In Zalacaín, en La Finca. Una cena a la que estaban invitados 150 comensales y toda la plantilla del Real Madrid. A las 19:00 horas los futbolistas salieron en chándal del estadio rojiblanco rumbo a Valdebebas para recoger sus coches, ir a casa y cambiarse para un cumpleaños agridulce. Dos horas y media después ya se encontraban cenando junto a ilustres invitados en Pozuelo. El cantante colombiano Kevin Roldán colgó una foto con Cristiano a las 21:55 horas: “Es un honor para mí que te guste mi musica esta noche va a ser especial espero que disfrutes nuestro show. Hoy rompemos tarima en Madrid”. Cristiano Ronaldo había preparado con bastante antelación este evento por su trigésimo aniversario (cumplió la treintena el pasado jueves). Cristiano Ronaldo enjoys karaoke session at 30th birthday party... just hours after Real Madrid's humiliating 4-0 defeat by local rivals Atletico Madrid Cristiano Ronaldo risked the wrath of Real Madrid fans by attending his belated 30th birthday party just hours after suffering a humiliating derby-day defeat to Atletico Madrid. Around 150 revellers gathered at the exclusive 'In Zalacain' venue in the millionaires' row 'La Finca' district on the outskirts of Madrid to party the night away as supporters in the city drowned their sorrows after the 4-0 defeat at the hands of Diego Simeone's team. The party had been planned for midweek but with preparations for Saturday's game in mind Ronaldo decided it would be better to celebrate after the game. That backfired when the team fell to what he described as an unacceptable defeat. 'Real Madrid should not lose 4-0 to any team in the world,' he said after the match. His coach Carlo Ancelotti – not present at the party – had also questioned his side's attitude and desire and called it the 'worst performance since he had been in charge'. In spite of that and with the inquest into such a disastrous display only just getting started Ronaldo had hired Colombian singer Kevin Roldán and there was no going back. He was even videoed singing with Roldán on stage. The other Madrid players involved in the drubbing stayed away from the spotlight with Marcelo and James Rodriguez who missed the game through suspension and injury those who seemed to enjoy themselves the most. Ronaldo's closest pal in the Madrid dressing room Fabio Coentrao, who had been led a merry dance by Atletico Madrid's Arda Turan on Saturday afternoon, was also pictured enjoying the festivities.
grupo de joropo sabana de yopal casanare en la final de la joropera en monterrey casanare.
me pueden buscar como dj kripta en el facebook
http://champetaalmaximo.blogspot.com/ https://www.facebook.com/pages/Champeta-al-Maximo/195582120581214 CHAMPETA AL MAXIMO EN FACEBOOK!! Kevin Florez-Se Que Falle (Champeta al Maximo) En los comentarios escribenos ¿Que tal te parece esta cancion? Champeta is the cultural phenomenon and musical genre of independent and local origin from the African descendents in the areas in and around Cartagena de Indias, (Colombia). It is also associated with the culture of Palenque of San Basilio. Etymology The word 'Champeta' refers to the short, curved knife of the same name, used at work, in the kitchen and as a defensive and offensive weapon in the region. History The word "Champeta" was first used as a cultural identifier in the 1920s, it was used to identify a dance in the 1970s and a musical genre in the 1980s. Since before the 1920s, the inhabitants of the neighborhoods farthest from the center of Cartagena, those of the poorest social strata and of African descent, have been called 'champetudo'. The economic elite used this designation as an attempt to devalue this vibrant culture. The name, ambiguously accepted and transformed, originates from the relationship of these people, with the knife called "champeta", as it was associated with vulgarity, poverty and blackness. This culture has a past historically marked with slavery and mistreatment with its center in the oldest districts of the Isla Caimán, currently called Olaya, and the Pozón district. At the beginning of the 1970s the Champeta culture became more visible at a national level in Colombia through a series of diverse and complex dances set to the rhythms of Caribbean music. This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers, popularly called "picós", that were invented during the 1960s in Cartegena. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. In the 1980s "creole therapy" became a new genre of music, sung and interpreted by people from Cartegena and San Basillo, later joined by people from Barranquilla, Santa Marta and the rest of the country. Baranquilla played an important role in the commercialization of this genre of music. Subsequently, the music became popular in picós. Soon, it was known as "creole therapy", "Colombian therapy", and finally, Champeta. Cultural Aspects and social Fact The classic conception of the phenomenon champeta is centered in the existence of four aspects or "columns" of the culture: champeta music (or Therapy), the Benbocata (or slang), Picó (or pick-up), and the perreos (or celebrations). There are some who give the same importance to other aspects, as the dance, the political activism, the design of the clothes, and the rest of cultural elements. Champeta criolla musica de carnavales, El sayayin, mister black, mr black, el afinaito, charles king, papoman, lilibeth, el jhonky, Edwin el maestro, Kevin florez, silvio carrasquilla, eddy jey, tony cruz, chawala, Michel, la locura, yao y zaa, elio boom, alvaro el barbaro, champeta, terapia, pick up, perreo, vacile, Cartagena, fiestas de noviembre, fiestas de la independencia, cartagena, buscapies, fiestas de la independencia, irene martinez, son cartagena, la niña emilia, cunde cunde, ivan villazon, los hermanos zuleta, diomedes diaz, poncho zuleta, silvestre dangond, danny daniel, jerry rivera, el gran combo, wisin y yandel, don omar, justin biever, vallenato, merengue, champeta,salsa, balada, carrilera, reggaeton, grupo niche, cali, son de cali,jose alberto el canario, andy montañez, falcao garcia, cristiano ronaldo,lionel messi,El Sayayin-Anita la mas bella, terapia, champeta, criolla, juan manuel santos, hugo chavez, maduro, venezuela, alvaro uribe, corea del norte, estados unidos, lady gaga, champeta
Kappa & Titty En Tarima Evento De Antena Stereo Junto A Pipe Calderon @Apartado Booking Cel : 321 718 6786 Contacto: Kappaytitty@Hotmail.com Twitter: @Kappay...
