Pike (weapon)

A pike is a pole weapon, a very long thrusting spear formerly used extensively by infantry. Unlike many similar weapons, the pike is not intended to be thrown. Pikes were used regularly in European warfare from the early Middle Ages until around 1700, and wielded by foot soldiers deployed in close quarters. The pike found extensive use with Landsknecht armies and Swiss mercenaries, who employed it as their main weapon and used it in pike square formations. A similar weapon, the sarissa, was also used by Alexander the Great's Macedonian phalanx infantry to great effect. Generally, a spear becomes a pike when it is too long to be wielded with one hand in combat.

Design

The pike was a long weapon, varying considerably in size, from 3 to 7.5 metres (10 to 25 feet) long. It was approximately 2.5–6 kg (5.5–13.2 lb) in weight, with sixteenth-century military writer Sir John Smythe recommending lighter rather than heavier pikes. It had a wooden shaft with an iron or steel spearhead affixed. The shaft near the head was often reinforced with metal strips called "cheeks" or langets. When the troops of opposing armies both carried the pike, it often grew in a sort of arms race, getting longer in both shaft and head length to give one side's pikemen an edge in the combat. The extreme length of such weapons required a strong wood such as well-seasoned ash for the pole, which was tapered towards the point to prevent the pike from sagging on the ends, although this was always a problem in pike handling. It is a common mistake to refer to a bladed polearm as a pike; such weapons are more generally halberds, glaives or voulges.

Weapon

A weapon, arm, or armament is any device used with intent to inflict damage or harm to living beings, structures, or systems. Weapons are used to increase the efficacy and efficiency of activities such as crime, law enforcement, self-defense, and warfare. In a broader context, weapons may be construed to include anything used to gain a strategic, material or mental advantage over an adversary.

While just about any ordinary objects such as sticks, stones, cars, or pencils can be used as weapons, many are expressly designed for the purpose – ranging from simple implements such as clubs, swords and guns, and to complicated modern intercontinental ballistic missiles, biological and cyberweapons.

History

Prehistoric

The use of objects as weapons has been observed among chimpanzees, leading to speculation that early hominids first began to use weapons as early as five million years ago. However, this can not be confirmed using physical evidence because wooden clubs, spears, and unshaped stones would not have left an unambiguous record. The earliest unambiguous weapons to be found are the Schöninger Speere: eight wooden throwing spears dated as being more than 300,000 years old. At the site of Nataruk in Turkana, Kenya, numerous human skeletons dating to 10,000 years ago have major traumatic injuries to the head, neck, ribs, knees and hands, including obsidian projectiles still embedded in the bones, that would have been caused by arrows and clubs in the context of conflict between two hunter-gatherer groups.

Character design of Final Fantasy

Although each installment of the Final Fantasy series is generally set in a different fictional world with separate storylines, there are several commonalities when it comes to character design, as certain design themes repeat themselves, as well as specific character names and classes. Within the main series, Yoshitaka Amano was the character designer for Final Fantasy, Final Fantasy II, Final Fantasy III, Final Fantasy IV, Final Fantasy V and Final Fantasy VI, Tetsuya Nomura was the character designer for Final Fantasy VII, Final Fantasy VIII, Final Fantasy X, Final Fantasy XI and Final Fantasy XIII, Yoshitaka Amano created and did the concept art for the characters while Toshiyuki Itahana was the final character designer for Final Fantasy IX, and Akihiko Yoshida was the character designer for Final Fantasy XII.

Visual character design

The series has often featured male characters with slightly effeminate characteristics, as well as female characters with slightly tomboyish, but still feminine, characteristics. This trend has generally increased as the series evolved. These characters are usually teenagers, which some critics have interpreted as an effort on the part of the designers to ensure the players identify with them. At the same time, some female characters have been increasingly designed to wear very revealing outfits. Square Enix has stated that a more rugged looking hero had been considered for Final Fantasy XII but had ultimately been scrapped in favor of Vaan, another effeminate protagonist. The developers cited scenaristic reasons and target demographic considerations to explain their choice. For Final Fantasy XIII, Square Enix settled on a female main character, described as a "female version of Cloud from FFVII." This aspect of Final Fantasy can also be seen in Sora, the protagonist of Kingdom Hearts, a crossover series featuring Final Fantasy and Disney characters.

Weapon (novel)

Weapon is a 1989 science fiction novel by Robert Mason. The book was Mason's first novel; he had previously written a memoir about his experiences in Vietnam titled Chickenhawk. The book is about an android, designed to kill, which experiences a crisis of conscience and runs away from its government masters to live in a Nicaraguan village.

Plot

The novel describes a new weapon system being developed for the US military, named Solo. A robot, Solo is designed to replace human soldiers in battle. It is humanoid in shape, in order to allow it to use all the military vehicles and equipment human soldiers do. Solo is capable of feats of great speed, strength and endurance.

Most importantly, Solo is governed by a neural network computer which is able to learn and think much as a human brain does. The robot's designer recognises that this could potentially make Solo as unpredictable and difficult to control as any human is; the military therefore insist that Solo be told a carefully edited version of world history and politics in which the United States are in all cases the unambiguously "good guys" and winners of all conflicts - for example Solo is told that the US won a clear victory in the Vietnam War.