Giuseppe De Santis (11 February 1917 – 16 May 1997) was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform.
He was the brother of Italian cinematographer Pasqualino De Santis. His wife is Gordana Miletic, actress (former ballet dancer) from the former Yugoslavia
De Santis was born in Fondi, Lazio. He was a member of the Italian Communist Party (PCI) and fought with the anti-German Resistance in Rome during World War II.
He was first a student of philosophy and literature before entering Rome's Centro Sperimentale di Cinematografia. While working as a journalist for Cinema magazine, De Santis became, under the influence of Cesare Zavattini, a major proponent of the early neorealist filmmakers who were trying to make films that mirrored the simple and tragic realities of proletarian life using location shooting and nonprofessional actors.
In 1942, De Santis collaborated on the script for Ossessione, Luchino Visconti's debut film, which is usually considered one of the first neo-realist films.
Loretta Goggi (born 29 September 1950) is an Italian singer and actress. She reached second place at the 1981 Festival della canzone italiana with the song Maledetta Primavera.
Adriano Celentano (Italian pronunciation: [adriˈano tʃelenˈtano]; born 6 January 1938) is an Italian singer, songwriter, comedian, actor, film director and TV host.
Celentano is the best-selling artist in Italy with Mina, and the best-selling male italian singer with more than 150 million records to date.
Celentano was born in Milan at 14 Via Gluck, about which he later wrote the famous song "Il ragazzo della via Gluck" ("The boy from Gluck Street"). His parents were from Foggia, in Apulia, and had moved north for work.
According to urban legend, before beginning his singing career, Celentano was a student of Ghigo Agosti during Agosti's 1955-1956 Northern Italian tour, which was also guitarist Giorgio Gaber's debut.
Heavily influenced by his idol Elvis Presley and the 1950s rock revolution and by the American actor Jerry Lewis, he has retained his popularity in Italy for the last 40 years, selling millions of records and appearing in numerous TV shows and movies. In the latter respect, he has also been a creator of a comic genre, with his characteristic walking and his facial expressions. For the most part, his films were commercially successful; indeed in the 1970s and part of the 1980s, he was the king of the Italian box office in low budget movies. As an actor, critics point to Serafino (1968), directed by Pietro Germi, as his best performance.
Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.Frank Sinatra called Charles “the only true genius in show business.”
The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.
Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004, and number two on their November 2008 list of "100 Greatest Singers of All Time". In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"
Carlo Lizzani (born 3 April 1922) is an Italian film director, screenwriter and critic.
Born in Rome, after World War II Lizzani worked on such notable films of the late 1940s as Roberto Rossellini's Germany Year Zero, Alberto Lattuada's The Mill on the Po (both 1948) and Giuseppe De Santis' Bitter Rice (1950, for which he received an Academy Award nomination for Best Original Story).
After helming documentaries, he debuted as a feature director with the admired World War II drama Achtung! Banditi! (1951). He films an episode of L'Amore in Città. Respected for his awarded drama Chronicle of Poor Lovers (1954), he has proven a solid director of genre films, notably crime films such as The Violent Four (1968) and Crazy Joe (1974) or erotic comedy Roma Bene (1971).
He worked frequently for Italian television in the 1980s and was a member of the jury at the Berlin Film Festival in 1994.
His film Celluloide deals with the making of Rome, Open City.