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The Royal Opera Chorus on performing Carmen (The Royal Opera)
A look at how the Royal Opera Chorus members are meeting the challenges of performing in Barrie Kosky's new production of Bizet's Carmen for The Royal Opera. Find out more at http://www.roh.org.uk/carmen
Award-winning director Barrie Kosky provides a refreshing perspective on this well-known opera. He explores Carmen's ever-changing nature - marked by her series of contrasting costumes - and her vitality through dance. The pre-recorded voice of a narrator (perhaps Carmen herself) ensures that we experience the whole story from her perspective, and the production's unique performing edition (by Michael Rot) offers a chance for audience members to hear music Bizet omitted from the opera's first performances.
Carmen had only lukewarm success at its 1875 premiere - perhaps due to its unconve...
published: 27 Mar 2018
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The Royal Opera Chorus rehearse 'Va Pensiero' from Verdi's Nabucco - Royal Opera LIVE
The Royal Opera Chorus rehearses 'Va Pensiero' from Verdi's opera Nabucco.
This rehearsal was filmed as part of Royal Opera LIVE, a day of live streaming from behind the scenes at Covent Garden.
Following the spectacular failure of his second opera, Un giorno di regno, Giuseppe Verdi vowed never to compose another. But he was lured back to the theatre by Bartolomeo Merelli, the impresario of La Scala, Milan, with the commission for Nabucco. The resulting opera was a triumph -- first performed in 1842, it was revived the same year with a run of 57 shows. As Verdi wrote: 'with this opera, it can truly be said that my artistic career began.'
Daniele Abbado's production is set in the second half of the 20th century and makes imaginative use of large-scale video projections to accompany and ...
published: 23 Jan 2013
-
Tannhaüser: Pilgrims' Chorus
Provided to YouTube by IIP-DDS
Tannhaüser: Pilgrims' Chorus · Male Chorus Of The Royal Opera House, Covent Garden, Royal Philharmonic Orchestra and Rene Leibowitz
Invitation To The Opera
℗ Imp
Released on: 1993-01-01
Artist: Male Chorus Of The Royal Opera House, Covent Garden
Artist: Rene Leibowitz
Artist: Royal Philharmonic Orchestra
Auto-generated by YouTube.
published: 20 Jul 2018
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Join The Royal Opera Chorus in 360°
Ever wanted to take centre-stage at Covent Garden with our world-class Royal Opera Chorus?
A new virtual reality experience allows aspiring performers across the globe to get a taster of what it's like in the run-up to opening night, as they stand on stage in the centre of a rehearsal.
Find out more: http://www.roh.org.uk/news/interactive-join-the-royal-opera-chorus-in-360-degrees
See the full experience at www.jauntvr.com
published: 10 Oct 2016
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'Stand by Me' performed by Karen Gibson and The Kingdom Choir - The Royal Wedding - BBC
Subscribe and 🔔 to OFFICIAL BBC YouTube 👉 https://bit.ly/2IXqEIn
Stream original BBC programmes FIRST on BBC iPlayer 👉 https://bbc.in/2J18jYJ
Get all of The Royal Wedding on BBC iPlayer: https://bbc.in/2rXb8ln
Highlights from the #RoyalWedding.
Hundreds of guests watched the couple exchange vows in a ceremony featuring a gospel choir and an American preacher.
Prince Harry and Meghan Markle have been declared husband and wife, following a ceremony at Windsor Castle. The couple exchanged vows and rings before the Queen and 600 guests at St George's Chapel. Wearing a dress by British designer Clare Waight Keller, Ms Markle was met by Prince Charles, who walked her down the aisle.
Following their marriage, the couple will be known as the Duke and Duchess of Sussex.
The Royal Wedding: Pri...
published: 19 May 2018
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Verdi’s 'Anvil Chorus' from Il trovatore (The Royal Opera)
Even for those who have never set foot in an opera house, Verdi's 'Anvil Chorus' is likely to be a familiar tune. Its rousing tune and rhythmic percussion - including, frequently, anvils played on stage on and off the beat - makes it something of an archetype for a bold, cheery Italian chorus.
