Royal Exhibition Building

The Royal Exhibition Building is a World Heritage Site-listed building in Melbourne, Australia, completed in 1880. It is located at 9 Nicholson Street in the Carlton Gardens, flanked by Victoria, Nicholson, Carlton and Rathdowne Streets, at the north-eastern edge of the central business district. It was built to host the Melbourne International Exhibition in 1880–81 and later hosted (in the Western annex) the opening of the first Parliament of Australia in 1901. Throughout the 20th century smaller sections and wings of the building were subject to demolition and fire; however, the main building, known as the Great Hall, survived.

It received restoration throughout the 1990s and in 2004 became the first building in Australia to be awarded UNESCO World Heritage status, being one of the last remaining major 19th-century exhibition buildings in the world. It is the world's most complete surviving site from the International Exhibition movement 1851–1914. It sits adjacent to the Melbourne Museum and is the largest item in Museum Victoria's collection. Today, the building hosts various exhibitions and other events and is closely tied with events at the Melbourne Museum.

Exhibition

An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within museums, galleries and exhibition halls, and World's Fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs.

The word "exhibition" is usually, but not always, the word used for a collection of items. Sometimes "exhibit" is synonymous with "exhibition", but "exhibit" generally refers to a single item being exhibited within an exhibition.

Exhibitions may be permanent displays or temporary, but in common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions.

Mystic Seaport

Mystic Seaport or Mystic Seaport: The Museum of America and the Sea, in Mystic, Connecticut, is the largest maritime museum in the world. It is notable for its collection of sailing ships and boats, and for the re-creation of the crafts and fabric of an entire 19th-century seafaring village. It consists of more than 60 original historic buildings, most of them rare commercial structures moved to the 19-acre (0.077 km²) site and meticulously restored.

Overview

The museum was established in 1929 as the "Marine Historical Association". Its first fame came with the acquisition in 1941 of the Charles W. Morgan, the only surviving wooden sailing whaler. The seaport was one of the first living history museums in the United States, with a collection of buildings and craftsmen to show how work was done. The seaport now receives about 250,000 visitors each year.

In addition, it supports research via an extensive library; runs the Frank C. Munson Institute of American Maritime Studies, a summer graduate-level academic program, established in 1955 by maritime historian Professor Robert G. Albion of Harvard University; and, in conjunction with Williams College, hosts Williams–Mystic, an undergraduate program in maritime studies. Outreach includes sailing and history classes for area children.

Carlton Gardens

The Carlton Gardens is a World Heritage Site located on the northeastern edge of the Central Business District in the suburb of Carlton, in Melbourne, Victoria, Australia.

The 26 hectare (64 acre) site contains the Royal Exhibition Building, Melbourne Museum and Imax Cinema, tennis courts and an award winning children's playground. The rectangular site is bound by Victoria Street, Rathdowne Street, Carlton Street, and Nicholson Street. From the Exhibition building the gardens gently slope down to the southwest and northeast. According to the World Heritage listing the Royal Exhibition Buildings and Carlton Gardens are "of historical, architectural, aesthetic, social and scientific (botanical) significance to the State of Victoria."

The gardens are an outstanding example of Victorian landscape design with sweeping lawns and varied European and Australian tree plantings consisting of deciduous English oaks, White Poplar, Plane trees, Elms, Conifers, Cedars, Turkey Oaks, Araucarias and evergreens such as Moreton Bay Figs, combined with flower beds of annuals and shrubs. A network of tree lined paths provide formal avenues for highlighting the fountains and architecture of the Exhibition building. This includes the grand allee of plane trees that lead to the exhibition building. Two small ornamental lakes adorn the southern section of the park. The northern section contains the Museum, tennis courts, maintenance depot and curator's cottage, and the children's playground designed as a Victorian maze.

Building

A building or edifice is a structure with a roof and walls standing more or less permanently in one place, such as a house or factory. Buildings come in a variety of shapes, sizes and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, to land prices, ground conditions, specific uses and aesthetic reasons. To better understand the term building compare the list of nonbuilding structures.

Buildings serve several needs of society – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the outside (a place that at times may be harsh and harmful).

Ever since the first cave paintings, buildings have also become objects or canvasess of artistic expression. In recent years, interest in sustainable planning and building practices has also become an intentional part of the design process of many new buildings.