Anthropology /ænθrɵˈpɒlədʒi/ is the academic study of humanity. It deals with all that is characteristic of the human experience, from physiology and the evolutionary origins to the social and cultural organization of human societies as well as individual and collective forms of human experience. It has origins in the humanities, the natural sciences, and the social sciences. The term "anthropology" is from the Greek anthrōpos (ἄνθρωπος), "man", understood to mean humankind or humanity, and -logia (-λογία), "discourse" or "study."
Anthropology's basic concerns are the definition of human life and origin, how social relations among humans are organized, who the ancestors of modern Homo sapiens are, what the characterizations of human physical traits are, how humans behave, why there are variations among different groups of humans, how the evolutionary past of Homo sapiens has influenced its social organization and culture and so forth.[citation needed]
Anthropology originated in the colonial encounter between Western people and colonized non-western peoples, as Europeans tried to understand the origins of observable cultural diversity. Today anthropology is a global discipline, and anthropologists study both Western and non-Western societies.
Charles Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise."
Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapidly passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, combining jazz with other musical genres, including blues, Latin, and classical.
Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer.