Caratacus (Brythonic *Caratācos, Greek Καράτακος; variants Latin Caractacus, Greek Καρτάκης) was a first century British chieftain of the Catuvellauni tribe, who led the British resistance to the Roman conquest.

Before the Roman invasion Caratacus participated in battles which expanded the territory of his tribe. His success only led to Roman invasion, nominally in support of his defeated enemies. Resisting the Romans, he mixed guerrilla warfare with set-piece battles, but was unsuccessful in the latter. After his final defeat he fled to the territory of Queen Cartimandua, who captured him and handed him over to the Romans. He was sentenced to death as a military prisoner, but made a speech before his execution that persuaded the Emperor Claudius to spare him.

The legendary Welsh character Caradog ap Bran and the legendary British king Arvirargus may be based upon Caratacus. Caratacus's speech to Claudius has been a common subject in art.

Caratacus is named by Dio Cassius as a son of the Catuvellaunian king Cunobelinus. Based on coin distribution Caratacus appears to have been the protégé of his uncle Epaticcus, who expanded Catuvellaunian power westwards into the territory of the Atrebates. After Epaticcus died ca. 35, the Atrebates, under Verica, regained some of their territory, but it appears Caratacus completed the conquest, as Dio tells us Verica was ousted, fled to Rome and appealed to the emperor Claudius for help. This was the excuse used by Claudius to launch his invasion of Britain in the summer of 43.

Rolf Harris, CBE, AM (born 30 March 1930) is an Australian musician, singer-songwriter, composer, painter and television personality.

Born in Perth, Western Australia, Harris was a champion swimmer before studying art. He moved to England in 1952, where he started to appear on television programmes on which he drew the characters. He also began a musical career initially with the piano accordion. He wrote the famous song "Tie Me Kangaroo Down, Sport", and when performing in Canada he introduced his popular routine around his song "Jake the Peg". He often uses unusual instruments in his performances: he plays the didgeridoo, has been credited with the invention of the wobble board, a rhythmic percussion instrument, and was associated with the Stylophone, a small electronic keyboard instrument.

From the 1960s he has become a popular television personality, presenting shows including Rolf's Cartoon Club, Animal Hospital and various programmes about serious art. In late 2005 he painted an official portrait of Queen Elizabeth II, which was the subject of a special episode of Rolf on Art.

Sir Edward William Elgar, 1st Baronet OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. The first of his Pomp and Circumstance Marches (1901) is well known in the English-speaking world.