Maya Angelou ( /ˈmaɪ.ə ˈændʒəloʊ/; born Marguerite Ann Johnson; April 4, 1928) is an American author and poet. She has published six autobiographies, five books of essays, numerous books of poetry, and is credited with a long list of plays, movies, and television shows. She is one of the most decorated writers of her generation, with dozens of awards and over thirty honorary doctoral degrees. Angelou is best known for her series of autobiographies, which focus on her childhood and early adult experiences. The first and most highly acclaimed, I Know Why the Caged Bird Sings (1969), tells of her first seventeen years, and brought her international recognition and acclaim.
Angelou's long list of occupations has included pimp, prostitute, night-club dancer and performer, castmember of the musical Porgy and Bess, coordinator for Martin Luther King, Jr.'s Southern Christian Leadership Conference, author, journalist in Egypt and Ghana during the days of decolonization, and actor, writer, director, and producer of plays, movies, and public television programs. Since 1991, she has taught at Wake Forest University in Winston-Salem, North Carolina, where she holds the first lifetime Reynolds Professorship of American Studies. She was active in the Civil Rights movement, and worked with both Martin Luther King and Malcolm X. Since the 1990s she has made around eighty appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" at President Bill Clinton's inauguration, the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's inauguration in 1961.
Plot
In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.
Keywords: 1960s, 1970s, adultery, africa, african-american, african-american-protagonist, african-americans, airplane, american-broadcasting-company, american-flag
Float like a butterfly and sting like a bee.
Forget What You Think You Know
The Champ is here!
Sonji: Are you a virgin?::Muhammad Ali: What do you mean "Am I a virgin"?
Drew 'Bundini' Brown: God don't love us! We be.
[fighting George Foreman]::Muhammad Ali: Is that all you got?
Muhammad Ali: Gonna get me some Champ Burgers.
Belinda: Don King talks black, lives white and thinks green.
Muhammad Ali: Yeah, I know where Vietnam is; it's on TV. Southeast Asia? It's there, too?
Muhammad Ali: Ain't no Vietcong ever called me nigger.
Drew 'Bundini' Brown: Free ain't easy. Free is real. And real's a motherfucker.
Muhammad Ali: Float like a butterfly, sting like a bee His hands can't hit what his eyes can't see.
Muhammad Ali: Damn Don you crazy. You must have studied the whole "D" section of the dictionary.
A Pledge to Rescue Our Youth
Maya Angelou
© 2006
Young women, young men of color, we add our voices to the voices of your ancestors who speak to you over ancient seas and across impossible mountain tops.
Come up from the gloom of national neglect, you have already been paid for.
Come out of the shadow of irrational prejudice, you owe
no racial debt to history.
The blood of our bodies and the prayers of our souls have bought you a future
free from shame and bright beyond the telling of it.
We pledge ourselves and our resources to seek for you clean and well-furnished schools, safe and non-threatening streets, employment which makes use of your talents, but does not degrade your dignity.
You are the best we have.
You are all we have.
You are what we have become.