Videoclip del tema original de DAKOB extraido del disco de "Eclipse" RK-ARMONIKA PRODUCCIONES 42 DISTRICT RECORDS
SIGUE A CHAMPETA AL MAXIMO EN FACEBOOK AQUI: https://www.facebook.com/pages/Champeta-al-Maximo/195582120581214 VISITA NUESTRO BLOG: http://champetaalmaximo.blogspot.com/ Eddy Jey-La Cuchi Cuchi (Champeta al Maximo) En los comentarios escribenos ¿Que tal te parece esta cancion? Champeta is the cultural phenomenon and musical genre of independent and local origin from the African descendents in the areas in and around Cartagena de Indias, (Colombia). It is also associated with the culture of Palenque of San Basilio. Etymology The word 'Champeta' refers to the short, curved knife of the same name, used at work, in the kitchen and as a defensive and offensive weapon in the region. History The word "Champeta" was first used as a cultural identifier in the 1920s, it was used to identify a dance in the 1970s and a musical genre in the 1980s. Since before the 1920s, the inhabitants of the neighborhoods farthest from the center of Cartagena, those of the poorest social strata and of African descent, have been called 'champetudo'. The economic elite used this designation as an attempt to devalue this vibrant culture. The name, ambiguously accepted and transformed, originates from the relationship of these people, with the knife called "champeta", as it was associated with vulgarity, poverty and blackness. This culture has a past historically marked with slavery and mistreatment with its center in the oldest districts of the Isla Caimán, currently called Olaya, and the Pozón district. At the beginning of the 1970s the Champeta culture became more visible at a national level in Colombia through a series of diverse and complex dances set to the rhythms of Caribbean music. This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers, popularly called "picós", that were invented during the 1960s in Cartegena. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. In the 1980s "creole therapy" became a new genre of music, sung and interpreted by people from Cartegena and San Basillo, later joined by people from Barranquilla, Santa Marta and the rest of the country. Baranquilla played an important role in the commercialization of this genre of music. Subsequently, the music became popular in picós. Soon, it was known as "creole therapy", "Colombian therapy", and finally, Champeta. Cultural Aspects and social Fact The classic conception of the phenomenon champeta is centered in the existence of four aspects or "columns" of the culture: champeta music (or Therapy), the Benbocata (or slang), Picó (or pick-up), and the perreos (or celebrations). There are some who give the same importance to other aspects, as the dance, the political activism, the design of the clothes, and the rest of cultural elements. Champeta criolla musica de carnavales, El sayayin, mister black, mr black, el afinaito, charles king, papoman, lilibeth, el jhonky, Edwin el maestro, Kevin florez, silvio carrasquilla, eddy jey, tony cruz, chawala, Michel, la locura, yao y zaa, elio boom, alvaro el barbaro, champeta, terapia, pick up, perreo, vacile, Cartagena, fiestas de noviembre, fiestas de la independencia, cartagena, buscapies, fiestas de la independencia, irene martinez, son cartagena, la niña emilia, cunde cunde, ivan villazon, los hermanos zuleta, diomedes diaz, poncho zuleta, silvestre dangond, danny daniel, jerry rivera, el gran combo, wisin y yandel, don omar, justin biever, vallenato, merengue, champeta,salsa, balada, carrilera, reggaeton, grupo niche, cali, son de cali,jose alberto el canario, andy montañez, falcao garcia, cristiano ronaldo,lionel messi,El Sayayin-Anita la mas bella, terapia, champeta, criolla, juan manuel santos, hugo chavez, maduro, venezuela, alvaro uribe, corea del norte, estados unidos, lady gaga, champeta
Los sistemas basados en redes de distrito para la distribución de calor y/o frío garantizan una mejor eficiencia energética y calidad de servicio que el que ...