Find out more at http://www.roh.org.uk/news/watch-verdi-anvil-chorus-il-trovatore
published: 20 Jul 2016
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Orphée et Eurydice - The Dance of the Furies (The Royal Opera)
The Monteverdi Choir and The Hofesh Shechter Dance Company in The Royal Opera's production of Gluck's Orphée et Eurydice. Find out more at http://www.roh.org.uk/eurydice
The Italian Orfeo ed Euridice was the first of Gluck’s great ‘reform’ operas. In it, he and his librettist Ranieri de’ Calzabigi sought to move away from the complicated plots and ornate music of opera seria, in favour of a ‘noble simplicity’, where music always drives the story. The opera’s premiere at the Vienna Burgtheater on 5 October 1762 was a great success – so much so that Gluck himself revised the opera for the French premiere at the Paris Opéra on 2 August 1774 as Orphée et Eurydice. It is longer, larger and grander; Gluck extended movements, added new ones and revised the orchestration to suit the forces of the...
published: 24 Sep 2015
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Nabucco - Verdi's use of the chorus (The Royal Opera)
Renato Balsadonna (Chorus Director) and Nicola Luisotti (Conductor) describe how Verdi used the chorus in Nabucco. Find out more at http://www.roh.org.uk/productions/nabucco-by-daniele-abbado
published: 30 Apr 2013
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The Royal Opera House Thurrock Community Chorus performing at Awake in Chorus!
The Royal Opera House Thurrock Community Chorus sang with the Royal Opera Chorus at a special concert called Awake in Chorus! in October 2012.
http://www.roh.org.uk/productions/awake-in-chorus-by-various
published: 04 Dec 2012
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Royal Choral Society: 'Hallelujah Chorus' from Handel's Messiah
The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1876. The RCS filmed their performance on 6 April 2012 by kind permission of the Royal Albert Hall and the Royal Philharmonic Orchestra. This clip features the glorious Hallelujah Chorus. For further information on forthcoming RCS concerts please see www.royalchoralsociety.co.uk.
published: 23 Apr 2012
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The Barber of Seville - Act I Finale (Joyce DiDonato and Juan Diego Flórez, The Royal Opera)
Joyce DiDonato as Rosina, Juan Diego Flórez as Count Almaviva, Pietro Spagnoli as Figaro, Alessandro Corbelli as Doctor Bartolo, Ferruccio Furlanetto as Don Basilio, Jennifer Rhys-Davies as Berta and men of the Royal Opera Chorus in 'Mi par d'esser con la testa' from the Act I finale of Gioachino Rossini's opera Il barbiere di Siviglia (The Barber of Seville).
Find out more at http://www.roh.org.uk/barbiere
The 23-year-old Gioachino Rossini completed his masterpiece Il barbiere di Siviglia incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. He drew on Pierre-Augustin Beaumarchais’ play Le Barbier de Seville – part of a dramatic trilogy that also inspired Mozart’s Le nozze di Figaro. The opera is characterized by youthful energ...
published: 14 Aug 2014
4:06
The Royal Opera Chorus on performing Carmen (The Royal Opera)
A look at how the Royal Opera Chorus members are meeting the challenges of performing in Barrie Kosky's new production of Bizet's Carmen for The Royal Opera. Fi...
A look at how the Royal Opera Chorus members are meeting the challenges of performing in Barrie Kosky's new production of Bizet's Carmen for The Royal Opera. Find out more at http://www.roh.org.uk/carmen
Award-winning director Barrie Kosky provides a refreshing perspective on this well-known opera. He explores Carmen's ever-changing nature - marked by her series of contrasting costumes - and her vitality through dance. The pre-recorded voice of a narrator (perhaps Carmen herself) ensures that we experience the whole story from her perspective, and the production's unique performing edition (by Michael Rot) offers a chance for audience members to hear music Bizet omitted from the opera's first performances.
