Albert Gallatin Riddle (May 28, 1816 – May 16, 1902) was a U.S. Representative from Ohio.
Born in Monson, Massachusetts, Riddle moved with his parents to Newbury, in the Western Reserve of Ohio, in 1817. He completed preparatory studies, and then studied law. He was admitted to the bar in 1840 and began practice in Geauga County, serving as prosecuting attorney of that county 1840-1846. He served as member of the Ohio House of Representatives 1848-1850, and in 1848 called the first Free Soil convention in Ohio.
Riddle moved to Cleveland, Ohio, in 1850. He was elected prosecuting attorney in 1856, and in 1859 he defended the Oberlin slave rescuers. He served as a Republican in the Thirty-seventh Congress (March 4, 1861-March 3, 1863), making speeches in favor of arming slaves, the first on this subject that were delivered in Congress, and others on emancipation in the District of Columbia and in vindication of President Lincoln. He was not a candidate for renomination in 1862.
After his term in Congress, Riddle served as consul at Matanzas, Cuba, in 1863 and 1864. He then returned to Washington, D.C., and again engaged in the practice of law. He was retained by the State Department to aid in the prosecution of John H. Surratt as one of the accomplices in the murder of President Abraham Lincoln. He also served as law officer of the District of Columbia 1877-1889. He was in charge of the law department at Howard University for several years after its establishment.
Albert King (April 25, 1923 – December 21, 1992) was an American blues guitarist and singer, and a major influence in the world of blues guitar playing.
One of the "Three Kings of the Blues Guitar" (along with B.B. King and Freddie King), Albert King stood 6 ft 4 in (1.93 m) (some reports say 6 ft 7 in (2.01 m)) and weighed 250 pounds (110 kg) and was known as "The Velvet Bulldozer". He was born Albert Nelson on a cotton plantation in Indianola, Mississippi. Although unrelated, Albert occasionally referred to himself as "B.B. King's half brother". During his childhood he would sing at a family gospel group at a church where his father played the guitar. One of 13 children, King grew up picking cotton on plantations near Forrest City, Arkansas, where the family moved when he was eight.
He began his professional work as a musician with a group called In The Groove Boys in Osceola, Arkansas. Moving north to Gary, Indiana and later St. Louis, Missouri, he briefly played drums for Jimmy Reed's band and on several early Reed recordings. Influenced by blues musicians Blind Lemon Jefferson and Lonnie Johnson, but also, interestingly enough, Hawaiian music, the electric guitar became his signature instrument, his preference being the Gibson Flying V which he named "Lucy". King earned his nickname "The Velvet Bulldozer" during this period as he drove one of them and also worked as a mechanic to make a living.
Nelson Smock Riddle, Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid 1980s. His work for Capitol Records kept such vocalists as Ella Fitzgerald, Frank Sinatra, Dean Martin, Nat King Cole, Judy Garland, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith household names. He found commercial and critical success again in the 1980s with a trio of Platinum albums with vocalist Linda Ronstadt.
Riddle was born in Oradell, New Jersey, the only child of Marie Albertine Riddle and Nelson Smock Riddle, Sr., and later moved to nearby Ridgewood. Following his father's interest in music, he began taking piano lessons at age eight and trombone lessons at age fourteen. Riddle and his family had a summer house in Rumson, New Jersey. He enjoyed Rumson so much that he convinced his parents to allow him to attend high school there for his senior year. After his graduation from Rumson High School, Riddle spent his late teens and early 20s playing trombone in and occasionally arranging for various local dance bands, culminating in his association with the Charlie Spivak Orchestra.
Alberta Hunter (April 1, 1895 – October 17, 1984) was an American blues singer, songwriter, and nurse. Her career had started back in the early 1920s, and from there on, she became a successful jazz and blues recording artist, being critically acclaimed to the ranks of Ethel Waters and Bessie Smith. In the 1950s, she retired from performing and entered the medical field, only to successfully resume her singing career in her 1980s.
Born in Memphis, she left home while still in her early teens and settled in Chicago, Illinois. There, she peeled potatoes by day and hounded club owners by night, determined to land a singing job. Her persistence paid off, and Hunter began a climb through some of the city's lowest dives to a headlining job at its most prestigious venue for black entertainers, the Dreamland ballroom. She had a five-year association with the Dreamland, beginning in 1917, and her salary rose to $35 a week.
She first toured Europe in 1917, performing in Paris and London. The Europeans treated her as an artist, showing her respect and even reverence, which made a great impression on her.
Nik Kershaw (born Nicholas David Kershaw, 1 March 1958) is an English singer-songwriter. The one time jazz-funk guitarist was a 1980s teen idol. His 50 weeks on the UK Singles Chart in 1984 beat all other soloists. Kershaw appeared at Live Aid, and penned hits for Let Loose, The Hollies and a number 1 for Chesney Hawkes, "The One and Only".
Although born in Bristol, Kershaw grew up in Ipswich, Suffolk, and after leaving Northgate High School in 1976 worked as a shop assistant and in the Department of Employment for several years, during which time he played guitar and sang in a number of underground Ipswich bands. However, when the last of these, Fusion, split up in 1982, he embarked on a full time career as a songwriter and performer. In 1983, he signed a recording contract with MCA Records, a deal which spawned his debut single, "I Won't Let the Sun Go Down on Me".
At the beginning of 1984, Kershaw released his breakthrough song "Wouldn't It Be Good", which reached Number 4 in the UK Singles Chart, and was a big success in Europe, particularly in Germany, Italy, Switzerland and in Scandinavia, Australia and New Zealand. The music video, featuring Kershaw as a chroma key-suited alien, received heavy rotation by MTV, helping the song reach No.46 in the United States. He enjoyed three more Top 20 hits from his debut album Human Racing, including the title track and a successful re-issue of "I Won't Let the Sun Go Down on Me". This track ultimately proved his biggest hit as a performer when it reached Number 2 in the UK.