SIGUE A CHAMPETA AL MAXIMO EN FACEBOOK AQUI: https://www.facebook.com/pages/Champeta-al-Maximo/195582120581214 VISITA NUESTRO BLOG: http://champetaalmaximo.blogspot.com/ Eddy Jey-Cuando el amor Se Acaba (Champeta al Maximo) En los comentarios escribenos ¿Que tal te parece esta cancion? Champeta is the cultural phenomenon and musical genre of independent and local origin from the African descendents in the areas in and around Cartagena de Indias, (Colombia). It is also associated with the culture of Palenque of San Basilio. Etymology The word 'Champeta' refers to the short, curved knife of the same name, used at work, in the kitchen and as a defensive and offensive weapon in the region. History The word "Champeta" was first used as a cultural identifier in the 1920s, it was used to identify a dance in the 1970s and a musical genre in the 1980s. Since before the 1920s, the inhabitants of the neighborhoods farthest from the center of Cartagena, those of the poorest social strata and of African descent, have been called 'champetudo'. The economic elite used this designation as an attempt to devalue this vibrant culture. The name, ambiguously accepted and transformed, originates from the relationship of these people, with the knife called "champeta", as it was associated with vulgarity, poverty and blackness. This culture has a past historically marked with slavery and mistreatment with its center in the oldest districts of the Isla Caimán, currently called Olaya, and the Pozón district. At the beginning of the 1970s the Champeta culture became more visible at a national level in Colombia through a series of diverse and complex dances set to the rhythms of Caribbean music. This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers, popularly called "picós", that were invented during the 1960s in Cartegena. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. In the 1980s "creole therapy" became a new genre of music, sung and interpreted by people from Cartegena and San Basillo, later joined by people from Barranquilla, Santa Marta and the rest of the country. Baranquilla played an important role in the commercialization of this genre of music. Subsequently, the music became popular in picós. Soon, it was known as "creole therapy", "Colombian therapy", and finally, Champeta. Cultural Aspects and social Fact The classic conception of the phenomenon champeta is centered in the existence of four aspects or "columns" of the culture: champeta music (or Therapy), the Benbocata (or slang), Picó (or pick-up), and the perreos (or celebrations). There are some who give the same importance to other aspects, as the dance, the political activism, the design of the clothes, and the rest of cultural elements. Champeta criolla musica de carnavales, El sayayin, mister black, mr black, el afinaito, charles king, papoman, lilibeth, el jhonky, Edwin el maestro, Kevin florez, silvio carrasquilla, eddy jey, tony cruz, chawala, Michel, la locura, yao y zaa, elio boom, alvaro el barbaro, champeta, terapia, pick up, perreo, vacile, Cartagena, fiestas de noviembre, fiestas de la independencia, cartagena, buscapies, fiestas de la independencia, irene martinez, son cartagena, la niña emilia, cunde cunde, ivan villazon, los hermanos zuleta, diomedes diaz, poncho zuleta, silvestre dangond, danny daniel, jerry rivera, el gran combo, wisin y yandel, don omar, justin biever, vallenato, merengue, champeta,salsa, balada, carrilera, reggaeton, grupo niche, cali, son de cali,jose alberto el canario, andy montañez, falcao garcia, cristiano ronaldo,lionel messi,El Sayayin-Anita la mas bella, terapia, champeta, criolla, juan manuel santos, hugo chavez, maduro, venezuela, alvaro uribe, corea del norte, estados unidos, lady gaga, champeta
SWD School of Leadership Diplomado de Liderazgo. En Ingles y español. Clases: -‐ANTIGUO Y NUEVO TESTAMENTO -‐HERMENEUTICA -‐HOMILETICA -‐LIDERAZGO -‐ADM...
Two successful projects and one new idea.