Carmen had only lukewarm success at its 1875 premiere - perhaps due to its unconventional subject - but soon became immensely popular, and has remained so. Its glorious score boasts a host of wonderful melodies, including Carmen's sensual Habanera and Seguidilla, Don José's tender Flower Aria and Escamillo's rousing Toreador's Song. There are also passionate duologues, above all the intense, final confrontation between Carmen and Don José.
https://wn.com/The_Royal_Opera_Chorus_On_Performing_Carmen_(The_Royal_Opera)
A look at how the Royal Opera Chorus members are meeting the challenges of performing in Barrie Kosky's new production of Bizet's Carmen for The Royal Opera. Find out more at http://www.roh.org.uk/carmen
Award-winning director Barrie Kosky provides a refreshing perspective on this well-known opera. He explores Carmen's ever-changing nature - marked by her series of contrasting costumes - and her vitality through dance. The pre-recorded voice of a narrator (perhaps Carmen herself) ensures that we experience the whole story from her perspective, and the production's unique performing edition (by Michael Rot) offers a chance for audience members to hear music Bizet omitted from the opera's first performances.
Carmen had only lukewarm success at its 1875 premiere - perhaps due to its unconventional subject - but soon became immensely popular, and has remained so. Its glorious score boasts a host of wonderful melodies, including Carmen's sensual Habanera and Seguidilla, Don José's tender Flower Aria and Escamillo's rousing Toreador's Song. There are also passionate duologues, above all the intense, final confrontation between Carmen and Don José.
- published: 27 Mar 2018
- views: 20223
9:15
The Royal Opera Chorus rehearse 'Va Pensiero' from Verdi's Nabucco - Royal Opera LIVE
The Royal Opera Chorus rehearses 'Va Pensiero' from Verdi's opera Nabucco.
This rehearsal was filmed as part of Royal Opera LIVE, a day of live streaming from ...
The Royal Opera Chorus rehearses 'Va Pensiero' from Verdi's opera Nabucco.
This rehearsal was filmed as part of Royal Opera LIVE, a day of live streaming from behind the scenes at Covent Garden.
Following the spectacular failure of his second opera, Un giorno di regno, Giuseppe Verdi vowed never to compose another. But he was lured back to the theatre by Bartolomeo Merelli, the impresario of La Scala, Milan, with the commission for Nabucco. The resulting opera was a triumph -- first performed in 1842, it was revived the same year with a run of 57 shows. As Verdi wrote: 'with this opera, it can truly be said that my artistic career began.'
Daniele Abbado's production is set in the second half of the 20th century and makes imaginative use of large-scale video projections to accompany and reflect the action on stage. An enormous chorus lends weight to epic numbers such as 'Immenso Jehova' -- the Hebrew Slaves' triumphant hymn of thanksgiving -- and their song of exile, 'Va, pensiero', which is considered by many to be Italy's unofficial national anthem. There are wonderful bass and baritone roles in the figures of Nabucco, the Babylonian King (based on the biblical King Nebuchadnezzar), and Zaccaria, the Hebrew prophet. And in Abigaille, Verdi created a memorable anti-heroine, at once terrifying and pitiable. Throughout, the score blends rhythmic vitality and powerful drama, and is on a scale that does justice to the opera's epic themes.
https://wn.com/The_Royal_Opera_Chorus_Rehearse_'Va_Pensiero'_From_Verdi's_Nabucco_Royal_Opera_Live
The Royal Opera Chorus rehearses 'Va Pensiero' from Verdi's opera Nabucco.
This rehearsal was filmed as part of Royal Opera LIVE, a day of live streaming from behind the scenes at Covent Garden.
Following the spectacular failure of his second opera, Un giorno di regno, Giuseppe Verdi vowed never to compose another. But he was lured back to the theatre by Bartolomeo Merelli, the impresario of La Scala, Milan, with the commission for Nabucco. The resulting opera was a triumph -- first performed in 1842, it was revived the same year with a run of 57 shows. As Verdi wrote: 'with this opera, it can truly be said that my artistic career began.'
Daniele Abbado's production is set in the second half of the 20th century and makes imaginative use of large-scale video projections to accompany and reflect the action on stage. An enormous chorus lends weight to epic numbers such as 'Immenso Jehova' -- the Hebrew Slaves' triumphant hymn of thanksgiving -- and their song of exile, 'Va, pensiero', which is considered by many to be Italy's unofficial national anthem. There are wonderful bass and baritone roles in the figures of Nabucco, the Babylonian King (based on the biblical King Nebuchadnezzar), and Zaccaria, the Hebrew prophet. And in Abigaille, Verdi created a memorable anti-heroine, at once terrifying and pitiable. Throughout, the score blends rhythmic vitality and powerful drama, and is on a scale that does justice to the opera's epic themes.
