Paean

A paean (/ˈpiːən/) is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, any solemn song or chant." "Paeon" was also the name of a divine physician and an epithet of Apollo.

Etymology

The basis of the word παιάν is *παιάϝων. Its ultimate etymology is unclear. R. S. P. Beekes has suggested the meaning "who heals illnesses through magic," from *παῖϝα/*παϝία "blow", related to παίω "beat" (from Proto-Indo-European *ph₂u-ie/o-) or παύω "withhold" (of uncertain etymology). He alternatively suggested that paian "may well be Pre-Greek."

Ancient Greek paean

In Homer, Paeon was the Greek physician of the gods. In Iliad V he heals the wounded Ares and Hades with his herbal lore. In time Paeon (or Paean) became an epithet of Apollo as a god capable of bringing disease and propitiated as a god of healing. Hesiod identifies Paeon as a separate god, and in later poetry Paeon is invoked independently as a health god. Later, Paean becomes an epithet of Asclepius, another healer-god.

Ancient Greek

Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BCE to the 6th century CE. It is often roughly divided into the Archaic period (9th to 6th centuries BCE), Classical period (5th and 4th centuries BCE), and Hellenistic period (3rd century BCE to 6th century CE). It is antedated in the second millennium BCE by Mycenaean Greek.

The language of the Hellenistic phase is known as Koine (common), while the language from the late period onward features no considerable differences from Medieval Greek. Koine is regarded as a separate historical stage of its own, although in its earlier form, it closely resembled the Classical. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects.

Ancient Greek was the language of Homer and of classical Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the West since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language.

Greek

Greek may refer to:

Greece

Anything of, from, or related to Greece, a country in Southern Europe:

Music of ancient Greece

The music of ancient Greece was almost universally present in society, from marriages and funerals to religious ceremonies, theatre, folk music and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are significant fragments of actual Greek musical notation as well as many literary references to ancient Greek music, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. Even archaeological remains reveal an abundance of depictions on ceramics, for example, of music being performed. The word music comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavours.

The difference between music and philosophy

It is common to hear the term "music of the spheres" and read of Pythagoras and his school, who laid the foundations of our knowledge of the study of harmonics—how strings and columns of air vibrate, how they produce overtones, how the overtones are related arithmetically to one another, etc.

Music of Greece

The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts: Greek traditional music and Byzantine music, with more eastern sounds. These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora.

Greek musical history

Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. In the 19th century, opera composers, like Nikolaos Mantzaros (1795–1872), Spyridon Xyndas (1812–1896) and Spyridon Samaras (1861–1917) and symphonists, like Dimitris Lialios and Dionysios Rodotheatos revitalized Greek art music. However, the diverse history of art music in Greece, which extends from the Cretan Renaissance and reaches modern times, exceeds the aims of the present article, which is, in general, limited to the presentation of the musical forms that have become synonymous to 'Greek music' during the last few decades; that is, the 'Greek song' or the 'song in Greek verse'.