Miss (pronounced /ˈmɪs/) is an English language honorific traditionally used only for an unmarried woman (not entitled to another title such as "Doctor" or "Dame"). Originating in the 17th century, it is a contraction of mistress, which was used for all women. A period is not used to signify the contraction. Its counterparts are Mrs., usually used only for married women, and Ms., which may be used regardless of marital status.
The plural Misses may be used, such as in The Misses Doe. The traditional French "Mesdemoiselles" (abbreviation "Mlles") may also be used as the plural in English language conversation or correspondence.
The usage of "Miss" as a title in the United States is most frequently seen when referring to girls under eighteen. Though Miss is less commonly used as a title by unmarried adult women in the United States than in the past, some still prefer to be referred to as such. Twenty-first century etiquette honors an adult woman's personal preference of title. However, if the preference is not known, "Ms." is used. "Ms." is becoming the preferred choice as this female title in business. It is the equivalent to the male title "Mr." as neither is marital status specific.
Revivez la folle aventure de 15 miss chinoises dans le Jura (Relive the crazy adventure of 15 Chinese beauty queens in the Jura)
Miss: It's your own time your wasting.::Alicia: We're wasting your time as well though, innit.
Plot
André Mahy, an artistic but unemployed director, gets an offer to make a movie. He accepts the offer enthusiastically. The script of the movie appears to be a 'Kiekeboe' comic story entitled "Misstakes". This is where the main story begins, in which the Kiekeboe family has to deal with a gang of diamond smugglers. Suspense, humor, and a little bit of romance are the basic ingredients of this story. The story of André, who goes to extremes to shoot his film, contains the same elements. A fascinating dialogue develops between the fictional story of the family Kiekeboe and the real story of André Mahy and his film crew. At the end of the movie, the distinction between these two story lines fades away. Fiction and reality melt together in an endless tangle of plots of which the 'real' end is hard to find.
Here comes the anger, the anger is coming
Ladies and Gentlemen!
Emotion, useless feelings from the heart
Rejection, you don't know it but,
you're a useless person
Always thinking you're a victim
Because You never take the blame
Never admitting you are wrong
Always blame it on someone else
You don't know this but, you make the choice
There's really no such thing as a mistake
The choice is always in your hands!
In those hands of yours!※
Here comes the anger, the anger is coming
Ladies and Gentlemen!
Irritation, useless doubts from the heart
Exasperation, you don't know it but,
you're not the only one
Everybody thinks about things like why you are born
The meaning of life,
Questioning should be the answer, right?
Creation, explosion, core, unsatisfied, complete,
calculated, and then Anger
Emotion, useless feelings from the heart
Rejection, you don't know it but,
you're a useless person
Irritation, useless doubts from the heart
Exasperation, you don't know it but,
Sa paglipas ng bawat minuto
Laging naaalala
Di makatakas kahit sa pagtulog
Larawan mong nakikita
Di na bale kahit walang saysay ang pinag-uusapan
Basta't nariyan ka lang
Chorus:
Pwede bang muling makita
Kahit na maghapon nakatunganga
Uuwi rin tayo di ka dapat na mag-alala
Kung alam mo lang talagang
Miss na miss na miss kita
Miss na miss kita...
Kahit na aliwin aking sarili
Kay hirap mong limutin
Bakit ba ikaw na lang palaging
Kinukulit ng damdamin
Bakit ba parang di mapalagay tuwing ika'y nakikita
Lagi sanang nariyan ka lang
Bridge:
Para nga bang laging nangungulila
Bakit ba hinahanap ka
Di makuntento sa pakwento-kwento
Para bang may kulang pa
Di makatulog pag nahuhulog
Ano bang nasa sa'yo
Sana'y aminin ng iyong damdamin