- published: 23 Jan 2013
- views: 48611
5:10
Tannhaüser: Pilgrims' Chorus
Provided to YouTube by IIP-DDS
Tannhaüser: Pilgrims' Chorus · Male Chorus Of The Royal Opera House, Covent Garden, Royal Philharmonic Orchestra and Rene Leibow...
Provided to YouTube by IIP-DDS
Tannhaüser: Pilgrims' Chorus · Male Chorus Of The Royal Opera House, Covent Garden, Royal Philharmonic Orchestra and Rene Leibowitz
Invitation To The Opera
℗ Imp
Released on: 1993-01-01
Artist: Male Chorus Of The Royal Opera House, Covent Garden
Artist: Rene Leibowitz
Artist: Royal Philharmonic Orchestra
Auto-generated by YouTube.
https://wn.com/Tannhaüser_Pilgrims'_Chorus
Provided to YouTube by IIP-DDS
Tannhaüser: Pilgrims' Chorus · Male Chorus Of The Royal Opera House, Covent Garden, Royal Philharmonic Orchestra and Rene Leibowitz
Invitation To The Opera
℗ Imp
Released on: 1993-01-01
Artist: Male Chorus Of The Royal Opera House, Covent Garden
Artist: Rene Leibowitz
Artist: Royal Philharmonic Orchestra
Auto-generated by YouTube.
- published: 20 Jul 2018
- views: 12
2:34
Join The Royal Opera Chorus in 360°
Ever wanted to take centre-stage at Covent Garden with our world-class Royal Opera Chorus?
A new virtual reality experience allows aspiring performers across t...
Ever wanted to take centre-stage at Covent Garden with our world-class Royal Opera Chorus?
A new virtual reality experience allows aspiring performers across the globe to get a taster of what it's like in the run-up to opening night, as they stand on stage in the centre of a rehearsal.
Find out more: http://www.roh.org.uk/news/interactive-join-the-royal-opera-chorus-in-360-degrees
See the full experience at www.jauntvr.com
https://wn.com/Join_The_Royal_Opera_Chorus_In_360°
Ever wanted to take centre-stage at Covent Garden with our world-class Royal Opera Chorus?
A new virtual reality experience allows aspiring performers across the globe to get a taster of what it's like in the run-up to opening night, as they stand on stage in the centre of a rehearsal.
Find out more: http://www.roh.org.uk/news/interactive-join-the-royal-opera-chorus-in-360-degrees
See the full experience at www.jauntvr.com
- published: 10 Oct 2016
- views: 6087
3:34
'Stand by Me' performed by Karen Gibson and The Kingdom Choir - The Royal Wedding - BBC
Subscribe and 🔔 to OFFICIAL BBC YouTube 👉 https://bit.ly/2IXqEIn
Stream original BBC programmes FIRST on BBC iPlayer 👉 https://bbc.in/2J18jYJ
Get all of The Ro...
Subscribe and 🔔 to OFFICIAL BBC YouTube 👉 https://bit.ly/2IXqEIn
Stream original BBC programmes FIRST on BBC iPlayer 👉 https://bbc.in/2J18jYJ
Get all of The Royal Wedding on BBC iPlayer: https://bbc.in/2rXb8ln
Highlights from the #RoyalWedding.
Hundreds of guests watched the couple exchange vows in a ceremony featuring a gospel choir and an American preacher.
Prince Harry and Meghan Markle have been declared husband and wife, following a ceremony at Windsor Castle. The couple exchanged vows and rings before the Queen and 600 guests at St George's Chapel. Wearing a dress by British designer Clare Waight Keller, Ms Markle was met by Prince Charles, who walked her down the aisle.
Following their marriage, the couple will be known as the Duke and Duchess of Sussex.