Facebook Evento: http://ir.dbr.fm/1m89aYP Dirty Beats Prensa: http://ir.dbr.fm/1g4wMHR Como el desierto y el mar, Dirty Beats Radio ha creado dos mundos paralelos, un paraíso perdido donde se encuentran la suavidad del Underground con la locura del Progressive, ambos encerrados en un solo lugar con dos Stages diferentes, que junto a un alucinante juego de luces y sonido potente, te transportara a un universo nunca antes visto. Dirty beats, seguido del éxito de Tech Fusion W/ UMEK, te trae un día espectacular con los mejores exponentes de la música electrónica del Perú en un local con dos zonas que te haran vibrar de principio a fin. Line Up: EVIL STAGE (ZONA UNDERGROUND) ►► Jumi Lee https://www.facebook.com/jumileeofficial ►► Radiomind https://www.facebook.com/Radiomindmusic https://soundcloud.com/dirtybeatsradio/radiomind-special-podcast ►► Tolinchi Love https://www.facebook.com/Tolinchilove http://soundcloud.com/tolinchilove ►► Coca District https://www.facebook.com/CocaDistrict ►► Enrique del Carpio https://www.facebook.com/DjEnriqueDelCarpio ►► Angelo Ortiz https://www.facebook.com/Angelo.Ortiz.93 PARADISE STAGE (ZONA PROGRESSIVE) ►► Arturo Daza https://www.facebook.com/arturodazaofficial ►► Steve Forte https://www.facebook.com/SteveForteOfficial https://soundcloud.com/steveforte ►► Naxxo https://www.facebook.com/NaxxoOfficial ►► Karl Montenegro https://www.facebook.com/karlmontenegromusic ►► TBA https://www.facebook.com/Tbadj ►► Awst Rush B2B Hot Shit! https://www.facebook.com/awstian https://www.facebook.com/HotShitOficcial ►► Diego Anticona ►► Zepinzig https://soundcloud.com/zepinzig https://www.facebook.com/pages/Zepinzig/467232583327203?fref=ts Lost Paradise Web: http://dbr.fm/lost-paradise-dirty-beats/ Lost Paradise FanPage: https://www.facebook.com/LostParadiseDBR Lost Paradise Concurso: http://dbr.fm/concurso-lost-paradise-dirty-beats/ Dirty Beats Radio Web: http://dbr.fm/ Dirty Beats Radio Fanpage: https://www.facebook.com/dirtybeatsradio BUSES: Los horarios serán publicados pronto Punto 1: Municipalidad de Los Olivos Punto 2: Centro Cívico de Comas _________________________________________________________________ Pre-venta (Hasta jueves 20 de febrero). 2 modalidades: »» Promotores Autorizados: S/.10 al promotor + S/.10 en puerta el mismo día (entradas de teleticket) »» Modulos de "Tu Entrada": S/.20 + comisión. Normal (Hasta el día del evento) 2 modalidades: »» Promotores Autorizados: S/.15 al promotor + S/.10 en puerta el mismo día (entradas de teleticket) »» Modulos de "Tu Entrada": S/.25 + comisión. Capacidad Limitada _________________________________________________________________ Luces & Sonido a cargo de DJ Factory Perú: www.djfactoryperu.com www.facebook.com/DJFactoryProductions Promotores & Promotoras interesados a: contacto@dirtybeatsradio.com o al 946527157 - 41*652*7157
VIERNES 11 DE OCTUBRE - 7pm a 3am. EL RuMbON L@TiNo DUBAI REGRESA INCLUYENDO: partidos Colombia VS Chile /// Venezuela VS Paraguay /// Ecuador VS Uruguay EN ...
Carl Cox and Friends Stage... El escenario de la mariposa.
A la Venta Próximamente Licensing: info@club33.es / +34 609 26 41 51 Sigue a : https://twitter.com/hinojosamrchris https://www.facebook.com/robertohinojosasoy https://www.facebook.com/MrChrisWorld Siguenos: http://www.facebook.com/club33music https://twitter.com/CLUB33MUSIC
El DJ Alex Sensation de la Mega 97.9 se refirio a Omega "El Fuerte" como Una Maleta la cual el mando para Santo Domingo.
DISQUE ESTA LIPIADA OFFICIAL EL DE LA O FEAT Son De Ak WWW.TURAMUSIC.NET.
Jay Cutler & Phil Heath 2014 ARNOLD CLASSIC Wrap it Up! Jay Cutler & Phil Heath 2014 ARNOLD CLASSIC Wrap it Up! Phil Heath,Jay Cutler and James Wrap Up the A...
Cierre extraordinario de el "CREW RAP SERIO" en el CNA, en el festival de Fiesta Interminable organizado por Alas y Raíces dedicado a los niños. Donde con una manera bastante sutil, los Mc Ximbo y Van-T enseñaron acompañados del DJ Spawn y un dúo de bailarines, el significado del hip hop, y como con este, uno puede ser una persona segura y feliz!!! El 30 de Abril en el CNA del 2012
For the ultimate review of the 2012 Havana Art Biennial please see: http://www.cubaabsolutely.com/articles/art/article_art1.php?landa=105 The story starts in...
wonderers wandering...
Al Tarmia District is a district of the Baghdad Governorate, Iraq.