The Royal Wedding: Prince Harry and Meghan Markle | BBC
#bbc
All our TV channels and S4C are available to watch live through BBC iPlayer, although some programmes may not be available to stream online due to rights. If you would like to read more on what types of programmes are available to watch live, check the 'Are all programmes that are broadcast available on BBC iPlayer?' FAQ 👉 https://bbc.in/2m8ks6v.
https://wn.com/'Stand_By_Me'_Performed_By_Karen_Gibson_And_The_Kingdom_Choir_The_Royal_Wedding_BBC
Subscribe and 🔔 to OFFICIAL BBC YouTube 👉 https://bit.ly/2IXqEIn
Stream original BBC programmes FIRST on BBC iPlayer 👉 https://bbc.in/2J18jYJ
Get all of The Royal Wedding on BBC iPlayer: https://bbc.in/2rXb8ln
Highlights from the #RoyalWedding.
Hundreds of guests watched the couple exchange vows in a ceremony featuring a gospel choir and an American preacher.
Prince Harry and Meghan Markle have been declared husband and wife, following a ceremony at Windsor Castle. The couple exchanged vows and rings before the Queen and 600 guests at St George's Chapel. Wearing a dress by British designer Clare Waight Keller, Ms Markle was met by Prince Charles, who walked her down the aisle.
Following their marriage, the couple will be known as the Duke and Duchess of Sussex.
The Royal Wedding: Prince Harry and Meghan Markle | BBC
#bbc
All our TV channels and S4C are available to watch live through BBC iPlayer, although some programmes may not be available to stream online due to rights. If you would like to read more on what types of programmes are available to watch live, check the 'Are all programmes that are broadcast available on BBC iPlayer?' FAQ 👉 https://bbc.in/2m8ks6v.
- published: 19 May 2018
- views: 19091829
2:43
Verdi’s 'Anvil Chorus' from Il trovatore (The Royal Opera)
Even for those who have never set foot in an opera house, Verdi's 'Anvil Chorus' is likely to be a familiar tune. Its rousing tune and rhythmic percussion - inc...
Even for those who have never set foot in an opera house, Verdi's 'Anvil Chorus' is likely to be a familiar tune. Its rousing tune and rhythmic percussion - including, frequently, anvils played on stage on and off the beat - makes it something of an archetype for a bold, cheery Italian chorus.
Find out more at http://www.roh.org.uk/news/watch-verdi-anvil-chorus-il-trovatore
https://wn.com/Verdi’S_'Anvil_Chorus'_From_Il_Trovatore_(The_Royal_Opera)
Even for those who have never set foot in an opera house, Verdi's 'Anvil Chorus' is likely to be a familiar tune. Its rousing tune and rhythmic percussion - including, frequently, anvils played on stage on and off the beat - makes it something of an archetype for a bold, cheery Italian chorus.
Find out more at http://www.roh.org.uk/news/watch-verdi-anvil-chorus-il-trovatore
- published: 20 Jul 2016
- views: 270548
1:58
Orphée et Eurydice - The Dance of the Furies (The Royal Opera)
The Monteverdi Choir and The Hofesh Shechter Dance Company in The Royal Opera's production of Gluck's Orphée et Eurydice. Find out more at http://www.roh.org.uk...
The Monteverdi Choir and The Hofesh Shechter Dance Company in The Royal Opera's production of Gluck's Orphée et Eurydice. Find out more at http://www.roh.org.uk/eurydice
The Italian Orfeo ed Euridice was the first of Gluck’s great ‘reform’ operas. In it, he and his librettist Ranieri de’ Calzabigi sought to move away from the complicated plots and ornate music of opera seria, in favour of a ‘noble simplicity’, where music always drives the story. The opera’s premiere at the Vienna Burgtheater on 5 October 1762 was a great success – so much so that Gluck himself revised the opera for the French premiere at the Paris Opéra on 2 August 1774 as Orphée et Eurydice. It is longer, larger and grander; Gluck extended movements, added new ones and revised the orchestration to suit the forces of the Opéra. He also recast the role of Orpheus from alto castrato to the haute-contre of French opera, a very high tenor. The opera remains Gluck’s most popular work, and a landmark in operatic history.
Orphée et Eurydice includes some of Gluck’s most loved music, from Orphée’s tender ‘Objet de mon amour’ and ‘J’ai perdu mon Eurydice’ to the spectacular ‘L’espoir renaît dans mon âme’, added for the French premiere. The chorus also assumes a role of great importance, particularly in their roles as the shades and Furies of the underworld. But the opera is perhaps most celebrated for its innovative dance music; two of its many highlights include the ‘Dance of the Furies’ and the ‘Dance of the Blessed Spirits’. In this new production for The Royal Opera, acclaimed choreographer Hofesh Shechter, who made his debut with The Royal Ballet in the 2014/15 Season, makes his operatic debut in collaboration with Associate Director of Opera John Fulljames (La donna del lago, Rise and Fall of the City of Mahagonny).
https://wn.com/Orphée_Et_Eurydice_The_Dance_Of_The_Furies_(The_Royal_Opera)
The Monteverdi Choir and The Hofesh Shechter Dance Company in The Royal Opera's production of Gluck's Orphée et Eurydice. Find out more at http://www.roh.org.uk/eurydice
The Italian Orfeo ed Euridice was the first of Gluck’s great ‘reform’ operas. In it, he and his librettist Ranieri de’ Calzabigi sought to move away from the complicated plots and ornate music of opera seria, in favour of a ‘noble simplicity’, where music always drives the story. The opera’s premiere at the Vienna Burgtheater on 5 October 1762 was a great success – so much so that Gluck himself revised the opera for the French premiere at the Paris Opéra on 2 August 1774 as Orphée et Eurydice. It is longer, larger and grander; Gluck extended movements, added new ones and revised the orchestration to suit the forces of the Opéra. He also recast the role of Orpheus from alto castrato to the haute-contre of French opera, a very high tenor. The opera remains Gluck’s most popular work, and a landmark in operatic history.
Orphée et Eurydice includes some of Gluck’s most loved music, from Orphée’s tender ‘Objet de mon amour’ and ‘J’ai perdu mon Eurydice’ to the spectacular ‘L’espoir renaît dans mon âme’, added for the French premiere. The chorus also assumes a role of great importance, particularly in their roles as the shades and Furies of the underworld. But the opera is perhaps most celebrated for its innovative dance music; two of its many highlights include the ‘Dance of the Furies’ and the ‘Dance of the Blessed Spirits’. In this new production for The Royal Opera, acclaimed choreographer Hofesh Shechter, who made his debut with The Royal Ballet in the 2014/15 Season, makes his operatic debut in collaboration with Associate Director of Opera John Fulljames (La donna del lago, Rise and Fall of the City of Mahagonny).
- published: 24 Sep 2015
- views: 53616
4:02
Nabucco - Verdi's use of the chorus (The Royal Opera)
Renato Balsadonna (Chorus Director) and Nicola Luisotti (Conductor) describe how Verdi used the chorus in Nabucco. Find out more at http://www.roh.org.uk/produc...
Renato Balsadonna (Chorus Director) and Nicola Luisotti (Conductor) describe how Verdi used the chorus in Nabucco. Find out more at http://www.roh.org.uk/productions/nabucco-by-daniele-abbado
https://wn.com/Nabucco_Verdi's_Use_Of_The_Chorus_(The_Royal_Opera)
Renato Balsadonna (Chorus Director) and Nicola Luisotti (Conductor) describe how Verdi used the chorus in Nabucco. Find out more at http://www.roh.org.uk/productions/nabucco-by-daniele-abbado
- published: 30 Apr 2013
- views: 6652
4:02
The Royal Opera House Thurrock Community Chorus performing at Awake in Chorus!
The Royal Opera House Thurrock Community Chorus sang with the Royal Opera Chorus at a special concert called Awake in Chorus! in October 2012.
http://www.roh.o...
The Royal Opera House Thurrock Community Chorus sang with the Royal Opera Chorus at a special concert called Awake in Chorus! in October 2012.
http://www.roh.org.uk/productions/awake-in-chorus-by-various
https://wn.com/The_Royal_Opera_House_Thurrock_Community_Chorus_Performing_At_Awake_In_Chorus
The Royal Opera House Thurrock Community Chorus sang with the Royal Opera Chorus at a special concert called Awake in Chorus! in October 2012.
http://www.roh.org.uk/productions/awake-in-chorus-by-various
- published: 04 Dec 2012
- views: 3599
4:23
Royal Choral Society: 'Hallelujah Chorus' from Handel's Messiah
The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1876. The RCS filmed their performance on 6 Apr...
The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1876. The RCS filmed their performance on 6 April 2012 by kind permission of the Royal Albert Hall and the Royal Philharmonic Orchestra. This clip features the glorious Hallelujah Chorus. For further information on forthcoming RCS concerts please see www.royalchoralsociety.co.uk.
https://wn.com/Royal_Choral_Society_'Hallelujah_Chorus'_From_Handel's_Messiah
The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1876. The RCS filmed their performance on 6 April 2012 by kind permission of the Royal Albert Hall and the Royal Philharmonic Orchestra. This clip features the glorious Hallelujah Chorus. For further information on forthcoming RCS concerts please see www.royalchoralsociety.co.uk.
- published: 23 Apr 2012
- views: 10048336
2:35
The Barber of Seville - Act I Finale (Joyce DiDonato and Juan Diego Flórez, The Royal Opera)
Joyce DiDonato as Rosina, Juan Diego Flórez as Count Almaviva, Pietro Spagnoli as Figaro, Alessandro Corbelli as Doctor Bartolo, Ferruccio Furlanetto as Don Ba...
Joyce DiDonato as Rosina, Juan Diego Flórez as Count Almaviva, Pietro Spagnoli as Figaro, Alessandro Corbelli as Doctor Bartolo, Ferruccio Furlanetto as Don Basilio, Jennifer Rhys-Davies as Berta and men of the Royal Opera Chorus in 'Mi par d'esser con la testa' from the Act I finale of Gioachino Rossini's opera Il barbiere di Siviglia (The Barber of Seville).
Find out more at http://www.roh.org.uk/barbiere
The 23-year-old Gioachino Rossini completed his masterpiece Il barbiere di Siviglia incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. He drew on Pierre-Augustin Beaumarchais’ play Le Barbier de Seville – part of a dramatic trilogy that also inspired Mozart’s Le nozze di Figaro. The opera is characterized by youthful energy and bold wit: qualities brought to the fore in Moshe Leiser and Patrice Caurier’s colourful production.
Il barbiere di Siviglia has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro – an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria ‘Largo al factotum’ to the frenzy of the Act I finale, when the five principal voices pile on top of each other. Within a few decades of its 1816 premiere, Il barbiere di Siviglia had been toured round the world, reaching opera houses in New York, Buenos Aires, Trinidad and Ecuador. It has remained one of the most prominent and popular operas in the repertory.
https://wn.com/The_Barber_Of_Seville_Act_I_Finale_(Joyce_Didonato_And_Juan_Diego_Flórez,_The_Royal_Opera)
Joyce DiDonato as Rosina, Juan Diego Flórez as Count Almaviva, Pietro Spagnoli as Figaro, Alessandro Corbelli as Doctor Bartolo, Ferruccio Furlanetto as Don Basilio, Jennifer Rhys-Davies as Berta and men of the Royal Opera Chorus in 'Mi par d'esser con la testa' from the Act I finale of Gioachino Rossini's opera Il barbiere di Siviglia (The Barber of Seville).
Find out more at http://www.roh.org.uk/barbiere
The 23-year-old Gioachino Rossini completed his masterpiece Il barbiere di Siviglia incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. He drew on Pierre-Augustin Beaumarchais’ play Le Barbier de Seville – part of a dramatic trilogy that also inspired Mozart’s Le nozze di Figaro. The opera is characterized by youthful energy and bold wit: qualities brought to the fore in Moshe Leiser and Patrice Caurier’s colourful production.
Il barbiere di Siviglia has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro – an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria ‘Largo al factotum’ to the frenzy of the Act I finale, when the five principal voices pile on top of each other. Within a few decades of its 1816 premiere, Il barbiere di Siviglia had been toured round the world, reaching opera houses in New York, Buenos Aires, Trinidad and Ecuador. It has remained one of the most prominent and popular operas in the repertory.
- published: 14 Aug 2014
- views: 76902